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Conductors In Britain 1870 1914
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Book Synopsis Conductors in Britain, 1870-1914 by : Fiona M. Palmer
Download or read book Conductors in Britain, 1870-1914 written by Fiona M. Palmer and published by Boydell & Brewer. This book was released on 2017 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shows how the work of orchestral conductors was shaped by and enriched cultural life in Britain from the late Victorian era to World War I.
Book Synopsis Elisabeth Lutyens and Edward Clark by : Annika Forkert
Download or read book Elisabeth Lutyens and Edward Clark written by Annika Forkert and published by Cambridge University Press. This book was released on 2023-10-19 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining analyses of modernist concert and stage music by Elisabeth Lutyens with those of her audio-visual scores, and contextualising Lutyens and Edward Clark's biographies within international developments in dodecaphonic music and music-making, this book will speak to a wide audience interested in British and European twentieth-century music.
Book Synopsis The Symphonic Poem in Britain, 1850-1950 by : Michael Allis
Download or read book The Symphonic Poem in Britain, 1850-1950 written by Michael Allis and published by Boydell & Brewer. This book was released on 2020 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).
Book Synopsis Music in Edwardian London by : Simon McVeigh
Download or read book Music in Edwardian London written by Simon McVeigh and published by Boydell & Brewer. This book was released on 2024-05-21 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.
Book Synopsis Opera and Politics in Queen Anne's Britain, 1705-1714 by : Thomas McGeary
Download or read book Opera and Politics in Queen Anne's Britain, 1705-1714 written by Thomas McGeary and published by Boydell & Brewer. This book was released on 2022-07-26 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
Book Synopsis Exhibitions, Music and the British Empire by : Sarah Kirby
Download or read book Exhibitions, Music and the British Empire written by Sarah Kirby and published by Boydell & Brewer. This book was released on 2022 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.
Book Synopsis Musical History as Seen through Contemporary Eyes by : Benjamin Knysak
Download or read book Musical History as Seen through Contemporary Eyes written by Benjamin Knysak and published by Hollitzer Wissenschaftsverlag. This book was released on 2022-02-04 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Musical History as Seen through Contemporary Eyes", edited by Benjamin Knysak and Zdravko Blažeković, is a Festschrift published in honor of the musicologist H. Robert Cohen. Born in Baltimore, educated in New York, and with a career spanning France, Canada, and the United States, Cohen is the founder of the Répertoire international de la presse musicale (RIPM), the international project focused on the historic musical press. With research interests spanning print culture, music iconography, Hector Berlioz, musical France, and Giuseppe Verdi, this volume presents a collection of essays written by many friends and collaborators exploring these themes and many others. "Musical History as Seen through Contemporary Eyes" is a tribute to Cohen's contributions to musicology, librarianship, and information science spanning more than fifty years.
Book Synopsis The Life and Music of Elizabeth Maconchy by : Erica Siegel
Download or read book The Life and Music of Elizabeth Maconchy written by Erica Siegel and published by Boydell & Brewer. This book was released on 2023-07-18 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length biographical study of Elizabeth Maconchy (1907-1994). The British-born Irish composer (Dame) Elizabeth Maconchy (1907-1994) is best known today for her cycle of thirteen string quartets, composed over five decades. And yet, her oeuvre ranges from large scale choral works, to ballets, operas, and symphonic scores. Having studied with Charles Wood and Ralph Vaughan Williams at the Royal College of Music, many of her compositions also garnered accolades from peers and established musical figures such as Gustav Holst, Donald Francis Tovey, and Henry Wood, among others. With access to a wealth of documentation previously unavailable, this book explores Maconchy's life and music within a greater consideration of the social and political context of the world in which she lived. While the influence of Bartók has been well documented, this book reveals the equally potent influence of Vaughan Williams on Maconchy's musical idiom. This book also discusses Maconchy's foray into administration and her advocacy of young composers through her work as the first woman to be elected Chairman of the Composers' Guild of Great Britain in 1959 and President of the Society for the Promotion of New Music following the death of Benjamin Britten in 1976. It will be required reading for those interested in the lives of women composers, twentieth-century British music, and musical modernism.
