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Photography And Modern Icons
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Book Synopsis Photography and Modern Icons by : Federica Muzzarelli
Download or read book Photography and Modern Icons written by Federica Muzzarelli and published by Cambridge Scholars Publishing. This book was released on 2022-11-15 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume analyzes how six protagonists of culture, between the end of the 19th century and the beginning of the 20th century, built their media image by exploiting the innovations brought about by the invention of photography. By exalting the cult of personality, eccentric narcissism and the nascent mass communication, they made the photographic portrait the tool through which they could become celebrities and, at the same time, found fashion and clothing styles that are still of reference today. From De Mérode’s stereotype of beauty to Baudelaire’s total black dandyism, and from Schwarzenbach’s lesbian-chic style to Nijinsky’s eroticizing exoticism, the book provides detailed insights into the life and work of various protagonists, always keeping in the background the cultural and artistic context of European Modernism. It will particularly appeal to scholars and students of contemporary art, the history of photography, fashion studies and mass communications.
Book Synopsis Icons of Photography by : Peter Stepan
Download or read book Icons of Photography written by Peter Stepan and published by Prestel Publishing. This book was released on 1999 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Century's best photographers.
Book Synopsis 50 Photo Icons by : Hans-Michael Koetzle
Download or read book 50 Photo Icons written by Hans-Michael Koetzle and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most important landmarks in the history of photography are placed under the microscope in this collection. Each chapter of this special edition focuses on a single image which is described and analyzed in detail in aesthetic, historical, and artistic contexts.
Download or read book Icons of Style written by Paul Martineau and published by Getty Publications. This book was released on 2018-07-10 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1911 the French publisher Lucien Vogel challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable—not just aesthetically but also technically and conceptually—in a fashion photograph. This lavishly illustrated survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre’s most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.
Book Synopsis Icons of Photography by : Peter Stepan
Download or read book Icons of Photography written by Peter Stepan and published by Prestel Pub. This book was released on 2005 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: Century's best photographers.
Download or read book Lewis Carroll written by Lindsay Smith and published by Reaktion Books. This book was released on 2015-10-15 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though he’s known now primarily as the author of Alice’s Adventures in Wonderland, in his lifetime Lewis Carroll was interested at least as much in photography as in writing. This book offers a close look at Carroll’s engagement with the medium, both as a creator and a collector of photographs. Lindsay Smith takes readers to the glass studio above Carroll’s college rooms at Oxford, where he created many of his striking portraits, and she also follows him into the field—on excursions to the theater in London, to the seaside at Eastbourne, and even to Russia. Smith also details Carroll’s enthusiastic work as a collector, in which role he arranged portrait sittings for photographers whose work he admired. Beautifully illustrated with a generous selection of Carroll’s work and that of other photographers of the period, this book gives fans of Carroll’s writing a new way to understand his creative genius.
Download or read book Icons written by Markus and published by Running PressBook Pub. This book was released on 2012-11-13 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Showcases the work of celebrated photographers Markus Klinko and Indrani, featuring their images of such pop culture icons as Mariah Carey, Lady Gaga, Chris Rock, Keanu Reeves, and Ronnie Wood.
Book Synopsis Power and Image in Early Modern Europe by : Jessica Goethals
Download or read book Power and Image in Early Modern Europe written by Jessica Goethals and published by Cambridge Scholars Publishing. This book was released on 2009-05-27 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are images and spectacles fundamental mediators of power relationships in the West? This book draws upon the language of cultural studies to investigate a contemporary hypothesis in the shifting ideological landscape of early modern Europe. Apparently aesthetic choices by artists may also have been the means to consolidate and subvert institutionalized or non-institutionalized bodies of power. Meanwhile, communities in Europe reacted to the intrinsic power of the image in literature and letters, commenting upon both its use and abuse. Both diachronic and geographic connections are made among disparate but important moments of image making in the twelfth through seventeenth centuries. The influence of Descartes is traced from La Rochefoucauld and the communal spectacles of the Ancien Régime salon, to the Netherlands and Rembrandt’s sketch, Death of the Virgin. Shakespeare bears similar anxieties about Joan of Arc’s transgression of gender boundaries in Henry VI, as does Castiglione’s Courtier when serving the Renaissance Prince. Spenser’s dilemma about the (non)difference between fiction and history resolves itself in the same way as does the Byzantine rejection of iconoclasm. Other articles in the collection examine anomie in Vatican frescoes by Giorgio Vasari, corporeal decay and the supernatural as spectacle on the early modern English stage, and affective self-perception and subjectivity in the scoring of Italian opera. ""[..] not as "just" a conference volume, but [as] an organic group of essays on early modernity. The essays span an impressive number of cultures – from "Byzantium" to England, Italy and Spain to the Netherlands – and theorize the image from a number of disciplinary vantage points. Not surprisingly, art history and theatre are well-represented, but so are music history and literary studies. Most of the essays are short, but