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The Early Music Yearbook
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Book Synopsis The Early Music Yearbook and Performers Directory 2012 by : National Early Music Association
Download or read book The Early Music Yearbook and Performers Directory 2012 written by National Early Music Association and published by . This book was released on 2012-01 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: The NEMA Early Music Yearbook is the essential handbook for the early music enthusiast. There is a Directory section giving sources of information, societies, music publishers, providers of performing material, concert promoters and artists' agents, record companies, early music fairs and courses, including summer schools. It has a Buyers' Guide to some 600 makers of early musical instrument worldwide, giving details of instrument types offered for sale. The Register section gives names and addresses of over 2400 individuals, including details of their instruments and interests.
Book Synopsis The Early Music Yearbook and Performers Directory 2010 by : National Early Music Association
Download or read book The Early Music Yearbook and Performers Directory 2010 written by National Early Music Association and published by Wiley-Blackwell. This book was released on 2010-04 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: The NEMA Early Music Yearbook is the essential handbook for the early music enthusiast. There is a Directory section giving sources of information, societies, music publishers, providers of performing material, concert promoters and artists' agents, record companies, early music fairs and courses, including summer schools. It has a Buyers' Guide to some 600 makers of early musical instrument worldwide, giving details of instrument types offered for sale. The Register section gives names and addresses of over 2400 individuals, including details of their instruments and interests.
Download or read book The Early Music Yearbook written by and published by . This book was released on 2006 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Rap Year Book written by Shea Serrano and published by Abrams. This book was released on 2015-10-13 with total page 639 pages. Available in PDF, EPUB and Kindle. Book excerpt: A New York Times–bestselling, in-depth exploration of the most pivotal moments in rap music from 1979 to 2014. Here’s what The Rap Year Book does: It takes readers from 1979, widely regarded as the moment rap became recognized as part of the cultural and musical landscape, and comes right up to the present, with Shea Serrano hilariously discussing, debating, and deconstructing the most important rap song year by year. Serrano also examines the most important moments that surround the history and culture of rap music—from artists’ backgrounds to issues of race, the rise of hip-hop, and the struggles among its major players—both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers, and show stoppers, The Rap Year Book is an in-depth look at the most influential genre of music to come out of the last generation. Picked by Billboard as One of the 100 Greatest Music Books of All-Time Pitchfork Book Club’s first selection
Download or read book British Music Yearbook written by and published by . This book was released on 1997 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Early Music Yearbook and Performers Directory 2011 by :
Download or read book The Early Music Yearbook and Performers Directory 2011 written by and published by . This book was released on 2010-12 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music as Heritage by : Barley Norton
Download or read book Music as Heritage written by Barley Norton and published by Routledge. This book was released on 2018-07-20 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: As economic, technological and cultural change gathers pace across the world, issues of music heritage and sustainability have become ever more pressing. Discourse on intangible cultural heritage has developed in complex ways in recent years, and musical practices have been transformed by safeguarding agendas. Music as Heritage takes stock of these transformations, bringing new ethnographic and historical perspectives to bear on our encounters with music heritage. The volume evaluates the cultural politics, ethics and audiovisual representation of music heritage; the methods and consequences of music transmission across national borders; and the perennial issues of revival, change and innovation. UNESCO’s 2003 Convention for the Safeguarding of the Intangible Cultural Heritage provides an essential reference point for studies of music heritage. However, this volume also pays attention to important spheres of musical activity that lie outside of UNESCO’s reach and the reasons why some repertories of music are chosen for safeguarding while others are not. Some practices of art music in Europe explored in this book, for example, have received little attention despite being susceptible to endangerment. Developing a comparative framework that cuts across genre distinctions and disciplinary boundaries, Music as Heritage explores how music cultures are being affected by heritage discourse and the impact of international and national policies on grass-roots music practices.
