Representing Black Music Culture

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Representing Black Music Culture

Author : Bill Banfield
Publisher : Scarecrow Press
ISBN 13 : 0810877872
Total Pages : 313 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Representing Black Music Culture by : Bill Banfield

Download or read book Representing Black Music Culture written by Bill Banfield and published by Scarecrow Press. This book was released on 2011-10-07 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays, interviews, and profiles, William Banfield reflects on his life as a musician and educator, as he weaves together pieces of cultural criticism and artistry, all the while paying homage to Black music of the last 40 years and beyond. In Representing Black Music Culture: Then, Now, and When Again?, Banfield honors the legacy of artists who have graced us with their work for more than half a century. The essays and interviews in this collection are enhanced by seven years of daily diary entries, which reflect on some of the country's most respected Black composers, recording artists, authors, and cultural icons. These include Ornette Coleman, Bobby McFerrin, Toni Morrison, Amiri Baraka, Gordon Parks, the Marsalis brothers, Spike Lee, Maya Angelou, Patrice Rushen, and many others. Though many of the individuals Banfield lauds are well-known to most readers, he also turns his attention to musicians and artists whose work, while perhaps unheralded by the world at large, are no less deserving of praise and respect for their contributions to the culture. In addition, this volume is filled with candid photographs of many of these fellow artists as they participate in expressive culture, whether on stage, on tour, in clubs, behind the scenes, in rehearsal, or even during meals and teaching class. This unique book of essays, interviews, diary entries, and Banfield's personal photographs will be of interest to scholars and students, of course, but also to general readers interested in absorbing and appreciating the beauty of Black culture.

Representing Black Music Culture

Author : William C. Banfield
Publisher : Scarecrow Press
ISBN 13 : 0810877864
Total Pages : 313 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Representing Black Music Culture by : William C. Banfield

Download or read book Representing Black Music Culture written by William C. Banfield and published by Scarecrow Press. This book was released on 2011-10-16 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays, interviews, and profiles, William C. Banfield reflects on his life as a musician and educator, weaving together pieces of cultural criticism and artistry and paying homage to Black music of the last forty years and beyond. The essays and interviews in Representing Black Music Culture: Then, Now, and When Again? are enhanced by seven years of daily diary entries that reflect on some of the country's most respected Black composers, recording artists, authors, and cultural icons, including Ornette Coleman, Bobby McFerrin, Toni Morrison, Amiri Baraka, Gordon Parks, the Marsalis brothers, Maya Angelou, Patrice Rushen, Billy Taylor, Herbie Hancock, and Quincy Jones. Although many of the individuals Banfield lauds are well known to most readers, he also turns his attention to musicians and artists whose work, while perhaps unheralded by the world at large, is no less deserving of praise and respect for their contributions. In addition, this volume is filled with candid photographs of many artists participating in expressive culture, whether on stage, on tour, in clubs, in rehearsal, or teaching class. This unique book will be of interest to scholars and students, as well as general readers interested in absorbing and appreciating Black culture. Book jacket.

Race Music

Author : Guthrie P. Ramsey
Publisher : Univ of California Press
ISBN 13 : 0520243331
Total Pages : 296 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Race Music by : Guthrie P. Ramsey

Download or read book Race Music written by Guthrie P. Ramsey and published by Univ of California Press. This book was released on 2004-11-22 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.

Cultural Codes

Author : Bill Banfield
Publisher : Scarecrow Press
ISBN 13 : 0810872870
Total Pages : 256 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Cultural Codes by : Bill Banfield

Download or read book Cultural Codes written by Bill Banfield and published by Scarecrow Press. This book was released on 2009-12-10 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield engages the reader in a conversation about the aesthetics and meanings that inform this critical component of our social consciousness. By providing a focused examination of the historical development of Black music artistry, Banfield formulates a useable philosophy tied to how such music is made, shaped, and functions. In so doing, he explores Black music culture from three angles: history, education, and the creative work of the musicians who have moved the art forward. In addition to tracing Black music from its African roots to its various contemporary expressions, including jazz, soul, R&B, funk, and hip hop, Banfield profiles some of the most important musicians over the last century: W.C. Handy, Scott Joplin, Louis Armstrong, Duke Ellington, Count Basie, Mary Lou Williams, John Coltrane, James Brown, Jimi Hendrix, and Stevie Wonder, among others. Cultural Codes provides an educational and philosophical framework for students and scholars interested in the traditions, the development, the innovators, and the relevance of Black music.

