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Staging Desire
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Download or read book Staging Desire written by Kim Marra and published by University of Michigan Press. This book was released on 2002 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recovers the hidden history of theater professionals who transgressed the gendered expectations of their time
Book Synopsis Kierkegaard and the Staging of Desire by : Carl S. Hughes
Download or read book Kierkegaard and the Staging of Desire written by Carl S. Hughes and published by Fordham Univ Press. This book was released on 2014-07-02 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theology in the modern era often assumes that the consummate form of theological discourse is objective prose—ignoring or condemning apophatic traditions and the spiritual eros that drives them. For too long, Kierkegaard has been read along these lines as a progenitor of twentieth-century neo-orthodoxy and a stern critic of the erotic in all its forms. In contrast, Hughes argues that Kierkegaard envisions faith fundamentally as a form of infinite, insatiable eros. He depicts the essential purpose of Kierkegaard’s writing as to elicit ever-greater spiritual desire, not to provide the satisfactions of doctrine or knowledge. Hughes’s argument revolves around close readings of provocative, disparate, and (in many cases) little-known Kierkegaardian texts. The thread connecting all of these texts is that they each conjure up some sort of performative “stage setting,” which they invite readers to enter. By analyzing the theological function of these texts, the book sheds new light on the role of the aesthetic in Kierkegaard’s authorship, his surprising affinity for liturgy and sacrament, and his overarching effort to conjoin eros for God with this-worldly love.
Book Synopsis Staging the Gaze by : Barbara Freedman
Download or read book Staging the Gaze written by Barbara Freedman and published by Cornell University Press. This book was released on 1991 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Staging Whiteness by : Mary F. Brewer
Download or read book Staging Whiteness written by Mary F. Brewer and published by Wesleyan University Press. This book was released on 2005-07-29 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: How whiteness is portrayed in contemporary drama and enacted in everyday life.
Book Synopsis Staging of Classical Drama around 2000 by : Alena Sarkissian
Download or read book Staging of Classical Drama around 2000 written by Alena Sarkissian and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classical drama on the modern stage as a cultural and political phenomenon is scholarly trailed since the 1950s and 60s and intensified in the last third of the twentieth century. The evidence is being extensively documented, pioneered by Walton (1987) and McDonald (1992) and subsequently developed by collaborative research projects which include published databases. It is clear from the work of these projects that performance of classical drama is a major feature in all types of theatre – avant-garde and experimental, student, international and fringe, epic and classical, commercial, popular and canonical. This means that it is closely intertwined with the politics of locale, environment and geography as well as of language, translation and culture. Each of the essays has a specialised contribution to make. However, the total impact of the whole section will be even greater than the sum of the parts because the authors not only intersect in their discussions of common concerns in modern performance of ancient drama but also provide case studies that will add to the knowledge base and critical acumen of everyone working in the field.
Book Synopsis Scenography as New Ideology in Contemporary Curating: The Notion of Staging in Exhibitions by : Margaret Choi Kwan Lam
Download or read book Scenography as New Ideology in Contemporary Curating: The Notion of Staging in Exhibitions written by Margaret Choi Kwan Lam and published by Anchor Academic Publishing (aap_verlag). This book was released on 2014-12 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scenography has been acting as a transformative force to reform the traditionalexhibitionary complex. This has led to an unprecedented intersection wherescenography meets contemporary curating, which further informs a radical ideologicalshift in the frontier of the exhibition scene. This book aims to exploit a new land ofdiscussion to look into this intersection between scenographic practice andcontemporary curating, its mergence and the subsequent revolution it has caused. Byseeing museums and exhibition spaces as metaphorical stages, it fundamentallyreconfigures the infrastructure of curating practices, in terms of a shift in authorship,architectural embodiment of ideas, field of experience, layered narrative, dramaturgy andthe hybrid expressions of new media. Three case studies will demonstrate scenography’swide-ranged methodologies in dealing with contemporary issues. Cases include: BMWMuseum (Reopened in 2008), Cultures of the World (Opened in 2010) and Leonardo’sLast Supper: A Vision by Peter Greenaway (2008, 2010). The discussion cuts throughmajor discourses, both responding to the rise of the experience economy and theexpanding notion of curating, in parallel.
