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Ottone In Villa Rv729
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Book Synopsis Vivaldi's Music for Flute and Recorder by : Michael Talbot
Download or read book Vivaldi's Music for Flute and Recorder written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Book Synopsis The Chamber Cantatas of Antonio Vivaldi by : Michael Talbot
Download or read book The Chamber Cantatas of Antonio Vivaldi written by Michael Talbot and published by Boydell Press. This book was released on 2006 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.
Download or read book Antonio Vivaldi written by Karl Heller and published by Rowman & Littlefield. This book was released on 2003-03-01 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: Antonio Vivaldi's rediscovery after World War II quickly led him from obscurity to his present renown as one of the most popular 18th-century composers. Heller's biography presents the important facets of his life, his works, and his influence on music history.
Download or read book The Recorder written by David Lasocki and published by Yale University Press. This book was released on 2022-01-01 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fascinating story of a hugely popular instrument, detailing its rich and varied history from the Middle Ages to the present The recorder is perhaps best known today for its educational role. Although it is frequently regarded as a stepping-stone on the path toward higher musical pursuits, this role is just one recent facet of the recorder's fascinating history--which spans professional and amateur music-making since the Middle Ages. In this new addition to the Yale Musical Instrument Series, David Lasocki and Robert Ehrlich trace the evolution of the recorder. Emerging from a variety of flutes played by fourteenth-century soldiers, shepherds, and watchmen, the recorder swiftly became an artistic instrument for courtly and city minstrels. Featured in music by the greatest Baroque composers, including Bach and Handel, in the twentieth century it played a vital role in the Early Music Revival and achieved international popularity and notoriety in mass education. Overall, Lasocki and Ehrlich make a case for the recorder being surprisingly present, and significant, throughout Western music history.
Download or read book Vivaldi written by Paul Everett and published by Cambridge University Press. This book was released on 1996-02-22 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Four Seasons and the rest of the concertos in Op. 8 represent Vivaldi's remarkable innovation in the field of the Baroque concerto. This detailed guide examines the work's origin and construction in a way that enables the reader to distinguish what is extraordinary about the Seasons and what constitutes the composer's customary method of 'characterising' the solo concerto. Drawing on recent research and his own expertise in the appraisal of Vivaldi's manuscripts, the author draws interesting and sometimes startling conclusions about the conception of the Seasons, the origin of their programme, the dating of the concertos and the rationale behind the collection's ritornello-form structures and aria-like slow movements. The significance of Vivaldi's idiosyncratic art is thus revealed in some of the most popular concert music of all time.
Download or read book Vivaldi written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 565 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Book Synopsis Delphi Masterworks of Antonio Vivaldi (Illustrated) by : Antonio Vivaldi
Download or read book Delphi Masterworks of Antonio Vivaldi (Illustrated) written by Antonio Vivaldi and published by Delphi Classics. This book was released on 2018-11-10 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Italian composer and violinist Antonio Vivaldi left a decisive mark on the form of the concerto, influencing the emerging style of late Baroque music. In spite of his widespread popularity today, Vivaldi was largely forgotten after death and his reputation was only re-established in the 1920’s. Vivaldi’s greatest contribution to the history of classical music was his development of the ritornello form, where recurrent restatements of a refrain alternate with further episodic passages by a solo instrument, allowing for greater depth of virtuosic display. The passion and lyricism of Vivaldi’s music would have a lasting impact on Baroque and Classical-era composers. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Vivaldi’s masterworks in succinct detail, with informative introductions, accompanying illustrations and streaming links. (Version 1) * Concise and informative overview of Vivaldi’s masterworks * Learn about the classical pieces that made Vivaldi a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you’re reading about * Features a special ‘Complete Compositions’ section, with an index of Vivaldi’s complete extant works and links to popular streaming services * Links to rare works recently rediscovered Please note: due to the relative recent obscurity of Vivaldi’s reputation, which was only restored in the mid-twentieth century, we are sadly unable to provide our usual range of bonus texts of biographies, critical essays or letters. CONTENTS: The Masterworks Violin Sonata in A Major, Op.2 L’estro armonico, Op.3 La stravaganza, Op.4 Gloria in D Major, RV 589 Oboe Concerto in A Minor, RV 461 Juditha triumphans, RV 644 Tito Manlio, RV 778 The Four Seasons, Op.8 Concerto for 2 Cellos in G Minor, RV 531 Mandolin Concerto in C Major, RV 425 Concerto for Strings in G Major, RV 151 Flute Concerto in G Minor, RV 439 Recorder Concerto in C Major, RV 443 Bassoon Concerto in A Minor, RV 497 Griselda, RV 718 Nulla in mundo pax sincera, RV 630 Dixit Dominus in D Major, RV 594 Complete Compositions Index of Vivaldi’s Compositions Please visit www.delphiclassics.com to learn more about our wide range of exciting titles
