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Early Soviet Cinema
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Book Synopsis Early Soviet Cinema by : David Gillespie
Download or read book Early Soviet Cinema written by David Gillespie and published by Wallflower Press. This book was released on 2000 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Book Synopsis Early Soviet Cinema by : David Gillespie
Download or read book Early Soviet Cinema written by David Gillespie and published by . This book was released on 2000 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ukrainian Cinema written by Joshua First and published by Bloomsbury Publishing. This book was released on 2015-01-06 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ukrainian Cinema: Belonging and Identity during the Soviet Thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. He argues that film-makers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. The first two chapters provide the background on how Soviet cinema since Stalin cultivated an exoticised and domesticated image of Ukrainians, along with how the film studio in Kiev attempted to rebuild its reputation during the early Sixties as a centre of the cultural thaw in the USSR. The next two chapters examine Sergei Paradjanov's highly influential Shadows of Forgotten Ancestors (1965) and its role in reorienting the Dovzhenko studio toward the auteurist (some would say elitist) agenda of Poetic Cinema. In the final three chapters, Ukrainian Cinema looks at the major works of film-makers Yurii Illienko, Leonid Osyka, and Leonid Bykov, among others, who attempted (and were compelled) to bridge the growing gap between a cinema of auteurs and concerns to generate profit for the Soviet film industry.
Author :Susan Tumarkin Goodman Publisher :Jewish Museum New York CoPublication series (YUP) ISBN 13 :9780300207682 Total Pages :0 pages Book Rating :4.2/5 (76 download)
Book Synopsis The Power of Pictures by : Susan Tumarkin Goodman
Download or read book The Power of Pictures written by Susan Tumarkin Goodman and published by Jewish Museum New York CoPublication series (YUP). This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book has been published in conjunction with the exhibition The Power of Pictures: Early Soviet Photography, Early Soviet FIlm, organized by the Jewish Museum, New York, and curated by Susan Tumarkin Goodman and Jens Hoffmann, September 18, 2015-February 2, 2016"--Title page verso.
Book Synopsis A History of Russian Cinema by : Birgit Beumers
Download or read book A History of Russian Cinema written by Birgit Beumers and published by Berg Publishers. This book was released on 2009 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. This text is a complete history from the beginning of film onwards and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.
Book Synopsis Soviet Films of the 1970s and Early 1980s by : Marina Rojavin
Download or read book Soviet Films of the 1970s and Early 1980s written by Marina Rojavin and published by Routledge. This book was released on 2021-05-30 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair. This new type of character was neither negative nor positive, but nevertheless systematically undermined Soviet norms of behaviour, hairstyle, dress, lifestyle, and perspective, in stark contrast to Socialist Realism’s traditional, positive hero who fought for Soviet values and who vanquished the enemies of socialism. The book discusses a wide range of films from the period, showing how the new antiheroic archetype of Stagnation resonated through a multitude of characters, mostly male, and vividly reflected the realities of Soviet life. The book thereby provides great insight into the lives, outlook, and psychology of citizens in the late Soviet period.
Download or read book Socialist Senses written by Emma Widdis and published by Indiana University Press. This book was released on 2017-09-11 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Widdis’s rich and fascinating book has opened a new perspective from which to think about the Soviet cinema.” —Kritika This major reimagining of the history of Soviet film and its cultural impact explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a ‘sensory revolution’ to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution: Film could both discover the world anew, and model a way of inhabiting it. Drawing upon an extraordinary array of films, noted scholar Emma Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject.
Book Synopsis The Politics of the Soviet Cinema 1917-1929 by : Richard Taylor
Download or read book The Politics of the Soviet Cinema 1917-1929 written by Richard Taylor and published by Cambridge University Press. This book was released on 2008-10-30 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book provides an illuminating background of the political history of the Soviet cinema in the twenties.
Book Synopsis Early Cinema in Russia and Its Cultural Reception by : Yuri Tsivian
Download or read book Early Cinema in Russia and Its Cultural Reception written by Yuri Tsivian and published by Routledge. This book was released on 2005-08-12 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Early Cinema in Russia and its Cultural Reception Yuri Tsivian examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. Tsivian traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films, from actors, novelists, poets, writers, and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. Early Cinema in Russia and its Cultural Reception presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. Tsivian's study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.
