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Mozart The Golden Years 1781 1791
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Book Synopsis Mozart by : Howard Chandler Robbins Landon
Download or read book Mozart written by Howard Chandler Robbins Landon and published by . This book was released on 2006 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the author of 1791: Mozarts Last Year and general editor of The Mozart Compendium, this international bestseller has received widespread critical acclaim. Entertainingly and authoritatively written, and richly illustrated with contemporary paintings and engravings, it provides a vivid account of the last decade of Mozarts short but amazingly prolific career one of the most remarkable periods in the entire history of Western music.
Book Synopsis Mozart, the Golden Years, 1781-1791 by : Howard Chandler Robbins Landon
Download or read book Mozart, the Golden Years, 1781-1791 written by Howard Chandler Robbins Landon and published by Schirmer Trade Books. This book was released on 1989 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robbins Landon, one of America's most eminent musicologists, examines the last decade of Mozart's life. This musician, who may have suffered from manic depression, used this condition to compose his most emotionally satisfying and artistically brilliant works. Illustrated.
Book Synopsis 1791, Mozart's Last Year by : H. C. Robbins Landon
Download or read book 1791, Mozart's Last Year written by H. C. Robbins Landon and published by Thames & Hudson. This book was released on 1999-01-01 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The premature death of Mozart is the subject of 1791, a study based upon Professor Landon's unrivalled understanding of source material relating to Mozart, his music and the events that became an enigma, a tragedy and a source of great controversy.
Book Synopsis 1791, Mozart's Last Year by : Howard Chandler Robbins Landon
Download or read book 1791, Mozart's Last Year written by Howard Chandler Robbins Landon and published by . This book was released on 1988 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Mozart in Context by : Simon P. Keefe
Download or read book Mozart in Context written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2018-12-20 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.
Download or read book Ombra written by Clive McClelland and published by Lexington Books. This book was released on 2012-03-09 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ombra is the term which applies to an operatic scene involving the appearance of an oracle or demon, witches, or ghosts. Such scenes can be traced back to the early days of opera and were commonplace in the seventeenth century in Italy and France. Operas based on the legends of Orpheus, Iphigenia, and Alcestis provide numerous examples of ombra and extend well into the eighteenth century. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century is an in-depth examination of ombra and is many influences on classical music performance. McClelland reveals that ombra scenes proved popular with audiences not only because of the special stage effects employed, but also due to increasing use of awe-inspiring musical effects. By the end of the eighteenth century the scenes had come to be associated with an elaborate set of musical features including slow, sustained writing, the use of flat keys, angular melodic lines, chromaticism and dissonance, dotted rhythms and syncopation, tremolando effects, unexpected harmonic progressions, and unusual instrumentation, especially involving trombones. It is clearly distinct from other styles that exhibit some of these characteristics, such as the so-called 'Sturm und Drang' or 'Fantasia.' Futhermore, parallels can be drawn between these features and Edmund Burke's 'sublime of terror,' thus placing ombra music on an important position in the context of eighteenth-century aesthetic theory.
Book Synopsis A Conductor's Guide to Choral-orchestral Works, Classical Period: Haydn and Mozart by : Jonathan D. Green
Download or read book A Conductor's Guide to Choral-orchestral Works, Classical Period: Haydn and Mozart written by Jonathan D. Green and published by Scarecrow Press. This book was released on 2002 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Conductor's Guide to the Choral-Orchestral Works of the Classical Period, Part I: Haydn and Mozart is the fourth volume in Jonathan Green's innovative study of the vast body of choral-orchestral repertoire. A treasure-trove for conductors of choir and orchestras, in this volume all of the masses, oratorios, cantatas, litanies, vespers, and minor sacred works of Haydn and Mozart are carefully examined. For each work, the author has compiled the text source, duration, date of composition, date and place of premiere, location of manuscript materials, commercially available editions, a selected discography, a bibliography, and a brief history of the work. Most importantly, the performance concerns for the choir, orchestra, and soloists of each work are evaluated and described. This will prove to be an invaluable programming aid for conductors and a touchstone for anyone embarking on research into this music.
Book Synopsis Mozart, Haydn and Early Beethoven, 1781-1802 by : Daniel Heartz
Download or read book Mozart, Haydn and Early Beethoven, 1781-1802 written by Daniel Heartz and published by W. W. Norton & Company. This book was released on 2009 with total page 876 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.
Download or read book Mozart written by SimonP. Keefe and published by Routledge. This book was released on 2018-10-24 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays on Wolfgang Amadeus Mozart reflects scholarly advances made over the last thirty years. The studies are broad and focused, demonstrating a large number of viewpoints, methodologies and orientations and the material spans a wide range of subject areas, including biography, vocal music, instrumental music and performance. Written by leading researchers from Europe and North America, these previously published articles and book chapters are representative of both the most frequently discussed and debated issues in Mozart studies and the challenging, exciting nature of Mozart scholarship in general. The volume is essential reading for researchers, students and scholars of Mozart's music.