Book Synopsis Staging the Blazon in Early Modern English Theater by : Sara Morrison
Download or read book Staging the Blazon in Early Modern English Theater written by Sara Morrison and published by Routledge. This book was released on 2016-04-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.
Book Synopsis Staging Blackness and Performing Whiteness in Eighteenth-Century German Drama by : Wendy Sutherland
Download or read book Staging Blackness and Performing Whiteness in Eighteenth-Century German Drama written by Wendy Sutherland and published by Taylor & Francis. This book was released on 2017-05-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on eighteenth-century cultural productions, Wendy Sutherland examines how representations of race in philosophy, anthropology, aesthetics, drama, and court painting influenced the construction of a white bourgeois German self. Sutherland positions her work within the framework of the transatlantic slave trade, showing that slavery, colonialism, and the triangular trade between Europe, West Africa, and the Caribbean function as the global stage on which German bourgeois dramas by Friedrich Wilhelm Ziegler, Ernst Lorenz Rathlef, and Theodor Körner (and a novella by Heinrich von Kleist on which Körner's play was based) were performed against a backdrop of philosophical and anthropological influences. Plays had an important role in educating the rising bourgeois class in morality, Sutherland argues, with fathers and daughters offered as exemplary moral figures in contrast to the depraved aristocracy. At the same time, black female protagonists in nontraditional dramas represent the boundaries of physical beauty and marriage eligibility while also complicating ideas of moral beauty embodied in the concept of the beautiful soul. Her book offers convincing evidence that the eighteenth-century German stage grappled with the representation of blackness during the Age of Goethe, even though the German states were neither colonial powers nor direct participants in the slave trade.
Book Synopsis Staging Resistance by : Jeanne Marie Colleran
Download or read book Staging Resistance written by Jeanne Marie Colleran and published by University of Michigan Press. This book was released on 1998 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fresh perspectives on political theater and its essential contribution to contemporary culture. Focused studies of individual plays complement broad-based discussions of the place of theater in a radically democratic society. This consistently challenging collection describes the art of change confronting the actual processes of change. 17 photos.
Book Synopsis Staging the Blues by : Paige A. McGinley
Download or read book Staging the Blues written by Paige A. McGinley and published by Duke University Press. This book was released on 2014-08-20 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Singing was just one element of blues performance in the early twentieth century. Ma Rainey, Bessie Smith, and other classic blues singers also tapped, joked, and flaunted extravagant costumes on tent show and black vaudeville stages. The press even described these women as "actresses" long before they achieved worldwide fame for their musical recordings. In Staging the Blues, Paige A. McGinley shows that even though folklorists, record producers, and festival promoters set the theatricality of early blues aside in favor of notions of authenticity, it remained creatively vibrant throughout the twentieth century. Highlighting performances by Rainey, Smith, Lead Belly, Sister Rosetta Tharpe, Sonny Terry, and Brownie McGhee in small Mississippi towns, Harlem theaters, and the industrial British North, this pioneering study foregrounds virtuoso blues artists who used the conventions of the theater, including dance, comedy, and costume, to stage black mobility, to challenge narratives of racial authenticity, and to fight for racial and economic justice.
Book Synopsis Staging Masculinity by : Carla J. McDonough
Download or read book Staging Masculinity written by Carla J. McDonough and published by McFarland. This book was released on 2006-07-05 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: The men in plays such as Arthur Miller's Death of a Salesman or Sam Shephard's True West are often presented as universal; little attention is given to the gender dynamics involved in the characters. This work looks at how contemporary playwrights, including Miller, Shepard, Eugene O'Neill, David Mamet, and August Wilson, stage masculinity in their works. It becomes apparent that male playwrights return often to the issues of troubled manhood, usually masked in other issues such as war, business or family. The plays indicate both the attractiveness of the model of traditional masculinity and the illusive nature of this image, which all too often fractures and fails the characters who pursue it. O'Neill's play The Hairy Ape and the character Yank receive much attention.