Book Synopsis The Phenomenon of the Soviet Cinema by : I︠U︡riĭ Voront︠s︡ov
Download or read book The Phenomenon of the Soviet Cinema written by I︠U︡riĭ Voront︠s︡ov and published by . This book was released on 1980 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis One Hundred Years of Soviet Cinema by : Daniel Fairfax
Download or read book One Hundred Years of Soviet Cinema written by Daniel Fairfax and published by . This book was released on 2019-07-09 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: One hundred years of Soviet cinema? How is this possible, if the USSR itself lasted barely seven decades before its spectacular demise in 1991? How can we speak of the continued existence of Soviet cinema in the quarter-century since this apocalyptic event? But from Battleship Potemkin to The Colour of Pomegranates, from Man with a Movie Camera to Stalker, from The Cranes Are Flying to Hard to be a God, cinema from the "sixth of the world" covered by the Soviet Union continues, indefatigably, to exist. Firstly, because films made during the era of Communist rule are still with us, even well after the social and political framework in which they were realised has perished. And secondly, because, even to this day, the history of the USSR looms large in the cinema of Russia and the other former Soviet republics, as contemporary filmmakers engage in the vast project of digesting the tragic history of the Soviet experiment. The centenary of the October 1917 Russian revolution, when under Lenin's leadership the Bolsheviks established the world's first proletarian state, was marked by a major dossier on Soviet cinema in the Australian online film journal Senses of Cinema. This book is an augmented version of that dossier, collecting more than sixty articles on Soviet and post-Soviet films arranged in chronological order, and represents the first collaboration between Senses of Cinema and The Leda Tape Organisation.
Book Synopsis Inside the Film Factory by : Ian Christie
Download or read book Inside the Film Factory written by Ian Christie and published by Routledge. This book was released on 2005-08-19 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.
Book Synopsis First Films of the Holocaust by : Jeremy Hicks
Download or read book First Films of the Holocaust written by Jeremy Hicks and published by University of Pittsburgh Pre. This book was released on 2012-11-20 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939–1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Holocaust and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, “Red funerals,” and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it’s in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.
Book Synopsis Movies for the Masses by : Denise J. Youngblood
Download or read book Movies for the Masses written by Denise J. Youngblood and published by Cambridge University Press. This book was released on 1992 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a pathbreaking study of the 'unknown' Soviet cinema: the popular movies which were central to Soviet film production in the 1920s. Professor Youngblood discusses acting genres, the cinema stars, audiences, and the influences of foreign films and examines three leading filmmakers - Iakov Protazanov, Boris Barnet, and Fridikh Ermler. She also looks at the governmental and industrial circumstances underlying filmmaking practices of the era, and provides an invaluable survey of the contemporary debates concerning official policy on entertainment cinema. Professor Youngblood demonstrates that the film culture of the 1920s was predominantly and aggressively 'bourgeois' and enjoyed patronage that cut across class lines and political allegiance. Thus, she argues, the extent to which Western and pre-revolutionary influences, boureois directors and middle-class tastes dominated the film world is as important as the tradition of revolutionary utopianism in understanding the transformation of Soviet culture in the Stalin revolution.
Download or read book The Red Screen written by Anna Lawton and published by Routledge. This book was released on 2003-09-02 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: An original collection of essays by leading international Soviet cinema scholars, covering seventy years of cinema history, providing a clear understanding of the aesthetic developments and sociopolitical function of Soviet cinema.
Book Synopsis Soviet Film Music by : Tatiana Egorova
Download or read book Soviet Film Music written by Tatiana Egorova and published by Routledge. This book was released on 2014-07-10 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Russian Americans' in Soviet Film by : Marina L. Levitina
Download or read book Russian Americans' in Soviet Film written by Marina L. Levitina and published by Bloomsbury Publishing. This book was released on 2015-09-29 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.
