The Chamber Cantatas of Antonio Vivaldi

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Author :
Publisher : Boydell Press
ISBN 13 : 9781843832010
Total Pages : 256 pages
Book Rating : 4.8/5 (32 download)

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Book Synopsis The Chamber Cantatas of Antonio Vivaldi by : Michael Talbot

Download or read book The Chamber Cantatas of Antonio Vivaldi written by Michael Talbot and published by Boydell Press. This book was released on 2006 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.

The Chamber Cantatas of Antonio Vivaldi

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Author :
Publisher : Boydell Press
ISBN 13 : 9781846154546
Total Pages : 248 pages
Book Rating : 4.1/5 (545 download)

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Book Synopsis The Chamber Cantatas of Antonio Vivaldi by : Michael Talbot

Download or read book The Chamber Cantatas of Antonio Vivaldi written by Michael Talbot and published by Boydell Press. This book was released on 2006-02-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.

The Vivaldi Compendium

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Author :
Publisher : Boydell Press
ISBN 13 : 184383670X
Total Pages : 272 pages
Book Rating : 4.8/5 (438 download)

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Book Synopsis The Vivaldi Compendium by : Michael Talbot

Download or read book The Vivaldi Compendium written by Michael Talbot and published by Boydell Press. This book was released on 2011 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.

Aspects of the Secular Cantata in Late Baroque Italy

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Author :
Publisher : Routledge
ISBN 13 : 1351575171
Total Pages : 452 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Aspects of the Secular Cantata in Late Baroque Italy by : Michael Talbot

Download or read book Aspects of the Secular Cantata in Late Baroque Italy written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.

Tonal Space in the Music of Antonio Vivaldi

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Author :
Publisher : Indiana University Press
ISBN 13 : 0253351294
Total Pages : 386 pages
Book Rating : 4.2/5 (533 download)

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Book Synopsis Tonal Space in the Music of Antonio Vivaldi by : Bella Brover-Lubovsky

Download or read book Tonal Space in the Music of Antonio Vivaldi written by Bella Brover-Lubovsky and published by Indiana University Press. This book was released on 2008-06-25 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. Brover-Lubovsky's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. Tonal Space in the Music of Antonio Vivaldi is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century."--BOOK JACKET.

Six Chamber Cantatas with Strings (1708)

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Author :
Publisher : A-R Editions, Inc.
ISBN 13 : 1987208382
Total Pages : 201 pages
Book Rating : 4.9/5 (872 download)

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Book Synopsis Six Chamber Cantatas with Strings (1708) by : Antonio Bononcini

Download or read book Six Chamber Cantatas with Strings (1708) written by Antonio Bononcini and published by A-R Editions, Inc.. This book was released on with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the first decade of the eighteenth century, a new generation of Italian composers brought the latest styles to a Vienna lagging behind the musical innovations that were occurring in cities such as Venice, Rome, and Naples. Among the intrepid individuals to join the Habsburg court was the north Italian composer Antonio Maria Bononcini (1677–1726). When Antonio began his service to the Habsburg emperor, he was still a young and little-known composer, but it was in Vienna that he distinguished himself as one of his generation’s most gifted composers of dramatic vocal music. The six cantatas by Antonio Bononcini found in this edition, from the Viennese manuscript A-Wn, Mus.Hs.17607, are written for soprano or alto with strings, and the string instrumentation is unique in specifying two of the violins and the violoncello as di concerto (that is, concertino), and two violins and double bass as di concerto grosso (that is, ripieno). These cantatas represent the new Italian style that flourished at the imperial Viennese court of Emperor Joseph I. Through their innovative use of form, design features, affective harmony, melody, and rhythm, they demonstrate that, although Antonio’s cantata output is much smaller than that of his more famous brother Giovanni, his compositional style reveals a composer of superior craftsmanship and imagination.

Six Chamber Cantatas

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Author :
Publisher : A-R Editions, Inc.
ISBN 13 : 9780895797100
Total Pages : 76 pages
Book Rating : 4.7/5 (971 download)

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Book Synopsis Six Chamber Cantatas by : Girolamo Polani

Download or read book Six Chamber Cantatas written by Girolamo Polani and published by A-R Editions, Inc.. This book was released on 2011-01-01 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: Book URL: https://www.areditions.com/rr/rrb/b172.html The six cantatas included in this edition are the sole surviving compositions of Girolamo Polani. Born in the Venetian state ca. 1670, Polani joined the cappella of San Marco, Venice, in 1689 as a soprano. Between 1700 and 1717 he was also active as a composer for the Venetian stage, once crossing swords with Vivaldi. In 1717 he came to Britain, where he remained¿or at least stayed for long periods¿during the rest of his poorly documented life. He was in the service of Lady Grisell Baillie as a music master in 1735¿36. It was in Britain around the same time that he produced his cantatas: a set of six concise scores for soprano and continuo preserved in the British Library. These remarkably fine works, which manage to combine galant elements with traditional counterpoint in an original way, are testimonies to the Indian summer that the Italian chamber cantata enjoyed on British soil during the period of Handel¿s operas.

