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Author : Robert C. Ridenour
Publisher :
ISBN 13 :
Total Pages : 272 pages
Book Rating : 4.:/5 (319 download)
Download or read book Nationalism, Modernism, and Personal Rivalry in Nineteenth-century Russian Music written by Robert C. Ridenour and published by . This book was released on 1981 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Richard Taruskin
Publisher : Univ of California Press
ISBN 13 : 0520268067
Total Pages : 416 pages
Book Rating : 4.5/5 (22 download)
Download or read book On Russian Music written by Richard Taruskin and published by Univ of California Press. This book was released on 2009 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Author : Jim Samson
Publisher : Springer
ISBN 13 : 134911300X
Total Pages : 472 pages
Book Rating : 4.3/5 (491 download)
Download or read book The Late Romantic Era written by Jim Samson and published by Springer. This book was released on 1992-01-10 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Late Romantic Era treats the period bounded by the 1848 revolutions and the outbreak of World War I. It examines several musical dimensions of the bourgeois cultural ascendancy of the second half of the 19th century - the growth of independent institutions of music-making, the consolidation of a standard classical repertory and the emergence of increasingly specific repertories of popular music, professional and amateur. Single chapters on particular countries or regions are framed by pairs of chapters on Vienna, Paris and the German cities. In an opening chapter Dr Samson places the later geographical surveys within a thematic context which embraces social and economic change, political ideology and the climate of ideas.
Author : Carolyn C. Dunlop
Publisher : Routledge
ISBN 13 : 1134421982
Total Pages : 211 pages
Book Rating : 4.1/5 (344 download)
Download or read book Russian Court Chapel Choir written by Carolyn C. Dunlop and published by Routledge. This book was released on 2013-12-19 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: This detailed account of the Kapella (Russian Court Chapel Choir) examines the influence it exerted on the development of Russian sacred music. The educational importance of the institution has always been overshadowed by the achievements of the St. Petersburg Conservatoire; Dr Dunlop investigates the consequences of the Kapella's monopoly on music publications. The wonderfully rich choral repertoire of the Russian Orthodox Church has, until now, been unavailable to most English-speaking choirs due to the problems of language and accessibility. Two volumes of Russian Court Chapel Choir music, Galuppi to Vorotnikov and Bakhmetev to Lyapunov , are available separately in performing editions. They are easily accessible sources of nineteenth-century Russian choral pieces by a range of composers, in a variety of styles. Carolyn Dunlop received a postgraduate degree in Russian language from the University of Strathclyde. She was awarded her doctorate in Russian Orthodox Church mu
Author : Daniel Jaffé
Publisher : Scarecrow Press
ISBN 13 : 0810879808
Total Pages : 458 pages
Book Rating : 4.8/5 (18 download)
Download or read book Historical Dictionary of Russian Music written by Daniel Jaffé and published by Scarecrow Press. This book was released on 2012-03-08 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Historical Dictionary of Russian Music relates the history of Russian music through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on significant persons, events, places, and organizations. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian music.
Author : Nicholas Rzhevsky
Publisher : Routledge
ISBN 13 : 1317476867
Total Pages : 566 pages
Book Rating : 4.3/5 (174 download)
Download or read book An Anthology of Russian Literature from Earliest Writings to Modern Fiction written by Nicholas Rzhevsky and published by Routledge. This book was released on 2019-09-16 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.
Author : Robert Justin Goldstein
Publisher : Springer
ISBN 13 : 1349201286
Total Pages : 268 pages
Book Rating : 4.3/5 (492 download)
Download or read book Political Censorship of the Arts and the Press in Nineteenth-Century written by Robert Justin Goldstein and published by Springer. This book was released on 1989-08-14 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film. Appeals for democracy and social reform were especially suspect to the authorities, so in Russia cookbooks which refered to 'free air' in ovens were censored as subversive, while in England in 1829 the censor struck from a play the remark that 'honest men at court don't take up much room'. While nineteenth-century European political censorship blocked the open circulation of much opposition writing and art, it never succeeded entirely in its aim since writers, artists and 'consumers' often evaded the censors by clandestine circulation of forbidden material and by the widely practised skill of 'reading between the lines'.
