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Shakespeare Adaptations From The Early Eighteenth Century
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Book Synopsis Shakespeare Adaptations from the Early Eighteenth Century by : Kristine Johanson
Download or read book Shakespeare Adaptations from the Early Eighteenth Century written by Kristine Johanson and published by Rowman & Littlefield. This book was released on 2013-12-11 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a scholarly edition of five of the first adaptations of Shakespeare from the eighteenth century, the period when Shakespeare became “Shakespeare.” Written by men influential in early Augustan cultural spheres, these adaptations demonstrate how contemporary literary principles and contemporary politics were applied to Shakespeare’s texts. In these adaptations of Henry V, Richard II, Coriolanus, 2 Henry VI and 3 Henry VI, we see the various ways that eighteenth-century authors “righted” Shakespeare’s “wrongs”: through the addition and alteration of female characters and romantic sub-plots, the introduction of new scenes, the use of the unities of time and place, and the inclusion of overt moral and political arguments. The critical introduction contextualizes the five adaptations through its discussion of early eighteenth-century theatre and politics. First providing an overview of the state of the theatre at the beginning of the Augustan age, the introduction then examines the multiple political conspiracies that rocked the first years of George I’s reign and that provide the backdrop to these adaptations. Furthermore, the introduction draws particular attention to the importance of the actress in the early eighteenth century, highlighting how Shakespeare’s adaptors drew on actresses’ cultural capital to alter Shakespeare’s texts. Finally, the edition provides a critical introduction to each of the plays. Extensive explanatory notes are provided, which situate further these plays in their contemporary context. In its introduction and explanatory notes, Shakespeare Adaptations supplies an important critical apparatus to five plays which are often noted in the annals of Shakespearean theatrical history with derision. However, this edition reveals how these plays documented their own time and helped shape Shakespeare into the most recognizable literary icon in the Western canon.
Book Synopsis The Re-Imagined Text by : Jean I. Marsden
Download or read book The Re-Imagined Text written by Jean I. Marsden and published by University Press of Kentucky. This book was released on 2021-10-21 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
Book Synopsis Shakespeare in the Eighteenth Century by : Fiona Ritchie
Download or read book Shakespeare in the Eighteenth Century written by Fiona Ritchie and published by Cambridge University Press. This book was released on 2012-04-19 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.
Book Synopsis Eighteenth-century Adaptations of Shakespeare Tragedy by : George C. Branam
Download or read book Eighteenth-century Adaptations of Shakespeare Tragedy written by George C. Branam and published by . This book was released on 1956 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Taste of the Town by : Katherine West Scheil
Download or read book The Taste of the Town written by Katherine West Scheil and published by The Rosen Publishing Group. This book was released on 2003 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a comprehensive study of the reception history of Shakespeare's comedies within the context of Restoration and early eighteenth-century theater, from 1660 until the Licensing Act of 1737. In the absence of an overarching methodology or ideology about how to adapt Shaekspeare, eighteenth-century playwright were motivated by popular taste and shaped Shakespeare accordingly. Shakespeare's comedies provided ideal raw material to adjust to current theatrical and cultural trends such as the popularity of music and dance, changing forms of comedy, political controversies, the fluidity of acting companies, the development of dramatic forms, and the influence of print culture. A recently edited play, a popular comic actor, a new musical composer, or a novel of constructing a dramatic piece affected the ways Shakespeare's comedies were reshaped according to local theatrical condtitions.
Book Synopsis Shakespeare Adaptations from the Restoration by : Barbara A. Murray
Download or read book Shakespeare Adaptations from the Restoration written by Barbara A. Murray and published by Fairleigh Dickinson Univ Press. This book was released on 2005 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition.
Book Synopsis The Making of the National Poet : Shakespeare, Adaptation and Authorship, 1660-1769 by : Michael Dobson
Download or read book The Making of the National Poet : Shakespeare, Adaptation and Authorship, 1660-1769 written by Michael Dobson and published by Clarendon Press. This book was released on 1992-10-22 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length study since the 1920s of the Restoration and eighteenth-century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptions in the context of the profound cultural changes of their times. Drawing on a wide range of evidence, Dobson examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. The book provides thorough analysis, both engaging and informative, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet. - ;The century between the Restoration and David Garrick's Stratford Jubilee saw William Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timeless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare, and what different interests did this process serve? The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations of Shakespeare, and the first to consider the period's much-reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club) - it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment author and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with, and even demanded, the drastic and sometimes bizarre rewriting of his plays for which the period is notorious. The book provides thorough analysis, both engaging and informative, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet. -
Book Synopsis Shakespeare and the Eighteenth Century by : Michael Caines
Download or read book Shakespeare and the Eighteenth Century written by Michael Caines and published by . This book was released on 2013-10 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Surveys the critical and creative responses of 18th-century actors, audiences, critics, editors, artists, and philosophers to Shakespeare's work and traces how those responses influenced subsequent responses.
