Shakespeare Madness And Music

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Shakespeare, Madness, and Music

Author : Kendra Preston Leonard
Publisher : Scarecrow Press
ISBN 13 : 0810869586
Total Pages : 164 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Shakespeare, Madness, and Music by : Kendra Preston Leonard

Download or read book Shakespeare, Madness, and Music written by Kendra Preston Leonard and published by Scarecrow Press. This book was released on 2009-07-09 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's three political tragedies_Hamlet, Macbeth, and King Lear_have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of 'madness' have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.

Shakespeare and East Asia

Author : Alexa Alice Joubin
Publisher : Oxford University Press
ISBN 13 : 0191082074
Total Pages : 272 pages
Book Rating : 4.1/5 (91 download)

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Book Synopsis Shakespeare and East Asia by : Alexa Alice Joubin

Download or read book Shakespeare and East Asia written by Alexa Alice Joubin and published by Oxford University Press. This book was released on 2021-01-26 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Structured around modes in which one might encounter Asian-themed performances and adaptations, Shakespeare and East Asia identifies four themes that distinguish post-1950s East Asian cinemas and theatres from works in other parts of the world: Japanese formalistic innovations in sound and spectacle; reparative adaptations from China, Taiwan, and Hong Kong; the politics of gender and reception of films and touring productions in South Korea and the UK; and multilingual, diaspora works in Singapore and the UK. These adaptations break new ground in sound and spectacle; they serve as a vehicle for artistic and political remediation or, in some cases, the critique of the myth of reparative interpretations of literature; they provide a forum where diasporic artists and audiences can grapple with contemporary issues; and, through international circulation, they are reshaping debates about the relationship between East Asia and Europe. Bringing film and theatre studies together, this book sheds new light on the two major genres in a comparative context and reveals deep structural and narratological connections among Asian and Anglophone performances. These adaptations are products of metacinematic and metatheatrical operations, contestations among genres for primacy, or experimentations with features of both film and theatre.

History as Fantasy in Music, Sound, Image, and Media

Author : James Cook
Publisher : Taylor & Francis
ISBN 13 : 1040012701
Total Pages : 213 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis History as Fantasy in Music, Sound, Image, and Media by : James Cook

Download or read book History as Fantasy in Music, Sound, Image, and Media written by James Cook and published by Taylor & Francis. This book was released on 2024-04-11 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring how music is used to portray the past in a variety of media, this book probes the relationship between history and fantasy in the imagination of the musical past. The volume brings together essays from multidisciplinary perspectives, addressing the use of music to convey a sense of the past in a wide range of multimedia contexts, including television, documentaries, opera, musical theatre, contemporary and historical film, videogames, and virtual reality. With a focus on early music and medievalism, the contributors theorise the role of music and sound in constructing ideas of the past. In three interrelated sections, the chapters problematise notions of historical authenticity on the stage and screen; theorise the future of musical histories in immersive and virtual media; and explore sound’s role in more fantastical appropriations of history in television and videogames. Together, they pose provocative questions regarding our perceptions of ‘early’ music and the sensory experience of distant history. Offering new ways to understand the past at the crossroads of musical and visual culture, this collection is relevant to researchers across music, media, and historical and cultural studies.

Shakespeare on Screen: King Lear

Author : Victoria Bladen
Publisher : Cambridge University Press
ISBN 13 : 1108426921
Total Pages : 277 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Shakespeare on Screen: King Lear by : Victoria Bladen

Download or read book Shakespeare on Screen: King Lear written by Victoria Bladen and published by Cambridge University Press. This book was released on 2019-09-26 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.

Shakespeare And Music

Author : David Lindley
Publisher : A&C Black
ISBN 13 : 1408143666
Total Pages : 296 pages
Book Rating : 4.4/5 (81 download)

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Book Synopsis Shakespeare And Music by : David Lindley

Download or read book Shakespeare And Music written by David Lindley and published by A&C Black. This book was released on 2014-06-01 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.

