Musical Listening In The German Enlightenment

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Musical Listening in the German Enlightenment

Author : Matthew Riley
Publisher : Routledge
ISBN 13 : 1351556908
Total Pages : 198 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Musical Listening in the German Enlightenment by : Matthew Riley

Download or read book Musical Listening in the German Enlightenment written by Matthew Riley and published by Routledge. This book was released on 2017-07-05 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: The silent attentiveness expected of concert audiences is one of the most distinctive characteristics of modern Western musical culture. This is the first book to examine the concept of attention in the history of musical thought and its foundations in the writings of German musical commentators of the late eighteenth century. Those critics explained numerous technical features of the music of their time as devices for arousing, sustaining or otherwise influencing the attention of a listener, citing in illustration works by Gluck, C. P. E. Bach, Georg Benda and others. Two types of attention were identified: the uninterrupted experience of a single emotional state conveyed by a piece of music as a whole, and the fleeting sense of 'wonder' or 'astonishment' induced by a local event in a piece. The relative validity of these two modes was a topic of heated debate in the German Enlightenment, encompassing issues of musical communication, compositional integrity and listener competence. Matthew Riley examines the significant writers on the topic (Descartes, Leibniz, Wolff, Baumgarten, Rousseau, Meier, Sulzer and Forkel) and provides analytical case studies to illustrate how these perceived modes of attention shaped interpretations of music of the period.

Music and the French Enlightenment

Author : Cynthia Verba
Publisher : Oxford University Press
ISBN 13 : 019938102X
Total Pages : 217 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Music and the French Enlightenment by : Cynthia Verba

Download or read book Music and the French Enlightenment written by Cynthia Verba and published by Oxford University Press. This book was released on 2017 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Prompted by controversial views of the composer-theorist Jean-Philippe Rameau, the leading figures of the French Enlightenment engaged in a vigorous philosophical debate about the nature of music. Their dialogue was one of extraordinary depth and richness, and dealth with some of the most fundamental issues of the French Enlightenment. In the newly revised edition of 'Music and the French Enlightenment', Cynthia Verba updates this fascinating story with the prolific scholarship that has emerged since the book was first published." -- rear cover.

Aesthetics and the Art of Musical Composition in the German Enlightenment

Author : Heinrich Christoph Koch
Publisher : Cambridge University Press
ISBN 13 : 9780521360357
Total Pages : 0 pages
Book Rating : 4.3/5 (63 download)

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Book Synopsis Aesthetics and the Art of Musical Composition in the German Enlightenment by : Heinrich Christoph Koch

Download or read book Aesthetics and the Art of Musical Composition in the German Enlightenment written by Heinrich Christoph Koch and published by Cambridge University Press. This book was released on 1996-03-21 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The writings of Sulzer and Koch represent a significant confluence of philosophical and musical thought from the German Enlightenment. Koch creatively adapted many of Sulzer's abstract philosophical ideas to concrete questions of musical pedagogy, showing how they could be usefully applied to the teaching and analysis of musical composition. This collaborative study and translation of the texts will be of interest to all historians of music, music theory, and historians of eighteenth-century German aesthetic thought.

Women and Musical Salons in the Enlightenment:

Author : Rebecca Cypess
Publisher : University of Chicago Press
ISBN 13 : 022681792X
Total Pages : 388 pages
Book Rating : 4.2/5 (268 download)

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Book Synopsis Women and Musical Salons in the Enlightenment: by : Rebecca Cypess

Download or read book Women and Musical Salons in the Enlightenment: written by Rebecca Cypess and published by University of Chicago Press. This book was released on 2022-05-20 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of musical salons in Europe and North America between 1760 and 1800 and the salon hostesses who shaped their musical worlds. In eighteenth-century Europe and America, musical salons—and the women who hosted and made music in them—played a crucial role in shaping their cultural environments. Musical salons served as a testing ground for new styles, genres, and aesthetic ideals, and they acted as a mediating force, bringing together professional musicians and their audiences of patrons, listeners, and performers. For the salonnière, the musical salon offered a space between the public and private spheres that allowed her to exercise cultural agency. In this book, musicologist and historical keyboardist Rebecca Cypess offers a broad overview of musical salons between 1760 and 1800, placing the figure of the salonnière at its center. Cypess then presents a series of in-depth case studies that meet the salonnière on her own terms. Women such as Anne-Louise Brillon de Jouy in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Angelica Kauffman in Rome, and Elizabeth Graeme in Philadelphia come to life in multidimensional ways. Crucially, Cypess uses performance as a tool for research, and her interpretations draw on her experience with the instruments and performance practices used in eighteenth-century salons. In this accessible, interdisciplinary book, Cypess explores women’s agency and authorship, reason and sentiment, and the roles of performing, collecting, listening, and conversing in the formation of eighteenth-century musical life.