Book Synopsis Global Perspectives on Orchestras by : Tina K. Ramnarine
Download or read book Global Perspectives on Orchestras written by Tina K. Ramnarine and published by Oxford University Press. This book was released on 2017 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Global Perspectives on Orchestras offers innovative approaches to thinking about orchestras. It adopts ethnographic and comparative perspectives on symphony, Caribbean steel, Indian film orchestras and Indonesian gamelan ensembles. By considering the orchestra in diverse historical, intercultural and postcolonial contexts, the volume generates enhanced appreciation of this creative, political and social practice.
Download or read book Before the Baton written by Peter Holman and published by Boydell & Brewer. This book was released on 2020 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
Book Synopsis The Reminiscences and Selected Criticism of Herbert Thompson by : Michael Allis
Download or read book The Reminiscences and Selected Criticism of Herbert Thompson written by Michael Allis and published by Liverpool University Press. This book was released on 2024-05-28 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a critical edition of the autobiography and selected musical criticism of Herbert Thompson (1856–1945) who was chief music critic at The Yorkshire Post from 1886 until 1936, and Yorkshire correspondent for the Musical Times.
Book Synopsis Musical Women in England, 1870-1914 by : NA NA
Download or read book Musical Women in England, 1870-1914 written by NA NA and published by Springer. This book was released on 2000-07-07 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.
Download or read book The Motorman and Conductor written by and published by . This book was released on 1913 with total page 1134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vols. 19- include the Proceedings of the association's 12-27th annual conventions.
Book Synopsis Motorman, Conductor and Motor Coach Operator by :
Download or read book Motorman, Conductor and Motor Coach Operator written by and published by . This book was released on 1912 with total page 1020 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vols. include the Proceedings of the association's 12th-27th annual conventions.
Book Synopsis The Music Profession in Britain, 1780-1920 by : Rosemary Golding
Download or read book The Music Profession in Britain, 1780-1920 written by Rosemary Golding and published by Routledge. This book was released on 2018-03-15 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
Book Synopsis London and Paris as International Financial Centres in the Twentieth Century by : Youssef Cassis
Download or read book London and Paris as International Financial Centres in the Twentieth Century written by Youssef Cassis and published by OUP Oxford. This book was released on 2005-01-20 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: London and Paris, the world's two leading financial centres in the nineteenth century, experienced differing fortunes during the twentieth century. While London remained an international financial centre, Paris' influence declined. Yet over the last twenty years deregulation, internationalization, and the advent of the single currency have reactivated their competition in ways reminiscent of their old rivalry before the First World War. This book provides a long-term perspective on the development of each centre, with special attention devoted to the pre-1914 years and to the last decades of the twentieth century, in order to contrast these two eras of globalization. The chapters include both archive-based and synthetic surveys and are written by the leading specialists of the field. This comparison between Europe's two leading capital cities will also provide new insights into two important subjects: the political economy of Britain and France in the twentieth century, and the history of international financial centres. As much as a comparison between London and Paris as international financial centres, this book is an Anglo-French comparison; in other words, it considers, through the prism of finance, several aspects of the two countries' economic, business, social, and political histories. It includes contributions from leading banking, financial, and economic historians, and will be of interest to academics, researchers, and students of Financial and Economic History, and the role of London and Paris in particular.
Book Synopsis Michael Costa: England's First Conductor by : John Goulden
Download or read book Michael Costa: England's First Conductor written by John Goulden and published by Routledge. This book was released on 2016-04-22 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards of training and discipline, a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa, who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses, the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses, between the Philharmonic and the New Philharmonic, and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costa’s uniquely powerful position in the operatic, symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world.