What the Music Said

Author : Mark Anthony Neal
Publisher : Routledge
ISBN 13 : 1135204632
Total Pages : 198 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis What the Music Said by : Mark Anthony Neal

Download or read book What the Music Said written by Mark Anthony Neal and published by Routledge. This book was released on 2013-09-13 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Music in African American Fiction

Author : Robert H. Cataliotti
Publisher : Routledge
ISBN 13 : 1317945263
Total Pages : 272 pages
Book Rating : 4.3/5 (179 download)

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Book Synopsis The Music in African American Fiction by : Robert H. Cataliotti

Download or read book The Music in African American Fiction written by Robert H. Cataliotti and published by Routledge. This book was released on 2019-09-16 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive historical analysis of how black music and musicians have been represented in the fiction of African American writers. It also examines how music and musicians in fiction have exemplified the sensibilities of African Americans and provided paradigms for an African American literary tradition. The fictional representation of African American music by black authors is traced from the nineteenth century (William Wells Brown, Martin Delany, Pauline E. Hopkins, Paul Laurence Dunbar) through the early twentieth century and the Harlem Renaissance (James Weldon Johnson, Langston Hughes, Claude McKay, Zora Neale Hurston) to the 1940s and 50s (Richard Wright, Ann Petry, James Baldwin, Ralph Ellison) and the 1960s and the Black Arts Movement (Margaret Walker, William Melvin Kelley, Leroi Jones/Amiri Baraka, Henry Dumas). In the century between Brown and Baraka, the representation of music in black fiction went through a dramatic metamorphosis. Music occupied a representative role in African American culture from which writers drew ideas and inspiration. The music provided a way out of a limited situation by offering a viable option to the strictures of racism. Individuals who overcome these limitations then become role models in the struggle toward equality. African American musical forms-for both artist and audience-also offerd a way of looking at the world, survival, and resistance. The black musician became a ritual leader. This study delineates how black writers have captured the spirit of the music that played such a pivotal role in African American culture. (Ph.D. dissertation, State University of New York at Stony Brook, 1993; revised with new preface and index)

Race Music

Author : Guthrie P. Ramsey
Publisher : Univ of California Press
ISBN 13 : 0520938437
Total Pages : 297 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Race Music by : Guthrie P. Ramsey

Download or read book Race Music written by Guthrie P. Ramsey and published by Univ of California Press. This book was released on 2003-06-01 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family gatherings with food and dancing, and jam sessions at local nightclubs. This lays the foundation for a brilliant discussion of how musical meaning emerges in the private and communal realms of lived experience and how African American music has shaped and reflected identities in the black community. Deeply informed by Ramsey's experience as an accomplished musician, a sophisticated cultural theorist, and an enthusiast brought up in the community he discusses, Race Music explores the global influence and popularity of African American music, its social relevance, and key questions regarding its interpretation and criticism. Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct—possessing its own conventions, performance practices, and formal qualities—each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed. Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation.

Representing

Author : S. Craig Watkins
Publisher : University of Chicago Press
ISBN 13 : 9780226874890
Total Pages : 334 pages
Book Rating : 4.8/5 (748 download)

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Book Synopsis Representing by : S. Craig Watkins

Download or read book Representing written by S. Craig Watkins and published by University of Chicago Press. This book was released on 1998 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Representing examines developments in black cinema. It looks at the distinct contradiction in American society, black youths have become targets of a racial backlash but their popular cultures have become commercially viable.

Black Lives Matter and Music

Author : Fernando Orejuela
Publisher : Indiana University Press
ISBN 13 : 025303843X
Total Pages : 145 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Black Lives Matter and Music by : Fernando Orejuela

Download or read book Black Lives Matter and Music written by Fernando Orejuela and published by Indiana University Press. This book was released on 2018-08-10 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.

Hidden in the Mix

Author : Diane Pecknold
Publisher : Duke University Press
ISBN 13 : 0822351633
Total Pages : 391 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Hidden in the Mix by : Diane Pecknold

Download or read book Hidden in the Mix written by Diane Pecknold and published by Duke University Press. This book was released on 2013-07-10 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever

Lift Every Voice and Swing

Author : Vaughn A. Booker
Publisher : NYU Press
ISBN 13 : 1479890804
Total Pages : 340 pages
Book Rating : 4.4/5 (798 download)

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Book Synopsis Lift Every Voice and Swing by : Vaughn A. Booker

Download or read book Lift Every Voice and Swing written by Vaughn A. Booker and published by NYU Press. This book was released on 2020-07-21 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.

Who Hears Here?

Author : Guthrie P. Ramsey
Publisher : Univ of California Press
ISBN 13 : 0520392183
Total Pages : 309 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis Who Hears Here? by : Guthrie P. Ramsey

Download or read book Who Hears Here? written by Guthrie P. Ramsey and published by Univ of California Press. This book was released on 2022-10-11 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist whose prescient theoretical and critical interventions have bridged Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey’s search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip-hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to readers to continue to ask the hard questions and write the hard truths.

Singing Like Germans

Author : Kira Thurman
Publisher : Cornell University Press
ISBN 13 : 150175985X
Total Pages : 434 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Singing Like Germans by : Kira Thurman

Download or read book Singing Like Germans written by Kira Thurman and published by Cornell University Press. This book was released on 2021-10-15 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.

