African Cinema: Manifesto and Practice for Cultural Decolonization

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Publisher : Indiana University Press
ISBN 13 : 0253066271
Total Pages : 555 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis African Cinema: Manifesto and Practice for Cultural Decolonization by : Michael T. Martin

Download or read book African Cinema: Manifesto and Practice for Cultural Decolonization written by Michael T. Martin and published by Indiana University Press. This book was released on 2023-08-08 with total page 555 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.

African Cinema: Manifesto and Practice for Cultural Decolonization

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Publisher : Indiana University Press
ISBN 13 : 0253066239
Total Pages : 536 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis African Cinema: Manifesto and Practice for Cultural Decolonization by : Michael T. Martin

Download or read book African Cinema: Manifesto and Practice for Cultural Decolonization written by Michael T. Martin and published by Indiana University Press. This book was released on 2023-08-08 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.

African Cinema: Manifesto and Practice for Cultural Decolonization

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Publisher : Indiana University Press
ISBN 13 : 0253066301
Total Pages : 691 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis African Cinema: Manifesto and Practice for Cultural Decolonization by : Michael T. Martin

Download or read book African Cinema: Manifesto and Practice for Cultural Decolonization written by Michael T. Martin and published by Indiana University Press. This book was released on 2023-08-08 with total page 691 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions--aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.

African Cinema: Manifesto and Practice for Cultural Decolonization

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Author :
Publisher : Indiana University Press
ISBN 13 : 025306631X
Total Pages : 782 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis African Cinema: Manifesto and Practice for Cultural Decolonization by : Michael T. Martin

Download or read book African Cinema: Manifesto and Practice for Cultural Decolonization written by Michael T. Martin and published by Indiana University Press. This book was released on 2023-08-08 with total page 782 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions—aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.

Cinema and Development in West Africa

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Publisher : Indiana University Press
ISBN 13 : 025301011X
Total Pages : 223 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Cinema and Development in West Africa by : James E. Genova

Download or read book Cinema and Development in West Africa written by James E. Genova and published by Indiana University Press. This book was released on 2013-09-25 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Illuminates the enduring importance of political and economic dynamics not yet fully explored in the study of African cinema.” —Africa Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African identities and economic development as the major themes in the political literature and cultural production of the time. Focusing on film both as industry and aesthetic genre, he demonstrates its unique place in economic development and provides a comprehensive history of filmmaking in the region during the transition from colonies to sovereign states.

African Cinemas

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Publisher : Zed Books
ISBN 13 : 9781856497435
Total Pages : 0 pages
Book Rating : 4.4/5 (974 download)

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Book Synopsis African Cinemas by : Olivier Barlet

Download or read book African Cinemas written by Olivier Barlet and published by Zed Books. This book was released on 2000-10-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is both a personal journey and an introduction to the cinema cultures of Africa. A book about the politics of cultural survival, it is also a major overview of African cinema and television. The first part of the book traces the development of African cinema - from colonization to Afrocentrism. The author examines this development through a variety of fundamental themes: the decolonization of the imagination; the quest for legendary African origins and the mobilization of African cultural values. The second part of the book analyses specific films, particularly through narrative and in terms of their African specificity - in the use of silence, orality and humour. Finally, the author explores the social and economic contexts of the African cinema and television industry - including its often vexed relations with the West and the problems of production and distribution African film-makers face. Exploring the achievements and challenges of those who seek to affirm African cultural values through film, the book also covers the African television industry and African-American cinema. It includes interviews with film-makers, stills from the films and, ultimately, a plea for seeing and respecting the otherness of the Other. Winner of the French National Film Centre's best filmbook of 1997 and now available in four languages, this is book which takes us into a process of learning how to look.

Modernity and the African Cinema

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Publisher : Africa Research and Publications
ISBN 13 :
Total Pages : 462 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis Modernity and the African Cinema by : Femi Okiremuete Shaka

Download or read book Modernity and the African Cinema written by Femi Okiremuete Shaka and published by Africa Research and Publications. This book was released on 2004 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing an analysis of the implications of centuries of Euro-African contact and its effect on cinematic institutions in Africa, this book examines modern African film from the perspective of the global politics of subjectivity, agency, and identity construction.

