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Shakespeare And Modern Theatre
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Book Synopsis Shakespeare and Modern Theatre by : Michael Bristol
Download or read book Shakespeare and Modern Theatre written by Michael Bristol and published by Routledge. This book was released on 2005-07-08 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book gathers together a particularly strong line-up of contributors from across the literary-performative divide to examine the relationship between Shakespeare, the 'culture industries', modernism and live performance.
Book Synopsis Shakespeare and Modern Theatre by : Michael D. Bristol
Download or read book Shakespeare and Modern Theatre written by Michael D. Bristol and published by Psychology Press. This book was released on 2001 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Early Modern Corpse and Shakespeare's Theatre by : Susan Zimmerman
Download or read book Early Modern Corpse and Shakespeare's Theatre written by Susan Zimmerman and published by Edinburgh University Press. This book was released on 2019-08-08 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency. Features*Original in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England.*The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre.*Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. *Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama.
Book Synopsis Prologues to Shakespeare's Theatre by : Douglas Bruster
Download or read book Prologues to Shakespeare's Theatre written by Douglas Bruster and published by Routledge. This book was released on 2004-08-02 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
Book Synopsis Shakespeare, Our Contemporary by : Jan Kott
Download or read book Shakespeare, Our Contemporary written by Jan Kott and published by Doubleday. This book was released on 2015-01-21 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, Our Contemporary is a provocative, original study of the major plays of Shakespeare. More than that, it is one of the few critical works to have strongly influenced theatrical productions. Peter Brook and Charles Marowitz are among the many directors who have acknowledged their debt to Jan Kott, finding in his analogies between Shakespearean situations and those in modern life and drama the seeds of vital new stage conceptions. Shakespeare, Our Contemporary has been translated into nineteen languages since it appeared in 1961, and readers all over the world have similarly found their responses to Shakespeare broadened and enriched.
Book Synopsis Shakespeare's Theatres and the Effects of Performance by : Farah Karim Cooper
Download or read book Shakespeare's Theatres and the Effects of Performance written by Farah Karim Cooper and published by Bloomsbury Publishing. This book was released on 2015-01-05 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.
Book Synopsis Poverty and Charity in Early Modern Theater and Performance by : Robert Henke
Download or read book Poverty and Charity in Early Modern Theater and Performance written by Robert Henke and published by University of Iowa Press. This book was released on 2015-08 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whereas previous studies of poverty and early modern theatre have concentrated on England and the criminal rogue, Poverty and Charity in Early Modern Theatre and Performance takes a transnational approach, which reveals a greater range of attitudes and charitable practices regarding the poor than state poor laws and rogue books suggest. Close study of German and Latin beggar catalogues, popular songs performed in Italian piazzas, the Paduan actor-playwright Ruzante, the commedia dell’arte in both Italy and France, and Shakespeare demonstrate how early modern theatre and performance could reveal the gap between official policy and actual practices regarding the poor. The actor-based theatre and performance traditions examined in this study, which persistently explore felt connections between the itinerant actor and the vagabond beggar, evoke the poor through complex and variegated forms of imagination, thought, and feeling. Early modern theatre does not simply reflect the social ills of hunger, poverty, and degradation, but works them through the forms of poverty, involving displacement, condensation, exaggeration, projection, fictionalization, and marginalization. As the critical mass of medieval charity was put into question, the beggar-almsgiver encounter became more like a performance. But it was not a performance whose script was prewritten as the inevitable exposure of the dissembling beggar. Just as people’s attitudes toward the poor could rapidly change from skepticism to sympathy during famines and times of acute need, fictions of performance such as Edgar’s dazzling impersonation of a mad beggar in Shakespeare’s King Lear could prompt responses of sympathy and even radical calls for economic redistribution.
Book Synopsis Embodied Cognition and Shakespeare's Theatre by : Laurie Johnson
Download or read book Embodied Cognition and Shakespeare's Theatre written by Laurie Johnson and published by Routledge. This book was released on 2014-03-26 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare’s world. Informed by The Body in Parts, the essays in this book respond also to the notion of an early modern ‘body-mind’ in which Shakespeare and his contemporaries are understood in terms of bodily parts and cognitive processes. What might the impact of such understandings be on our picture of Shakespeare’s theatre or on our histories of the early modern period, broadly speaking? This book provides a wide range of approaches to this challenge, covering histories of cognition, studies of early modern stage practices, textual studies, and historical phenomenology, as well as new cultural histories by some of the key proponents of this approach at the present time. Because of the breadth of material covered, full weight is given to issues that are hotly debated at the present time within Shakespeare Studies: presentist scholarship is presented alongside more historically-focused studies, for example, and phenomenological studies of material culture are included along with close readings of texts. What the contributors have in common is a refusal to read the work of Shakespeare and his contemporaries either psychologically or materially; instead, these essays address a willingness to study early modern phenomena (like the Elizabethan stage) as manifesting an early modern belief in the embodiment of cognition.
