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Rhetorical Subversion In Early English Drama
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Book Synopsis Rhetorical Subversion in Early English Drama by : Douglas W. Hayes
Download or read book Rhetorical Subversion in Early English Drama written by Douglas W. Hayes and published by Peter Lang. This book was released on 2004 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book centers on the uses and abuses of language in early English drama. It examines a number of plays alongside classical and sixteenth-century rhetorical treatises and focuses on the appearances of one stock character, the Vice figure, to determine how he uses language to dupe, implicate, and control others in the plays. The Vice figure is usually very skilled in the use of rhetoric and, in many cases, seems to be so persuasive and entertaining that the moral aims of the drama appear to be jeopardized. Douglas W. Hayes investigates the moral and rhetorical ambivalence of the Vice figure not only in Medieval morality plays and Tudor interludes, but also in the language of later characters related to the Vice such as Marlowe's Mephastophilis and Shakespeare's Falstaff and Iago.
Book Synopsis Rhetorical Subversion in the English Moral Interlude by : Douglas William Hayes
Download or read book Rhetorical Subversion in the English Moral Interlude written by Douglas William Hayes and published by . This book was released on 2000 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: My focus of study is the popular English moral interlude and later related plays, from 'The Castle of Perseverance' (circa 1425) to the end of the Tudor period. I view these plays from, a perspective that centers on the use of rhetoric as a means of persuasion, and the ways in which that means of persuasion is placed in the service of good and evil ends--often simultaneously. The ambivalent and often hilarious words of a Vice figure are supposed to lure the audience into complicity with sin, and they do their job well in many moral plays and their later counterparts. The attraction of these characters goes beyond the entrapment of other characters and the audience. They often deliberately use rhetorical tropes and figures to further their own ends, and thereby undermine any notions of the inherent stability of language as a truth-bearing medium. The good characters, on the other hand, generally do not have enough of a dramatic presence to counteract the effects of the Vice figures upon the audience even though the static nature of the good characters is precisely what this moral drama tries to emphasize. The moral interlude communicates 'good' moral doctrine, but its dramatic structure would seem to make it a theatre of subversion. Although the relationship between the Vice and the audience has been a mainstay of studies of medieval and Tudor drama for a generation, the subversive nature and methodology of the Vice have not been examined in any detail. I make such an examination the basis of my study by tracking this figure from his appearance as Backbiter in 'The Castle of Perseverance' and the N-Town plays, through some of his manifestations in the Vices of 'Mankind', Nichol Newfangle from Fulwell's 'Like Will to Like', and Ambidexter from Preston's 'Cambises', to his role as Mephastophilis in Marlowe's 'Doctor Faustus', and culminating with an investigation of Shakespeare's Falstaff in' I Henry IV' and Iago in ' Othello'. I attempt to recover those aspects of performance that support rhetorical subversion in tandem with an examination of the plays as sites of eloquence.
Book Synopsis The Oxford Handbook of Tudor Drama by : Thomas Betteridge
Download or read book The Oxford Handbook of Tudor Drama written by Thomas Betteridge and published by Oxford University Press. This book was released on 2012-07-19 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
Book Synopsis The Routledge Anthology of Early Modern Drama by : Jeremy Lopez
Download or read book The Routledge Anthology of Early Modern Drama written by Jeremy Lopez and published by Routledge. This book was released on 2020-03-10 with total page 1138 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Anthology of Early Modern Drama is the first new collection of the drama of Shakespeare’s contemporaries in over a century. This volume comprises seventeen accessible, thoroughly glossed, modernized play-texts, intermingling a wide range of unfamiliar works—including the anonymous Look About You, Massinger’s The Picture, Heminge’s The Fatal Contract, Heywood’s The Four Prentices of London, and Greene’s James IV—with more familiar works such as Marlowe’s Doctor Faustus, Webster’s The Duchess of Malfi, and Middleton’s Women Beware Women. Each play is edited by a different leading scholar in the field of early modern studies, bringing specific expertise and context to the chosen play-text. With an unprecedented variety of plays, and critical introductions that focus on the diversity and strangeness of different early modern approaches to the artistic and commercial enterprise of play-making, The Routledge Anthology of Early Modern Drama will offer vital new perspectives on early modern drama for scholars, students, and performers alike.
