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Representing Religion In World Cinema
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Book Synopsis Representing Religion in World Cinema by : S. Brent Plate
Download or read book Representing Religion in World Cinema written by S. Brent Plate and published by Macmillan. This book was released on 2003-11-29 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The commissioned essays in this volume each provide a close reading of a cinematic text and an exploration of how 'religion' in general, or a particular tradition, is produced within the filmic idiom.
Book Synopsis Representing Religion in World Cinema by : S. Plate
Download or read book Representing Religion in World Cinema written by S. Plate and published by Springer. This book was released on 2016-04-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism.
Book Synopsis Religion and Film by : S. Brent Plate
Download or read book Religion and Film written by S. Brent Plate and published by Columbia University Press. This book was released on 2017-09-05 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Religion and cinema share a capacity for world making, ritualizing, mythologizing, and creating sacred time and space. Through cinematography, mise-en-scène, editing, and other production activities, film takes the world “out there” and refashions it. Religion achieves similar ends by setting apart particular objects and periods of time, telling stories, and gathering people together for communal actions and concentrated focus. The result of both cinema and religious practice is a re-created world: a world of fantasy, a world of ideology, a world we long to live in, or a world we wish to avoid at all costs. Religion and Film introduces readers to both religious studies and film studies by focusing on the formal similarities between cinema and religious practices and on the ways they each re-create the world. Explorations of film show how the cinematic experience relies on similar aesthetic devices on which religious rituals have long relied: sight, sound, the taste of food, the body, and communal experience. Meanwhile, a deeper understanding of the aesthetic nature of religious rituals can alter our understanding of film production. Utilizing terminology and theoretical insights from the study of religion as well as the study of film, Religion and Film shows that by paying attention to the ways films are constructed, we can shed new light on the ways religious myths and rituals are constructed and vice versa. This thoroughly revised and expanded new edition is designed to appeal to the needs of courses in religion as well as film departments. In addition to two new chapters, this edition has been restructured into three distinct sections that offer students and instructors theories and methods for thinking about cinema in ways that more fully connect film studies with religious studies.
Book Synopsis Transnational Cinema and Ideology by : Milja Radovic
Download or read book Transnational Cinema and Ideology written by Milja Radovic and published by Routledge. This book was released on 2014-06-13 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of ‘transnational’ rather than national cinema. This book is positioned within the emerging field of transnational cinema, and offers a groundbreaking study of the relationship between transnational cinema and ideology. The book focuses in particular on the complex ways in which religion, identity and cultural myths interact in specific cinematic representations of ideology. Author Milja Radovic approaches the selected films as national, regional products, and then moves on to comparative analysis and discussion of their transnational aspects. This book also addresses the question of whether transnationalism reinforces the nation or not; one of the possible answers to this question may be given through the exploration of the cinema of national states and its transnational aspects. Radovic illustrates the ways in which these issues, represented and framed by films, are transmitted beyond their nation-state borders and local ideologies in which they originated – and questions whether therefore one can have an understanding of transnational cinema as a platform for political dialogue.
Download or read book Film as Religion written by John Lyden and published by NYU Press. This book was released on 2003-06 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Choice Outstanding Academic Title 2003 Film as Religion argues that popular films perform a religious function in our culture. Like more formal religious institutions, films can provide us with ways to view the world and values to confront it. Lyden contends that approaches which interpret films only ideologically or theologically miss the mark in understanding their appeal to viewers. He develops an alternative method which shows how films can be understood as representing a “religious” worldview in their own right. Lyden surveys the state of the study of religion and film, offering an overview of previous methods before presenting his own. Rather than seeking to uncover hidden meanings in film detectable only to scholars, Lyden emphasizes how film functions for its audiences?the beliefs and values it conveys, and its ritual power to provide emotional catharsis. He includes a number of brief cases studies in which he applies this method to the study of film genres—including westerns and action movies, children's films, and romantic comedies—and individual films from The Godfather to E.T., showing how films can function religiously.
