The Limits of Auteurism

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Publisher : Rutgers University Press
ISBN 13 : 0813589177
Total Pages : 283 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis The Limits of Auteurism by : Nicholas Godfrey

Download or read book The Limits of Auteurism written by Nicholas Godfrey and published by Rutgers University Press. This book was released on 2018-05-10 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production.

The Elusive Auteur

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Publisher : McFarland
ISBN 13 : 1476627886
Total Pages : 338 pages
Book Rating : 4.4/5 (766 download)

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Book Synopsis The Elusive Auteur by : Barrett Hodsdon

Download or read book The Elusive Auteur written by Barrett Hodsdon and published by McFarland. This book was released on 2017-05-21 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation "auteur" has gone from stylistic criterion to product label--in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.

New Wave, New Hollywood

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501360388
Total Pages : 270 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis New Wave, New Hollywood by : Nathan Abrams

Download or read book New Wave, New Hollywood written by Nathan Abrams and published by Bloomsbury Publishing USA. This book was released on 2021-09-23 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a period of film history, The American New Wave (ordinarily understood as beginning in 1967 and ending in 1980) remains a preoccupation for scholars and audiences alike. In traditional accounts, it is considered to be bookended by two periods of conservatism, and viewed as a (brief) period of explosive creativity within the Hollywood system. From Bonnie and Clyde to Heaven's Gate, it produced films that continue to be watched, discussed, analysed and poured over. It has, however, also become rigidly defined as a cinema of director-auteurs who made a number of aesthetically and politically significant films. This has led to marginalization and exclusion of many important artists and filmmakers, as well as a temporal rigidity about what and who is considered part of the 'New Wave proper'. This collection seeks to reinvigorate debate around this area of film history. It also looks in part to demonstrate the legacy of aesthetic experimentation and political radicalism after 1980 as part of the 'legacy' of the New Wave. Thanks to important new work that questions received scholarly wisdom, reveals previously marginalised filmmakers (and the films they made), considers new genres, personnel, and films under the banner of 'New Wave, New Hollywood', and reevaluates the traditional approaches and perspectives on the films that have enjoyed most critical attention, New Wave, New Hollywood: Reassessment, Recovery, Legacy looks to begin a new discussion about Hollywood cinema after 1967.

Unbridling the Western Film Auteur

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Publisher : Peter Lang Limited, International Academic Publishers
ISBN 13 : 9781787071551
Total Pages : 0 pages
Book Rating : 4.0/5 (715 download)

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Book Synopsis Unbridling the Western Film Auteur by : Emma Hamilton

Download or read book Unbridling the Western Film Auteur written by Emma Hamilton and published by Peter Lang Limited, International Academic Publishers. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Western has traditionally offered American film directors a rich canvas to express visions of the American past. This volume revisits the Western in a transnational context, exploring the role of auteurism. Stars like Jimmy Stewart and international films like Aferim! and Inglourious Basterds are analysed in this new approach to the genre.

Traveling Auteurs

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Publisher : Indiana University Press
ISBN 13 : 0253069564
Total Pages : 221 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Traveling Auteurs by : Luca Caminati

Download or read book Traveling Auteurs written by Luca Caminati and published by Indiana University Press. This book was released on 2024-04-30 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: What tensions characterized the relationships between cinema, European Leftists, and emerging postcolonial ideologies after World War II? In Traveling Auteurs, author Luca Caminati analyzes the work of influential Italian filmmakers Roberto Rossellini, Pier Paolo Pasolini, and Michelangelo Antonioni as they engaged politically and aesthetically with the global landscapes and politics of the Cold War period. As documentaries, the films considered in this book record specific manifestations of political sensibilities of the twentieth century. As bodies of work, they reveal that the traveling auteurs who made them were symptomatic actors in complex geopolitical networks. As cultural objects reflecting and shaping contemporaneous debates, they provoke a complex afterlife at home and abroad. In the three chapters dedicated to Rossellini in India, Pasolini in Africa and the Middle East, and Antonioni in China, Caminati pays particular attention both to the reception that these films had in the countries where they were shot and to their legacies in Italian film history. As it follows the entanglements of filmmakers, artists, and activists involved as allies or direct witnesses to momentous political change, this book sheds new light on anticolonial struggles, the reaffirmation of the Non-Aligned Movement, and the consolidation of the Chinese Communist Party.