Book Synopsis The Power of Kiowa Song by : Luke E. Lassiter
Download or read book The Power of Kiowa Song written by Luke E. Lassiter and published by University of Arizona Press. This book was released on 1998-09-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many Kiowas believe that song is a gift from God. Its power, argues Luke E. Lassiter, rests in the many ways that community members hear, understand, and feel it: "Song has power. As I begin to understand what this means for my mentors, I am just beginning to understand what this means in my life. They are not just singers. They are vehicles for something greater than all of us. Indeed, I now understand that I am not just a singer. But . . . I will sing until I die." As a boy, Lassiter had an early fascination with pow wows. This interest eventually went from a hobby to a passion. As Lassiter made Kiowa friends who taught him to sing and traveled the pow wow circuit, serving many times as a head singer, he began to investigate and write about the pow wow as an experiential encounter with song. The Power of Kiowa Song shows how song is interpreted, created, and used by individuals, how it is negotiated through the context of an event, and how it emerges as a powerfully unique and specific public expression. The Power of Kiowa Song presents a collaborative, community-wide dialogue about the experience of song. Using conversations with Kiowa friends as a frame, Lassiter seeks to describe the entire experience of song rather than to analyze it solely from a distance. Lassiter's Kiowa consultants were extremely active in the writing of the book, re-explaining concepts that seemed difficult to grasp and discussing the organization and content of the work. In a text that is engaging and easily read, Lassiter has combined experiential narrative with ethnological theory to create a new form of collaborative ethnography that makes anthropology accessible to everyone. This book is designed for anyone interested in Native American studies or anthropology, and it also serves as a resource written by and for the Kiowa themselves. Hear the Power of Kiowa Song
Book Synopsis The Modern Invention of Medieval Music by : Daniel Leech-Wilkinson
Download or read book The Modern Invention of Medieval Music written by Daniel Leech-Wilkinson and published by Cambridge University Press. This book was released on 2002-10-17 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: A challenging book which questions how much is really known about the way medieval music sounded.
Book Synopsis Colonial Counterpoint by : D. R. M. Irving
Download or read book Colonial Counterpoint written by D. R. M. Irving and published by Oxford University Press. This book was released on 2010-06-03 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines and in propelling the work of Roman Catholic missionaries in neighboring territories. Manila's religious institutions resounded with sumptuous vocal and instrumental performances, while an annual calendar of festivities brought together many musical traditions of the indigenous and immigrant populations in complex forms of artistic interaction and opposition. Multiple styles and genres coexisted according to strict regulations enforced by state and ecclesiastical authorities, and Irving uses the metaphors of European counterpoint and enharmony to critique musical practices within the colonial milieu. He argues that the introduction and institutionalization of counterpoint acted as a powerful agent of colonialism throughout the Philippine Archipelago, and that contrapuntal structures were reflected in the social and cultural reorganization of Filipino communities under Spanish rule. He also contends that the active appropriation of music and dance by the indigenous population constituted a significant contribution to the process of hispanization. Sustained "enharmonic engagement" between Filipinos and Spaniards led to the synthesis of hybrid, syncretic genres and the emergence of performance styles that could contest and subvert hegemony. Throwing new light on a virtually unknown area of music history, this book contributes to current understanding of the globalization of music, and repositions the Philippines at the frontiers of research into early modern intercultural exchange.
Book Synopsis The Art of Re-enchantment by : Nick Wilson
Download or read book The Art of Re-enchantment written by Nick Wilson and published by Oxford University Press. This book was released on 2014 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historically informed performance (HIP) has provoked heated debate amongst musicologists, performers and cultural sociologists. In The Art of Re-enchantment: Making Early Music in the Modern Age, author Nick Wilson answers many salient questions surrounding HIP through an in-depth analysis of the early music movement in Britain from the 1960s to the present day.
Book Synopsis From Renaissance to Baroque by : Jonathan Wainwright
Download or read book From Renaissance to Baroque written by Jonathan Wainwright and published by Routledge. This book was released on 2017-07-05 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Book Synopsis The End of Early Music by : Bruce Haynes
Download or read book The End of Early Music written by Bruce Haynes and published by Oxford University Press. This book was released on 2007-07-20 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Book Synopsis Early Music: A Very Short Introduction by : Thomas Forrest Kelly
Download or read book Early Music: A Very Short Introduction written by Thomas Forrest Kelly and published by Oxford University Press. This book was released on 2011-04-25 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion.
Download or read book Early Music Review written by and published by . This book was released on 2006 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Early Music History by : Iain Fenlon
Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seven include: Music, ritual and patronage at the Church of Our Lady, Antwerp; Instrumental music in urban centres of Renaissance Germany; and the fourth-century origin of the gradual.
Book Synopsis Music of the Ottoman Court by : Walter Feldman
Download or read book Music of the Ottoman Court written by Walter Feldman and published by BRILL. This book was released on 2023-12-18 with total page 587 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir’s seminal “Book of the Science of Music” from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers’ accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski—from fifty years earlier—together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.
