Music, Authorship, and the Book in the First Century of Print

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Author :
Publisher : Univ of California Press
ISBN 13 : 0520276507
Total Pages : 256 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Music, Authorship, and the Book in the First Century of Print by : Kate van Orden

Download or read book Music, Authorship, and the Book in the First Century of Print written by Kate van Orden and published by Univ of California Press. This book was released on 2013-10-19 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Musical Authorship from Schütz to Bach

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Publisher : Cambridge University Press
ISBN 13 : 1108421075
Total Pages : 261 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Musical Authorship from Schütz to Bach by : Stephen Rose

Download or read book Musical Authorship from Schütz to Bach written by Stephen Rose and published by Cambridge University Press. This book was released on 2019-05-30 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.

Early Printed Music and Material Culture in Central and Western Europe

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Publisher : Routledge
ISBN 13 : 1000387089
Total Pages : 423 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis Early Printed Music and Material Culture in Central and Western Europe by : Andrea Lindmayr-Brandl

Download or read book Early Printed Music and Material Culture in Central and Western Europe written by Andrea Lindmayr-Brandl and published by Routledge. This book was released on 2021-05-04 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.

The Cambridge History of Sixteenth-Century Music

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Publisher : Cambridge University Press
ISBN 13 : 1108671276
Total Pages : 732 pages
Book Rating : 4.1/5 (86 download)

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Book Synopsis The Cambridge History of Sixteenth-Century Music by : Iain Fenlon

Download or read book The Cambridge History of Sixteenth-Century Music written by Iain Fenlon and published by Cambridge University Press. This book was released on 2019-01-24 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.

Printing Music in Renaissance Rome

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Publisher : Oxford University Press
ISBN 13 : 0197669638
Total Pages : 297 pages
Book Rating : 4.1/5 (976 download)

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Book Synopsis Printing Music in Renaissance Rome by : Jane A. Bernstein

Download or read book Printing Music in Renaissance Rome written by Jane A. Bernstein and published by Oxford University Press. This book was released on 2024-02-16 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.

Materialities

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Author :
Publisher : New Cultural History of Music
ISBN 13 : 0199360642
Total Pages : 345 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Materialities by : Kate Van Orden

Download or read book Materialities written by Kate Van Orden and published by New Cultural History of Music. This book was released on 2015 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Materialities' is a cultural history of song on the page. Concentrating on print in the early modern period, it approaches its topic via the French chanson, arguably the most broadly disseminated genre of polyphony in the sixteenth century. 'Materialities' is as much about how to study print culturally as it is about 'the music itself'. In this way it aligns with histories of the book by scholars such as Roger Chartier, adding a musical perspective to studies of print culture.

Listening to Early Modern Catholicism

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Publisher : BRILL
ISBN 13 : 9004349235
Total Pages : 350 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Listening to Early Modern Catholicism by : Daniele Filippi

Download or read book Listening to Early Modern Catholicism written by Daniele Filippi and published by BRILL. This book was released on 2017-09-18 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vivid and multifaceted discussion of the sonic cultures developed within the diverse and dynamic matrix of Early Modern Catholicism (c.1450–1750), and of the role played by sound and music in defining Catholic experience.

Composing Community in Late Medieval Music

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Publisher : Cambridge University Press
ISBN 13 : 1108474918
Total Pages : 301 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Composing Community in Late Medieval Music by : Jane D. Hatter

Download or read book Composing Community in Late Medieval Music written by Jane D. Hatter and published by Cambridge University Press. This book was released on 2019-05-02 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

Music Divided

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Publisher : Univ of California Press
ISBN 13 : 0520933397
Total Pages : 252 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Music Divided by : Danielle Fosler-Lussier

Download or read book Music Divided written by Danielle Fosler-Lussier and published by Univ of California Press. This book was released on 2007-05-24 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary’s most renowned twentieth-century composer, Béla Bartók. She shows how a tense period of political transition plagued Bartók’s music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartók’s reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions. Music Divided surveys Bartók’s role in provoking negative reactions to "accessible" music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartók’s influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartók’s legacy in the music of the Hungarian composers András Mihály, Ferenc Szabó, and Endre Szervánszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers’ choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.

Customised Books in Early Modern Europe and the Americas, 1400–1700

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Author :
Publisher : BRILL
ISBN 13 : 900468056X
Total Pages : 817 pages
Book Rating : 4.0/5 (46 download)

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Book Synopsis Customised Books in Early Modern Europe and the Americas, 1400–1700 by : Christopher D. Fletcher

Download or read book Customised Books in Early Modern Europe and the Americas, 1400–1700 written by Christopher D. Fletcher and published by BRILL. This book was released on 2023-12-28 with total page 817 pages. Available in PDF, EPUB and Kindle. Book excerpt: Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion or interpolation, subtraction or deletion, adjustments in the ordering of folios or quires, amendments of image or text. Although our primary interest is in printed books and print series bound like books, we also consider selected manuscripts since meaningful alterations made to incunabula and early printed books often followed the patterns such changes took in late fourteenth- and fifteenth-century codices. Throughout Customised Books the emphasis falls on the hermeneutic functions of the modifications made by makers and users to their manuscripts and books. Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.

