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Journal Of The American Musicological Society Volume Xxvi 1973
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Book Synopsis Journal of the American Musicological Society: Volume XXVII 1974 by :
Download or read book Journal of the American Musicological Society: Volume XXVII 1974 written by and published by . This book was released on 1974 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The American Musicological Society, 1934-1984 by : Richard Crawford
Download or read book The American Musicological Society, 1934-1984 written by Richard Crawford and published by The AMS. This book was released on 1984 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Journal of the American Musicological Society by : American Musicological Society
Download or read book Journal of the American Musicological Society written by American Musicological Society and published by . This book was released on 1982 with total page 630 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music and Patronage in Sixteenth-Century Mantua: Volume 1 by : Iain Fenlon
Download or read book Music and Patronage in Sixteenth-Century Mantua: Volume 1 written by Iain Fenlon and published by Cambridge University Press. This book was released on 2008-10-30 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructs employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based.
Book Synopsis A Chord in Time: The Evolution of the Augmented Sixth from Monteverdi to Mahler by : Mark Ellis
Download or read book A Chord in Time: The Evolution of the Augmented Sixth from Monteverdi to Mahler written by Mark Ellis and published by Routledge. This book was released on 2017-07-05 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the sonority emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. In the Baroque period, the 'terrible dissonance' was nearly always associated with negative textual imagery. Charpentier described the augmented sixth as 'poignantly expressive'. J. S. Bach considered an occurrence of the chord in one of his forebear's motets 'remarkably bold'. During Bach's composing lifetime, the augmented sixth evolved from a relatively rare chromaticism to an almost commonplace element within the tonal spectrum; the chord reflects particular chronological and stylistic strata in his music. Theorists began cautiously to accept the chord, but its inversional possibilities proved particularly contentious, as commentaries by writers as diverse as Muffat, Marpurg and Rousseau reveal. During the eighteenth century, the augmented sixth became increasingly significant in instrumental repertoires - it was perhaps Vivaldi who first liberated the chord from its negative textual associations. By the later eighteenth century, the chord began to function almost as a 'signpost' to indicate important structural boundaries within sonata form. The chord did not, however, entirely lose its darker undertone: it signifies, for example, the theme of revenge in Mozart's Don Giovanni. Romantic composers uncovered far-reaching tonal ambiguities inherent in the augmented sixth. Chopin's Nocturnes often seem beguilingly simple, but the surface tranquillity masks the composer's strikingly original harmonic experiments. Wagner's much-analyzed 'Tristan Chord' resolves (according to some theorists) on an augmented sixth. In Tristan und Isolde, the chord's mercurial
Book Synopsis Journal of the American Musicological Society: Volume XXXi 1978 by :
Download or read book Journal of the American Musicological Society: Volume XXXi 1978 written by and published by . This book was released on 1978 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis African Art in Motion by : Robert Farris Thompson
Download or read book African Art in Motion written by Robert Farris Thompson and published by Univ of California Press. This book was released on 2023-12-22 with total page 902 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Book Synopsis John Kirkpatrick, American Music, and the Printed Page by : Drew Michael Massey
Download or read book John Kirkpatrick, American Music, and the Printed Page written by Drew Michael Massey and published by University Rochester Press. This book was released on 2013 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: How one extraordinary pianist, scholar, and editor prepared for publication important scores by Ives, Copland, and Ruggles, and reshaped the history of American musical modernism. For over sixty years, the scholar and pianist John Kirkpatrick tirelessly promoted and championed the music of American composers. In this book, Drew Massey explores how Kirkpatrick's career as an editor of music shaped the musicand legacies of some of the great American modernists, including Aaron Copland, Ross Lee Finney, Roy Harris, Hunter Johnson, Charles Ives, Robert Palmer, and Carl Ruggles. Drawing on oral histories, interviews, and Kirkpatrick's own extensive archives, Massey carefully reconstructs Kirkpatrick's collaborations with such luminaries, displaying his editorial practice and inviting reconsideration of many of the most important debates in American modernism --for example, the self-fashioning of young composers during the 1940s, the cherished myth of Ruggles as a composer in communion with the "timeless," and Ives's status as a pioneer of modernist techniques. First winner (November 2014) of ASCAP's Virgil Thomson Award for Outstanding Music Criticism. Drew Massey is an Assistant Professor of Music at Binghamton University.