Book Synopsis Prologues to Shakespeare's Theatre by : Douglas Bruster
Download or read book Prologues to Shakespeare's Theatre written by Douglas Bruster and published by Routledge. This book was released on 2004-08-02 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: This remarkable study shows how prologues ushered audience and actors through a rite of passage and how they can be seen to offer rich insight into what the early modern theatre was thought capable of achieving.
Book Synopsis Early Modern Drama in Performance by : Mark Netzloff
Download or read book Early Modern Drama in Performance written by Mark Netzloff and published by Rowman & Littlefield. This book was released on 2014-11-25 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Modern Drama in Performance is a collection of essays in honor of Lois Potter, the distinguished author of five monographs, including most recently The Life of William Shakespeare (2012), and numerous articles, edited collections, and editions. This collection’s emphasis on Shakespearean and early modern drama reflects the area for which Potter is most widely known, as a performance critic, editor, and literary scholar. The essays by a diverse group of scholars who have been influenced by Potter address recurring themes in her work: Shakespeare and non-Shakespearean early modern drama, performance history and theatre practice, theatrical performance across cultures, play reviewing, and playreading. What unifies them most, though, is that they carry on the spirit of Potter’s work: her ability to meet a text, a performance, or a historical period on its own terms, to give scrupulous attention to specific details and elegantly show how these details generate larger meaning, and to recover and preserve the fleeting and the ephemeral.
Book Synopsis Shakespeare on Theatre by : William Shakespeare
Download or read book Shakespeare on Theatre written by William Shakespeare and published by Hal Leonard Corporation. This book was released on 2013-04-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.
Book Synopsis Theatre, Technicity, Shakespeare by : W. B. Worthen
Download or read book Theatre, Technicity, Shakespeare written by W. B. Worthen and published by Cambridge University Press. This book was released on 2020-04-23 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Worthen uses contemporary Shakespeare performance to explore the technicity of theatre: its changing work as an intermedial technology.
Book Synopsis Shakespeare and Lost Plays by : David McInnis
Download or read book Shakespeare and Lost Plays written by David McInnis and published by Cambridge University Press. This book was released on 2021-03-25 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores Shakespeare's plays in their most immediate context: the hundreds of plays known to original audiences, but lost to us.
Book Synopsis The Oxford Handbook of Early Modern Theatre by : Richard Dutton
Download or read book The Oxford Handbook of Early Modern Theatre written by Richard Dutton and published by OUP Oxford. This book was released on 2011-10-13 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An international team of scholars examines the theatrical world in which Shakespeare worked, tracing the social, political, and patronage pressures under which actors operated. They also explore the practicalities of playing: acquiring scripts, theatres, rehearsing, lighting, music, props, boy actors, and the role of women in an 'all-male' world.
Download or read book Playing Indoors written by Will Tosh and published by Bloomsbury Publishing. This book was released on 2018-02-22 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: What have we discovered about performance practice in the Sam Wanamaker Playhouse since the opening of the intimate candlelit theatre at Shakespeare's Globe? Playing Indoors reveals the results of a two-year study into the performance of Elizabethan and Jacobean drama in this unique theatre, drawing together insights into early modern stage practice and the observations of today's actors and spectators. A history of the experiences of artists and audience members who experienced the space first, the book is also a study of the significance of re-imagined theatres like the Sam Wanamaker Playhouse and the Globe. Accessibly written and intended for a wide audience of students, scholars, artists and theatre-goers, Playing Indoors is a valuable contribution to the young field of early modern practice-as-research.
Book Synopsis Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama by : Nandini Das
Download or read book Enchantment and Dis-enchantment in Shakespeare and Early Modern Drama written by Nandini Das and published by Routledge. This book was released on 2016-12-08 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.
Book Synopsis Early Modern Actors and Shakespeare's Theatre by : Evelyn Tribble
Download or read book Early Modern Actors and Shakespeare's Theatre written by Evelyn Tribble and published by Bloomsbury Publishing. This book was released on 2017-02-23 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: What skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors? Early Modern Actors and Shakespeare's Theatre: Thinking with the Body examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through the lens of their many skills. Theatre is an ephemeral medium. Little remains to us of the plays of Shakespeare and his contemporaries: some printed texts, scattered documents and records, and a few scraps of description, praise, and detraction. Because most of what survives are printed playbooks, students of English theatre find it easy to forget that much of what happened on the early modern stage took place within the gaps of written language: the implicit or explicit calls for fights, dances, military formations, feats of physical skill, song, and clowning. Theatre historians and textual editors have often ignored or denigrated such moments, seeing them merely as extraneous amusements or signs that the text has been 'corrupted' by actors. This book argues that recapturing a positive account of the skills and expertise of the early modern players will result in a more capacious understanding of the nature of theatricality in the period.