Book Synopsis Representing Religion in Film by : Tenzan Eaghll
Download or read book Representing Religion in Film written by Tenzan Eaghll and published by Bloomsbury Publishing. This book was released on 2022-06-30 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, and The Secret of my Success. Each chapter offers: - an explanation of the particular representation of religion that appears in film - a discussion of how this representation has been interpreted in film criticism and religious studies scholarship - an in-depth study of a Hollywood or popular film to highlight the rhetorical, social, and political functions this representation accomplishes on the silver screen - a discussion about how such analysis might be applied to other films of a similar genre Written in an accessible style, and focusing on Hollywood and popular cinema, this book will be of interest to both movie lovers and experts alike.
Download or read book Filming the Gods written by Rachel Dwyer and published by Routledge. This book was released on 2006-09-27 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
Book Synopsis Religion and Film by : Stefanie Knauss
Download or read book Religion and Film written by Stefanie Knauss and published by BRILL. This book was released on 2020-01-29 with total page 109 pages. Available in PDF, EPUB and Kindle. Book excerpt: This critical overview of the field of film and religion distinguishes three complementary approaches: the study of film as text, the investigation of how film affect audiencs, and the consideration of film and religion as agents in cultural processes. The overview concludes with a reflection on theories and methodologies of the field and some possibilities for future development.
Book Synopsis Film as Religion, Second Edition by : John C. Lyden
Download or read book Film as Religion, Second Edition written by John C. Lyden and published by NYU Press. This book was released on 2019-11-26 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argues that popular films perform a religious function in our culture The first edition of Film as Religion was one of the first texts to develop a framework for the analysis of the religious function of films for audiences. Like more formal religious institutions, films can provide us with ways to view the world and the values to confront it. Lyden argues that the cultural influence of films is analogous to that of religions, so that films can be understood as representing a “religious” worldview in their own right. Thoroughly updating his examples, Lyden examines a range of film genres and individual films, from The Godfather to The Hunger Games to Frozen, to show how film can function religiously.
Book Synopsis The Religion and Film Reader by : Jolyon P. Mitchell
Download or read book The Religion and Film Reader written by Jolyon P. Mitchell and published by . This book was released on 2007 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film is now widely studied in theology and religious studies departments. This volume explores key topics including, early responses to film, directors, films and audiences, cultural and social contexts, biblical connections, theological approaches and religious studies perspectives, amongst others.
Book Synopsis World Cinema, Theology, and the Human by : Antonio D. Sison
Download or read book World Cinema, Theology, and the Human written by Antonio D. Sison and published by Routledge. This book was released on 2012 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: World Cinema, Theology, and the Human builds an engaging intertextual dialogue between nine acclaimed films of world cinema and a range of theological perspectives that touch on the theme of human experience. This book engages with the power of film to trigger hermeneutical impulses and theological conversation stemming from resonant humanity unfolding onscreen. However, it is film as art, not theology as normative text, which lays down a bridge to the possibility of critical dialogue. In this approach, film is emancipated from a theological agenda, and as an art form, given space to speak on its own terms in dialogue with theology.
Download or read book Religion in Film written by John R. May and published by Univ. of Tennessee Press. This book was released on 1982 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This multiauthor book concentrates on themes and images of religion in film. It features analysis of some of the most important directors in the twentieth century, includiing Coppola, Chaplin, Hitchcock, and Truffaut, among others.