Black Cultural Traffic

Author : Harry J. Elam
Publisher : University of Michigan Press
ISBN 13 : 0472025457
Total Pages : 416 pages
Book Rating : 4.4/5 (72 download)

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Book Synopsis Black Cultural Traffic by : Harry J. Elam

Download or read book Black Cultural Traffic written by Harry J. Elam and published by University of Michigan Press. This book was released on 2010-02-11 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A shrewdly designed, generously expansive, timely contribution to our understanding of how 'black' expression continues to define and defy the contours of global (post)modernity. The essays argue persuasively for a transnational ethos binding disparate African and diasporic enactments, and together provide a robust conversation about the nature, history, future, and even possibility of 'blackness' as a distinctive mode of cultural practice." --Kimberly Benston, author of Performing Blackness "Black Cultural Traffic is nothing less than our generation's manifesto on black performance and popular culture. With a distinguished roster of contributors and topics ranging across academic disciplines and the arts (including commentary on film, music, literature, theater, television, and visual cultures), this volume is not only required reading for scholars serious about the various dimensions of black performance, it is also a timely and necessary teaching tool. It captures the excitement and intellectual innovation of a field that has come of age. Kudos!" --Dwight A. McBride, author of Why I Hate Abercrombie & Fitch "The explosion of interest in black popular culture studies in the past fifteen years has left a significant need for a reader that reflects this new scholarly energy. Black Cultural Traffic answers that need." --Mark Anthony Neal, author of Songs in the Key of Black Life "A revolutionary anthology that will be widely read and taught. It crisscrosses continents and cultures and examines confluences and influences of black popular culture -- music, dance, theatre, television, fashion and film. It also adds a new dimension to current discussions of racial, ethnic, and national identity." --Horace Porter, author of The Making of a Black Scholar

The Music in African American Fiction

Author : Robert H. Cataliotti
Publisher : Routledge
ISBN 13 : 9781138389540
Total Pages : 266 pages
Book Rating : 4.3/5 (895 download)

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Book Synopsis The Music in African American Fiction by : Robert H. Cataliotti

Download or read book The Music in African American Fiction written by Robert H. Cataliotti and published by Routledge. This book was released on 2020-06-09 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1995, The Music of African American Fiction is a historical analysis of the tradition of representing music in African American fiction. The book examines the impact of evolving musical styles and innovative musicians on black culture as is manifested in the literature. The analysis begins with the slave narratives and the emergence of the first black fiction of the antebellum years and moves through the Reconstruction. This is followed by analyses of definitive fictional representations of African American music from the turn-of-the-century through Harlem Renaissance, the Depression and World War II eras through the 1960s and the Black Arts Movement. The representation of black music shapes a lineage that extends from the initial chronicles written in response to sub-human bondage to the declarations of an autonomous "black aesthetic" and dramatically influences the evolution of an African American literary tradition.

Music and the Racial Imagination

Author : Ronald M. Radano
Publisher : University of Chicago Press
ISBN 13 : 9780226701998
Total Pages : 728 pages
Book Rating : 4.7/5 (19 download)

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Book Synopsis Music and the Racial Imagination by : Ronald M. Radano

Download or read book Music and the Racial Imagination written by Ronald M. Radano and published by University of Chicago Press. This book was released on 2000-12 with total page 728 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.

Black Culture, Inc.

Author : Patricia A. Banks
Publisher : Stanford University Press
ISBN 13 : 1503631257
Total Pages : 301 pages
Book Rating : 4.5/5 (36 download)

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Book Synopsis Black Culture, Inc. by : Patricia A. Banks

Download or read book Black Culture, Inc. written by Patricia A. Banks and published by Stanford University Press. This book was released on 2022-04-19 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: A surprising and fascinating look at how Black culture has been leveraged by corporate America. Open the brochure for the Alvin Ailey American Dance Theater, and you'll see logos for corporations like American Express. Visit the website for the Apollo Theater, and you'll notice acknowledgments to corporations like Coca Cola and Citibank. The Martin Luther King, Jr. Memorial and the National Museum of African American History and Culture, owe their very existence to large corporate donations from companies like General Motors. And while we can easily make sense of the need for such funding to keep cultural spaces afloat, less obvious are the reasons that corporations give to them. In Black Culture, Inc., Patricia A. Banks interrogates the notion that such giving is completely altruistic, and argues for a deeper understanding of the hidden transactions being conducted that render corporate America dependent on Black culture. Drawing on a range of sources, such as public relations and advertising texts on corporate cultural patronage and observations at sponsored cultural events, Banks argues that Black cultural patronage profits firms by signaling that they value diversity, equity, and inclusion. By functioning in this manner, support of Black cultural initiatives affords these companies something called "diversity capital," an increasingly valuable commodity in today's business landscape. While this does not necessarily detract from the social good that cultural patronage does, it reveals its secret cost: ethnic community support may serve to obscure an otherwise poor track record with social justice. Banks deftly weaves innovative theory with detailed observations and a discerning critical gaze at the various agendas infiltrating memorials, museums, and music festivals meant to celebrate Black culture. At a time when accusations of discriminatory practices are met with immediate legal and social condemnation, the insights offered here are urgent and necessary.