Book Synopsis Shakespeare, Adaptation, Psychoanalysis by : Matthew Biberman
Download or read book Shakespeare, Adaptation, Psychoanalysis written by Matthew Biberman and published by Taylor & Francis. This book was released on 2017-01-12 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shakespeare, Adaptation, Psychoanalysis, Matthew Biberman analyzes early adaptations of Shakespeare’s plays in order to identify and illustrate how both social mores and basic human psychology have changed in Anglo-American culture. Biberman contests the received wisdom that Shakespeare’s characters reflect essentially timeless truths about human nature. To the contrary, he points out that Shakespeare’s characters sometimes act and think in ways that have become either stigmatized or simply outmoded. Through his study of the adaptations, Biberman pinpoints aspects of Shakespeare’s thinking about behavior and psychology that no longer ring true because circumstances have changed so dramatically between his time and the time of the adaptation. He shows how the adaptors’ changes reveal key differences between Shakespeare’s culture and the culture that then supplanted it. These changes, once grasped, reveal retroactively some of the ways in which Shakespeare’s characters do not act and think as we might expect them to act and think. Thus Biberman counters Harold Bloom’s claim that Shakespeare fundamentally invents our sense of the human; rather, he argues, our sense of the human is equally bound up in the many ways that modern culture has come to resist or outright reject the behavior we see in Shakespeare’s plays. Ultimately, our current sense of 'the human' is bound up not with the adoption of Shakespeare’s psychology, perhaps, but its adaption-or, in psychoanalytic terms, its repression and replacement.
Book Synopsis The Re-Imagined Text by : Jean I. Marsden
Download or read book The Re-Imagined Text written by Jean I. Marsden and published by University Press of Kentucky. This book was released on 2014-07-15 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history -- the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused -- a clear step toward our modern concern for the word and its varying levels of signification.
Book Synopsis A History of Early Eighteenth Century Drama, 1700-1750 by : Allardyce Nicoll
Download or read book A History of Early Eighteenth Century Drama, 1700-1750 written by Allardyce Nicoll and published by . This book was released on 1925 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Broadview Anthology of Restoration and Early Eighteenth-Century Drama by : J. Douglas Canfield
Download or read book The Broadview Anthology of Restoration and Early Eighteenth-Century Drama written by J. Douglas Canfield and published by Broadview Press. This book was released on 2001-05-31 with total page 2001 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.
Book Synopsis The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition by : J. Douglas Canfield
Download or read book The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition written by J. Douglas Canfield and published by Broadview Press. This book was released on 2003-04-17 with total page 1055 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period’s “laughing comedy.” Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy. Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.
Book Synopsis Text Genetics in Literary Modernism and other Essays by : Hans Walter Gabler
Download or read book Text Genetics in Literary Modernism and other Essays written by Hans Walter Gabler and published by Open Book Publishers. This book was released on 2018-02-20 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent exploring textual criticism, genetic criticism, and literary criticism. In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature and music; and traces the cultural implications discernible in book design, and in the canonisation of works of literature and their authors. Distinctive and ambitious, these essays move beyond the concerns of the community of critics and scholars. Gabler responds innovatively to the issues involved and often endeavours to re-think their urgencies by bringing together the orthodox tenets of different schools of textual criticism. He moves between a variety of topics, ranging from fresh genetic approaches to the work of James Joyce and Virginia Woolf, to significant contributions to the theorisation of scholarly editing in the digital age. Written in Gabler’s fluent style, these rich and elegant compositions are essential reading for literary and textual critics, scholarly editors, readers of James Joyce, New Modernism specialists, and all those interested in textual scholarship and digital editing under the umbrella of Digital Humanities.
Book Synopsis National Myth and Imperial Fantasy by : Louise H. Marshall
Download or read book National Myth and Imperial Fantasy written by Louise H. Marshall and published by Springer. This book was released on 2008-11-12 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eighteenth-century drama is often dismissed as homogenous, aesthetically uninteresting, or politically complacent. This book reveals the incredibly intriguing and intricate nature of the period's history plays and their often messy dramatisaton of the complexities of patriotic rhetoric and national identification.
Book Synopsis A History of Early Eighteenth Century Drama, 1700-1750 by : Allardyce Nicoll
Download or read book A History of Early Eighteenth Century Drama, 1700-1750 written by Allardyce Nicoll and published by . This book was released on 1925 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Women and Shakespeare in the Eighteenth Century by : Fiona Ritchie
Download or read book Women and Shakespeare in the Eighteenth Century written by Fiona Ritchie and published by Cambridge University Press. This book was released on 2014-06-02 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fiona Ritchie analyses the significant role played by women in the construction of Shakespeare's reputation which took place in the eighteenth century. The period's perception of Shakespeare as unlearned allowed many women to identify with him and in doing so they seized an opportunity to enter public life by writing about and performing his works. Actresses (such as Hannah Pritchard, Kitty Clive, Susannah Cibber, Dorothy Jordan and Sarah Siddons), female playgoers (including the Shakespeare Ladies Club) and women critics (like Charlotte Lennox, Elizabeth Montagu, Elizabeth Griffith and Elizabeth Inchbald), had a profound effect on Shakespeare's reception. Interdisciplinary in approach and employing a broad range of sources, this book's analysis of criticism, performance and audience response shows that in constructing Shakespeare's significance for themselves and for society, women were instrumental in the establishment of Shakespeare at the forefront of English literature, theatre, culture and society in the eighteenth century and beyond.