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Symbolic Narratives African Cinema
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Book Synopsis Symbolic Narratives/African Cinema by : June Givanni
Download or read book Symbolic Narratives/African Cinema written by June Givanni and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the conference Africa and the History of Cinematic Ideas held in London in 1995, film-makers, cultural theorists and critics gathered to debate a range of issues. Views were exchanged on such topics as imperialism, and the problems of distribution.
Book Synopsis Symbolic Narratives/African Cinema by : June Givanni
Download or read book Symbolic Narratives/African Cinema written by June Givanni and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the conference Africa and the History of Cinematic Ideas held in London in 1995, film-makers, cultural theorists and critics gathered to debate a range of issues. Views were exchanged on such topics as imperialism, and the problems of distribution.
Book Synopsis African Cinema, Neoliberal Narratives and the Right of Necessity by : Olivier J. Tchouaffe
Download or read book African Cinema, Neoliberal Narratives and the Right of Necessity written by Olivier J. Tchouaffe and published by Cambridge Scholars Publishing. This book was released on 2022-01-05 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: African cinema offers a distinctive contribution to world cinema with its unique expertise of neoliberal genealogy and its opposition to those ubiquitous logics that serve only to validate injustices and regression made in the name of managerial liberalism. It provides a deft analysis of the common thread running through globalization, free-market fanaticism, corporate greed and its asymmetrical economic dominance that naturalizes a global caste system. This book shows that African cinema represents a powerful contribution to our understanding of neoliberalism’s global dominance that generates shrinking security, multiple recessions and endless austerity, and a culture of permanent anxiety and precarity.
Book Synopsis Modernity and the African Cinema by : Femi Okiremuete Shaka
Download or read book Modernity and the African Cinema written by Femi Okiremuete Shaka and published by Africa Research and Publications. This book was released on 2004 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing an analysis of the implications of centuries of Euro-African contact and its effect on cinematic institutions in Africa, this book examines modern African film from the perspective of the global politics of subjectivity, agency, and identity construction.
Book Synopsis African Cinema by : Nwachukwu Frank Ukadike
Download or read book African Cinema written by Nwachukwu Frank Ukadike and published by . This book was released on 2013 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis African Cinema: Manifesto and Practice for Cultural Decolonization by : Michael T. Martin
Download or read book African Cinema: Manifesto and Practice for Cultural Decolonization written by Michael T. Martin and published by Indiana University Press. This book was released on 2023-08-08 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.
Book Synopsis Gender Terrains in African Cinema by : Dominica Dipio
Download or read book Gender Terrains in African Cinema written by Dominica Dipio and published by African Books Collective. This book was released on 2019-04-12 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender Terrains in African Cinema reflects on a body of canonical African filmmakers who address a trajectory of pertinent social issues. Dipio analyses gender relations around three categories of female characters the girl child, the young woman and the elderly woman and their male counterparts. Although gender remains the focal point in this lucid and fascinating text, Dipio engages attention in her discussion of African feminism in relation to Western feminism. With its broad appeal to African humanities, Gender Terrains in African Cinema stands as a unique and radical contribution to the field of (African) film studies, which until now, has suffered from a paucity of scholarship.
Book Synopsis Critical Approaches to African Cinema Discourse by : Nwachukwu Frank Ukadike
Download or read book Critical Approaches to African Cinema Discourse written by Nwachukwu Frank Ukadike and published by Lexington Books. This book was released on 2014-02-27 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book emphasizes the plurality of African cinema through a variety of themes and critical approaches that illuminate the scope of the mobilizing techniques for its proliferation, as well as its deep concern for methods of production, film aesthetics, theory, and criticism. Critical Approaches to African Cinema Discourse will offer scholars and students in film, media, and cultural studies, as well as in history, and Black and African studies, a broader understanding of African cinema as a cultural art. The contributors show that it is informed not only by ideological determinants but also by the concern to boost perspectives for reading African film images that may or may not belong to the conventional interpretations proffered in Euro-American critical paradigms.
Book Synopsis Focus on African Films by : Françoise Pfaff
Download or read book Focus on African Films written by Françoise Pfaff and published by Indiana University Press. This book was released on 2004-07-13 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Focus on African Films' offers pluralistic perspectives on filmmaking across Africa, highlighting the distinct thematic, stylistic, and socioeconomic circumstances of African film production.
Book Synopsis Film, History and Cultural Citizenship by : Tina Mai Chen
Download or read book Film, History and Cultural Citizenship written by Tina Mai Chen and published by Routledge. This book was released on 2020-09-19 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new book investigates the relationship of film to history, power, memory, and cultural citizenship. The book is concerned with two central issues: firstly, the participation of film and filmmakers in articulating and challenging projects of modernity; and, secondly, the role of film in shaping particular understandings of self and other to evoke collective notions of belonging. These issues call for interdisciplinary and multi-layered analyses that are ideally met through dialogue across place, time, identities and genres. The contributors to this volume enable this dialogue by considering the ways in which cultural expression and identity expressed through film serve to create notions of belonging, group identity, and entitlement within modern societies.
