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Songs From The Plays Of Shakespeare
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Book Synopsis Shakespeare's Songs by : William Shakespeare
Download or read book Shakespeare's Songs written by William Shakespeare and published by . This book was released on 1877 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare's Songbook by : Ross W. Duffin
Download or read book Shakespeare's Songbook written by Ross W. Duffin and published by W. W. Norton & Company. This book was released on 2004 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eight years in the making, "Shakespeare's Songbook" is a meticulously researched collection of 160 songs--ballads and narratives, drinking songs, love songs, and rounds--that appear in, are quoted in, or alluded to in Shakespeare's plays.
Book Synopsis Robert Armin and Shakespeare's Performed Songs by : Catherine A. Henze
Download or read book Robert Armin and Shakespeare's Performed Songs written by Catherine A. Henze and published by Routledge. This book was released on 2017-06-26 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Robert Armin joined the Chamberlain's Men, singing in Shakespeare's dramas catapulted from 1.25 songs and 9.95 lines of singing per play to 3.44 songs and 29.75 lines of singing, a virtually unnoticed phenomenon. In addition, many of the songs became seemingly improvisatory—similar to Armin's personal style as an author and solo comedian. In order to study Armin's collaborative impact, this interdisciplinary book investigates the songs that have Renaissance music that could have been heard on Shakespeare's stage. They occur in some of Shakespeare's most famous plays, including Much Ado About Nothing, Twelfth Night, Hamlet, and The Tempest. In fact, Shakespeare's plays, as we have them, are not complete. They are missing the music that could have accompanied the plays’ songs. Significantly, Renaissance vocal music, far beyond just providing entertainment, was believed to alter the bodies and souls of both performers and auditors to agree with its characteristics, directly inciting passions from love to melancholy. By collaborating with early modern music editor and performing artist Lawrence Lipnik, Catherine Henze is able to provide new performance editions of seventeen songs, including spoken interruptions and cuts and rearrangement of the music to accommodate the dramatist's words. Next, Henze analyzes the complete songs, words and music, according to Renaissance literary and music primary sources, and applies the new information to interpretations of characters and scenes, frequently challenging commonly held literary assessments. The book is organized according to Armin's involvement with the plays, before, during, and after the comic actor joined Shakespeare's company. It offers readers the tools to interpret not only these songs, but also vocal music in dramas by other Renaissance playwrights. Moreover, Robert Armin and Shakespeare's Performed Songs, written with non-specialized terminology, provides a gateway to new areas of research and interpretation in an increasingly significant interdisciplinary field for all interested in Shakespeare and early modern drama.
Book Synopsis The Vocal Songs in the Plays of Shakespeare by : Peter J. Seng
Download or read book The Vocal Songs in the Plays of Shakespeare written by Peter J. Seng and published by . This book was released on 2013-10-01 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gorboduc written by Thomas Norton and published by . This book was released on 1883 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare, Music and Performance by : Bill Barclay
Download or read book Shakespeare, Music and Performance written by Bill Barclay and published by Cambridge University Press. This book was released on 2017-04-13 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
Book Synopsis Shakespeare And Music by : David Lindley
Download or read book Shakespeare And Music written by David Lindley and published by Bloomsbury Publishing. This book was released on 2014-05-29 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.
Book Synopsis The Oxford Handbook of Shakespeare and Music by : Christopher R. Wilson
Download or read book The Oxford Handbook of Shakespeare and Music written by Christopher R. Wilson and published by Oxford University Press. This book was released on 2022 with total page 1289 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--
Book Synopsis Shakespeare and Music by : Edward W. Naylor
Download or read book Shakespeare and Music written by Edward W. Naylor and published by BoD – Books on Demand. This book was released on 2018-09-21 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reproduction of the original: Shakespeare and Music by Edward W. Naylor
Book Synopsis Shakespeare, Madness, and Music by : Kendra Preston Leonard
Download or read book Shakespeare, Madness, and Music written by Kendra Preston Leonard and published by Scarecrow Press. This book was released on 2009-07-09 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's three political tragedies_Hamlet, Macbeth, and King Lear_have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of 'madness' have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.
Book Synopsis Songs and Sonnets by William Shakespeare ... by : William Shakespeare
Download or read book Songs and Sonnets by William Shakespeare ... written by William Shakespeare and published by . This book was released on 1880 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare as Jukebox Musical by : John R. Severn
Download or read book Shakespeare as Jukebox Musical written by John R. Severn and published by Routledge. This book was released on 2018-09-13 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare as Jukebox Musical is the first book-length study of a growing performance phenomenon: musical adaptations of Shakespeare’s plays in which characters sing existing popular songs as one of their modes of communication. John Severn shows how these highly allusive works give rise to the pleasures of collaborative reception, and also lend themselves to political work, particularly in terms of identity politics and a valorisation of diversity. Drawing on musical theatre history, adaptation theory, Shakespeare studies and musicology, the book develops a critical approach that allows jukebox-musical versions of Shakespeare to be understood and valued both for their political potential and for the experiences they offer to audiences as artistic responses to Shakespeare. Case studies from the USA, the UK and Australia demonstrate how these works open new windows on Shakespeare’s plays and their performance traditions, on the wider jukebox musical trend, and on adaptation as an art form.