Knowledge Building in Early Modern English Music

Author : Katie Bank
Publisher : Routledge
ISBN 13 : 1000169677
Total Pages : 284 pages
Book Rating : 4.0/5 (1 download)

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Book Synopsis Knowledge Building in Early Modern English Music by : Katie Bank

Download or read book Knowledge Building in Early Modern English Music written by Katie Bank and published by Routledge. This book was released on 2020-08-16 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Knowledge Building in Early Modern English Music is a rich, interdisciplinary investigation into the role of music and musical culture in the development of metaphysical thought in late sixteenth-, early seventeenth-century England. The book considers how music presented questions about the relationships between the mind, body, passions, and the soul, drawing out examples of domestic music that explicitly address topics of human consciousness, such as dreams, love, and sensing. Early seventeenth-century metaphysical thought is said to pave the way for the Enlightenment Self. Yet studies of the music’s role in natural philosophy has been primarily limited to symbolic functions in philosophical treatises, virtually ignoring music making’s substantial contribution to this watershed period. Contrary to prevailing narratives, the author shows why music making did not only reflect impending change in philosophical thought but contributed to its formation. The book demonstrates how recreational song such as the English madrigal confronted assumptions about reality and representation and the role of dialogue in cultural production, and other ideas linked to changes in how knowledge was built. Focusing on music by John Dowland, Martin Peerson, Thomas Weelkes, and William Byrd, this study revises historiography by reflecting on the experience of music and how music contributed to the way early modern awareness was shaped.

Robert Armin and Shakespeare's Performed Songs

Author : Catherine A. Henze
Publisher : Routledge
ISBN 13 : 1317055985
Total Pages : 334 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Robert Armin and Shakespeare's Performed Songs by : Catherine A. Henze

Download or read book Robert Armin and Shakespeare's Performed Songs written by Catherine A. Henze and published by Routledge. This book was released on 2017-06-26 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Robert Armin joined the Chamberlain's Men, singing in Shakespeare's dramas catapulted from 1.25 songs and 9.95 lines of singing per play to 3.44 songs and 29.75 lines of singing, a virtually unnoticed phenomenon. In addition, many of the songs became seemingly improvisatory—similar to Armin's personal style as an author and solo comedian. In order to study Armin's collaborative impact, this interdisciplinary book investigates the songs that have Renaissance music that could have been heard on Shakespeare's stage. They occur in some of Shakespeare's most famous plays, including Much Ado About Nothing, Twelfth Night, Hamlet, and The Tempest. In fact, Shakespeare's plays, as we have them, are not complete. They are missing the music that could have accompanied the plays’ songs. Significantly, Renaissance vocal music, far beyond just providing entertainment, was believed to alter the bodies and souls of both performers and auditors to agree with its characteristics, directly inciting passions from love to melancholy. By collaborating with early modern music editor and performing artist Lawrence Lipnik, Catherine Henze is able to provide new performance editions of seventeen songs, including spoken interruptions and cuts and rearrangement of the music to accommodate the dramatist's words. Next, Henze analyzes the complete songs, words and music, according to Renaissance literary and music primary sources, and applies the new information to interpretations of characters and scenes, frequently challenging commonly held literary assessments. The book is organized according to Armin's involvement with the plays, before, during, and after the comic actor joined Shakespeare's company. It offers readers the tools to interpret not only these songs, but also vocal music in dramas by other Renaissance playwrights. Moreover, Robert Armin and Shakespeare's Performed Songs, written with non-specialized terminology, provides a gateway to new areas of research and interpretation in an increasingly significant interdisciplinary field for all interested in Shakespeare and early modern drama.

Gender and Song in Early Modern England

Author : Leslie C. Dunn
Publisher : Routledge
ISBN 13 : 1317130472
Total Pages : 287 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Gender and Song in Early Modern England by : Leslie C. Dunn

Download or read book Gender and Song in Early Modern England written by Leslie C. Dunn and published by Routledge. This book was released on 2016-04-15 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.

The Shakespearean International Yearbook

Author : Sukanta Chaudhuri
Publisher : Routledge
ISBN 13 : 1351963589
Total Pages : 332 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis The Shakespearean International Yearbook by : Sukanta Chaudhuri

Download or read book The Shakespearean International Yearbook written by Sukanta Chaudhuri and published by Routledge. This book was released on 2017-05-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads

Author : Sarah F. Williams
Publisher : Routledge
ISBN 13 : 1317154908
Total Pages : 240 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by : Sarah F. Williams

Download or read book Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads written by Sarah F. Williams and published by Routledge. This book was released on 2016-03-09 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.