Download or read book Tempesta written by Clive McClelland and published by Lexington Books. This book was released on 2017-10-13 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tempesta is a term coined in this book applying to music that exhibits agitated or violent characteristics in order to evoke terror and chaos, involving ideas like rapid scale passages, driving rhythmic figurations, strong accents, full textures, and robust instrumentation including prominent brass and timpani. Music of this type was used for storm scenes, which in operas of the 17th and 18th centuries are almost invariably of supernatural origin, and other frightening experiences such as pursuit, madness, and rage. This ‘stormy’ music formed the ingredients of a particular style in the later 18th century that scholars in recent decades have referred to as Sturm und Drang, implying a relationship to German literature which I believe is unhelpful and misleading. Haydn’s so-called Sturm und Drang symphonies exhibit characteristics that are no different to his depictions of storms in his operas and sacred music, and there is no evidence of Haydn suffering some kind of personal crisis, or even of him responding to the ‘spirit of the age’. He was simply exploring the expressive possibilities of the style for dramatic/rhetorical effect. Scholars have been dissatisfied with the term for some time, but no-one has previously suggested an alternative. The term tempesta therefore applies to all manifestations of this kind of music, a label that acknowledges the ‘stormy’ origins of the style, but which also recognizes that it functions as a counterpart to ombra. Tempesta contributed enormously to the continued popularity of operas on supernatural subjects, and quickly migrated towards sacred music and even instrumental music, where it became part of the topical discourse. The music does not merely represent the supernatural, it instills an emotional response in the listener. Awe and terror had already been identified as sources of the sublime, notably by Edmund Burke (predating the German literary Sturm und Drang), and the latter half of the century saw the rise of Gothic literature. The supernatural remained popular in theaters and opera houses, and special music that could produce an emotional response of such magnitude was a powerful tool in the composer’s expressive armory.
Book Synopsis Performing Operas for Mozart by : Ian Woodfield
Download or read book Performing Operas for Mozart written by Ian Woodfield and published by Cambridge University Press. This book was released on 2012 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the Prague Italian opera company and its role in performing Mozart's works in the late eighteenth-century.
Book Synopsis The Blind in French Society from the Middle Ages to the Century of Louis Braille by : Zina Weygand
Download or read book The Blind in French Society from the Middle Ages to the Century of Louis Braille written by Zina Weygand and published by Stanford University Press. This book was released on 2009-08-07 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: The integration of the blind into society has always meant taking on prejudices and inaccurate representations. Weygand's highly accessible anthropological and cultural history introduces us to both real and imaginary figures from the past, uncovering French attitudes towards the blind from the Middle Ages through the first half of the nineteenth century. Much of the book, however, centers on the eighteenth century, the enlightened age of Diderot's emblematic blind man and of the Institute for Blind Youth in Paris, founded by Valentin Haüy, the great benefactor of blind people. Weygand paints a moving picture of the blind admitted to the institutions created for them and of the conditions under which they lived, from the officially-sanctioned beggars of the medieval Quinze-Vingts to the cloth makers of the Institute for Blind Workers. She has also uncovered their fictional counterparts in an impressive array of poems, plays, and novels.The book concludes with Braille, whose invention of writing with raised dots gave blind people around the world definitive access to silent reading and to written communication.
Book Synopsis 12 songs by : Wolfgang Amadeus Mozart
Download or read book 12 songs written by Wolfgang Amadeus Mozart and published by Alfred Music Publishing. This book was released on 1992 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: 12 Songs by Wolfgang Amadeus Mozart with texts in Italian, French and German. Mozart's brilliant piano technique and his intimate knowledge of beautiful singing is combined to create cameos of human psychology such as reverence, infatuation, humor, jealously, and playfulness, all in masterful songs. Includes word-by-word translations of the Italian, French, and German text as well as a translation into the International Phonetic Alphabet.
Download or read book Gran Partitta written by Daniel N. Leeson and published by AuthorHouse. This book was released on 2009 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: A book about: Mozart's Serenade in B-Flat, K.361, for 12 wind instruments and a string bass.
Download or read book Mozart and the Nazis written by Erik Levi and published by Yale University Press. This book was released on 2011-02-01 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: A music historian uncovers Nazi Germany’s use of Mozart as a WWII propaganda tool in this “intriguing study [that] comprehends a range of vital topics” (Choice). As the Nazi war machine expanded its bloody ambitions across Europe, the Third Reich sought to promote a sophisticated and even humanitarian image of German culture through the tireless promotion of Mozart’s music. In this revelatory book, Erik Levi draws on World War II era articles, diaries, speeches, and other archival materials to provide a new understanding of how the Nazis shamelessly manipulated Mozart for their own political advantage. Mozart and the Nazis also explores the continued Jewish veneration of the composer during this period while also highlighting some of the disturbing legacies that resulted from the Nazi appropriation of his work. Enhanced by rare contemporary illustrations, Mozart and the Nazis is a fascinating addition to the study of music history, World War II propaganda, and twentieth century politics.