Download or read book Vivaldi written by Kelly Mass and published by Efalon Acies. This book was released on 2024-01-14 with total page 27 pages. Available in PDF, EPUB and Kindle. Book excerpt: Antonio Lucio Vivaldi was an acclaimed Italian composer, virtuoso violinist, teacher, impresario, and Catholic priest during the Baroque musical era. Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers. In his time, his influence was felt across Europe, inspiring countless imitators and admirers. He was instrumental in shaping the instrumental music of Johann Sebastian Bach as well as the French concerto tradition (including Michel Corrette, Jean-Joseph de Mondonville, Louis-Nicholas Clérambault). Vivaldi composed numerous instrumental concertos for violin and other instruments, sacred choral works, and over fifty operas. His most famous piece remains The Four Seasons, a sequence of violin concertos. Many of his works were written for the Ospedale della Pietà, a home for abandoned children, and its all-female music ensemble. Vivaldi served as a Catholic priest in two stints, from 1703-1715 and 1723-1740. In Venice, Mantua, and Vienna, Vivaldi enjoyed some success staging his operas in lavish productions. After meeting Emperor Charles VI, Vivaldi moved to Vienna in hopes of gaining imperial patronage. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died in poverty less than a year later.
Book Synopsis The Vivaldi Compendium by : Michael Talbot
Download or read book The Vivaldi Compendium written by Michael Talbot and published by Boydell Press. This book was released on 2011 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Vivaldi Compendium represents the latest in Vivaldi research, drawing on the author's close involvement with Vivaldi and Venetian music over four decades.
Book Synopsis Vivaldi's Music for Flute and Recorder by : Federico Maria Sardelli
Download or read book Vivaldi's Music for Flute and Recorder written by Federico Maria Sardelli and published by Routledge. This book was released on 2007 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Federico Maria Sardelli writes from the perspective of a professional baroque flautist as well as that of a scholar, in order to shed light on the often bewildering various sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws on primary documents to analyse the capable and progressive instrument technique in Vivaldi's music. This new English edition includes a discussion of the much-disputed chronology of Vivaldi's works, and will therefore appeal to Vivaldi scholars in general as well as to those with a particular interest in recorders and flutes.
Book Synopsis Composers and Musicians by : Kelly Mass
Download or read book Composers and Musicians written by Kelly Mass and published by Efalon Acies. This book was released on 2024-02-10 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bundle consists of biographies of several composers and musicians, which are the following: - Bach - Bob Marley - Frank Sinatra - Michael Jackson - Vivaldi
Book Synopsis Tonal Space in the Music of Antonio Vivaldi by : Bella Brover-Lubovsky
Download or read book Tonal Space in the Music of Antonio Vivaldi written by Bella Brover-Lubovsky and published by Indiana University Press. This book was released on 2008-06-25 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Book Synopsis Operatic Pasticcios in 18th-Century Europe by : Berthold Over
Download or read book Operatic Pasticcios in 18th-Century Europe written by Berthold Over and published by transcript Verlag. This book was released on 2021-04-30 with total page 799 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Download or read book Fanfare written by and published by . This book was released on 1981 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studi vivaldiani written by and published by . This book was released on 2008 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Classical Music by : Alexander J. Morin
Download or read book Classical Music written by Alexander J. Morin and published by Hal Leonard Corporation. This book was released on 2002 with total page 1220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Encompassing more than five hundred classical composers past and present, this listener's guide to classical music discusses the best recordings of symphonies, operas, choral pieces, chamber music, and more by the world's leading composers as performed by a variety of outstanding musicians and conductors, and includes essays on the classical repertory, composers, instruments, and more. Original.