Film, Form, and Culture

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Publisher : Taylor & Francis
ISBN 13 : 1003850928
Total Pages : 490 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis Film, Form, and Culture by : Robert P. Kolker

Download or read book Film, Form, and Culture written by Robert P. Kolker and published by Taylor & Francis. This book was released on 2024-03-29 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fifth edition of Film, Form, and Culture offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores how films are constructed from part to whole: from the smallest unit of the shot to the way shots are edited together to create narrative. Robert P. Kolker and Marsha Gordon demystify the technical aspects of filmmaking and demonstrate how fiction and nonfiction films engage with culture. Over 265 images provide a visual index to the films and issues being discussed. This new edition includes: an expanded examination of digital filmmaking and distribution in the age of streaming; attention to superhero films throughout; a significantly longer chapter on global cinema with new or enlarged sections on a variety of national cinemas (including cinema from Nigeria, Senegal, Burkina Faso, South Korea, Japan, India, Belgium, and Iran); new or expanded discussions of directors, including Alice Guy-Blaché, Lois Weber, Oscar Micheaux, Agnès Varda, Spike Lee, Julie Dash, Jafar Panahi, Ava DuVernay, Jane Campion, Jean-Pierre and Luc Dardenne and Penny Lane; and new, in-depth explorations of films, including Within Our Gates (1919), Black Girl (1966), Creed (2015), Moonlight (2016), Wonder Woman (2017), Get Out (2017), Black Panther (2018), Parasite (2019), Da 5 Bloods (2020), The French Dispatch (2021), The Power of the Dog (2021), RRR (2022), and Tár (2022). This textbook is an invaluable and exciting resource for students beginning film studies at undergraduate level. Additional resources for students and teachers can be found on the eResource, which includes case studies, discussion questions, and links to useful websites.

The Craft of Criticism

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Author :
Publisher : Routledge
ISBN 13 : 1134749236
Total Pages : 356 pages
Book Rating : 4.1/5 (347 download)

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Book Synopsis The Craft of Criticism by : Michael Kackman

Download or read book The Craft of Criticism written by Michael Kackman and published by Routledge. This book was released on 2018-06-22 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: With contributions from 30 leading media scholars, this collection provides a comprehensive overview of the main methodologies of critical media studies. Chapters address various methods of textual analysis, as well as reception studies, policy, production studies, and contextual, multi-method approaches, like intertextuality and cultural geography. Film and television are at the heart of the collection, which also addresses emergent technologies and new research tools in such areas as software studies, gaming, and digital humanities. Each chapter includes an intellectual history of a particular method or approach, a discussion of why and how it was used to study a particular medium or media, relevant examples of influential work in the area, and an in-depth review of a case study drawn from the author's own research. Together, the chapters in this collection give media critics a complete toolbox of essential critical media studies methodologies.

A Companion to Media Authorship

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Publisher : John Wiley & Sons
ISBN 13 : 111849525X
Total Pages : 580 pages
Book Rating : 4.1/5 (184 download)

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Book Synopsis A Companion to Media Authorship by : Jonathan Gray

Download or read book A Companion to Media Authorship written by Jonathan Gray and published by John Wiley & Sons. This book was released on 2013-02-12 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Media Authorship “Gray and Johnson have brought together a stellar group of authors whose works deftly explicate the complexities of negotiating ‘authorship’ across a range of cultural production sites. This definitive collection is an important and long-overdue contribution to contemporary media studies.” Serra Tinic, author of On Location: Canada’s Television Industry in a Global Market “Wide-ranging and global, historical and contemporary, brimming with insights enlarging our understanding of media production and reception, this book is an important contribution to the study of authorship.” Michael Z. Newman, author of Indie: An American Film Culture While the idea of authorship has transcended the literary to play a meaningful role in the cultures of film, television, games, comics, and other emerging digital forms, our understanding of it is still too often limited to assumptions about solitary geniuses and individual creative expression. A Companion to Media Authorship is a ground-breaking collection that reframes media authorship as a question of culture in which authorship is as much a construction tied to authority and power as it is a constructive and creative force of its own. Gathering together the insights of leading media scholars and practitioners, 28 original chapters map the field of authorship in a cutting-edge, multi-perspective, and truly authoritative manner. The contributors develop new and innovative ways of thinking about the practices, attributions, and meanings of authorship. They situate and examine authorship within collaborative models of industrial production, socially networked media platforms, globally diverse traditions of creativity, complex consumption practices, and a host of institutional and social contexts. Together, the essays provide the definitive study on the subject by demonstrating that authorship is a field in which media culture can be transformed, revitalized, and reimagined.