African Cinema

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Publisher : Indiana University Press
ISBN 13 : 9780253207074
Total Pages : 212 pages
Book Rating : 4.2/5 (7 download)

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Book Synopsis African Cinema by : Manthia Diawara

Download or read book African Cinema written by Manthia Diawara and published by Indiana University Press. This book was released on 1992-04-22 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Manthia Diawara provides an insider's account of the history and current status of African cinema. African Cinema: Politics and Culture is the first extended study in English of Sub-Saharan cinema. Employing an interdisciplinary approach which draws on history, political science, economics, and cultural studies, Diawara discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present. The book traces the growth of African cinema through the efforts of pioneer filmmakers such as Paulin Soumanou Vieyra, Oumarou Ganda, Jean-René Débrix, Jean Rouch, and Ousmane Sembène, the Pan-African Filmmakers' Organization (FEPACI), and the Ougadougou Pan-African Film Festival (FESPACO). Diwara focuses on the production and distribution histories of key films such as Ousmane Sembène's Black Girl and Mandabi (1968) and Souleymane Cissé's Fine (1982). He also examines the role of missionary films in Africa, Débrix's ideas concerning 'magic, ' the links between Yoruba theater and Nigerian cinema, and the parallels between Hindu mythologicals in India and the Yoruba-theater - inflected films in Nigeria. Diawara also looks at film and nationalism, film and popular culture, and the importance of FESPACO. African Cinema: Politics and Culture makes a major contribution to the expanding discussion of Eurocentrism, the canon, and multi-culturalism.

New African Cinema

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Publisher : Rutgers University Press
ISBN 13 : 0813579570
Total Pages : 96 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis New African Cinema by : Valérie K. Orlando

Download or read book New African Cinema written by Valérie K. Orlando and published by Rutgers University Press. This book was released on 2017-04-15 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

Black African Cinema

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Publisher : Univ of California Press
ISBN 13 : 9780520912366
Total Pages : 390 pages
Book Rating : 4.9/5 (123 download)

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Book Synopsis Black African Cinema by : Nwachukwu Frank Ukadike

Download or read book Black African Cinema written by Nwachukwu Frank Ukadike and published by Univ of California Press. This book was released on 2023-09-01 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa. Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties. Clearly written and accessible to specialist and general reader alike, Black African Cinema's analysis of key films and issues—the most comprehensive in English—is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.

Dictionary of African Filmmakers

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Publisher : Indiana University Press
ISBN 13 : 0253351162
Total Pages : 418 pages
Book Rating : 4.2/5 (533 download)

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Book Synopsis Dictionary of African Filmmakers by : Roy Armes

Download or read book Dictionary of African Filmmakers written by Roy Armes and published by Indiana University Press. This book was released on 2008-07-11 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chiefly short biographies and filmographies.

Symbolic Narratives/African Cinema

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838718427
Total Pages : 298 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Symbolic Narratives/African Cinema by : June Givanni

Download or read book Symbolic Narratives/African Cinema written by June Givanni and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the conference Africa and the History of Cinematic Ideas held in London in 1995, film-makers, cultural theorists and critics gathered to debate a range of issues. Views were exchanged on such topics as imperialism, and the problems of distribution.

African Cinema and Human Rights

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Publisher : Indiana University Press
ISBN 13 : 0253039444
Total Pages : 321 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis African Cinema and Human Rights by : Mette Hjort

Download or read book African Cinema and Human Rights written by Mette Hjort and published by Indiana University Press. This book was released on 2019-03-01 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays and case studies exploring how filmmaking can play a role in promoting social and economic justice. Bringing theory and practice together, African Cinema and Human Rights argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: Documenting human rights abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities Legitimating, and consequently solidifying, an expanded scope for human rights Promoting the realization of social and economic right Including the voices of African scholars, scholar-filmmakers, African directors Jean-Marie Teno and Gaston Kaboré, and researchers whose work focuses on transnational cinema, this volume explores overall perspectives, and differences of perspective, pertaining to Africa, human rights, and human rights filmmaking alongside specific case studies of individual films and areas of human rights violations. With its interdisciplinary scope, attention to practitioners’ self-understandings, broad perspectives, and particular case studies, African Cinema and Human Rights is a foundational text that offers questions, reflections, and evidence that help us to consider film’s ideal role within the context of our ever-continuing struggle towards a more just global society.

