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Musik Fur Uber 1500 Stummfilme Musique Pour Plus De 1500 Films Muets Music For More Than 1500 Silent Films
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Book Synopsis Musik für über 1500 Stummfilme. Musique pour plus de 1500 films muets. Music for More Than 1500 Silent Films by : Jürg Stenzl
Download or read book Musik für über 1500 Stummfilme. Musique pour plus de 1500 films muets. Music for More Than 1500 Silent Films written by Jürg Stenzl and published by LIT Verlag Münster. This book was released on 2017 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Für das damals "größte Kino der Welt", den Pariser Gaumont-Palast, hat Paul Fosse von 1911 bis 1928 die Musik für über 1500 Filme aus aller Welt zusammengestellt und zur Aufführung gebracht. Diese Kompositionen sammelte er in zwei voluminösen Bänden. Als bedeutendste Quelle für die Musik im Stummfilm dieser Jahrzehnte und einmaliges Dokument der Film- und Musikgeschichte werden sie in diesem Buch erstmals erschlossen. Paul Fosse (1884-1959) a été de 1911 à 1928 responsable du choix de la musique et des réalisations musicales destinées aux représentations de plus de 1500 films muets au Gaumont-Palace à Paris, le « plus grand cinéma du monde ». Le catalogue jusqu’ici mal connu de ses « Adaptations musicales » constitue sans doute la source la plus vaste et la plus remarquable concernant la musique de l’époque du cinéma muet, présentée ici intégralement pour la première fois. Paul Fosse (1884-1959) was responsible for choosing and performing the music to more than 1500 silent movies between 1911 and 1928. He personally compiled the music to be played in Paris’s Gaumont-Palace, the "largest cinema in the world". This is the world’s largest and most significant source for music in the age of silent films. Here it is made accessible in print for the very first time.
Book Synopsis Sounds for the Silents by : Daniel Goldmark
Download or read book Sounds for the Silents written by Daniel Goldmark and published by Courier Corporation. This book was released on 2013-01-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique collection features piano sheet music that accompanied silent movies. Derived from eight rare sources, the music includes compositions by J. S. Zamecnik, M. L. Lake, Joseph Carl Breil, and others.
Download or read book Motion picture collection written by and published by . This book was released on 1914 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Ludovico Einaudi Film Music: 17 Pieces for solo piano by : Ludovico Einaudi
Download or read book Ludovico Einaudi Film Music: 17 Pieces for solo piano written by Ludovico Einaudi and published by Chester Music. This book was released on 2015-07-06 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ludovico Einaudi's beautifully evocative music lends itself so perfectly to use in films that for many years directors have been using it to complement their images. 17 of the best examples of his music for film over the past two decades are included here in this Film Music collection, arranged for solo Piano. Perhaps the most well-suited of all Einaudi's film collaborations have been with directors Olivier Nakache and Eric Toledano on their hugely successful films 'Intouchables' and 'Samba'. From these two films come nine of Einaudi's most wonderful works, including Time Lapse and Una Mattina. Film Music further includes selections from 'Comes A Bright Day' (Berlin Song), 'Insidious' (the astonishing Nuvole Bianche) and his compositions Shane Meadows' 'This Is England' and Russell Crowe's 'The Water Diviner'. Alongside the beautiful transcriptions is a fascinating introduction to each film, letting you find out about how the song was used as well as learning how to play it. This luxurious collection of cinematic sheet music is perfect for fans of Ludovico Einaudi as well as film lovers who appreciate the power of a marriage of music and image – A masterclass in film composition. Song List: - Berlin Song - Nuvole Bianche - Fly - L'Origine Nascolta - Una Mattina - Writing Poems - Time Lapse - Ascolta - Experience - Run - Walk - Cache Cache - Dietro Casa - Oltremare - Ritornare - The Water Diviner - Newton's Cradle
Book Synopsis The Music of the Silent Films by : Glenn Young (Writer on silent film music)
Download or read book The Music of the Silent Films written by Glenn Young (Writer on silent film music) and published by . This book was released on 2015-08-12 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book CINEMA Classics written by and published by . This book was released on 1996 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Living Dangerously by : Hans Schoots
Download or read book Living Dangerously written by Hans Schoots and published by Amsterdam University Press. This book was released on 2000 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Highly prized biography of one of the Netherlands' most famous and controversial filmmakers.
Download or read book Unsettled Scores written by Sally Bick and published by University of Illinois Press. This book was released on 2019-12-20 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.
Book Synopsis Popular Music and the New Auteur by : Arved Ashby
Download or read book Popular Music and the New Auteur written by Arved Ashby and published by Oxford University Press. This book was released on 2013-10-30 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: MTV utterly changed the movies. Since music television arrived some 30 years ago, music videos have introduced filmmakers to a new creative vocabulary: speeds of events changed, and performance and mood came to dominate over traditional narrative storytelling. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson. These filmmakers demonstrate a fresh kind of cinematic musicality by writing against pop songs rather than against script, and allowing popular music a determining role in narrative, imagery, and style. Featuring important new theoretical work by some of the most provocative writers in the area today, Popular Music and the New Auteur will be required reading for all who study film music and sound. It will be particularly relevant for readers in popular music studies, and its intervention in the ongoing debate on auteurism will make it necessary reading in film studies.
