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The False Consonances Of Musick 1682
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Book Synopsis The False Consonances of Musick by : Nicola Matteis
Download or read book The False Consonances of Musick written by Nicola Matteis and published by . This book was released on 1980 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The False Consonances of Musick (1682) by :
Download or read book The False Consonances of Musick (1682) written by and published by . This book was released on 1980 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The False Consonances of Musick ; (1682) by : Nicola Matteis
Download or read book The False Consonances of Musick ; (1682) written by Nicola Matteis and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The False Consonances of Musick (1682) by : Nicola Matteis
Download or read book The False Consonances of Musick (1682) written by Nicola Matteis and published by . This book was released on 1683 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Synopsis of Vocal Musick by A.B. Philo-Mus. by : Rebecca Herissone
Download or read book Synopsis of Vocal Musick by A.B. Philo-Mus. written by Rebecca Herissone and published by Routledge. This book was released on 2017-07-05 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Synopsis of Vocal Musick, by the unidentified A.B., was published in London in 1680 and appears to have only ever had one edition. Its relatively short shelf-life belies its importance to the history of early British music theory. Unlike other English theoretical writings of the period, the Synopsis derives many of its aspects from the continental theoretical tradition, including the first references in English theory to the modern fractional time signatures that had been invented in Italy in the mid-seventeenth century, the first references in English to compound time and the first explanations of tempo terms such as Adagio and Presto. In these respects the treatise forms an important link between English and continental theoretical traditions and may have encouraged the adoption of Italian principles which became a common feature of English writings by the early eighteenth century. The treatise is essentially in two parts. The first section of the book comprises rudimentary instruction on understanding notation and intervals, descriptions of common vocal ornaments and instruction in the process of learning to sing. The second part consists of a selection of psalms, songs and catches which are provided as exercises for the singer, though several of them require a reasonably advanced degree of skill. These pieces provide valuable insight into the way both sacred and secular music might have been performed by amateur musicians in the Restoration period. They include 14 rare English madrigal settings by the Italian composer Gastoldi - further evidence of the Italian influence which pervades the text. This is the first modern edition of the Synopsis, and indeed the first edition to appear since its original publication.
Book Synopsis Music Theory in Seventeenth-century England by : Rebecca Herissone
Download or read book Music Theory in Seventeenth-century England written by Rebecca Herissone and published by Oxford University Press, USA. This book was released on 2000 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thus, over the course of the seventeenth century, there occurred a complete transformation in almost every aspect of theory: by the 1720s, many of the principles being described bore close relation to those still used today. Nowhere was this metamorphosis clearer than in England where, because of a traditional emphasis on practicality, there was much more willingness to accept and encourage new theoretical ideas than on the continent.
Book Synopsis Essays on the Performance of Baroque Music by : Mary Cyr
Download or read book Essays on the Performance of Baroque Music written by Mary Cyr and published by Taylor & Francis. This book was released on 2024-10-28 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French opera. As many of these essays demonstrate, French Baroque music allowed performers a wider latitude of nuance and expression than is often assumed today. The essays in this volume will be of particular interest to scholars and performers who are interested in adopting a historically-informed approach to performing music by Henry Purcell, Élisabeth-Claude Jacquet de La Guerre, Jean-Philippe Rameau, and their contemporaries. Several studies also deal with attributions, sources, and the discovery of a cantata by Rameau.
Book Synopsis The Guitar in Stuart England by : Christopher Page
Download or read book The Guitar in Stuart England written by Christopher Page and published by Cambridge University Press. This book was released on 2017-11-16 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: The guitar is the most played instrument in the West. This is the first account of its rise in Stuart England.
Book Synopsis Composers' Intentions? by : Andrew Parrott
Download or read book Composers' Intentions? written by Andrew Parrott and published by Boydell & Brewer. This book was released on 2015 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book comprises selected essays concerning musical performance practice by conductor Andrew Parrott, an acknowledged expert in the field. Spanning some thirty-five years of Parrott's career as both performer and researcher, the volume brings together seminal writings on Monteverdi, Purcell and J. S. Bach, as well as an expanded version of a major new article from 2015. With a focus on vocal and choral music, the book covers a broad timespan (from the fourteenth to eighteenth centuries) and multifarious approaches (from extensive scholarly articles to radio broadcasts). Authoritative, provocative and readable, Parrott's writing is packed with detailed information of value to scholars, performers, students and curious listeners alike. At the same time, the book sheds light on key topics of historically informed performance from the past four decades. ANDREW PARROTT, conductor, is perhaps best known for his many pioneering recordings of pre-classical repertory from Machaut to Handel, principally for EMI with the London-based Taverner Consort, Choir and Players, which he founded in 1973. Recent CDs include his reconstruction of Bach's 'lost' Trauer-Music for Prince Leopold of Anhalt-Cöthen (released in 2011) and a 'thoroughly researched and re-imagined' account of Monteverdi's L'Orfeo (2013). He is also co-editor of The New Oxford Book of Carols (1992) and author of The Essential Bach Choir (The Boydell Press, 2000).