Where Sight Meets Sound

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Publisher : Oxford University Press
ISBN 13 : 0197551912
Total Pages : 345 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis Where Sight Meets Sound by : Emily Zazulia

Download or read book Where Sight Meets Sound written by Emily Zazulia and published by Oxford University Press. This book was released on 2021 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. Composers sometimes asked singers to read the music in unusual ways-backwards, upside-down, or at a reduced speed-to produce sounds whose relationship to the written notes is anything but obvious. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informed-sometimes erroneously-ideas about the premodern era. By viewing notation as a complex technology that did more than record sound, the book revolutionizes the way we think about music's literate traditions"--

Materialities

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Publisher : Oxford University Press
ISBN 13 : 0190273143
Total Pages : 344 pages
Book Rating : 4.1/5 (92 download)

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Book Synopsis Materialities by : Kate van Orden

Download or read book Materialities written by Kate van Orden and published by Oxford University Press. This book was released on 2015-06-08 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ephemeral, fragile, often left unbound, sixteenth-century songbooks led fleeting lives in the pockets of singers and on the music desks of instrumentalists. Constantly in action, they were forever being used up, replaced, or abandoned as ways of reading changed. As such they document the acts of early musicians and the practices of everyday life at the unseen margins of elite society. Materialities is a cultural history of song on the page. It addresses a series of central questions concerning the audiences for written music by concentrating on the first genre to be commercialized by music printers: the French chanson. Scholars have long stressed that chansons represent the most broadly disseminated polyphony of the sixteenth century, but Materialities is the first book to account for the cultural reach of the chanson across a considerable cross-section of European society. Musicologist Kate van Orden brings extensive primary research and new analytical models to bear in this remarkable history of songbooks, music literacy, and social transformation during the first century of music printing. By tracking chansons into private libraries and schoolrooms and putting chansonniers into dialogue with catechisms, civility manuals, and chapbooks, Materialities charts the social distribution of songbooks, the gradual moralization of song, and the ways children learned their letters and notes. Its fresh conclusions revise several common assumptions about the value early moderns attributed to printed music, the levels of literacy required to perform polyphony, and the way musicians did or did not "read" their songbooks. With musical perspectives that can invigorate studies of print culture and the history of reading, Materialities is an essential guide for musicologists working with original sources and historians of the book interested in the vocal performances that operated alongside print.

Women and the Circulation of Texts in Renaissance Italy

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1108477690
Total Pages : 299 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Women and the Circulation of Texts in Renaissance Italy by : Brian Richardson

Download or read book Women and the Circulation of Texts in Renaissance Italy written by Brian Richardson and published by Cambridge University Press. This book was released on 2020-03-26 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy.

Historical Performance and New Music

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Publisher : Taylor & Francis
ISBN 13 : 100380182X
Total Pages : 228 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis Historical Performance and New Music by : Rebecca Cypess

Download or read book Historical Performance and New Music written by Rebecca Cypess and published by Taylor & Francis. This book was released on 2023-11-30 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of convergence emerge. Not only do many contemporary performers move easily between these two worlds, but they often do so using a shared ethos of flexibility, improvisation, curiosity, and collaboration—collaboration with composers past and present, with other performers, and with audiences. Bringing together expert scholars and performers considering a wide range of issues and case studies, Historical Performance and New Music—the first book of its kind—addresses the synergies in aesthetics and practices in historical performance and new music. The essays treat matters including technologies and media such as laptops, printing presses, and graphic notation; new music written for period instruments from natural horns to the clavichord; personalities such as the pioneering singer Cathy Berberian; the musically “omnivorous” ensembles A Far Cry and Roomful of Teeth; and composers Luciano Berio, David Lang, Molly Herron, Caroline Shaw, and many others. Historical Performance and New Music presents pathbreaking ideas in an accessible style that speaks to performers, composers, scholars, and music lovers alike. Richly documented and diverse in its methods and subject matter, this book will open new conversations about contemporary musical life.

Cultivated by Hand

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Publisher : Oxford University Press
ISBN 13 : 019777699X
Total Pages : 277 pages
Book Rating : 4.1/5 (977 download)

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Book Synopsis Cultivated by Hand by : GLENDA. GOODMAN

Download or read book Cultivated by Hand written by GLENDA. GOODMAN and published by Oxford University Press. This book was released on 2024-05 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultivated by Hand aligns the overlooked history of amateur musicians in the early years of the United States with little-understood practices of music book making. It reveals the pervasiveness of these practices, particularly among women, and their importance for the construction of gender, class, race, and nation.

Companion to the History of the Book

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Author :
Publisher : John Wiley & Sons
ISBN 13 : 111901820X
Total Pages : 976 pages
Book Rating : 4.1/5 (19 download)

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Book Synopsis Companion to the History of the Book by : Simon Eliot

Download or read book Companion to the History of the Book written by Simon Eliot and published by John Wiley & Sons. This book was released on 2019-08-15 with total page 976 pages. Available in PDF, EPUB and Kindle. Book excerpt: The celebrated text on the history of the book, completely revised, updated and expanded The revised and updated edition of The Companion to the History of the Book offers a global survey of the book’s history, through print and electronic text. Already well established as a standard survey of the historiography of the book, this new, expanded edition draws on a decade of advanced scholarship to present current research on paper, printing, binding, scientific publishing, the history of maps, music and print, the profession of authorship and lexicography. The text explores the many approaches to the book from the early clay tablets of Sumer, Assyria and Babylonia to today’s burgeoning electronic devices. The expert contributions delve into such fascinating topics as archives and paperwork, and present new chapters on Arabic script, the Slavic, Canadian, African and Australasian book, new textual technologies, and much more. Containing a wealth of illustrative examples and case studies to dramatize the exciting history of the book, the text is designed for academics, students and anyone interested in the subject.

A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries

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Author :
Publisher : BRILL
ISBN 13 : 9004435034
Total Pages : 653 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries by :

Download or read book A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries written by and published by BRILL. This book was released on 2020-09-25 with total page 653 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.