Book Synopsis Theories of the Soundtrack by : James Buhler
Download or read book Theories of the Soundtrack written by James Buhler and published by . This book was released on 2019 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.
Book Synopsis Film/Music Analysis by : Emilio Audissino
Download or read book Film/Music Analysis written by Emilio Audissino and published by Springer. This book was released on 2017-10-14 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.
Download or read book Cinesonidos written by Jacqueline Avila and published by Oxford University Press. This book was released on 2019-09-16 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisements, films--with film music studies, sound studies, and Mexican film and cultural history, Avila examines how these tropes and archetypes mirrored changing perceptions of mexicanidad manufactured by the State and popular and transnational culture. As she shows, several social and political agencies were heavily invested in creating a unified national identity in an attempt to merge the previously fragmented populace as a result of the Revolution. The commercial medium of film became an important tool to acquaint a diverse urban audience with the nuances of Mexican national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.
Book Synopsis Music in the Shadows by : Sheri Chinen Biesen
Download or read book Music in the Shadows written by Sheri Chinen Biesen and published by JHU Press. This book was released on 2014-05 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Welcome to the world of noir musical films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. This book explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. While noir musical films like A Star Is Born include musical performances, their bleak tone and expressionistic aesthetic more closely resemble the visual style of film noir. Their narratives unfold behind a stark noir lens: distorted, erratic angles and imbalanced hand-held shots allow the audience to experience a tortured, disillusioned perspective. While many musicals glamorize the quest for the spotlight in Hollywood's star factory, brooding noir musical films such as Blues in the Night, Gilda, The Red Shoes, West Side Story, and Round Midnight stretch the boundaries of film noir and the musical as film genres collide. Deep shadows, dim lighting and visual composition evoke moodiness, cynicism, pessimism, and subjective psychological points of view.
Book Synopsis John Williams's Film Music by : Emilio Audissino
Download or read book John Williams's Film Music written by Emilio Audissino and published by University of Wisconsin Pres. This book was released on 2014-06-12 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Williams is one of the most renowned film composers in history. He has penned unforgettable scores for Star Wars, the Indiana Jones series, E.T. the Extra-Terrestrial, Jaws, Superman, and countless other films. Fans flock to his many concerts, and with forty-nine Academy Award nominations as of 2014, he is the second-most Oscar-nominated person after Walt Disney. Yet despite such critical acclaim and prestige, this is the first book in English on Williams’s work and career. Combining accessible writing with thorough scholarship, and rigorous historical accounts with insightful readings, John Williams’s Film Music explores why Williams is so important to the history of film music. Beginning with an overview of music from Hollywood’s Golden Age (1933–58), Emilio Audissino traces the turning points of Williams’s career and articulates how he revived the classical Hollywood musical style. This book charts each landmark of this musical restoration, with special attention to the scores for Jaws and Star Wars, Williams’s work as conductor of the Boston Pops Orchestra, and a full film/music analysis of Raiders of the Lost Ark. The result is a precise, enlightening definition of Williams’s “neoclassicism” and a grounded demonstration of his lasting importance, for both his compositions and his historical role in restoring part of the Hollywood tradition. Best Special Interest Books, selected by the American Association of School Librarians Best Books for General Audiences, selected by the Public Library Reviewers
Download or read book Designing Sound written by Jay Beck and published by Rutgers University Press. This book was released on 2016-04-07 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The late 1960s and 1970s are widely recognized as a golden age for American film, as directors like Francis Ford Coppola, George Lucas, and Martin Scorsese expanded the Hollywood model with aesthetically innovative works. As this groundbreaking new study reveals, those filmmakers were blessed with more than just visionary eyes; Designing Sound focuses on how those filmmakers also had keen ears that enabled them to perceive new possibilities for cinematic sound design. Offering detailed case studies of key films and filmmakers, Jay Beck explores how sound design was central to the era’s experimentation with new modes of cinematic storytelling. He demonstrates how sound was key to many directors’ signature aesthetics, from the overlapping dialogue that contributes to Robert Altman’s naturalism to the wordless interludes at the heart of Terrence Malick’s lyricism. Yet the book also examines sound design as a collaborative process, one where certain key directors ceded authority to sound technicians who offered significant creative input. Designing Sound provides readers with a fresh take on a much-studied era in American film, giving a new appreciation of how artistry emerged from a period of rapid industrial and technological change. Filled with rich behind-the-scenes details, the book vividly conveys how sound practices developed by 1970s filmmakers changed the course of American cinema.
Book Synopsis Bollywood Sounds by : Jayson Beaster-Jones
Download or read book Bollywood Sounds written by Jayson Beaster-Jones and published by Oxford University Press. This book was released on 2014-10-09 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bollywood Sounds focuses on the songs of Indian films in their historical, social, commercial, and cinematic contexts. Author Jayson Beaster-Jones takes readers through the highly collaborative compositional process, highlighting the contributions of film directors, music directors (composers), lyricists, musicians, and singers in song production. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs have long mediated a variety of musical styles, instruments, and performance practices to create a uniquely cosmopolitan music genre. As an exploration of the music of seventy years of Hindi films, Bollywood Sounds provides long-term historical insights into film songs and their musical and cinematic conventions in ways that will appeal both to scholars and to newcomers to Indian cinema.
Book Synopsis A History of Experimental Film and Video by : A.L. Rees
Download or read book A History of Experimental Film and Video written by A.L. Rees and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
