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Nineteenth Century American Painting
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Book Synopsis American Painting of the Nineteenth Century by : Barbara Novak
Download or read book American Painting of the Nineteenth Century written by Barbara Novak and published by Oxford University Press. This book was released on 2007-01-12 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this distinguished work, which Hilton Kramer in The New York Times Book Review called "surely the best book ever written on the subject," Barbara Novak illuminates what is essentially American about American art. She highlights not only those aspects that appear indigenously in our art works, but also those features that consistently reappear over time. Novak examines the paintings of Washington Allston, Thomas Cole, Asher B. Durand, Fitz H. Lane, William Sidney Mount, Winslow Homer, Thomas Eakins, and Albert Pinkham Ryder. She draws provocative and original conclusions about the role in American art of spiritualism and mathematics, conceptualism and the object, and Transcendentalism and the fact. She analyzes not only the paintings but nineteenth-century aesthetics as well, achieving a unique synthesis of art and literature. Now available with a new preface and an updated bibliography, this lavishly illustrated volume--featuring more than one hundred black-and-white illustrations and sixteen full-color plates--remains one of the seminal works in American art history.
Book Synopsis American Art at the Nineteenth-century Paris Salons by : Lois Marie Fink
Download or read book American Art at the Nineteenth-century Paris Salons written by Lois Marie Fink and published by Cambridge University Press. This book was released on 1990 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a study of 19th-century American art within the context of French art as presented at the Paris Salons--annual exhibitions of contemporary art which, at the time, were the most important events in the Western world. 48 color plates; l52 halftones.
Book Synopsis American Genre Painting by : Elizabeth Johns
Download or read book American Genre Painting written by Elizabeth Johns and published by Yale University Press. This book was released on 1991-01-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings--of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk--served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation--arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time. Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices--and not a blissful celebration of American democracy--that informed the look and the richly ambiguous content of genre painting.
Book Synopsis American Painting in the Nineteenth Century by : John Ireland Howe Baur
Download or read book American Painting in the Nineteenth Century written by John Ireland Howe Baur and published by . This book was released on 1953 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Nineteenth-century American Art by : Barbara S. Groseclose
Download or read book Nineteenth-century American Art written by Barbara S. Groseclose and published by Oxford University Press, USA. This book was released on 2000 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Many well-known artists, including Thomas Eakins and Winslow Homer, and lesser-known artists like Harriet Hosmer are closely examined, as is the art world of the time. In addition to discussing the free movement of American visual culture between 'high' and 'low', Barbara Groseclose interweaves nineteenth-century art criticism with current art history, to create a fascinating insight into the changing interpretations of American art of this period."--BOOK JACKET.
Download or read book Art Wars written by Rachel N. Klein and published by University of Pennsylvania Press. This book was released on 2020-07-17 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.
Download or read book Art Work written by April F. Masten and published by University of Pennsylvania Press. This book was released on 2014-10-31 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: "I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."—The Reminiscences of Mary Hallock Foote Mary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art. Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society.
Book Synopsis Within the Landscape by : Phillip Earenfight
Download or read book Within the Landscape written by Phillip Earenfight and published by Trout Gallery of Dickinson College. This book was released on 2005 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the nineteenth century, American artists, writers, and philosophers collaborated in the formation of a culture devoted to the country's natural splendors and the meanings these might harbor for its citizens. Arguably, the earliest and most influential of such pictorial and literary mergings took place in the Hudson River School, the subject of the essays gathered in this volume from the Trout Gallery of Dickinson College. The artists and writers discussed in this anthology range from Thomas Cole, the founder of the Hudson River School, to Stanford Gifford and Washington Irving. After an introduction to American landscape, the essays treat notions of divine presence in nature, the spread of imagery through prints, and the transformation of the Catskills into "a resort and a refuge." Offering innovative scholarship in accessible language, Within the Landscape lends itself to use as a textbook in courses on nineteenth-century American art and culture.
Book Synopsis Nineteenth-century American Painting by : Barbara Novak
Download or read book Nineteenth-century American Painting written by Barbara Novak and published by Artabras Publishers. This book was released on 1991 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stunning view of one of the most important collections in the world. The Thyssen-Bornemisza is perhaps the definitive collection of 19th century American painting. In this fascinating catalog, Barbara Novak presents the works in the context of the culture in which they were created--with all the great artists represented: Bierstadt, Catlin, Cole, Copley, Homer, Inness, Sargent, and Whistler. 160 illustrations, 109 in full-color.