Author : Rebecca Mitchell
Publisher : Yale University Press
ISBN 13 : 0300216491
Total Pages : 336 pages
Book Rating : 4.3/5 (2 download)
Download or read book Nietzsche's Orphans written by Rebecca Mitchell and published by Yale University Press. This book was released on 2016-01-05 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: A prevailing belief among Russia’s cultural elite in the early twentieth century was that the music of composers such as Sergei Rachmaninoff, Aleksandr Scriabin, and Nikolai Medtner could forge a shared identity for the Russian people across social and economic divides. In this illuminating study of competing artistic and ideological visions at the close of Russia’s “Silver Age,” author Rebecca Mitchell interweaves cultural history, music, and philosophy to explore how “Nietzsche’s orphans” strove to find in music a means to overcome the disunity of modern life in the final tumultuous years before World War I and the Communist Revolution.
Author : Elizabeth Janik
Publisher : BRILL
ISBN 13 : 900414661X
Total Pages : 373 pages
Book Rating : 4.0/5 (41 download)
Download or read book Recomposing German Music written by Elizabeth Janik and published by BRILL. This book was released on 2005 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a social history of musical life in Berlin; it investigates the tangled relationship between music and politics in 20th-century Germany, emphasizing the division of Berlin's musical community between east and west in the early Cold War era.
Author : Richard Stites
Publisher : Yale University Press
ISBN 13 : 0300128185
Total Pages : 636 pages
Book Rating : 4.3/5 (1 download)
Download or read book Serfdom, Society, and the Arts in Imperial Russia written by Richard Stites and published by Yale University Press. This book was released on 2008-10-01 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860s. Examining the role of arts and artists in society’s value system, Richard Stites explores this shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and ex-serfs created or performed. Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theaters to the imperial stages. Stites’s richly detailed book offers new perspectives on the origins of Russia’s nineteenth-century artistic prowess.
Author : Phillip R. Rehfeldt
Publisher : Phillip Rehfeldt/MillCreekPublishing
ISBN 13 : 0933251114
Total Pages : 141 pages
Book Rating : 4.9/5 (332 download)
Download or read book Research Materials in Music written by Phillip R. Rehfeldt and published by Phillip Rehfeldt/MillCreekPublishing. This book was released on 1990-01-01 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text was developed for use in a standard college-level "introduction to graduate studies" course in musicology that I taught for thirty-three years at the University of Redlands.
Author : Richard Taruskin
Publisher : Princeton University Press
ISBN 13 : 0691219370
Total Pages : 594 pages
Book Rating : 4.6/5 (912 download)
Download or read book Defining Russia Musically written by Richard Taruskin and published by Princeton University Press. This book was released on 2020-10-06 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: The world-renowned musicologist Richard Taruskin devoted much of his career to helping listeners appreciate Russian and Soviet music in new and sometimes controversial ways. Defining Russia Musically represents one of his landmark achievements: here Taruskin uses music, together with history and politics, to illustrate the many ways in which Russian national identity has been constructed, both from within Russia and from the Western perspective. He contends that it is through music that the powerful myth of Russia's "national character" can best be understood. Russian art music, like Russia itself, Taruskin writes, has "always [been] tinged or tainted . . . with an air of alterity—sensed, exploited, bemoaned, reveled in, traded on, and defended against both from within and from without." The author's goal is to explore this assumption of otherness in an all-encompassing work that re-creates the cultural contexts of the folksong anthologies of the 1700s, the operas, symphonies, and ballets of the 1800s, the modernist masterpieces of the 1900s, and the hugely fraught but ambiguous products of the Soviet period. Taruskin begins by showing how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. He then examines how Russia as a whole shaped its identity in contrast to an "East" during the age of its imperialist expansion, and in contrast to two different musical "Wests," Germany and Italy, during the formative years of its national consciousness. The final section focuses on four individual composers, each characterized both as a self-consciously Russian creator and as a European, and each placed in perspective within a revealing hermeneutic scheme. In the culminating chapters—Chaikovsky and the Human, Scriabin and the Superhuman, Stravinsky and the Subhuman, and Shostakovich and the Inhuman—Taruskin offers especially thought-provoking insights, for example, on Chaikovsky's status as the "last great eighteenth-century composer" and on Stravinsky's espousal of formalism as a reactionary, literally counterrevolutionary move.