Book Synopsis Marlowe’s Literary Scepticism by : Chloe Preedy
Download or read book Marlowe’s Literary Scepticism written by Chloe Preedy and published by Bloomsbury Publishing. This book was released on 2014-10-10 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Roma Gill Prize 2015, Marlowe's Literary Scepticism re-evaluates the representation of religion in Christopher Marlowe's plays and poems, demonstrating the extent to which his literary engagement with questions of belief was shaped by the virulent polemical debates that raged in post-Reformation Europe. Offering new readings of under-studied works such as the poetic translations and a fresh perspective on well-known plays such as Doctor Faustus, this book focuses on Marlowe's depiction of the religious frauds denounced by his contemporaries. It identifies Marlowe as one of the earliest writers to acknowledge the practical value of religious hypocrisy, and a pivotal figure in the history of scepticism.
Book Synopsis Festive Enterprise by : Jill P. Ingram
Download or read book Festive Enterprise written by Jill P. Ingram and published by University of Notre Dame Pess. This book was released on 2021-03-15 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Festive Enterprise reveals marketplace pressures at the heart of dramatic form in medieval and Renaissance drama. In Festive Enterprise, Jill P. Ingram merges the history of economic thought with studies of theatricality and spectatorship to examine how English Renaissance plays employed forms and practices from medieval and traditional entertainments to signal the expectation of giving from their audiences. Resisting the conventional divide between medieval and Renaissance, Festive Enterprise takes a trans-Reformation view of dramaturgical strategies, which reflected the need to generate both income and audience assent. By analyzing a wide range of genres (such as civic ceremonial, mummings, interludes, scripted plays, and university drama) and a diverse range of venues (including great halls, city streets, the Inns of Court, and public playhouses), Ingram demonstrates how early moderns borrowed medieval money-gatherers’ techniques to signal communal obligations and rewards for charitable support of theatrical endeavors. Ingram shows that economics and drama cannot be considered as separate enterprises in the medieval and Renaissance periods. Rather, marketplace pressures were at the heart of dramatic form in medieval and Renaissance drama alike. Festive Enterprise is an original study that traces how economic forces drove creativity in drama from medieval civic processions and guild cycle plays to the early Renaissance. It will appeal to scholars of medieval and early modern drama, theater historians, religious historians, scholars of Renaissance drama, and students in English literature, drama, and theater.
Book Synopsis Fifteenth-century English Drama by : William Anthony Davenport
Download or read book Fifteenth-century English Drama written by William Anthony Davenport and published by Boydell & Brewer. This book was released on 1982 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: Davenport offers a reassessment of The Pride of Lifeand the Macro Plays and argues for a new grouping of plays.
Book Synopsis Essays on the Medieval Period and the Renaissance by : Larisa Kocic-Zámbó
Download or read book Essays on the Medieval Period and the Renaissance written by Larisa Kocic-Zámbó and published by Cambridge Scholars Publishing. This book was released on 2018-12-05 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together extended versions of papers delivered at the 2015 meeting of the Hungarian Society for the Study of English (HUSSE). The timeframe the papers deal with, starting with 15th century devotional texts, including Tudor interludes, Shakespearean plays and their adaptations, and ending in Milton, embraces three centuries of the history of English literature. As such, the contributions offer not only a variety of methodological approaches and disciplinary perspectives, but also highlight converging problems within this broad field, crystallized around three main topics of scholarship and constituting the three thematic parts of the volume, each containing three to four chapters. The first part, entitled “Medieval and Early Modern Experiments with Genre”, offers a set of readings that interpret texts in the light of their generic and thematic innovativeness. Attesting to the multiple ways in which Shakespeare is made our contemporary, the second part, “Shakespearean Texts and Adaptations—Our Contemporaries”, is comprised of essays on contemporary adaptations of Shakespeare and Renaissance theatre, taking the term “adaptation” in a broad sense. The contributions in the third part of the volume, “Perspectives on Milton”, all focus on John Milton, highlighting debates or underrepresented discourses in Milton studies. What connects the papers of the volume as a whole is the reinterpretation of traditional critical assumptions through innovative methods, including viewpoints integrated from other disciplines and discourses, such as theatre studies, digital humanities and social sciences, addressing the relevance of both traditional and innovative topics within English studies in a contemporary academic context.
Book Synopsis The Oxford Handbook of Tudor Literature by : Mike Pincombe
Download or read book The Oxford Handbook of Tudor Literature written by Mike Pincombe and published by OUP Oxford. This book was released on 2009-09-10 with total page 864 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.
Download or read book 1 Henry IV written by Stephen Longstaffe and published by Bloomsbury Publishing. This book was released on 2011-08-18 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introduction to Shakespeare's I Henry IV - introducing its critical and performance history, current critical landscape and new directions in research on the play.
