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Author : Thomas Wolf
Publisher :
ISBN 13 : 9780931036118
Total Pages : 786 pages
Book Rating : 4.0/5 (361 download)
Download or read book Gordon's Print Price Annual, 1983 written by Thomas Wolf and published by . This book was released on 1984 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 804 pages
Book Rating : 4.3/5 (91 download)
Download or read book Gordon's Print Price Annual written by and published by . This book was released on 1984 with total page 804 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 656 pages
Book Rating : 4.3/5 (91 download)
Download or read book Index of Art Sales Catalogs 1981-1985: Main index, October 7, 1984-December 23, 1985. Subject index written by and published by . This book was released on 1987 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 394 pages
Book Rating : 4.:/5 (321 download)
Download or read book Connaissance Des Arts written by and published by . This book was released on 1980 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : New York Public Library. Art and Architecture Division
Publisher :
ISBN 13 :
Total Pages : 656 pages
Book Rating : 4.3/5 (91 download)
Download or read book Bibliographic Guide to Art and Architecture written by New York Public Library. Art and Architecture Division and published by . This book was released on 1987 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher : Macmillan Reference USA
ISBN 13 :
Total Pages : 632 pages
Book Rating : 4.3/5 (91 download)
Download or read book Index of Art Sales Catalogs, 1981-1985: Main index, January 5, 1981-October 6, 1984 written by and published by Macmillan Reference USA. This book was released on 1987 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Lewis Pyenson
Publisher : BRILL
ISBN 13 : 9004325735
Total Pages : 666 pages
Book Rating : 4.0/5 (43 download)
Download or read book The Shock of Recognition written by Lewis Pyenson and published by BRILL. This book was released on 2020-10-12 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Shock of Recognition, Lewis Pyenson examines art and science together to shed new light on common motifs in Picasso’s and Einstein’s education, in European material culture, and in the intellectual life of one nation-state, Argentina.
Author : Riva Castleman
Publisher : ABRAMS
ISBN 13 : 9780810961814
Total Pages : 0 pages
Book Rating : 4.9/5 (618 download)
Download or read book A Century of Artists Books written by Riva Castleman and published by ABRAMS. This book was released on 1997-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author : Emmanuel Bénézit
Publisher :
ISBN 13 :
Total Pages : 1200 pages
Book Rating : 4.X/5 ( download)
Download or read book Dictionnaire Critique Et Documentaire Des Peintres, Sculpteurs, Dessinateurs & Graveurs de Tous Les Temps Et de Tous Les Pays: A.C written by Emmanuel Bénézit and published by . This book was released on 1924 with total page 1200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Hollis Clayson
Publisher : Getty Publications
ISBN 13 : 0892367296
Total Pages : 224 pages
Book Rating : 4.8/5 (923 download)
Download or read book Painted Love written by Hollis Clayson and published by Getty Publications. This book was released on 2003-10-30 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
Author :
Publisher :
ISBN 13 :
Total Pages : 128 pages
Book Rating : 4.3/5 (91 download)
Download or read book Revue roumaine d'histoire de l'art written by and published by . This book was released on 2003 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Avery Library
Publisher :
ISBN 13 :
Total Pages : 762 pages
Book Rating : 4.F/5 ( download)
Download or read book Catalog of the Avery Memorial Architectural Library of Columbia University. 2d ed., enl written by Avery Library and published by . This book was released on 1972 with total page 762 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 1006 pages
Book Rating : 4.3/5 (91 download)
Download or read book Annuaire international des beaux-arts written by and published by . This book was released on 1982 with total page 1006 pages. Available in PDF, EPUB and Kindle. Book excerpt: 22nd. edition, 1995-/96
Author : Emmanuel Bénézit
Publisher :
ISBN 13 :
Total Pages : 948 pages
Book Rating : 4.X/5 ( download)
Download or read book Dictionnaire Critique Et Documentaire Des Peintres, Sculpteurs, Dessinateurs & Graveurs de Tous Les Temps Et de Tous Les Pays: D-K written by Emmanuel Bénézit and published by . This book was released on 1924 with total page 948 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Richard Thomson
Publisher : Metropolitan Museum of Art
ISBN 13 : 1588396150
Total Pages : 146 pages
Book Rating : 4.5/5 (883 download)
Download or read book Seurat's Circus Sideshow written by Richard Thomson and published by Metropolitan Museum of Art. This book was released on 2017-02-15 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.
Author : The J. Paul Getty Museum
Publisher : Getty Publications
ISBN 13 : 0892362081
Total Pages : 190 pages
Book Rating : 4.8/5 (923 download)
Download or read book The J. Paul Getty Museum Journal written by The J. Paul Getty Museum and published by Getty Publications. This book was released on 1993-01-28 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
Author : Fae Brauer
Publisher :
ISBN 13 : 9781443853767
Total Pages : 0 pages
Book Rating : 4.8/5 (537 download)
Download or read book Rivals and Conspirators written by Fae Brauer and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Womenâ (TM)s Salon in 1881 followed by the Independent Artistsâ (TM) Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the â oemodern art centreâ . Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this â oemodern art centreâ . Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artistsâ (TM) and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and â oeofficialâ . Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this â oemodern art centreâ were not Sonia Delaunay, Ã0/00mile GallÃ(c), Paul Signac, Henri Matisse or even Picasso but such Academicians as LÃ(c)on Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and AimÃ(c) Morot, who exhibited at the â oeofficialâ Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this â oemodern art centreâ , intense persecutionist paranoia lay festering. Whenever Franceâ (TM)s â oecivilizing missionâ seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic â oecentreâ , which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its â oecivilizing missionâ and politically persecuting the very modernist culture for which it has received historical renown.