African Film Studies

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Publisher : Taylor & Francis
ISBN 13 : 1000821692
Total Pages : 135 pages
Book Rating : 4.0/5 (8 download)

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Book Synopsis African Film Studies by : Boukary Sawadogo

Download or read book African Film Studies written by Boukary Sawadogo and published by Taylor & Francis. This book was released on 2022-12-15 with total page 135 pages. Available in PDF, EPUB and Kindle. Book excerpt: African Film Studies is an accessible and engaging introduction to African cinemas, showcasing the diverse cinematic expressions across the continent. Bringing African cinemas out of the margins and into mainstream film studies, the book provides a succinct overview of the history, aesthetics, and theory of sub-Saharan African cinematic productions. Updated throughout, this new edition includes new chapters on Nollywood, Ethiopian cinema, Streaming, and the rise of televisual series, which serve to complement the book’s main themes: Overview of African cinema(s): Questions assumptions and defines the characteristics of African cinemas across linguistic, geographic, and filmic divides History of African cinemas: Spans the history of film in Africa from colonial import and ‘appropriation of the gaze’, the rise of Nollywood and local TV series to streaming, as well as building connections with the development of African American cinema Aesthetics: Introduces new research on previously under-explored aesthetic dimensions such as cinematography, animation, and film music Theoretical Approaches: Addresses a number of theoretical approaches and critical frameworks developed by scholars in the study of African cinemas Traditions and practices in African screen media: Features Ethiopian cinema, Nollywood, Local Televisual Series in Burkina Faso and South Africa, and the Streaming rush for Africa All chapters include case studies, suggestions for further reading, and screening lists to deepen the reader’s knowledge, with no prior knowledge of African cinemas required. Students, teachers, and general film enthusiasts would all benefit from this accessible and engaging book.

Cinemas of the Black Diaspora

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Publisher : Wayne State University Press
ISBN 13 : 9780814325889
Total Pages : 548 pages
Book Rating : 4.3/5 (258 download)

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Book Synopsis Cinemas of the Black Diaspora by : Michael T. Martin

Download or read book Cinemas of the Black Diaspora written by Michael T. Martin and published by Wayne State University Press. This book was released on 1995 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of the cinematic traditions and film practices in the black Diaspora. With contributions by film scholars, film critics, and film-makers from Europe, North America and the Third World, this diverse collection provides a critical reading of film-making in the black Diaspora that challenges the assumptions of colonialist and ethnocentrist discourses about Third World, Hollywood and European cinemas. Cinemas of the Black Diaspora examines the impact on film-making of Western culture, capitalist production and distribution methods, and colonialism and the continuing neo-colonial status of the people and countries in which film-making is practiced. Organized in three parts, the study first explores cinema in the black Diaspora along cultural and political lines, analyzing the works of a radical and aesthetically alternative cinema. The book proceeds to group black cinemas by geographical sites, including Africa, the Caribbean and South America, Europe, and North America, to provide global context for comparative and case study analyses. Finally, three important manifestoes document the political and economic concerns and counter-hegemonic institutional organizing efforts of black and Third World film-makers from the 1970s to the early 1990s. Cinemas of the Black Diaspora should serve as a valuable basic reference and research tool for the study of world cinema. While celebrating the diversity, innovativeness, and fecundity of film-making in different regions of the world, this important collection also explicates the historical importance of film-making as a cultural form and political practice.

African Film

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Publisher :
ISBN 13 : 9780253343505
Total Pages : 224 pages
Book Rating : 4.3/5 (435 download)

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Book Synopsis African Film by : Josef Gugler

Download or read book African Film written by Josef Gugler and published by . This book was released on 2003 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In African Film: Re-imagining a Continent, Josef Gugler provides an introduction to African cinema through an analysis of 15 films made by African filmmakers. These directors set out to re-image Africa; their films offer Western viewers the opportunity to re-imagine the continent and its people. As a point of comparison, two additional films on Africa--one from Hollywood, the other from apartheid South Africa--serve to highlight African directors' altogether different perspectives. Gugler's interpretation considers the financial and technical difficulties of African film production, the intended audiences in Africa and the West, the constraints on distribution, and the critical reception of the films.

Postcolonial Artists and Global Aesthetics

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Publisher : Indiana University Press
ISBN 13 : 0253005507
Total Pages : 255 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Postcolonial Artists and Global Aesthetics by : Akinwumi Adesokan

Download or read book Postcolonial Artists and Global Aesthetics written by Akinwumi Adesokan and published by Indiana University Press. This book was released on 2011-10-21 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms.