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The Life Of Johannes Brahms Vol 12
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Book Synopsis The Life of Johannes Brahms (Vol. 1&2) by : Florence May
Download or read book The Life of Johannes Brahms (Vol. 1&2) written by Florence May and published by Good Press. This book was released on 2023-12-18 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: Florence May's 'The Life of Johannes Brahms (Vol. 1&2)' is a meticulously researched and elegantly written biography that delves into the life and work of the renowned composer. Through detailed narratives and insightful analysis, May provides a comprehensive look at Brahms' artistic development, relationships, and impact on the music world. The literary style of the book is both engaging and informative, making it a valuable resource for music enthusiasts and scholars alike. Set against the backdrop of the Romantic era, May's portrayal of Brahms captures the essence of his genius and enduring legacy. The book is a must-read for anyone seeking a deeper understanding of one of classical music's great masters.
Book Synopsis Johannes Brahms by : Johannes Brahms
Download or read book Johannes Brahms written by Johannes Brahms and published by . This book was released on 1997 with total page 916 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first comprehensive collection of the letters of Johannes Brahms ever to appear in English. Over 550 are included, virtually all uncut, and there are over a dozen published here for the first time in any language. Although he corresponded throughout his life with some of the great performers, composers, musicologists, writers, scientists, and artists of the day, and although thousands of his letters have survived, English readers have until now had scant opportunity to meet Brahms in person, through his words, and in his own voice. The letters in this volume range from 1848 to just before his death. They include most of Brahm's letters to Robert Schumann, over a hundred letters to Clara Schumann, and the complete Brahms-Wagner correspondence. They are joined by a running commentary to form an absorbing narrative, documented with scholarly care, provided with comprehensive notes, but written for the general music lover--the result is a lively biography. The work is generously illustrated, and contains several detailed appendices and an index.
Book Synopsis Performing Brahms by : Michael Musgrave
Download or read book Performing Brahms written by Michael Musgrave and published by Cambridge University Press. This book was released on 2003-10-02 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: A great deal of evidence survives about how Brahms and his contemporaries performed his music. But much of this evidence - found in letters, autograph scores, treatises, publications, recordings, and more - has been hard to access, both for musicians and for scholars. This book brings the most important evidence together into one volume. It also includes discussions by leading Brahms scholars of the many issues raised by the evidence. The period spanned by the life of Brahms and the following generation saw a crucial transition in performance style. As a result, modern performance practices differ significantly from those of Brahms's time. By exploring the musical styles and habits of Brahms's era, this book will help musicians and scholars understand Brahms's music better and bring fresh ideas to present-day performance. The value of the book is greatly enhanced by the accompanying CD of historic recordings - including a performance by Brahms himself.
Book Synopsis The Organ Music of Johannes Brahms by : Barbara Owen
Download or read book The Organ Music of Johannes Brahms written by Barbara Owen and published by Oxford University Press. This book was released on 2007-06-25 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental works in his subsequent career. During the final year of his life, however, he returned to pure organ composition with a set of chorale preludes--though many of these are thought to have been revisions of earlier works. Today, the organ works of Johannes Brahms are recognized as beautifully-crafted compositions by church and concert organists across the world and have become a much-cherished component of the repertoire. Until now, however, most scholarly accounts of Brahms's life and work treat his works for the organ as a minor footnote in his development as a composer. Precisely because the collection of organ works is not extensive, the pieces--composed at different times during Brahms's lifetime--help to map his path as a composer, pinpointing various stages in his artistic development. In this volume, Barbara Owen offers the first in-depth study of this corpus, considering Brahms's organ works in relation to his background, methods, and overall artistic development, his contacts with organs and organists, the influence of his predecessors and contemporaries, and analyses of each specific work and its place in Brahms's career. Her expert history and analysis of Brahms's individual organ works and their interpretation also investigates contemporary practices relative to the performance of these pieces. The book's three valuable appendices present a guide to editions of Brahms's organ works, a discussion of the organ in Brahms's world that highlights some organs the composer would have heard, and a listing of the organ transcriptions of Brahms's work. Blending unique insights into composition and performance practice, this book will be read eagerly by performers, students, and scholars of the organ, Brahms, and the music of the Nineteenth Century.
Book Synopsis The Cambridge Companion to Brahms by : Michael Musgrave
Download or read book The Cambridge Companion to Brahms written by Michael Musgrave and published by Cambridge University Press. This book was released on 1999-05-27 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.
