Pudovkin's Cinema of the 1920s

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Publisher :
ISBN 13 :
Total Pages : 508 pages
Book Rating : 4.:/5 (89 download)

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Book Synopsis Pudovkin's Cinema of the 1920s by : Panayiota Mini

Download or read book Pudovkin's Cinema of the 1920s written by Panayiota Mini and published by . This book was released on 2002 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Selected Essays

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Publisher : Seagull Books Pvt Ltd
ISBN 13 : 9781905422241
Total Pages : 352 pages
Book Rating : 4.4/5 (222 download)

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Book Synopsis Selected Essays by : Всеволод Илларионович Пудовкин

Download or read book Selected Essays written by Всеволод Илларионович Пудовкин and published by Seagull Books Pvt Ltd. This book was released on 2006 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book brings together all key writings of Vsevolod Pudovkin - one of the classic directors of Russion cinema.

Film Technique and Film Acting

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Publisher : Read Books Ltd
ISBN 13 : 1446547353
Total Pages : 346 pages
Book Rating : 4.4/5 (465 download)

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Book Synopsis Film Technique and Film Acting by : Vsevolod Illarionovich Pudovkin

Download or read book Film Technique and Film Acting written by Vsevolod Illarionovich Pudovkin and published by Read Books Ltd. This book was released on 2013-04-16 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.

Early Soviet Cinema

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Publisher : Wallflower Press
ISBN 13 : 9781903364048
Total Pages : 126 pages
Book Rating : 4.3/5 (64 download)

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Book Synopsis Early Soviet Cinema by : David Gillespie

Download or read book Early Soviet Cinema written by David Gillespie and published by Wallflower Press. This book was released on 2000 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.

The Men with the Movie Camera

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Publisher : Berghahn Books
ISBN 13 : 1782380787
Total Pages : 362 pages
Book Rating : 4.7/5 (823 download)

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Book Synopsis The Men with the Movie Camera by : Philip Cavendish

Download or read book The Men with the Movie Camera written by Philip Cavendish and published by Berghahn Books. This book was released on 2013-12-01 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.

Vsevolod Pudovkin

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Publisher :
ISBN 13 : 9786000006723
Total Pages : 245 pages
Book Rating : 4.0/5 (67 download)

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Book Synopsis Vsevolod Pudovkin by : Amy Sargeant

Download or read book Vsevolod Pudovkin written by Amy Sargeant and published by . This book was released on 2000 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pudovkin is listed amongst the great and the good of twentieth century directors: his influence is acknowledged by such diverse figures as Hitchcock and Kubrick, Zavattini and Mamet, and Walter Benjamin usedhis work as a vital source forhis studies of the aesthetics and cultural politics of the period. This is the first book on Pudovkin for more than twenty-five years. It covers his career from his apprenticeship with Gardin and Kuleshov in the early 1920s to his sound films of the early 1930s. It discusses films on which Pudovkin worked as director, as collaborator and in which he appeared,

The Routledge Companion to Cinema and Politics

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Publisher : Routledge
ISBN 13 : 1317392469
Total Pages : 551 pages
Book Rating : 4.3/5 (173 download)

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Book Synopsis The Routledge Companion to Cinema and Politics by : Yannis Tzioumakis

Download or read book The Routledge Companion to Cinema and Politics written by Yannis Tzioumakis and published by Routledge. This book was released on 2016-07-01 with total page 551 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics. Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others. It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.

The Cinema of Yakov Protazanov

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Publisher : Rutgers University Press
ISBN 13 : 1978839162
Total Pages : 257 pages
Book Rating : 4.9/5 (788 download)

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Book Synopsis The Cinema of Yakov Protazanov by : F. Booth Wilson

Download or read book The Cinema of Yakov Protazanov written by F. Booth Wilson and published by Rutgers University Press. This book was released on 2024-04-12 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Best known for Aelita (1924), the classic science-fiction film of the Soviet silent era, Yakov Protazanov directed over a hundred films in a career spanning three decades. Called "the Russian D.W. Griffith" in the 1910s for his formative role in the first movies in the last years of the Russian Empire, he fled the Civil War and maintained a successful career in Europe before making an unusual decision to return to Russia now under Soviet power. There his films continued their remarkable success with audiences undergoing a bewildering and often brutal revolutionary transformation. Rather than treating him as an indistinct, if capable craftsman, The Cinema of Yakov Protazanov argues that his films are suffused with a unique creative vision that reflects both his mindset as a traditional Russian intellectual and his experience of dislocation and migration after 1917. As he adapted his films to revolutionary culture, they intermingled different voices and reinterpreted his past work from a disavowed era. Offering fresh perspectives of Protazanov’s films, the book will give readers a new appreciation of his career. The book offers a uniquely valuable vantage point from which to explore how cinema reflected a society in transformation and a seminal moment in the development of cinematic art.

