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Satire And Romanticism
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Book Synopsis Satire and Romanticism by : S. Jones
Download or read book Satire and Romanticism written by S. Jones and published by Springer. This book was released on 2000-04-21 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This remarkable study of the constructive and ultimately canon-forming relationship between satiric and Romantic modes of writing from 1760 to 1832 provides us with a new understanding of the historical development of Romanticism as a literary movement. Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other as the un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of 'English Romanticism'.
Book Synopsis Satire and Romanticism by : Steven E. Jones
Download or read book Satire and Romanticism written by Steven E. Jones and published by MacMillan. This book was released on 2000 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the constructive and ultimately canon-forming relationship between satiric and Romantic modes of writing from 1760 to 1832 hopes to provide a new understanding of the historical development of Romanticism as a literary movement. Romantic poetry is conventionally seen as inward turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other as THE un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and redistributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of 'English Romanticism'.
Book Synopsis The Satiric Eye by : Steven Edward Jones
Download or read book The Satiric Eye written by Steven Edward Jones and published by Palgrave MacMillan. This book was released on 2003 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Satiric Eye" is a compelling collection of essays on satiric writing, images, and theatrical performances from 1780-1832. The title alludes to Wordsworth's famous "inward eye / Which is the bliss of solitude" -and is meant to raise significant critical questions about inwardness, solitude, sincerity, and authenticity in the period, questions which all these essays address. These diverse contributions range from advertising to Jane Austen, graphic pamphlets to the pantomime and illuminate with a satiric eye many presuppositions about early-nineteenth-century literature. Taken together, they challenge the critical conventions about what matters in the Romantic period, the preoccupation with nature, the Gothic, revolution, sentiment, beauty, and literary aesthetics. In their stunning range the essays both decenter Romanticism and reorient the canonical works, authors, and the critical constructs that have defined it.
Book Synopsis Neoclassical Satire and the Romantic School 1780-1830 by : Rolf P. Lessenich
Download or read book Neoclassical Satire and the Romantic School 1780-1830 written by Rolf P. Lessenich and published by V&R unipress GmbH. This book was released on 2012 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Romanticism was not only heterogeneous and disunited. It also had to face the hostile counter-movement of the Enlightenment and Augustan Neoclassicism, still going strong at the time of and in the decades following the French Revolution due to support from the ruling Establishment (the ancien regime of the Crown and Church of England). Neoclassicists regarded Romanticism as a heteretical amalgam of dissenting new schools, which threatened the monopoly of the Classical Tradition. The acrimonious debates in aesthetics and politics were conducted with the traditional strategies of the classical ars disputandi on both sides. Under the duress of the heaviest satirical attacks, Romanticism began gradually to see itself as one movement, giving rise to the problematic opposition of Classical and Romantic. The construction of this rough divide, however, was indispensable for the clarification of different positions in the hubbub of conflicting voices, and has also proved critical in literary and cultural studies which cannot do without such subsumptions. The Classical Tradition, encompassing Christianity, emerges as an ongoing event from Greek and Latin antiquity running through to our time.
Book Synopsis Romanticism and Caricature by : Ian Haywood
Download or read book Romanticism and Caricature written by Ian Haywood and published by Cambridge University Press. This book was released on 2013-10-24 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Ian Haywood explores the 'Golden Age' of caricature through the close reading of key, iconic prints by artists including James Gillray, George and Robert Cruikshank, and Thomas Rowlandson. This approach both illuminates the visual and ideological complexity of graphic satire and demonstrates how this art form transformed Romantic-era politics into a unique and compelling spectacle of corruption, monstrosity and resistance. New light is cast on major Romantic controversies including the 'revolution debate' of the 1790s, the impact of Thomas Paine's 'infidel' Age of Reason, the introduction of paper money and the resulting explosion of executions for forgery, the propaganda campaign against Napoleon, the revolution in Spain, the Peterloo massacre, the Queen Caroline scandal, and the Reform Bill crisis. Overall, the volume offers important new insights into the relationship between art, satire and politics in a key period of history.
Book Synopsis Neoclassical Satire and the Romantic School 1780–1830 by : Rolf P. Lessenich
Download or read book Neoclassical Satire and the Romantic School 1780–1830 written by Rolf P. Lessenich and published by V&R Unipress. This book was released on 2012-08-15 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: Die europäische Romantik war nicht nur heterogen und intern zerstritten. Sie hatte sich auch gegen Aufklärung und Klassizismus zu verteidigen, welche um die Zeit der Französischen Revolution weiterlebten. Klassizisten betrachteten die Romantik als Anhäufung abtrünniger »neuer Schulen«, die das Monopol der Classical Tradition bedrohten. Die erbitterten Debatten in Ästhetik und Politik wurden auf beiden Seiten mit den überkommenen Strategien der klassischen »ars disputandi« geführt. Unter schwerstem satirischem Beschuss begann die Romantik, sich als eine Bewegung zu begreifen, und es entstand der problematische Gegensatz von »klassisch« und »romantisch«. Diese Konstruktion war aber unverzichtbar, um die Fronten im Wirrwarr der Stimmen zu klären, und blieb es auch in der Literatur- und Kulturwissenschaft, die auf solche Subsumptionen nicht verzichten kann. Die Classical Tradition, die das Christentum einschließt, erweist sich als ein laufender Prozess von der Antike bis heute.