Enlightenment Orpheus

Author : Vanessa Agnew
Publisher : Oxford University Press on Demand
ISBN 13 : 0195336666
Total Pages : 278 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Enlightenment Orpheus by : Vanessa Agnew

Download or read book Enlightenment Orpheus written by Vanessa Agnew and published by Oxford University Press on Demand. This book was released on 2008-05 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Enlightenment saw a critical engagement with the ancient idea that music carries certain powers - it heals and pacifies, civilizes and educates. Yet this interest in musical utility seems to conflict with larger notions of aesthetic autonomy that emerged at the same time. In Enlightenment Orpheus, Vanessa Agnew examines this apparent conflict, and provocatively questions the notion of an aesthetic-philosophical break between the eighteenth and nineteenth centuries.Agnew persuasively connects the English traveler and music scholar Charles Burney with the ancient myth of Orpheus. She uses Burney as a guide through wide-ranging discussions of eighteenth-century musical travel, views on music's curative powers, interest in non-European music, and concerns about cultural identity. Arguing that what people said about music was central to some of the great Enlightenment debates surrounding such issues as human agency, cultural difference, and national identity, Agnew adds a new dimension to postcolonial studies, which has typically emphasized the literary and visual at the expense of the aural. She also demonstrates that these discussions must be viewed in context at the era's broad and well-entrenched transnational network, and emphasizes the importance of travel literature in generating knowledge at the time.A new and radically interdisciplinary approach to the question of the power of music - its aesthetic and historical interpretations and political uses - Enlightenment Orpheus will appeal to students and scholars in historical musicology, ethnomusicology, German studies, eighteenth-century history, and comparative studies.

German Aesthetics

Author : J. D. Mininger
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501321471
Total Pages : 282 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis German Aesthetics by : J. D. Mininger

Download or read book German Aesthetics written by J. D. Mininger and published by Bloomsbury Publishing USA. This book was released on 2016-09-22 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book of its kind, German Aesthetics assembles a who's who of German studies to explore 200 years of intellectual history, spanning literature, philosophy, politics, and culture.

The Oxford Handbook of Music Listening in the 19th and 20th Centuries

Author : Christian Thorau
Publisher : Oxford University Press
ISBN 13 : 0190466979
Total Pages : 352 pages
Book Rating : 4.1/5 (94 download)

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Book Synopsis The Oxford Handbook of Music Listening in the 19th and 20th Centuries by : Christian Thorau

Download or read book The Oxford Handbook of Music Listening in the 19th and 20th Centuries written by Christian Thorau and published by Oxford University Press. This book was released on 2018-11-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.

Instrumental Music in an Age of Sociability

Author : W. Dean Sutcliffe
Publisher : Cambridge University Press
ISBN 13 : 110701381X
Total Pages : 613 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Instrumental Music in an Age of Sociability by : W. Dean Sutcliffe

Download or read book Instrumental Music in an Age of Sociability written by W. Dean Sutcliffe and published by Cambridge University Press. This book was released on 2019-10-10 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).

Music and the Nerves, 1700-1900

Author : J. Kennaway
Publisher : Springer
ISBN 13 : 1137339519
Total Pages : 236 pages
Book Rating : 4.1/5 (373 download)

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Book Synopsis Music and the Nerves, 1700-1900 by : J. Kennaway

Download or read book Music and the Nerves, 1700-1900 written by J. Kennaway and published by Springer. This book was released on 2014-09-29 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between music and the nervous system is now the subject of intense interest for scientists and people in the humanities, but this is by no means a new phenomenon. This volume sets out the history of the relationship between neurology and music, putting the advances of our era into context.

The Routledge Companion to Music, Mind, and Well-being

Author : Penelope Gouk
Publisher : Routledge
ISBN 13 : 1351674986
Total Pages : 475 pages
Book Rating : 4.3/5 (516 download)

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Book Synopsis The Routledge Companion to Music, Mind, and Well-being by : Penelope Gouk

Download or read book The Routledge Companion to Music, Mind, and Well-being written by Penelope Gouk and published by Routledge. This book was released on 2018-12-07 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent decades, the relationship between music, emotions, health and well-being has become a hot topic. Scientific research and new neuro-imaging technologies have provided extraordinary new insights into how music affects our brains and bodies, and researchers in fields ranging from psychology and music therapy to history and sociology have turned their attention to the question of how music relates to mind, body, feelings and health, generating a wealth of insights as well as new challenges. Yet this work is often divided by discipline and methodology, resulting in parallel, yet separate discourses. In this context, The Routledge Companion to Music, Mind and Well-being seeks to foster truly interdisciplinary approaches to key questions about the nature of musical experience and to demonstrate the importance of the conceptual and ideological frameworks underlying research in this field. Incorporating perspectives from musicology, history, psychology, neuroscience, music education, philosophy, sociology, linguistics and music therapy, this volume opens the way for a generative dialogue across both scientific and humanistic scholarship. The Companion is divided into two sections. The chapters in the first, historical section consider the varied ways in which music, the emotions, well-being and their interactions have been understood in the past, from Antiquity to the twentieth century, shedding light on the intellectual origins of debates that continue today. The chapters in the second, contemporary section offer a variety of current scientific perspectives on these topics and engage wider philosophical problems. The Companion ends with chapters that explore the practical application of music in healthcare, education and welfare, drawing on work on music as a social and ecological phenomenon. Contextualising contemporary scientific research on music within the history of ideas, this volume provides a unique overview of what it means to study music in relation to the mind and well-being.