Download or read book Staging Decadence written by Adam Alston and published by Bloomsbury Publishing. This book was released on 2023-09-07 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is decadence being staged today as a practice, issue, pejorative, and as a site of pleasure? Where might we find it, why might we look for it, and who is decadence for? This book is the first monographic study of decadence in theatre and performance. Adam Alston makes a passionate case for the contemporary relevance of decadence in the thick of a resurgent culture war by focusing on its antithetical relationship to capitalist-led growth, progress, and intensified productivity. He argues that the qualities used to disparage the study and practice of theatre and performance are the very things we should embrace in celebrating their value namely, their spectacular uselessness, wastefulness, outmodedness, and abundant potential for producing forms of creativity that flow away from the ends and excesses of capitalism. Alston covers an eclectic range of examples by Julia Bardsley (UK), Hasard Le Sin (Finland), jaamil olawale kosoko (USA), Toco Nikaido (Japan), Martin O'Brien (UK), Toshiki Okada (Japan), Marcel·lí Antúnez Roca (Spain), Normandy Sherwood (USA), The Uhuruverse (USA), Nia O. Witherspoon (USA), and Wunderbaum (Netherlands). Expect ruminations on monstrous scenographies, catatonic choreographies, turbo-charged freneticism, visions of the apocalypse and what might lie in its wake.
Book Synopsis Staging Pain, 1580-1800 by : James Robert Allard
Download or read book Staging Pain, 1580-1800 written by James Robert Allard and published by Ashgate Publishing, Ltd.. This book was released on 2009 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection foregrounds two crucial moments in the histories of pain, trauma, and their staging in British Theater: the establishment of secular and professional theater in London in the 1580s, and the growing dissatisfaction with theatrical modes of public punishment by 1800. Whether focused on individual plays or broad concerns, these essays offer a new and important contribution to the increasingly interrelated histories of pain, the body, and the theater.
Book Synopsis Some Principles of Elizabethan Staging ... by : George Fullmer Reynolds
Download or read book Some Principles of Elizabethan Staging ... written by George Fullmer Reynolds and published by . This book was released on 1905 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Staging Subversions by : Kimberly Cashman
Download or read book Staging Subversions written by Kimberly Cashman and published by Peter Lang. This book was released on 2005 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Subversions: The Performance-within-a-Play in French Classical Theater defines a new type of metadrama using Le Tartuffe as its paradigm and explores the complex, ambiguous, and enlightening relationships that metadrama maintains with the social and political orders. While metadramatic scenes are most often concerned with theater itself, the performance-within-a-play adopts an important function in the play's plot, and, consequently, in the social world of the play. The performance-within-a-play is particularly associated by the classical playwrights with the family structure, with the class system, with women's social roles, and with the politics of absolutism.
Download or read book Staging Place written by Una Chaudhuri and published by University of Michigan Press. This book was released on 1997 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book-length study of the notion of place and its implications in modern drama
Book Synopsis Staging the Spanish Golden Age by : Kathleen Jeffs
Download or read book Staging the Spanish Golden Age written by Kathleen Jeffs and published by Oxford University Press. This book was released on 2018-04-13 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama. Building on the RSC season, the volume offers methodologies for translation and communication that can feed the creative processes of actors and directors, while maintaining an ethos of fidelity with regards to the original texts. It argues that collaboration between academics and theatre practitioners was instrumental in the success of the season and that the work carried out has repercussions for critical debate of Comedia. The volume posits a model for future productions of the Comedia in English, one that recognizes the need for the languages of the scholar and the theatre artist to be made mutually intelligible by the use of collaborative strategies, mediated by a consultant or dramaturg proficient in both tongues. This model applies more generally to theatrical collaborations involving a translator, writer and director, and will be useful for translation and performance processes in any language.