Vsevolod Pudovkin

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Publisher : Bloomsbury Publishing
ISBN 13 : 0857717790
Total Pages : 245 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Vsevolod Pudovkin by : Amy Sargeant

Download or read book Vsevolod Pudovkin written by Amy Sargeant and published by Bloomsbury Publishing. This book was released on 2001-01-25 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pudovkin is listed amongst the great and the good of twentieth century directors: his influence is acknowledged by such diverse figures as Hitchcock and Kubrick, Zavattini and Mamet, and Walter Benjamin usedhis work as a vital source forhis studies of the aesthetics and cultural politics of the period. Vsevelod Pudovkin: Classic Works of the Soviet Avant-Garde is the first book on Pudovkin for more than twenty-five years. It covers his career from his apprenticeship with Gardin and Kuleshov in the early '20s to his sound films of the early '30s. It discusses films on which Pudovkin worked as director, as collaborator and in which he appeared, from the famous troika, The Mother, The End of St Petersburg and Storm over Asia to the lesser known The Mechanics of the Brain and The Living Corpse. Pudovkin's art is placed in the context of his contribution to the cultural and political fervour of Soviet Russia after the Revolution, and especially the theoretical disputes with his contemporary Eisenstein. The book also suggests broader alignments within European avant-garde movements and takes a close look at the influence D. W. Griffith exerted over this giant of early Soviet film-making. Vsevelod Pudovkin: Classic Films of the Soviet Avant-Garde is the companion volume to Richard Taylor's translations of Pudovkin's writings, The Pudovkin Collection.

An Introduction to Film Studies

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Publisher : Psychology Press
ISBN 13 : 9780415262682
Total Pages : 532 pages
Book Rating : 4.2/5 (626 download)

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Book Synopsis An Introduction to Film Studies by : Jill Nelmes

Download or read book An Introduction to Film Studies written by Jill Nelmes and published by Psychology Press. This book was released on 2003 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film. Features of the third edition include: *full coverage of all the key topics at undergraduate level *comprehensive and up-to-date information and new case studies on recent films such as Gladiator, Spiderman, The Blair Witch Project, Fight Club, Shrekand The Matrix *annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study. Individual chapters include: *Film form and narrative *Spectator, audience and response *Critical approaches to Hollywood cinema: authorship, genre and stars *Animation: forms and meaning *Gender and film *Lesbian and gay cinema *British cinema *Soviet montage Cinema *French New Wave *Indian Cinema

Soviet Cinema in the Silent Era, 1918–1935

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Publisher : University of Texas Press
ISBN 13 : 0292776454
Total Pages : 353 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Soviet Cinema in the Silent Era, 1918–1935 by : Denise J. Youngblood

Download or read book Soviet Cinema in the Silent Era, 1918–1935 written by Denise J. Youngblood and published by University of Texas Press. This book was released on 1991 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: A summary of the history of Russian cinema after the Russian revolution

Film Manifestos and Global Cinema Cultures

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Publisher : University of California Press
ISBN 13 : 0520377478
Total Pages : 674 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis Film Manifestos and Global Cinema Cultures by : Scott MacKenzie

Download or read book Film Manifestos and Global Cinema Cultures written by Scott MacKenzie and published by University of California Press. This book was released on 2021-01-21 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.

The End of St. Petersburg

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Publisher : Bloomsbury Publishing
ISBN 13 : 085771841X
Total Pages : 133 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis The End of St. Petersburg by : Vance Kepley

Download or read book The End of St. Petersburg written by Vance Kepley and published by Bloomsbury Publishing. This book was released on 2003-06-27 with total page 133 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pudovkin's epic is the most complex work of his brilliant career. The film was made to commemorate the Bolshevik Revolution's tenth anniversary and it is a gripping recreation of the events of 1917 as well as the conditions and events that led to revolution. It is a remarkable interweaving of subplots, motifs and historical references, realized through a mix of cinematic techniques, which Vance Keply Jr traces and clarifies in his analysis of the film. He explores the production circumstances that shaped the film and its reception, establishing its key place in both Russian and world cinema.

Kuleshov on Film

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Publisher : Univ of California Press
ISBN 13 : 0520414691
Total Pages : 240 pages
Book Rating : 4.5/5 (24 download)

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Book Synopsis Kuleshov on Film by : Lev Kuleshov

Download or read book Kuleshov on Film written by Lev Kuleshov and published by Univ of California Press. This book was released on 2024-07-26 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lev Kuleshov (1899–1970) was the first aesthetic theorist of the cinema. An outstanding figure in the “montage” school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage—the assemblage and alternation of shots—was the very essence and structure of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith’s), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the “Kuleshov effect” that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor’s neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also “synthesized” a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov’s analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator’s extensive introduction discusses Kuleshov’s use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov’s conflicts with advocates of “socialist realism,” who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov’s position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

Film Form

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Publisher : HMH
ISBN 13 : 0547539479
Total Pages : 303 pages
Book Rating : 4.5/5 (475 download)

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Book Synopsis Film Form by : Sergei Eisenstein

Download or read book Film Form written by Sergei Eisenstein and published by HMH. This book was released on 2014-06-17 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.

The Cambridge Companion to Film Music

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Publisher : Cambridge University Press
ISBN 13 : 1107094518
Total Pages : 439 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis The Cambridge Companion to Film Music by : Mervyn Cooke

Download or read book The Cambridge Companion to Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2016-12-08 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950

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Publisher : BRILL
ISBN 13 : 900438829X
Total Pages : 992 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 by :

Download or read book A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 written by and published by BRILL. This book was released on 2019-02-04 with total page 992 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.