Book Synopsis Faith and Spirituality in Masters of World Cinema by : Kenneth R. Morefield
Download or read book Faith and Spirituality in Masters of World Cinema written by Kenneth R. Morefield and published by Cambridge Scholars Publishing. This book was released on 2009-10-02 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Faith and Spirituality in Masters of World Cinema" is a fascinating introduction to spiritual aspects in the works of some of the greatest filmmakers in the world, like Bergman, Dreyer and Tarkovsky, Avant Garde director Pedro Costa and Hollywood's golden boy Guillermo del Toro. It covers directors from around the world and shows diverse manifestations of spirituality in film; everything from how camera movements can imply spirituality to specific religions, like Islam and Christianity. "Faith and Spirituality in Masters of World Cinema" is a welcome addition to a growing library on religion and film. —Thorkell Ottarson "The essayists in Faith and Spirituality in Masters of World Cinema offer provocative studies of the often uneasy relationship that exists between religion and film, faith and reason. They never shy away from their critical burden, challenging readers to delve deeply and think more forcefully about the ethics and values that shape our culture—and our lives. Faith and Spirituality in Masters of World Cinema dares us to reconsider what it means to be whole—and holy—across the great history of film. It is a spiritual and critical journey of the highest magnitude." —Dr. Kenneth Womack, Chair of the English Department, Penn State University at Altoona "Not many works of art would withstand the rigorous examination of the kind in this collection, but Kenneth Morefield and his contributors have chosen well. They've chosen filmmakers whose work not only withstands but seems to grow under the bright light of careful consideration. I'm not familiar with all of them, which makes the collection a useful map to the currents that run below their surfaces, but I also found new ways to appreciate Pedro Costa and the Dardenne brothers whose films I've admired, even loved, but never thought about in quite this way. Reading the essays together, I discovered that this group of filmmakers, while distinct in their beliefs, approaches, and aesthetics, are all striving to reawaken our senses, and by capturing something concrete they're looking for something invisible. That they've found so many ways to do this—from Del Toro's physically-rooted fantasy to Costa's material world—proves that cinema may not be dead just yet, even with the twentieth century in the rear view mirror." —Rob Davis, chief film critic of Paste Magazine; co-founder of Daily Plastic (www.dailyplastic.com).
Book Synopsis Representing Religion in Film by : Tenzan Eaghll
Download or read book Representing Religion in Film written by Tenzan Eaghll and published by Bloomsbury Publishing. This book was released on 2022-06-30 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, and The Secret of my Success. Each chapter offers: - an explanation of the particular representation of religion that appears in film - a discussion of how this representation has been interpreted in film criticism and religious studies scholarship - an in-depth study of a Hollywood or popular film to highlight the rhetorical, social, and political functions this representation accomplishes on the silver screen - a discussion about how such analysis might be applied to other films of a similar genre Written in an accessible style, and focusing on Hollywood and popular cinema, this book will be of interest to both movie lovers and experts alike.
Book Synopsis The Sacred and the Cinema by : Sheila J. Nayar
Download or read book The Sacred and the Cinema written by Sheila J. Nayar and published by A&C Black. This book was released on 2012-03-29 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique epistemic approach to manifestations of the sacred onscreen.
Book Synopsis Muslim Women in French Cinema by : Leslie Kealhofer-Kemp
Download or read book Muslim Women in French Cinema written by Leslie Kealhofer-Kemp and published by Liverpool University Press. This book was released on 2015-12-14 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together a diverse corpus of over 60 documentaries, short films, téléfilms, and feature films released in France between 1979 and 2014, this book represents the first comprehensive study of cinematic representations of first-generation Muslim women from the Maghreb (Algeria, Morocco, Tunisia) in France.
Book Synopsis Religion and Film: The Basics by : Jeanette Reedy Solano
Download or read book Religion and Film: The Basics written by Jeanette Reedy Solano and published by Routledge. This book was released on 2021-12-24 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Religion and Film: The Basics is an accessible and engaging introduction to the history, diverse approaches, and ideas associated within the study of religion and film. Referencing films from around the world from the early 20th century to the present day, this unique introduction includes the following topics: the history and dynamics of religion and film various methods to approach religion and film the evolution of religion and film scholarship film genre and theory world religions and film unique themes—from race and gender roles to karma and redemption A fascinating range of films are discussed, from early silent films such as Hypocrites to recent releases such as Minari. Five genres are explored, including horror in The Wicker Man (UK) and Let the Right One In (Sweden), and world religions are analyzed in films such as OMG, The Big Lebowski, and Malcolm X. Tropes examined include gender in Water, karma in It’s a Wonderful Life, death in Biutiful, redemption in Magnolia, and evil in Get Out. With helpful features including recommendations for further study and key films to view, this book is an ideal starting point for students approaching religion and film for the first time as well as those interested in learning more about the field while broadening their methods, knowledge of film, and their film canon.