Book Synopsis Vivaldi, "Motezuma" and the Opera Seria by : Michael Talbot
Download or read book Vivaldi, "Motezuma" and the Opera Seria written by Michael Talbot and published by Brepols Publishers. This book was released on 2008 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Great was the interest among Vivaldians and opera-lovers when a score of a large portion of Vivaldi's lost opera Motezuma (1733) was unexpectedly discovered among manuscripts from the Sing-Akademie zu Berlin returned to Berlin from Kiev in 2000. The find was providential, since in recent decades practically all of Vivaldi's performable operatic music has been presented to the public. The newly discovered work has thus given a much-needed fillip to everyone concerned with Vivaldi's operas. Scholarly discussion was initiated in an international symposium held at the De Doelen concert hall in Rotterdam in June 2005 alongside the work's first modern performance. From the start, it was planned that the papers read at the symposium, augmented by essays commissioned from other scholars, would be gathered into a book centring on Motezuma. The starting point for the contributions, all of which appear in English, is Steffen Voss's 'Vivaldi's Music for the Opera Motezuma, RV 723'. This focuses on the opera itself: its origins, transmission, dramaturgy and music. Reinhard Strohm follows with 'Vivaldi and His Operas, 1730-1734: A Critical Survey': a chronicle of Vivaldi's operatic activities during the creative period surrounding Motezuma. Strohm's essay enables one to identify more clearly what is typical - for Vivaldi and for its period - in Motezuma, and what is less typical. Micky White and Michael Talbot then offer a sidelight on Venetian opera from the same period by charting the chequered career of a nephew of Vivaldi in 'Pietro Mauro, detto 'il Vivaldi': Failed Tenor, Failed Impresario, Failed Husband, Acclaimed Copyist'. Briefly, during the late 1730s, Mauro's career in opera mirrored Vivaldi's own at a humbler level, and a scandal in which the former became embroiled may even have had repercussions for his uncle. We move next to the world of librettos and dramaturgy. The 'American' dimension of the opera is explored in Jurgen Maehder's 'Alvise Giusti's Libretto Motezuma and the Conquest of Mexico in Eighteenth-Century Italian Opera Seria'. To choose an American subject for an opera seria was a novelty at the time, and the libretto for Motezuma casts an interesting light on contemporary attitudes towards the Conquista and towards the indigenous civilizations that it brought to a brutal end. Carlo Vitali's essay 'A Case of Historical Revisionism in the Theatre: Some Undeclared Sources for Vivaldi's Motezuma' probes more deeply into the libretto's historical antecedents. Melania Bucciarelli, in 'Taming the exotic: Vivaldi's Armida al campo d'Egitto', explores the treatment of an Ottoman theme in a Vivaldi opera of the period leading up to Motezuma. In a sense, the Ottoman empire formed a prototype of 'alterity' on which later operatic depictions of non-European peoples could draw, while also supplying a test-bed for the treatment of topical subjects during a tense period of intermittent warfare with the Sublime Porte. The next two contributions redirect the focus towards the music of Motezuma. Kurt Markstrom, in 'The Vivaldi-Vinci Interconnections, 1724-26 and beyond: Implications for the Late Style of Vivaldi', considers the interaction in the operatic arena between Vivaldi and his brilliant contemporary Leonardo Vinci, who briefly burst on to the Venetian scene in the 1720s before his premature death in 1730 robbed the all-conquering Neapolitan style of one of its heroes. Markstrom shows how Vivaldi was both influenced by, and an influence on, Vinci. Michael Talbot's essay 'Vivaldi's 'Late' Style: Final Fruition or Terminal Decline?' ponders whether there is any objective basis in positing a 'late' style in Vivaldi's case and, if so, where its boundaries lie. His conclusion is that there is indeed a late style, beginning in the second half of the 1720s and divisible into two sub-periods, with Motezuma close to the end of the first. 'Final fruition' is an apt description of the first sub-period, 'terminal decline' (with qualifications) of the second. Fittingly, the concluding essay, Frederic Delamea's 'Vivaldi in scena: Thoughts on The Revival of Vivaldi's Operas', confronts the world of present-day staged performance. Why, this author asks, do we commonly pay such respect to notions of historical fidelity in the musical realization of the operas, while we trample so brutally on authenticity in the matter of stagecraft and production. This essay promises to become a seminal text for an ongoing debate.