Download or read book The Publishers Weekly written by and published by . This book was released on 1928 with total page 1194 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Publishers' Circular and Booksellers' Record of British and Foreign Literature by :
Download or read book Publishers' Circular and Booksellers' Record of British and Foreign Literature written by and published by . This book was released on 1904 with total page 2068 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Expressive Forms in Brahms's Instrumental Music by : Peter H. Smith
Download or read book Expressive Forms in Brahms's Instrumental Music written by Peter H. Smith and published by Indiana University Press. This book was released on 2005-07-07 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book is a substantial and timely contribution to Brahms studies. Its strategy is to focus on a single critical work, the C-Minor Piano Quartet, analyzing and interpreting it in great detail, but also using it as a stepping-stone to connect it to other central Brahms works in order to reach a new understanding of the composer's technical language and expressive intent. It is an original and worthy contribution on the music of a major composer." —Patrick McCreless Expressive Forms in Brahms's Instrumental Music integrates a wide variety of analytical methods into a broader study of theoretical approaches, using a single work by Brahms as a case study. On the basis of his findings, Smith considers how Brahms's approach in this piano quartet informs analyses of similar works by Brahms as well as by Beethoven and Mozart. Musical Meaning and Interpretation—Robert S. Hatten, editor
Book Synopsis The Variations of Johannes Brahms by : Julian Littlewood
Download or read book The Variations of Johannes Brahms written by Julian Littlewood and published by Plumbago Books and Arts. This book was released on 2004 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Variation is a fundamental musical principle, yet its most naked expression - variation form - resists all but the broadest of descriptions. This book offers listener, performer, analyst and composer an eclectic array of approaches to `Theme and Variations', including: patterns of departure and return; real versus perceived time; strategies of propulsion and closure in an intrinsically cyclic and open-ended form; the interplay of authorial voices deriving from dialogue between the `self' of variations and the `other' of their theme; critique of a theme through a set's generic references; drama and narrative achieved through textural and tonal control; and the intrinsic sound of a variation, so different from that of a freely composed work. These topics are introduced through a general survey of the form, seen through the prisms of the provenance of themes and the ideologies of sets, before being developed through close study of Brahms's variation sets and movements. Brahms was supremely aware of his place in music history and was uncommonly self-conscious in his manipulation of different techniques of composition. His variation sets - some of the most well-crafted and beloved examples - place the interplay of forms and styles at the heart of their identity. Moreover, in their stunning breadth and diversity they offer a microcosm of Brahms's entire output, a succinct revelation of his life-long concerns. Through them we marvel at his technical and poetic mastery, and journey to the heart of his creative character.
Download or read book The Bookseller written by and published by . This book was released on 1912 with total page 928 pages. Available in PDF, EPUB and Kindle. Book excerpt: Official organ of the book trade of the United Kingdom.
Book Synopsis The Publishers' Circular and Booksellers' Record of British and Foreign Literature by :
Download or read book The Publishers' Circular and Booksellers' Record of British and Foreign Literature written by and published by . This book was released on 1904 with total page 858 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Athenaeum written by and published by . This book was released on 1905 with total page 932 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Johannes Brahms and Klaus Groth by : Peter Russell
Download or read book Johannes Brahms and Klaus Groth written by Peter Russell and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between the composer Johannes Brahms and the poet Klaus Groth was a very special one, and one that deserves greater recognition. Peter Russell has made careful selections from the 89 letters between the two that illuminate the personalities, lives and works of both men. Alongside the letters, Russell provides a substantial commentary that includes analyses of Brahms's music and critical assessment of Groth's poems.
Book Synopsis Brahms and the German Spirit by : Daniel Beller-McKenna
Download or read book Brahms and the German Spirit written by Daniel Beller-McKenna and published by Harvard University Press. This book was released on 2004-07-15 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beller-McKenna counters music historians's reluctance to address Brahms's Germanness, wary perhaps of fascist implications. He gives an account of the intertwining of nationalism, politics, and religion that underlies major works, and enriches both our understanding of his art and German culture.
Book Synopsis Classical and Romantic Music by : David Milsom
Download or read book Classical and Romantic Music written by David Milsom and published by Routledge. This book was released on 2017-07-05 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.
Book Synopsis The German Symphony between Beethoven and Brahms by : Christopher Fifield
Download or read book The German Symphony between Beethoven and Brahms written by Christopher Fifield and published by Routledge. This book was released on 2016-03-03 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: It was Carl Dahlhaus who coined the phrase ’dead time’ to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethoven’s ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductor’s intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music.
Book Synopsis Vital Performance by : Andrew Snedden
Download or read book Vital Performance written by Andrew Snedden and published by Routledge. This book was released on 2021-03-19 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historically Informed Performance, or HIP, has become an influential and exciting development for scholars, musicians, and audiences alike. Yet it has not been unchallenged, with debate over the desirability of its central goals and the accuracy of its results. The author suggests ways out of this impasse in Romantic performance style. In this wide-ranging study, pianist and scholar Andrew John Snedden takes a step back, examining the strengths and limitations of HIP. He proposes that many problems are avoided when performance styles are understood as expressions of their cultural era rather than as simply composer intention, explaining not merely how we play, but why we play the way we do, and why the nineteenth century Romantics played very differently. Snedden examines the principal evidence we have for Romantic performance style, especially in translation of score indications and analysis of early recordings, finally focusing on the performance styles of Liszt and Chopin. He concludes with a call for the reanimation of culturally appropriate performance styles in Romantic repertoire. This study will be of great interest to scholars, performers, and students, to anyone wondering about how our performances reflect our culture, and about how the Romantics played their own culturally-embedded music.