Book Synopsis Music and Medieval Manuscripts by : Randall Rosenfeld
Download or read book Music and Medieval Manuscripts written by Randall Rosenfeld and published by Routledge. This book was released on 2017-07-05 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: The interdisciplinary approach of Music and Medieval Manuscripts is modeled on the work of the scholar to whom the book is dedicated. Professor Andrew Hughes is recognized internationally for his work on medieval manuscripts, combining the areas of paleography, performance, liturgy and music. All these areas of research are represented in this collection with an emphasis on the continuity between the physical characteristics of medieval manuscripts and their different uses. Albert Derolez provides a landmark and controversial essay on the origins of pre-humanistic script, while Margaret Bent proposes a new interpretation of a famous passage from a fifteenth-century poem by Martin Le Franc. Timothy McGee contributes an innovative essay on late-medieval music, text and rhetoric. David Hiley discusses musical changes and variation in the offices of a major saint‘s feast, and Craig Wright presents an original study of Guillaume Dufay. Jan Ziolkowski treats the topic of neumed classics, an under-explored aspect of the history of medieval pedagogy and the transmission of texts. The essays that comprise this volume offer a unique focus on medieval manuscripts from a wide range of perspectives, and will appeal to musicologists and medievalists alike.
Book Synopsis American Musicological Society by : Mark Germer
Download or read book American Musicological Society written by Mark Germer and published by The AMS. This book was released on 1990 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book William Byrd written by John Harley and published by Routledge. This book was released on 2017-07-05 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive study of William Byrds life (1540-1623) and works to appear for sixty years, and fully takes into consideration recent scholarship. The biographical section includes many newly discovered facts about Byrd and his family, while in the chapters dealing with his music an attempt is made for the first time to outline the chronology of all his compositions. The book begins with a detailed account of Byrd's life, based on a completely fresh examination of original documents, which are quoted extensively. Several previously known documents have now been identified as being in Byrds hand, and some fresh holographs have been discovered. A number of questions such as his parentage and date of birth have been conclusively settled. The book continues with a survey of Byrds music which pays particular attention to its chronological development, and links it where possible to the events and background of his life. A series of appendices includes additional texts of important documents, and a summary catalogue of works. A bibliography and index complete the book. Besides musical illustrations there is a series of plates illustrating documents and places associated with Byrd.
Book Synopsis Music Theory and Natural Order from the Renaissance to the Early Twentieth Century by : Suzannah Clark
Download or read book Music Theory and Natural Order from the Renaissance to the Early Twentieth Century written by Suzannah Clark and published by Cambridge University Press. This book was released on 2001 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
Book Synopsis A Practical Approach to 18th Century Counterpoint by : Robert Gauldin
Download or read book A Practical Approach to 18th Century Counterpoint written by Robert Gauldin and published by Waveland Press. This book was released on 2013-03-04 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Book Synopsis The Last Troubadours by : Deirdre O'Grady
Download or read book The Last Troubadours written by Deirdre O'Grady and published by Routledge. This book was released on 2018-11-20 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1991. At once poet, dramatist, adaptor and translator, the operatic librettist in turn expresses and mocks social convention. Deirdre O'Grady's study of the Italian operatic librettist identifies opera as a mirror of literary climates, popular taste and political aspirations. The Last Troubadours traces the history of the Italian libretto from its courtly origin in the 16th century, through the crisis of the aristocracy and the 19th-century struggle for national unity, to the birth of social realism. Fundamental elements of Italian opera - heroic valour, cunning servants, revolutionary ardour and romantic tenderness - are considered in their historical and cultural context. Also discussed are famous lyrical and musical collaborations - of Da Ponte and Mozart, Solera and Verdi, Romani and Bellini, and Boito and Verdi.
Book Synopsis Essays on Italian Poetry and Music in the Renaissance, 1350-1600 by : James Haar
Download or read book Essays on Italian Poetry and Music in the Renaissance, 1350-1600 written by James Haar and published by Univ of California Press. This book was released on 2023-11-10 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: These essays illuminate the changing nature of text-music relationships from the time of Petrarch to Guarini and, in music, from the madrigals of Giovanni da Cascia to those of Gesualdo da Venosa. Haar traces a line of development from the stylized rhetoric of Trecento song through the popularizing trends of Quattrocento music and on to the union of verbal and musical cadence that marked the high Renaissance in sixteenth-century Italian music. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.
Book Synopsis Musical Humanism and Its Legacy by : Nancy Kovaleff Baker
Download or read book Musical Humanism and Its Legacy written by Nancy Kovaleff Baker and published by Pendragon Press. This book was released on 1992 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Jean-Baptiste Lully and the Music of the French Baroque by : James R. Anthony
Download or read book Jean-Baptiste Lully and the Music of the French Baroque written by James R. Anthony and published by Cambridge University Press. This book was released on 1989-02-09 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.