Film Music in the Sound Era

Author : Jonathan Rhodes Lee
Publisher : Routledge
ISBN 13 : 1351190776
Total Pages : 994 pages
Book Rating : 4.3/5 (511 download)

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Book Synopsis Film Music in the Sound Era by : Jonathan Rhodes Lee

Download or read book Film Music in the Sound Era written by Jonathan Rhodes Lee and published by Routledge. This book was released on 2020-02-13 with total page 994 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume.

Bollywood Shakespeares

Author : C. Dionne
Publisher : Springer
ISBN 13 : 1137375566
Total Pages : 208 pages
Book Rating : 4.1/5 (373 download)

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Book Synopsis Bollywood Shakespeares by : C. Dionne

Download or read book Bollywood Shakespeares written by C. Dionne and published by Springer. This book was released on 2014-03-27 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.

Embodied Voices

Author : Leslie C. Dunn
Publisher : Cambridge University Press
ISBN 13 : 9780521585835
Total Pages : 278 pages
Book Rating : 4.5/5 (858 download)

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Book Synopsis Embodied Voices by : Leslie C. Dunn

Download or read book Embodied Voices written by Leslie C. Dunn and published by Cambridge University Press. This book was released on 1994 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores cultural manifestations of female vocality in the light of theories of subjectivity, the body, and sexual difference.

The Oxford Handbook of Music and Disability Studies

Author : Blake Howe
Publisher : Oxford University Press
ISBN 13 : 0190493739
Total Pages : 952 pages
Book Rating : 4.1/5 (94 download)

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Book Synopsis The Oxford Handbook of Music and Disability Studies by : Blake Howe

Download or read book The Oxford Handbook of Music and Disability Studies written by Blake Howe and published by Oxford University Press. This book was released on 2015-11-11 with total page 952 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.

Music and Gender in English Renaissance Drama

Author : Katrine K. Wong
Publisher : Routledge
ISBN 13 : 1136169709
Total Pages : 216 pages
Book Rating : 4.1/5 (361 download)

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Book Synopsis Music and Gender in English Renaissance Drama by : Katrine K. Wong

Download or read book Music and Gender in English Renaissance Drama written by Katrine K. Wong and published by Routledge. This book was released on 2013-05-02 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong’s analysis broadens our understanding of the general theatrical representation of music, or musical dramaturgy, and complicates the current discussion of musical portrayal and construction of gender during this period. Wong discusses dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays. The negotiation between the dichotomous qualities of the heavenly and the demonic finds extensive application in recent studies of music in early modern English plays. However, while ideological dualities identified in music in traditional Renaissance thinking may seem unequivocal, various musical representations of characters and situations in early modern drama would prove otherwise. Wong, building upon the conventional model of binarism, explores how playwrights created their musical characters and scenarios according to the received cultural use and perception of music, and, at the same time, experimented with the multivalent meanings and significance embodied in theatrical music.

Shakespeare’s Musical Imagery

Author : Christopher R. Wilson
Publisher : A&C Black
ISBN 13 : 1441188479
Total Pages : 272 pages
Book Rating : 4.4/5 (411 download)

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Book Synopsis Shakespeare’s Musical Imagery by : Christopher R. Wilson

Download or read book Shakespeare’s Musical Imagery written by Christopher R. Wilson and published by A&C Black. This book was released on 2011-11-03 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music pervades Shakespeare's work. In addition to vocal songs and numerous instrumental cues there are thousands of references to music throughout the plays and many of the poems. This book discusses Shakespeare's musical imagery according to categories defined by occurrence in the plays and poems. In turn, these categories depend on their early modern usage and significance. Thus, instruments such as lute and viol deserve special attention just as Renaissance ideas relating to musical philosophy and pedagogical theory need contextual explanation. The objective is to locate Shakespeare's musical imagery, reference and metaphor in its immediate context in a play or poem and explain its meaning. Discussion and explanation of the musical imagery suggests a range of possible dramatic and poetic purposes these musical references serve.

Unwritten Poetry

Author : Scott A. Trudell
Publisher : Oxford University Press
ISBN 13 : 0192571699
Total Pages : 288 pages
Book Rating : 4.1/5 (925 download)

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Book Synopsis Unwritten Poetry by : Scott A. Trudell

Download or read book Unwritten Poetry written by Scott A. Trudell and published by Oxford University Press. This book was released on 2019-03-07 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which—and by whom—its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.