Book Synopsis Feasting & Fasting in Opera by : Pierpaolo Polzonetti
Download or read book Feasting & Fasting in Opera written by Pierpaolo Polzonetti and published by University of Chicago Press. This book was released on 2021-11-11 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Feasting and Fasting in Operashows that the consumption of food and drink is an essential component of opera, both on and off stage. In this book, opera scholar Pierpaolo Polzonetti explores how convivial culture shaped the birth of opera and opera-going rituals until the mid-nineteenth century, when eating and drinking at the opera house were still common. Through analyses of convivial scenes in operas, the book also shows how the consumption of food and drink, and sharing or the refusal to do so, define characters’ identity and relationships. Feasting and Fasting in Opera moves chronologically from around 1480 to the middle of the nineteenth century, when Wagner’s operatic reforms banished refreshments during the performance and mandated a darkened auditorium and absorbed listening. The book focuses on questions of comedy, pleasure, embodiment, and indulgence—looking at fasting, poisoning, food disorders, body types, diet, and social, ethnic, and gender identities—in both tragic and comic operas from Monteverdi to Puccini. Polzonetti also sheds new light on the diet Maria Callas underwent in preparation for her famous performance as Violetta, the consumptive heroine of Verdi’s La traviata. Neither food lovers nor opera scholars will want to miss Polzonetti’s page-turning and imaginative book.
Book Synopsis The Man Who Wrote Mozart: The Extraordinary Life of Lorenzo Da Ponte by : Anthony Holden
Download or read book The Man Who Wrote Mozart: The Extraordinary Life of Lorenzo Da Ponte written by Anthony Holden and published by Plunkett Lake Press. This book was released on 2024-06-24 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: “During his picaresque, chameleon career, [Da Ponte] was always on the move. Jew and Catholic, priest and womaniser, poet and bankrupt, shopkeeper and university professor, he began his long life in and around Venice and ended it in New York. It is hard to imagine a more flamboyant personal history, a gift to the biographer Anthony Holden, who relishes his subject’s sheer exuberance.” — Lucasta Miller, The Guardian “Lorenzo da Ponte was, at various times, a Catholic priest, a gambler, a philanderer, an entrepreneur, a poet, a friend of Casanova, an enemy of the Venetian state, a teacher, a shopkeeper, a courtier and a troublemaker. The tangled yarn of his life would be worth spinning even had he not also written the libretto for Mozart’s three greatest operas. In The Man Who Wrote Mozart, Anthony Holden unravels the full nine decades of Da Ponte’s picaresque life, eight of which did not involve his friend Wolfgang... Holden’s narrative verve spans continents and centuries. His life of Da Ponte is engrossing and bound to be definitive.” — Rafael Behr, The Guardian “[T]he writer who evokes Mozart’s world most vividly - albeit obliquely - is the journalist and music critic Anthony Holden... Da Ponte’s life... is certainly a rollicking yarn... a riproaring read.” — Hugh Canning, Sunday Times “Anthony Holden writes extremely well, telling the racy story energetically... He provides a rattlingly good read, filled with vivid anecdotes.” — Spectator “Anthony Holden steers through this incredible picaresque story with elan, well paced gusto and a gentle, if not uncritical, eye... Anthony Holden’s book is a fine achievement.” — The Oldie “Anthony Holden’s... biography, brings assiduous new research to Da Ponte’s early and late life and tells his story in journalistic deadpan.” — The Tablet “Holden’s companionable new biography is a refreshing take on an old story.” — Mail on Sunday “[E]ntertaining.” — The Herald “He writes with a sincere enthusiasm about the creative partnership with Mozart.” — Sunday Telegraph “The trajectory of Lorenzo Da Ponte’s life was remarkable.” — London Review of Books “This is a tale of a literary adventurer, full of mystery... Holden does his readers a favour by making his subject interesting to an audience beyond opera lovers.” — Sunday Business Post “[A] genuine pleasure. At turns amusing, poignant and instructive, it engagingly captures the chemistry between librettist and composer that produced those masterpieces of the operatic repertoire.” — Irish Times “Phew! The only problem with this sparkling biography is keeping up with the headlong pace set by what was really an extraordinary life.” — Classic FM Magazine “Anything biographical or musical that Anthony Holden writes is automatically worth reading, and this exquisitely written book sees him discourse eruditely on both topics.” — Observer “Clear, impartial, accessible and concise.” — The Times “An enjoyable biography of a remarkable man.” — The Sunday Times “Anthony Holden’s compelling narrative does justice to the man and to the highs and lows of his unusually varied career.” — Waterstone’s Books Quarterly