Book Synopsis Villains and Heroes, or Villains as Heroes? Essays on the Relationship between Villainy and Evil by : Luke Seaber
Download or read book Villains and Heroes, or Villains as Heroes? Essays on the Relationship between Villainy and Evil written by Luke Seaber and published by BRILL. This book was released on 2020-10-12 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: What constitutes a villain? How does villainy differ from evil? Do villains created for children's fiction differ from those created for adults? The villains considered in this volume come from an eclectic range of sources - from comic books to film and from novels to television serials - and a broad selection of times and places. Villains continue to raise troubling questions about the role of narrative in both fiction and real life.
Book Synopsis From Chaucer's Pardoner to Shakespeare's Iago by : Maik Goth
Download or read book From Chaucer's Pardoner to Shakespeare's Iago written by Maik Goth and published by Peter Lang. This book was released on 2009 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Western Canon: The Books and School of the Ages the American critic Harold Bloom claims that Shakespeare drew on Chaucer's Pardoner when creating the villain Iago for his Othello. This book turns Bloom's observation of influences within the canon of Western literature into a more complex intermedial analysis of dramatic and literary traditions at the waning of the Middle Ages and the dawn of the Renaissance. The discussion of verbal and non-verbal codes in Chaucer's presentation of the Pardoner and Shakespeare's depiction of Iago sheds light on the various strands of the Vice's development, and shows that Chaucer's pilgrim, who descends obliquely from the stage Vices, stands at the very beginning of the Vice tradition, while Iago is a late development of him, who adapts his role to new dramatic challenges.
Book Synopsis Shakespeare and Renaissance Literary Theories by : Michele Marrapodi
Download or read book Shakespeare and Renaissance Literary Theories written by Michele Marrapodi and published by Routledge. This book was released on 2016-04-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts. Contributors respond anew to the process of cultural exchange, cultural transaction, and generic intertextuality involved in the debate on dramatic theory and literary kinds in the Renaissance, exploring, with special emphasis on Shakespeare's works, the level of cultural appropriation, contamination, revision, and subversion characterizing early modern English drama. Shakespeare and Renaissance Literary Theories offers a wide range of approaches and critical viewpoints of leading international scholars concerning questions which are still open to debate and which may pave the way to further groundbreaking analyses on Shakespeare's art of dramatic construction and that of his contemporaries.
Book Synopsis The Ashgate Research Companion to Queer Theory by : Noreen Giffney
Download or read book The Ashgate Research Companion to Queer Theory written by Noreen Giffney and published by Routledge. This book was released on 2016-03-23 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: This interdisciplinary volume of thirty original essays engages with four key concerns of queer theoretical work - identity, discourse, normativity and relationality. The terms ’queer’ and ’theory’ are put under interrogation by a combination of distinguished and emerging scholars from a wide range of international locations, in an effort to map the relations and disjunctions between them. These contributors are especially attendant to the many theoretical discourses intersecting with queer theory, including feminist theory, LGBT studies, postcolonial theory, psychoanalysis, disability studies, Marxism, poststructuralism, critical race studies and posthumanism, to name a few. This Companion provides an up to the minute snapshot of queer scholarship from the past two decades and identifies many current directions queer theorizing is taking, while also signposting several fruitful avenues for future research. This book is both an invaluable and authoritative resource for scholars and an indispensable teaching tool for use in the classroom.
Book Synopsis Shakespeare and the Soliloquy in Early Modern English Drama by : A. D. Cousins
Download or read book Shakespeare and the Soliloquy in Early Modern English Drama written by A. D. Cousins and published by Cambridge University Press. This book was released on 2018-08-16 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy.
Download or read book Bibliographic Index written by and published by . This book was released on 2004 with total page 888 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Performing Arguments by : Maura Giles-Watson
Download or read book Performing Arguments written by Maura Giles-Watson and published by BRILL. This book was released on 2024-03-04 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Arguments: Debate in Early English Poetry and Drama proposes a fresh performance-centered view of rhetoric by recovering, tracing, and analyzing the trope and tradition of aestheticized argumentation as a mode of performance across several early ludic genres: Middle English debate poetry, the fifteenth-century ‘disguising’ play, the Tudor Humanist debate interlude, and four Shakespearean works in which the dynamics of debate invite the plays’ reconsideration under the new rubric of ‘rhetorical problem plays.’ Performing Arguments further establishes a distinction between instrumental argumentation, through which an arguer seeks to persuade an opponent or audience, and performative argumentation, through which the arguer provides an aesthetic display of verbal or intellectual skill with persuasion being of secondary concern, or of no concern at all. This study also examines rhetorical and performance theories and practices contemporary with the early texts and genres explored, and is further influenced by more recent critical perspectives on resonance and reception and theories of audience response and reconstruction.