Book Synopsis Haunted Visions by : Charles Colbert
Download or read book Haunted Visions written by Charles Colbert and published by University of Pennsylvania Press. This book was released on 2011-05-10 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spiritualism emerged in western New York in 1848 and soon achieved a wide following due to its claim that the living could commune with the dead. In Haunted Visions: Spiritualism and American Art, Charles Colbert focuses on the ways Spiritualism imbued the making and viewing of art with religious meaning and, in doing so, draws fascinating connections between art and faith in the Victorian age. Examining the work of such well-known American artists as James Abbott McNeill Whistler, William Sydney Mount, and Robert Henri, Colbert demonstrates that Spiritualism played a critical role in the evolution of modern attitudes toward creativity. He argues that Spiritualism made a singular contribution to the sanctification of art that occurred in the latter half of the nineteenth century. The faith maintained that spiritual energies could reside in objects, and thus works of art could be appreciated not only for what they illustrated but also as vessels of the psychic vibrations their creators impressed into them. Such beliefs sanctified both the making and collecting of art in an era when Darwinism and Positivism were increasingly disenchanting the world and the efforts to represent it. In this context, Spiritualism endowed the artist's profession with the prestige of a religious calling; in doing so, it sought not to replace religion with art, but to make art a site where religion happened.
Book Synopsis Painting the Dark Side by : Sarah Burns
Download or read book Painting the Dark Side written by Sarah Burns and published by . This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sarah Burns examines the presentation of the gothic in 19th century American painting. Dismissing notions that gothic was the work only of misfits, she shows how it influenced romantic and realist painters, and at how gothic painters such as Quidor, Blythe and Rimmer participated in the development of American art.
Book Synopsis American Iconology by : David C. Miller
Download or read book American Iconology written by David C. Miller and published by Yale University Press. This book was released on 1993-01-01 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This overview of the "sister arts" of the nineteenth century by younger scholars in art history, literature, and American studies presents a startling array of perspectives on the fundamental role played by images in culture and society. Drawing on the latest thinking about vision and visuality as well as on recent developments in literary theory and cultural studies, the contributors situate paintings, sculpture, monument art, and literary images within a variety of cultural contexts. The volume offers fresh and sometimes extended discussions of single works as well as reevaluations of artistic and literary conventions and analyses of the economic, social, and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are significantly reassessed, including the painters Charles Willson Peale, Washington Allston, Thomas Cole, George Caleb Bingham, Fitz Hugh Lane, and Mary Cassatt, and such writers as James Fenimore Cooper, Nathaniel Hawthorne, Henry David Thoreau, and William Dean Howells. One overarching theme to emerge is the development of an American national subjectivity as it interacted with the transformation of a culture dominated by religious values to one increasingly influenced by commercial imperatives. The essays probe the ways in which artists and writers responded to the changing conditions of the cultural milieu as it was mediated by such factors as class and gender, modes of perception and representation, and conflicting ideals and realities.
Book Synopsis Nineteenth-century Theories of Art by : Joshua Charles Taylor
Download or read book Nineteenth-century Theories of Art written by Joshua Charles Taylor and published by Univ of California Press. This book was released on 1987 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
Book Synopsis Nineteenth Century Art by : Stephen Eisenman
Download or read book Nineteenth Century Art written by Stephen Eisenman and published by . This book was released on 2002-01-01 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.
Book Synopsis American Paintings of the Eighteenth Century by : National Gallery of Art (U.S.)
Download or read book American Paintings of the Eighteenth Century written by National Gallery of Art (U.S.) and published by Princeton University Press. This book was released on 1995 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: The energy and optimism of the new nation are apparent in this catalogue, which features John Singleton Copley's The Copley Family and Gilbert Stuart's portraits of the first five presidents. Previously unpublished documents and infrared reflectograms shed new light on Benjamin West's Colonel Guy Johnson and Karonghyontye (Captain David Hill), Copley's Watson and the Shark, and Edward Savage's Washington Family.
Download or read book Lure of Paris written by B Weinberg and published by . This book was released on 1920-01-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Picturing a Nation by : David M. Lubin
Download or read book Picturing a Nation written by David M. Lubin and published by Yale University Press. This book was released on 1994-01-01 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.