Hollywood's Artists

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Publisher : Columbia University Press
ISBN 13 : 0231551436
Total Pages : 191 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Hollywood's Artists by : Virginia Wright Wexman

Download or read book Hollywood's Artists written by Virginia Wright Wexman and published by Columbia University Press. This book was released on 2020-07-21 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema? In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.

A Companion to Popular Culture

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Publisher : John Wiley & Sons
ISBN 13 : 1118883330
Total Pages : 608 pages
Book Rating : 4.1/5 (188 download)

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Book Synopsis A Companion to Popular Culture by : Gary Burns

Download or read book A Companion to Popular Culture written by Gary Burns and published by John Wiley & Sons. This book was released on 2016-03-08 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Popular Culture is a landmark survey of contemporary research in popular culture studies that offers a comprehensive and engaging introduction to the field. Includes over two dozen essays covering the spectrum of popular culture studies from food to folklore and from TV to technology Features contributions from established and up-and-coming scholars from a range of disciplines Offers a detailed history of the study of popular culture Balances new perspectives on the politics of culture with in-depth analysis of topics at the forefront of popular culture studies

Music, Authorship, and the Book in the First Century of Print

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Publisher : Univ of California Press
ISBN 13 : 0520276507
Total Pages : 256 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Music, Authorship, and the Book in the First Century of Print by : Kate van Orden

Download or read book Music, Authorship, and the Book in the First Century of Print written by Kate van Orden and published by Univ of California Press. This book was released on 2013-10-19 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

A Portrait of the Auteur as Fanboy

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Publisher : Univ. Press of Mississippi
ISBN 13 : 1496830504
Total Pages : 234 pages
Book Rating : 4.4/5 (968 download)

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Book Synopsis A Portrait of the Auteur as Fanboy by : Anastasia Salter

Download or read book A Portrait of the Auteur as Fanboy written by Anastasia Salter and published by Univ. Press of Mississippi. This book was released on 2020-10-15 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Increasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media making—the “fanboy auteur.” Figures like Joss Whedon are both one of “us” and one of “them.” This is a strategy of marketing and branding—it is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur. In A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E L James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture. This book is particularly timely given current discourse, including such incidents as the controversy surrounding Joss Whedon’s so-called feminism, the publication of Harry Potter and the Cursed Child, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood.

Filming Margins

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Publisher : Hong Kong University Press
ISBN 13 : 9789622096899
Total Pages : 316 pages
Book Rating : 4.0/5 (968 download)

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Book Synopsis Filming Margins by : Ching Yau

Download or read book Filming Margins written by Ching Yau and published by Hong Kong University Press. This book was released on 2004-09-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the work of filmmaker Tang Shu Shuen in Hong Kong in the 1960s and 1970s. It raises issues regarding the applicability of paradigms of Western auteurism and feminist authorship in studying Tang's work and also examines the reasons why Tang Shu Shuen's work has been so underrecognised and underdiscussed historically. Through examining the production and reception structures of Tang Shu Shuen's work, this publication attempts to shed light on the development of Hong Kong's film industry and the evolution and problems of Hong Kong's cultural identity in the 1960s and 1970s. Yau Ching is currently Assistant Professor at the School of Design of the Hong Kong Polytechnic University. She teaches courses in areas including media production, cinema studies and cultural studies. She is also a filmmaker, media artist and writer. Her publications include Building a New Stove, Stripping Pants and Skirts, The Impossible Home, and Ho Yuk. Her films and videos include Flow, The Ideal/Na(rra)tion, Video Letters 1–3, Diasporama: Dead Air, Finding Oneself, and Ho Yuk (Let's Love Hong Kong).