Author : Justin Wintle
Publisher : Routledge
ISBN 13 : 1136768823
Total Pages : 1812 pages
Book Rating : 4.1/5 (367 download)
Download or read book New Makers of Modern Culture written by Justin Wintle and published by Routledge. This book was released on 2016-04-22 with total page 1812 pages. Available in PDF, EPUB and Kindle. Book excerpt: "New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms."--Publisher's description
Author : Wintle Justin
Publisher : Routledge
ISBN 13 : 1134094531
Total Pages : 906 pages
Book Rating : 4.1/5 (34 download)
Download or read book New Makers of Modern Culture written by Wintle Justin and published by Routledge. This book was released on 2013-05-13 with total page 906 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salmon Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida, Julia Kristeva with Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.
Author : Nicholas Rzhevsky
Publisher : Cambridge University Press
ISBN 13 : 1107002524
Total Pages : 439 pages
Book Rating : 4.1/5 (7 download)
Download or read book The Cambridge Companion to Modern Russian Culture written by Nicholas Rzhevsky and published by Cambridge University Press. This book was released on 2012-04-05 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fully updated new edition of this overview of contemporary Russia and the influence of its Soviet past.
Author : Lynn M. Sargeant
Publisher : Oxford University Press
ISBN 13 : 0190453672
Total Pages : 368 pages
Book Rating : 4.1/5 (94 download)
Download or read book Harmony and Discord written by Lynn M. Sargeant and published by Oxford University Press. This book was released on 2011-01-26 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Harmony and Discord: Music and the Transformation of Russian Cultural Life explores the complex development of Russian musical life during the nineteenth and early twentieth centuries. At the heart of this cultural history lies the Russian Musical Society, as both a unique driving force behind the institutionalization of music and a representative of the growing importance of voluntary associations in public life. Sustained simultaneously by private initiative and cooperative relationships with the state, the Russian Musical Society played a key role in the creation of Russia's infrastructure for music and music education. Author Lynn M. Sargeant explores the fluid nature of Russian social identity through the broad scope of musical life, including not only the "leading lights" of the era but also rank-and-file musicians, teachers, and students. Although Russian musicians longed for a secure place within the new hierarchy of professions, their social status remained ambiguous throughout the nineteenth century. Traditional reliance on serf musicians and foreigners left lasting scars that motivated musicians' efforts to obtain legal rights and social respectability. And women's increasing visibility in the musical world provoked acrimonious debates that were, at heart, efforts by male musicians to strengthen their claims to professional status by denying the legitimacy of female participation. Sargeant demonstrates that the successful development of a Russian musical infrastructure salved persistent anxieties about Russia's place vis-à-vis its European cultural competitors. Remarkably, the institutions developed by the Russian Musical Society survived the upheavals of war and revolution to become the foundation for the Soviet musical system. A wealth of historical documentation makes Harmony and Discord required reading for musicologists, sociologists and historians interested in this period, and the abundance of amusing anecdotes and the author's lucid and lively literary style make it an enjoyable history for all readers.
Author : Margaret S. Barrett
Publisher : Routledge
ISBN 13 : 131716444X
Total Pages : 329 pages
Book Rating : 4.3/5 (171 download)
Download or read book Collaborative Creative Thought and Practice in Music written by Margaret S. Barrett and published by Routledge. This book was released on 2016-05-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice. The book provides new perspectives to our understandings of the role of collaborative thought and processes in creative work across the domain of music including: composition, musicology, performance, music education and music psychology.