Book Synopsis Continuo Playing on the Lute, Archlute and Theorbo by : Nigel North
Download or read book Continuo Playing on the Lute, Archlute and Theorbo written by Nigel North and published by Indiana University Press. This book was released on 1987-08-22 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: "... a valuable book. It is an important link between the unknown of the Renaissance and the present." --The Triangle of Mu Phi Epsilon "Straightforward practicality is the most outstanding characteristic of this book." --Continuo "... a fine and very welcome book that is likely to remain the high standard of lute continuo instruction for some time to come." --Sixteenth Century Journal In this extraordinarily broad survey, Nigel North discusses the history of the lute, the archlute, and the theorbo and gives practical advice on technique, the choice of instrument for particular music, and the preparation of scores.
Book Synopsis The Work of Music Theory by : Thomas Christensen
Download or read book The Work of Music Theory written by Thomas Christensen and published by Routledge. This book was released on 2017-10-23 with total page 647 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together an anthology of articles by Thomas Christensen, one of the leading historians of music theory active today. Published over the span of the past 25 years, the selected articles provide a historical conspectus about a range of vital topics in the history of music theory, focusing in particular upon writings from the seventeenth and eighteenth centuries. Christensen examines a variety of theorists and their arguments within the intellectual and musical contexts of their time, in the process highlighting the diverse and idiosyncratic nature of the discipline of music theory itself. In the first section of the book Christensen offers general reflections on the meaning and interpretation of historical music theories, with especial attention paid to their value for music theorists today. The second section of the book contains a number of articles that consider the catalytic role of the thorough bass in the development of harmonic theory during the seventeenth and eighteenth centuries. In the final two sections of the anthology, focus turns to the writings of several individual music theorists, including Marin Mersenne, Seth Calvisius, Johann Mattheson, Johann Nicolaus Bach, Denis Diderot and Johann Nichelmann. The volume includes essays from hard-to-find publications as well as newly-translated material and the articles are prefaced by a new, wide-ranging autobiographical essay by the author that offers a broad re-assessment of his historical project. This book is essential reading for music theorists and seventeenth- and eighteenth-century musicologists.
Book Synopsis The Cambridge History of Musical Performance by : Colin Lawson
Download or read book The Cambridge History of Musical Performance written by Colin Lawson and published by Cambridge University Press. This book was released on 2012-02-16 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt: The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
Book Synopsis A Guide to Playing the Baroque Guitar by : James Tyler
Download or read book A Guide to Playing the Baroque Guitar written by James Tyler and published by Indiana University Press. This book was released on 2011-01-24 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself -- represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.
Book Synopsis The Lute in Britain by : Matthew Spring
Download or read book The Lute in Britain written by Matthew Spring and published by Oxford University Press, USA. This book was released on 2001 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.
Book Synopsis The Guitar and its Music by : James Tyler
Download or read book The Guitar and its Music written by James Tyler and published by OUP Oxford. This book was released on 2002-08-29 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Author :Roger North Publisher :Kensington, N.S.W. : Unisearch, University of New South Wales ISBN 13 : Total Pages :500 pages Book Rating :4.F/5 ( download)
Book Synopsis Roger North's Cursory Notes of Musicke (c. 1698-c. 1703) by : Roger North
Download or read book Roger North's Cursory Notes of Musicke (c. 1698-c. 1703) written by Roger North and published by Kensington, N.S.W. : Unisearch, University of New South Wales. This book was released on 1986 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Italian Guitar Music of the Seventeenth Century by : Lex Eisenhardt
Download or read book Italian Guitar Music of the Seventeenth Century written by Lex Eisenhardt and published by Boydell & Brewer. This book was released on 2015 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of Europe's foremost experts on early guitar music explores this little known but richly rewarding repertoire.