sufficiently developed to allow for thoughtful arguments on the status of the visual in early modern culture: on the stage, on the page, and as artistic and musical representation. […] "they [do] deliver fine close readings and leave me sufficiently intrigued to want to return to, or familiarize myself with, the original "texts." I come away from this collection encouraged about the state of graduate studies in Europe and North America." —Jane Tylus, Professor of Italian and Comparative Literature and Vice Provost for Academic Affairs, New York University "The essays are interdisciplinary and touch upon many themes that lie outside my own field of specialization. I was therefore surprised and pleased to find them not only original and instructive, but also inviting and accessible to the non-specialist. Although they range far with respect to chronology and theoretical suppositions, they are coherently united in their concern for the functioning of the image in the conservation, revision or critique of socio-political power in their respective cultural contexts. I will mention three essays, representing three different fields, as striking examples of disparate images used to consolidate, reconstruct or overthrow the dominant powers of their times. Kathryn Falzareno's essay, "Mother's Milk and Deborah's Sword," is a close reading of Shakespeare's portrayal of Joan of Arc in Henry VI. It is a close analysis of the paradoxical status of Joan, Saint of the French, strumpet for the English, Christian warrior maiden, contrasting with Deborah in the Ancient Testament. The dominant and totally unexpected image which brings together the contradictions embodied by Joan are the breasts, the source of nurture in the figure of Mary, but an encumbrance for the mythological amazons who removed one breast to facilitate their use of the bow. Ljubica Ilic's "Echo and Narcissus: Labyrinths of the Self," is an elegant reading of "echo music," the apparently impossible "translation" of the Ovidian story into music and opera. Ovid's story represents the nymph Echo as the auditory equivalent of Narcissus' reflection -- echoing sound as reflecting light. Ovid's echo myth undoubtedly influenced opera by Jacopo Peri (during the time of the Medici) and then, Monteverdi in the musical setting of "Orfeo." Finally, Elissa Auerbach's "Taking Mary's Pulse: Cartesianism and Modernity in Rembrandt's 'Death of the Virgin' " is a brilliant commentary on the Dutch painter's rendering of an ancient theme, the "dormition" of the Virgin, but at the center of the painting is the figure of a physician taking the pulse of her limp hand. The intrusion of this "scientific" element in the ancient iconography of the event of Mary's death is the unmistakeable sign of the wave of modernity that swept over the Netherlands with the popularity of Cartesian philosophy and science." —John Freccero, Professor of Italian and Comp. Lit., NYU
Book Synopsis No Power Without an Image by : Libby Saxton
Download or read book No Power Without an Image written by Libby Saxton and published by Edinburgh University Press. This book was released on 2020-09-25 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images.
Download or read book Photo Icons written by Michael Koetzle and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Popular Culture Icons in Contemporary American Drama by : Konstantinos Blatanis
Download or read book Popular Culture Icons in Contemporary American Drama written by Konstantinos Blatanis and published by Fairleigh Dickinson Univ Press. This book was released on 2003 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The discussion addresses the task of theater images in a cultural field where the real is mistaken for its reflection, originality constantly played against seriality, at a moment when simulacra, clones, and emulations of selves and texts become firmly established as the norm. The accommodation of pop icons on stage and the results this framing yields constitute this work's primary interests and aims."--Jacket.
Download or read book Photo Icons written by Michael Koetzle and published by . This book was released on 2002 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 1 begins with the very first permanent images (Nicephore Niepce's 1827 8-hour exposure reeftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the avant-garde photography of the 1920s
Book Synopsis Photo Icons. 50 Landmark Photographs and Their Stories by : Hans-Michael Koetzle
Download or read book Photo Icons. 50 Landmark Photographs and Their Stories written by Hans-Michael Koetzle and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photographs have a strange and powerful way of shaping the way we see the world and influencing our perceptions of reality. To demonstrate the unique and profound influence on culture and society that photographs have, Photo Icons puts the most important landmarks in the history of photography under the microscope.
Book Synopsis The Selfie, Temporality, and Contemporary Photography by : Claire Raymond
Download or read book The Selfie, Temporality, and Contemporary Photography written by Claire Raymond and published by Taylor & Francis. This book was released on 2021-05-09 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie’s involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Rögnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier. The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.
Book Synopsis Icons and Legends by : Michael Childers
Download or read book Icons and Legends written by Michael Childers and published by University of Washington Press. This book was released on 2003 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: Working mostly with black and white film, Michael Childers has captured the icons and legends of popular culture and the art world. His portraits include Natalie Wood, Robert Wagner, Clint Eastwood, Rock Hudson, Andy Warhol and Rod Stewart.
Download or read book Icons of Photography written by TASCHEN and published by . This book was released on with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Companion to Modern and Contemporary Latin American and Latina/o Art by : Alejandro Anreus
Download or read book A Companion to Modern and Contemporary Latin American and Latina/o Art written by Alejandro Anreus and published by John Wiley & Sons. This book was released on 2021-10-26 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt: In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.