So You Want to Sing Chamber Music

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Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1538105179
Total Pages : 244 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis So You Want to Sing Chamber Music by : Susan Hochmiller

Download or read book So You Want to Sing Chamber Music written by Susan Hochmiller and published by Rowman & Littlefield. This book was released on 2018-12-21 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a comprehensive guide to learning, rehearsing, and performing vocal chamber music, this volume explores such critical skills as choosing repertoire appropriate for one’s voice type, communicating with your ensemble, performance style, preparing for a successful rehearsal, staging considerations, and recital programming.

Aspects of the Secular Cantata in Late Baroque Italy

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Author :
Publisher : Routledge
ISBN 13 : 1351575163
Total Pages : 409 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Aspects of the Secular Cantata in Late Baroque Italy by : Michael Talbot

Download or read book Aspects of the Secular Cantata in Late Baroque Italy written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.

Vivaldi's Music for Flute and Recorder

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Author :
Publisher : Routledge
ISBN 13 : 1351537288
Total Pages : 376 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Vivaldi's Music for Flute and Recorder by : Michael Talbot

Download or read book Vivaldi's Music for Flute and Recorder written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.

Six Chamber Cantatas (1708)

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Author :
Publisher : A-R Editions, Inc.
ISBN 13 : 1987205332
Total Pages : 181 pages
Book Rating : 4.9/5 (872 download)

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Book Synopsis Six Chamber Cantatas (1708) by : Antonio Bononcini

Download or read book Six Chamber Cantatas (1708) written by Antonio Bononcini and published by A-R Editions, Inc.. This book was released on 2020-01-01 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the first decade of the eighteenth century, a new generation of Italian composers brought the latest styles to a Vienna lagging behind the musical innovations that were occurring in cities such as Venice, Rome, and Naples. Among the intrepid individuals to join the Habsburg court was the north Italian composer Antonio Maria Bononcini (1677–1726). When Antonio began his service to the Habsburg emperor, he was still a young and little-known composer, but it was in Vienna that he distinguished himself as one of his generation’s most gifted composers of dramatic vocal music. The six cantatas by Antonio Bononcini found in this edition, from the Viennese manuscript A-Wn, Mus.Hs.17587, represent the new Italian style that flourished at the imperial Viennese court of Emperor Joseph I. Through their innovative use of form, design features, and affective harmony, melody, and rhythm, they demonstrate that, although Antonio’s cantata output is much smaller than that of his more famous brother Giovanni, his compositional style reveals a composer of superior craftsmanship and imagination.

Transitions in Mid-Baroque Music

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Author :
Publisher : Boydell & Brewer
ISBN 13 : 1837651582
Total Pages : 363 pages
Book Rating : 4.8/5 (376 download)

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Book Synopsis Transitions in Mid-Baroque Music by : Carrie Churnside

Download or read book Transitions in Mid-Baroque Music written by Carrie Churnside and published by Boydell & Brewer. This book was released on 2024-05-28 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe. CARRIE CHURNSIDE is Associate Professor in Music at the Royal Birmingham Conservatoire (part of Birmingham City University).

Vivaldi

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Author :
Publisher : Routledge
ISBN 13 : 1351537318
Total Pages : 565 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Vivaldi by : Michael Talbot

Download or read book Vivaldi written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 565 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.

Antonio Vivaldi

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Author :
Publisher : Univ of California Press
ISBN 13 : 9780520016293
Total Pages : 326 pages
Book Rating : 4.0/5 (162 download)

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Book Synopsis Antonio Vivaldi by : Walter Kolneder

Download or read book Antonio Vivaldi written by Walter Kolneder and published by Univ of California Press. This book was released on 1970 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Historical Dictionary of Baroque Music

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Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1538151626
Total Pages : 465 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis Historical Dictionary of Baroque Music by : Joseph P. Swain

Download or read book Historical Dictionary of Baroque Music written by Joseph P. Swain and published by Rowman & Littlefield. This book was released on 2023-05-08 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms.

Dreaming with Open Eyes

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Author :
Publisher : University of California Press
ISBN 13 : 0520298152
Total Pages : 326 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Dreaming with Open Eyes by : Ayana O. Smith

Download or read book Dreaming with Open Eyes written by Ayana O. Smith and published by University of California Press. This book was released on 2019-01-29 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.

Vivaldi

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Author :
Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 270 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Vivaldi by : Michael Talbot

Download or read book Vivaldi written by Michael Talbot and published by Oxford University Press, USA. This book was released on 2000 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: A detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works.