Droit d’auteur 4.0 / Copyright 4.0

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Author :
Publisher : de Werra Jacques, Université de Genève
ISBN 13 : 3725586624
Total Pages : 197 pages
Book Rating : 4.7/5 (255 download)

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Book Synopsis Droit d’auteur 4.0 / Copyright 4.0 by : Benhamou Yaniv

Download or read book Droit d’auteur 4.0 / Copyright 4.0 written by Benhamou Yaniv and published by de Werra Jacques, Université de Genève. This book was released on 2018-01-01 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cet ouvrage rassemble les contributions consacrées au droit d’auteur à l’ère du numérique et présentées lors de la Journée de Droit de la Propriété Intellectuelle (www.jdpi.ch) organisée le 22 février 2017 à l’Université de Genève. Ces contributions sont: Blocage de sites web en droit suisse : des injonctions civiles et administratives de blocage au séquestre pénal (Yaniv Benhamou) ; Website Blocking Injunctions-a decade of development (Jo Oliver/Elena Blobel) ; Le marché numérique européen : enseignements de la jurisprudence de la Cour de justice et perspectives règlementaires (Jean-Michel Bruguière) ; User-generated Content and Other Digital Copyright Challenges: A North American Perspective (Ysolde Gendreau) ; Copyright in the Digital Age: A view from Asia (Wenwei Guan) ; Deep Copyright: Up - and Downstream Questions Related to Artificial Intelligence (AI) and Machine Learning (ML) (Daniel Schoenberger).

The Lost Decade

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501394479
Total Pages : 241 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis The Lost Decade by : Chris Horn

Download or read book The Lost Decade written by Chris Horn and published by Bloomsbury Publishing USA. This book was released on 2023-10-19 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides an analysis of Hollywood from a fresh viewpoint that shows the careers of Robert Altman, Francis Coppola, William Friedkin, and others in the 1980s as far from conforming to a monolithic pattern of decline, but rather as diverse and complex responses to political and industrial changes. The 1980s are routinely seen as the era of the blockbuster and of 'Reaganite entertainment,' whereas the dominant view of late 1960s and early 1970s American film history is that of a 'Hollywood Renaissance', a relatively brief window of artistry based around a select group of directors. Yet key directors associated with the Renaissance period remained active throughout the 1980s and their work has been obscured or dismissed by a narrow, singular model of American film history. This book deals with industrial contexts that conditioned these directors' ability to work creatively, but it is also very much about the analysis of individual films, bringing to light a range of unheralded work, from the visual experimentation of One from the Heart (Coppola, 1981) to the experimental production contexts of Secret Honor (Altman, 1984) and the stylistic élan of To Live and Die in L.A. (Friedkin, 1985). Behind the homogenous picture of the decline of the auteur in 1980s American cinema are films and careers that merit greater attention, and this book offers a new way to perceive individual films, American film history, and the viability of sustained authorial creativity within post-studio era Hollywood.

The Global Auteur

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501338560
Total Pages : 411 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis The Global Auteur by : Seung-hoon Jeong

Download or read book The Global Auteur written by Seung-hoon Jeong and published by Bloomsbury Publishing USA. This book was released on 2017-12-28 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once heralded and defined by the likes of François Truffaut and Andrew Sarris as a romantic figure of aesthetic individualism, the auteur is reinvestigated here through a novel approach. Bringing established as well as emergent figures of world art cinema to the fore, The Global Auteur shows how politics and philosophy are present in the works of these important filmmakers. They can be still seen leading a fight that their glorious predecessors seemed to have abandoned in the face of global capitalism and the market economy. Yet, as the contributors show, a new world calls for a new cinema, and thus for new auteurs. Covering a range of global auteurs such as Lars von Trier, Lav Diaz, Lee Chang-dong and Abderrahmane Sissako, The Global Auteur provides a much-needed reassessment of the film auteur for the global age.

Canadian Cinema in the New Millennium

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Author :
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 0228014921
Total Pages : 431 pages
Book Rating : 4.2/5 (28 download)

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Book Synopsis Canadian Cinema in the New Millennium by : Lee Carruthers

Download or read book Canadian Cinema in the New Millennium written by Lee Carruthers and published by McGill-Queen's Press - MQUP. This book was released on 2023-01-15 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.