Book Synopsis Romantic Irony by : Frederick Garber
Download or read book Romantic Irony written by Frederick Garber and published by John Benjamins Publishing. This book was released on 1988-01-01 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding syntheses treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Book Synopsis Romanticism, Radicalism, and the Press by : Stephen C. Behrendt
Download or read book Romanticism, Radicalism, and the Press written by Stephen C. Behrendt and published by Wayne State University Press. This book was released on 1997 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although literature has traditionally been conceived in terms of a real or implied association with a cultural elite, a body of work exists that does not deliberately try to associate itself with that audience - that may in fact purposely oppose or resist that audience - but which nevertheless exerts a strong influence on what comes to be regarded as literature. This work specifically examines the relations that developed among British authors of the Romantic period and the Radical culture whose oppositional discourse - both in written text, and in extra-literary material - is one of the most striking aspects of the political and social life of the period. The volume broadens the field of materials to include other aspects of writing culture, including reviews, trial transcripts, philological studies, propaganda, and verbal and visual satire and parody.
Book Synopsis British Satire and the Politics of Style, 1789-1832 by : Gary Dyer
Download or read book British Satire and the Politics of Style, 1789-1832 written by Gary Dyer and published by Cambridge University Press. This book was released on 2006-11-02 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gary Dyer breaks new ground by surveying and interpreting hundreds of satirical poems and prose narratives published in Britain during the Romantic period. These works have been neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Dyer argues that satire continued to be a major and widely-read genre, and that contemporary political and social conflicts gave new meanings to conventions inherited from classical Rome and eighteenth-century England. He includes a bibliography of more than 700 volumes containing satirical verses.
Book Synopsis The Fictions of Satire by : Ronald Paulson
Download or read book The Fictions of Satire written by Ronald Paulson and published by JHU Press. This book was released on 2019-12-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1967. In this study of the English Augustan satirists, and the Roman and subsequent authors who were their models, Professor Paulson shows how rhetoric relates to imitation, persuasion to presentation, and the imitation of the satirist to the imitation of the satiric object. He illustrates the tendency of the satirist to invade his own fiction and imitate not the prime object of his satire but the satiric persona, which consequently takes on a life of its own. By analyzing the satiric fictions of the precursors of the Augustans, the author reveals the elements they bequeathed to those who rode the high crest of the satiric wave in England, before the art of satire became submerged in the deepening trough of sentimental romanticism. Paulson shows the Tories Dryden, Pope, and Swift and the Whigs Addison and Steele to be the heirs of a long line of satirists ancient and modern, from Horace, Juvenal, Lucian, Apuleius, and Petronius to Rabelais, Cervantes and the English Elizabethan and Civil War poets. Taking Swift as his main example, Paulson examines the dualism of satire in its most interesting and ambiguous modes, and as the embodiment of rhetorical devices that are as complex mimetically as they are rhetorically.
Book Synopsis Romantic Border Crossings by : Jeffrey Cass
Download or read book Romantic Border Crossings written by Jeffrey Cass and published by Ashgate Publishing, Ltd.. This book was released on 2008 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Romantic Border Crossings participates in the movement towards 'otherness' in Romanticism, by uncovering the intellectual and disciplinary anxieties surrounding comparative studies of British, American, and European literature and culture. Spanning a wide range of authors and topics that includes Elizabeth Inchbald, Gérard de Nerval, Jacobinism, Goethe, the Gothic, Orientalism, Emily Dickinson, Walt Whitman, and Anglo-American conflicts, the collection constitutes a rethinking of the divisions that continue to haunt Romantic studies.
Book Synopsis The Writings of Percy Bysshe Shelley: Romanticism and Satire by : Ajoy Ranjan Biswas
Download or read book The Writings of Percy Bysshe Shelley: Romanticism and Satire written by Ajoy Ranjan Biswas and published by Deep and Deep Publications. This book was released on 1996 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Satirizing Modernism by : Emmett Stinson
Download or read book Satirizing Modernism written by Emmett Stinson and published by Bloomsbury Publishing USA. This book was released on 2017-06-01 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Satirizing Modernism examines 20th-century novels that satirize avant-garde artists and authors while also using experimental techniques associated with literary modernism. These novels-such as Wyndham Lewis's The Apes of God, William Gaddis's The Recognitions, and Gilbert Sorrentino's Imaginative Qualities of Actual Things-were under-recognized and received poor reviews at the time of publication, but have increasingly been acknowledged as both groundbreaking and deeply influential. Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today.
Book Synopsis Satire in an Age of Realism by : Aaron Matz
Download or read book Satire in an Age of Realism written by Aaron Matz and published by Cambridge University Press. This book was released on 2010-07-15 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
Download or read book Romantic Gothic written by Angela Wright and published by Edinburgh University Press. This book was released on 2015-11-16 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Book Synopsis Changing satire by : Cecilia Rosengren
Download or read book Changing satire written by Cecilia Rosengren and published by Manchester University Press. This book was released on 2022-04-12 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection brings together literary scholars and art historians, and maps how satire became a less genre-driven and increasingly visual medium in the seventeenth through the early nineteenth century. Changing satire demonstrates how satire proliferated in various formats, and discusses a wide range of material from canonical authors like Swift to little known manuscript sources and prints. As the book emphasises, satire was a frame of reference for well-known authors and artists ranging from Milton to Bernini and Goya. It was moreover a broad European phenomenon: while the book focuses on English satire, it also considers France, Italy, The Netherlands and Spain, and discusses how satirical texts and artwork could move between countries and languages. In its wide sweep across time and formats, Changing satire brings out the importance that satire had as a transgressor of borders.
Book Synopsis Romanticism in the Shadow of War by : Jeffrey N. Cox
Download or read book Romanticism in the Shadow of War written by Jeffrey N. Cox and published by Cambridge University Press. This book was released on 2014-08-21 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh take on Romantic writers including Byron, the Shelleys, and Keats, within the culture of the Napoleonic War years.