Download or read book Pop Sonnets written by Erik Didriksen and published by Quirk Books. This book was released on 2015-10-06 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Goodreads Choice Award nominee The Bard meets the Backstreet Boys in this collection of 100 classic pop songs reimagined as Shakespearean sonnets This hilarious book of poetry transforms disco staples, classic rock anthems, and recent chart-toppers into hilarious iambic pentameter! All your favorite songs are here, including hits by Jay-Z, Johnny Cash, Katy Perry, Michael Jackson, Talking Heads, and many others. An entertaining journey into the world of Elizabethan poetry, and based on the immensely popular Tumblr of the same name, Pop Sonnets is the perfect gift for Shakespeare fans and music lovers alike. “Ever wonder what Taylor Swift and Beyoncé would sound like in iambic pentameter? We hadn’t either, but now we can't get enough.” —TIME
Book Synopsis The Tragedy of Titus Andronicus by : William Shakespeare
Download or read book The Tragedy of Titus Andronicus written by William Shakespeare and published by BoD - Books on Demand. This book was released on 2024-04-01 with total page 127 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Tragedy of Titus Andronicus" by William Shakespeare is a gripping and intense drama that explores themes of revenge, betrayal, and the destructive consequences of violence. Set in ancient Rome, the play follows the tragic downfall of the noble general Titus Andronicus and his family as they become embroiled in a cycle of vengeance and bloodshed. At the heart of the story is the brutal conflict between Titus Andronicus and Tamora, Queen of the Goths, whose sons are executed by Titus as retribution for their crimes. In retaliation, Tamora and her lover, Aaron the Moor, orchestrate a series of heinous acts of revenge against Titus and his family, plunging them into a spiral of madness and despair. As the body count rises and the atrocities escalate, Titus is consumed by grief and rage, leading to a climactic showdown that culminates in a shocking and tragic conclusion. Along the way, Shakespeare explores themes of honor, justice, and the nature of humanity, offering a searing indictment of the cycle of violence and the capacity for cruelty that lies within us all.
Book Synopsis On the Character of Lady Macbeth by : Emil PFUNDHELLER
Download or read book On the Character of Lady Macbeth written by Emil PFUNDHELLER and published by . This book was released on 1873 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Midsummer-night's Dream by : William Shakespeare
Download or read book A Midsummer-night's Dream written by William Shakespeare and published by . This book was released on 1734 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt: National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Book Synopsis Robert Armin and Shakespeare's Performed Songs by : Catherine A. Henze
Download or read book Robert Armin and Shakespeare's Performed Songs written by Catherine A. Henze and published by Taylor & Francis. This book was released on 2017-06-26 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Robert Armin joined the Chamberlain's Men, singing in Shakespeare's dramas catapulted from 1.25 songs and 9.95 lines of singing per play to 3.44 songs and 29.75 lines of singing, a virtually unnoticed phenomenon. In addition, many of the songs became seemingly improvisatory—similar to Armin's personal style as an author and solo comedian. In order to study Armin's collaborative impact, this interdisciplinary book investigates the songs that have Renaissance music that could have been heard on Shakespeare's stage. They occur in some of Shakespeare's most famous plays, including Much Ado About Nothing, Twelfth Night, Hamlet, and The Tempest. In fact, Shakespeare's plays, as we have them, are not complete. They are missing the music that could have accompanied the plays’ songs. Significantly, Renaissance vocal music, far beyond just providing entertainment, was believed to alter the bodies and souls of both performers and auditors to agree with its characteristics, directly inciting passions from love to melancholy. By collaborating with early modern music editor and performing artist Lawrence Lipnik, Catherine Henze is able to provide new performance editions of seventeen songs, including spoken interruptions and cuts and rearrangement of the music to accommodate the dramatist's words. Next, Henze analyzes the complete songs, words and music, according to Renaissance literary and music primary sources, and applies the new information to interpretations of characters and scenes, frequently challenging commonly held literary assessments. The book is organized according to Armin's involvement with the plays, before, during, and after the comic actor joined Shakespeare's company. It offers readers the tools to interpret not only these songs, but also vocal music in dramas by other Renaissance playwrights. Moreover, Robert Armin and Shakespeare's Performed Songs, written with non-specialized terminology, provides a gateway to new areas of research and interpretation in an increasingly significant interdisciplinary field for all interested in Shakespeare and early modern drama.