Book Synopsis Viewing African Cinema in the Twenty-first Century by : Mahir Şaul
Download or read book Viewing African Cinema in the Twenty-first Century written by Mahir Şaul and published by Ohio University Press. This book was released on 2010-10-05 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in 1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These “Nollywood” films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema. Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes. Contributors: Ralph A. Austen and Mahir Şaul, Jonathan Haynes, Onookome Okome, Birgit Meyer, Abdalla Uba Adamu, Matthias Krings, Vincent Bouchard, Laura Fair, Jane Bryce, Peter Rist, Stefan Sereda, Lindsey Green-Simms, and Cornelius Moore
Book Synopsis West African Screen Media by : Boukary Sawadogo
Download or read book West African Screen Media written by Boukary Sawadogo and published by MSU Press. This book was released on 2019-05-01 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The culturally rooted comic traditions of koteba theater and joking kinship have shaped West African comedies through various forms of humor. Débrouillardise (hustle) has turned the urban scene into a comic scene, a site for individual realization. To highlight the ever-growing production and success of comedies and other popular genres, West African Screen Media: Comedy, TV Series, and Transnationalization explores the distribution and reception of selected productions by emphasizing the public’s strong resonance with local stories and a character-based comedy involving popular comedians. In contrast to art films or “auteur films” that tend to be confined to the festival circuit, comedies and popular genres reach a far wider audience through local distribution networks, satellite TV channels, pirated DVDs, and online distribution platforms. This book engages a discussion of contemporary African media productions as seen outside the usual frameworks of cinéma engagé, the art house, or auteur approaches. While examining production and distribution through the lenses of proximity, appropriation, and transnationalization, this volume invites readers to reconsider the way genre films, as well as other kinds of productions, have been previously evaluated and in doing so addresses the critical neglect of comedy and other popular genres in the scholarship on African cinema.
Book Synopsis African Francophone Cinema by : Samba Diop
Download or read book African Francophone Cinema written by Samba Diop and published by University Press of the South, Incorporated. This book was released on 2004 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This short encyclopedic book is destined to students who are interested in African Francophone Film and Cinema. The major contemporary African Francophone filmmakers and their films are treated her. The book discusses a certain number of themes as they are featured in African Francophone Cinema. The interface between cinematographic language and image is also studied. This study reflects the vibrancy of the emergent field of African cinema. Furthermore, the reading and interpretation of the aforementioned themes is a testimony toward the commitment of African filmmakers who re-visit and update a certain number of topics as well as explore new avenues, thus pushing further and further outward the boundaries of filmmaking in Africa." "Thus, many of the films analyzed in this book allow the reader to reflect on some contemporary issues that affect Africans and, at the same time, these films provide for entertainment, fun, and light humor. Thanks to the availability of these films, the African is at once educated and entertained. Beyond Africa, the themes embedded in African Francophone films help toward a letter appreciation and understanding of African Cinema."--BOOK JACKET.
Book Synopsis Cinematic Homecomings by : Rebecca Prime
Download or read book Cinematic Homecomings written by Rebecca Prime and published by Bloomsbury Publishing USA. This book was released on 2014-11-20 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of cinema charts multiple histories of exile. From the German émigrés in 1930s Hollywood to today's Iranian filmmakers in Europe and the United States, these histories continue to exert a profound influence on the evolution of cinematic narratives and aesthetics. But while the effect of exile and diaspora on film practice has been fruitfully explored from both historical and contemporary perspectives, the issues raised by return, whether literal or metaphorical, have yet to be fully considered. Cinematic Homecomings expands upon existing studies of transnational cinema by addressing the questions raised by reverse migration and the return home in a variety of historical and national contexts, from postcolonialism to post-Communism. By looking beyond exile, the contributors offer a multidirectional perspective on the relationship between migration, mobility, and transnational cinema. 'Narratives of return' are among the most popular themes of the contemporary cinema of countries ranging from Morocco to Cuba to the Soviet Union. This speaks to both the sociocultural reality of reverse migration and to its significance on the imagination of the nation.
Book Synopsis Storytelling in World Cinemas by : Lina H. Khatib
Download or read book Storytelling in World Cinemas written by Lina H. Khatib and published by Columbia University Press. This book was released on 2012 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories."-Publisher website.
Book Synopsis Storytelling in World Cinemas by : Lina Khatib
Download or read book Storytelling in World Cinemas written by Lina Khatib and published by Columbia University Press. This book was released on 2012-05-29 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Storytelling in World Cinemas, Vol. 1: Forms is an innovative collection of essays that discuss how different cinemas of the world tell stories. The book locates European, Asian, African, and Latin American films within their wider cultural and artistic frameworks, showing how storytelling forms in cinema are infused with influences from other artistic, literary, and oral traditions. This volume also reconsiders cinematic storytelling in general, highlighting the hybridity of 'national' forms of storytelling, calling for a rethinking of African cinematic storytelling that goes beyond oral traditions, and addressing films characterised by 'non-narration'. This study is the first in a two-volume project, with the second focusing on the contexts of cinematic storytelling.
Book Synopsis Postcolonial African cinema by : David Murphy
Download or read book Postcolonial African cinema written by David Murphy and published by Manchester University Press. This book was released on 2019-01-04 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines – film studies, African cultural studies, and, in particular, postcolonial studies – in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director’s output to date, and the necessary background – personal or national, cultural or political – to enable readers to achieve a better understanding of the director’s choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader.