The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century

Author : Paul Watt
Publisher : Oxford University Press
ISBN 13 : 0197500684
Total Pages : 720 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century by : Paul Watt

Download or read book The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century written by Paul Watt and published by Oxford University Press. This book was released on 2020-08-04 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

Music as Thought

Author : Mark Evan Bonds
Publisher : Princeton University Press
ISBN 13 : 0691168059
Total Pages : 194 pages
Book Rating : 4.6/5 (911 download)

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Book Synopsis Music as Thought by : Mark Evan Bonds

Download or read book Music as Thought written by Mark Evan Bonds and published by Princeton University Press. This book was released on 2015-07-28 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from the limits of language. What had once been perceived as entertainment was heard increasingly as a vehicle of thought. Listening had become a way of knowing. Music as Thought traces the roots of this fundamental shift in attitudes toward listening in the late eighteenth and early nineteenth centuries. Focusing on responses to the symphony in the age of Beethoven, Mark Evan Bonds draws on contemporary accounts and a range of sources--philosophical, literary, political, and musical--to reveal how this music was experienced by those who heard it first. Music as Thought is a fascinating reinterpretation of the causes and effects of a revolution in listening.

Beating Time & Measuring Music in the Early Modern Era

Author : Roger Mathew Grant
Publisher : Oxford University Press
ISBN 13 : 0199367299
Total Pages : 304 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Beating Time & Measuring Music in the Early Modern Era by : Roger Mathew Grant

Download or read book Beating Time & Measuring Music in the Early Modern Era written by Roger Mathew Grant and published by Oxford University Press. This book was released on 2014-10-21 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.

Absolute Music

Author : Mark Evan Bonds
Publisher : Oxford University Press
ISBN 13 : 0199343659
Total Pages : 400 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Absolute Music by : Mark Evan Bonds

Download or read book Absolute Music written by Mark Evan Bonds and published by Oxford University Press. This book was released on 2014-05-09 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.

Music, Culture and Social Reform in the Age of Wagner

Author : James Garratt
Publisher : Cambridge University Press
ISBN 13 : 1139485709
Total Pages : pages
Book Rating : 4.1/5 (394 download)

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Book Synopsis Music, Culture and Social Reform in the Age of Wagner by : James Garratt

Download or read book Music, Culture and Social Reform in the Age of Wagner written by James Garratt and published by Cambridge University Press. This book was released on 2010-01-21 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic.

Music and Belonging Between Revolution and Restoration

Author : Naomi Waltham-Smith
Publisher : Oxford University Press
ISBN 13 : 0190662018
Total Pages : 272 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Music and Belonging Between Revolution and Restoration by : Naomi Waltham-Smith

Download or read book Music and Belonging Between Revolution and Restoration written by Naomi Waltham-Smith and published by Oxford University Press. This book was released on 2017-06-20 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In what ways is music implicated in the politics of belonging? How is the proper at stake in listening? What role does the ear play in forming a sense of community? Music and Belonging argues that music, at the level of style and form, produces certain modes of listening that in turn reveal the conditions of belonging. Specifically, listening shows the intimacy between two senses of belonging: belonging to a community is predicated on the possession of a particular property or capacity. Somewhat counter-intuitively, Waltham-Smith suggests that this relation between belonging-as-membership and belonging-as-ownership manifests itself with particular clarity and rigor at the very heart of the Austro-German canon, in the instrumental music of Haydn, Mozart, and Beethoven. Music and Belonging provocatively brings recent European philosophy into contact with the renewed music-theoretical interest in Formenlehre, presenting close analyses to show how we might return to this much-discussed repertoire to mine it for fresh insights. The book's theoretical landscape offers a radical update to Adornian-inspired scholarship, working through debates over relationality, community, and friendship between Derrida, Nancy, Agamben, Badiou, and Malabou. Borrowing the deconstructive strategies of closely reading canonical texts to the point of their unraveling, the book teases out a new politics of listening from processes of repetition and liquidation, from harmonic suppressions and even from trills. What emerges is the enduring political significance of listening to this music in an era of heightened social exclusion under neoliberalism.

Music in the Present Tense

Author : Emanuele Senici
Publisher : University of Chicago Press
ISBN 13 : 022666368X
Total Pages : 371 pages
Book Rating : 4.2/5 (266 download)

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Book Synopsis Music in the Present Tense by : Emanuele Senici

Download or read book Music in the Present Tense written by Emanuele Senici and published by University of Chicago Press. This book was released on 2019-11-13 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early 1800s, Rossini’s operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation. Emanuele Senici’s new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer’s works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini’s dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini’s Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality.