Insiders and Outsiders in Russian Cinema

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Author :
Publisher : Indiana University Press
ISBN 13 : 025302790X
Total Pages : 200 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Insiders and Outsiders in Russian Cinema by : Stephen M. Norris

Download or read book Insiders and Outsiders in Russian Cinema written by Stephen M. Norris and published by Indiana University Press. This book was released on 2008-05-14 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Examines in a remarkably rich and varied way the construction of otherness and foreignness within this complexly ‘national’ cinema tradition.” —John MacKay, Yale University Identifying who was “inside” and who was “outside” the Soviet/Russian body politic has been a matter of intense and violent urgency, especially in the high Stalinist and post-Soviet periods. It is a theme encountered prominently in film. Employing a range of interpretive methods practiced in Russian/Soviet film studies, Insiders and Outsiders in Russian Cinema highlights the varied ways that Russian and Soviet cinema constructed otherness and foreignness. While the essays explore the “us versus them” binary well known to students of Russian culture and the ways in which Russian films depicted these distinctions, the book demonstrates just how impossible maintaining this binary proved to be. Contributors are Anthony Anemone, Julian Graffy, Peter Kenez, Joan Neuberger, Stephen M. Norris, Oleg Sulkin, Yuri Tsivian, Emma Widdis, and Josephine Woll. “An anthology that is the best I have ever had the pleasure of reading . . . Lucidly written, well researched, persuasively argued, lavishly illustrated, Insiders and Outsiders in Russian Cinema can be read with pleasure and profit by anyone from the general reader interested in Russian culture to the most seasoned Russian film specialist.” —Denise J. Youngblood, University of Vermont, Russian Review “In a word, the theoretical richness and sophistication of this collection parallel the complexity of its topics and serve as an excellent cross-section of how the theme of foreigners and outsiders is examined in contemporary studies in film.” —Slavonic & East European Journal

Contemporary Russian Cinema

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Author :
Publisher : Edinburgh University Press
ISBN 13 : 1474407668
Total Pages : 304 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Contemporary Russian Cinema by : Vlad Strukov

Download or read book Contemporary Russian Cinema written by Vlad Strukov and published by Edinburgh University Press. This book was released on 2016-04-12 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analysing films by established directors such as Sokurov and Zel'dovich, as well as lesser-known filmmakers like Balabanov and Kalatozishvili, this book explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language.

A Companion to Russian Cinema

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Publisher : John Wiley & Sons
ISBN 13 : 1118412761
Total Pages : 672 pages
Book Rating : 4.1/5 (184 download)

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Book Synopsis A Companion to Russian Cinema by : Birgit Beumers

Download or read book A Companion to Russian Cinema written by Birgit Beumers and published by John Wiley & Sons. This book was released on 2016-07-12 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected

Popular Tropes of Identity in Contemporary Russian Television and Film

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Author :
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501329030
Total Pages : 248 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Popular Tropes of Identity in Contemporary Russian Television and Film by : Irina Souch

Download or read book Popular Tropes of Identity in Contemporary Russian Television and Film written by Irina Souch and published by Bloomsbury Publishing USA. This book was released on 2017-11-16 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people's self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.

Designing Russian Cinema

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350246379
Total Pages : 281 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis Designing Russian Cinema by : Eleanor Rees

Download or read book Designing Russian Cinema written by Eleanor Rees and published by Bloomsbury Publishing. This book was released on 2022-12-15 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema's connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers' memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost ́, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations.

The Russian Cinema Reader

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Publisher : Academic Studies PRess
ISBN 13 :
Total Pages : 488 pages
Book Rating : 4.8/5 (871 download)

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Book Synopsis The Russian Cinema Reader by : Rimgaila Salys

Download or read book The Russian Cinema Reader written by Rimgaila Salys and published by Academic Studies PRess. This book was released on 2023-09-12 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten’ka Razin, The Cameraman’s Revenge, The Merchant Bashkirov’s Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin’s Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Contributors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood

Ruptures and Continuities in Soviet/Russian Cinema

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Author :
Publisher : Routledge
ISBN 13 : 1317194705
Total Pages : 226 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Ruptures and Continuities in Soviet/Russian Cinema by : Birgit Beumers

Download or read book Ruptures and Continuities in Soviet/Russian Cinema written by Birgit Beumers and published by Routledge. This book was released on 2017-11-22 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.

'Russian Americans' in Soviet Film

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Publisher : Bloomsbury Publishing
ISBN 13 : 0857729691
Total Pages : 409 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis 'Russian Americans' in Soviet Film by : Marina L. Levitina

Download or read book 'Russian Americans' in Soviet Film written by Marina L. Levitina and published by Bloomsbury Publishing. This book was released on 2015-09-29 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.

Directory of World Cinema: Russia 2

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Author :
Publisher : Intellect Books
ISBN 13 : 1783204796
Total Pages : 366 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis Directory of World Cinema: Russia 2 by : Birgit Beumers

Download or read book Directory of World Cinema: Russia 2 written by Birgit Beumers and published by Intellect Books. This book was released on 2015-02-20 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre. This volume rewrites that history by spotlighting some genres not commonly associated with cinema in the region, including Cold War spy movies and science-fiction films; blockbusters and horror films; remakes and adventure films; and chernukha films and serials. Introductory essays establish key aspects of these genres, and directors’ biographies provide the background for the key players. Building on the work of its predecessor, which explored cinema from the time of the tsars to the Putin era, this book will be warmly received by the serious film scholar as well as all those who love Russian cinema. Directory of World Cinema: Russia 2 is an essential companion to the filmic legacy of one of the world’s most storied countries.

Soviet Science Fiction Cinema and the Space Age

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Publisher : Rowman & Littlefield
ISBN 13 : 1793609322
Total Pages : 257 pages
Book Rating : 4.7/5 (936 download)

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Book Synopsis Soviet Science Fiction Cinema and the Space Age by : Natalija Majsova

Download or read book Soviet Science Fiction Cinema and the Space Age written by Natalija Majsova and published by Rowman & Littlefield. This book was released on 2021-04-28 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. Once an enthusiastic projection, then a promising and uncanny present, and eventually an assemblage of nostalgic signifiers, in the history of world cinema, this space age has been linked primarily to the genre of science fiction. Here, aspects of the space age such as humanity’s imminent expansion to space, interplanetary travel, contact with extraterrestrial intelligence, and intergalactic governance and economy were both celebrated and critically interrogated as cosmopolitan ideals and nation-branding strategies. This book presents the contemporary relevance of this genre as heritage and legacy, archive and canon, and a nest of forgotten ideals and warnings, as well as nostalgic anchoring points. The author analyzes over 30 Soviet science fiction films, foregrounding their structures of utopia and their evolution over time, in order to trace both their transnational positionalities, transmedial resonance, and impact on post-Soviet Russian films about the space age. Concepts, crucial to the understanding of space futures of the past, such as utopianism, otherness, liminality, and no(w)stalgia are activated to draw out the fictional tenants of the memory of the Soviet space age, and to establish the limits and potentialities of Soviet (exra)terraformative ambitions.

The Europeanness of European Cinema

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Publisher : Bloomsbury Publishing
ISBN 13 : 0857738488
Total Pages : 325 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis The Europeanness of European Cinema by : Mary Harrod

Download or read book The Europeanness of European Cinema written by Mary Harrod and published by Bloomsbury Publishing. This book was released on 2014-12-19 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore 'Europeanness' in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the 'European' label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies.

Preserving Petersburg

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Publisher : Indiana University Press
ISBN 13 : 0253027896
Total Pages : 264 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Preserving Petersburg by : Helena Goscilo

Download or read book Preserving Petersburg written by Helena Goscilo and published by Indiana University Press. This book was released on 2008-06-13 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Goscilo and Norris’ innovative anthology provides Slavic scholars with a panoramic view of the city’s literary, pictorial and social manifestations.” —Europe-Asia Studies For more than three centuries, St. Petersburg, founded in 1703 by Peter the Great as Russia’s westward-oriented capital and as a visually stunning showcase of Russia’s imperial ambitions, has been the country’s most mythologized city. Like a museum piece, it has functioned as a site for preservation, a literal and imaginative place where Russians can commune with idealized pasts. Preserving Petersburg represents a significant departure from traditional representations. By moving beyond the “Petersburg text” created by canonized writers and artists, the contributors to this engrossing volume trace the ways in which St. Petersburg has become a “museum piece,” embodying history, nostalgia, and recourse to memories of the past. The essays in this attractively illustrated volume trace a process of preservation that stretches back nearly three centuries, as manifest in the works of noted historians, poets, novelists, artists, architects, filmmakers, and dramatists. “The collection truly sparkles as the contributors each in turn take up this snuff box of a city . . . and breathe movement and life into the idealized Petersburg museum.” —Gregory Stroud, Bennington College “This collection brings together history, literature, architecture, and the politics of memory.” —Choice “An interesting and important contribution to existing scholarship on St. Petersburg’s myth, cult, and text . . . this volume is distinctive.” —Catharine Theimer Nepomnyashchy, Columbia University “A truly innovative contribution to the scholarship on Petersburg . . . The volume should be read by all serious Slavic scholars.” —Emily Johnson, University of Oklahoma

Tolstoy on Screen

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Publisher : Northwestern University Press
ISBN 13 : 0810130211
Total Pages : 351 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis Tolstoy on Screen by : Lorna Fitzsimmons

Download or read book Tolstoy on Screen written by Lorna Fitzsimmons and published by Northwestern University Press. This book was released on 2015 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholarship on screen adaptation has proliferated in recent years, but it has remained largely focused on English- and Romance-language authors. Tolstoy on Screen aims to correct this imbalance with a comprehensive examination of film and television adaptations of Tolstoy’s fiction. Spanning the silent era to the present day, these essays consider well-known as well as neglected works in light of contemporary adaptation and media theory. The book is organized to facilitate a comparative, cross-cultural understanding of the various practices employed in different eras and different countries to bring Tolstoy’s writing to the screen. International in scope and rigorous in analysis, the essays cast new light on Tolstoy’s work and media studies alike.

Feeling Revolution

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Publisher : Oxford University Press
ISBN 13 : 0192566822
Total Pages : 256 pages
Book Rating : 4.1/5 (925 download)

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Book Synopsis Feeling Revolution by : Anna Toropova

Download or read book Feeling Revolution written by Anna Toropova and published by Oxford University Press. This book was released on 2020-05-20 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stalin-era cinema was designed to promote emotional and affective education. The filmmakers of the period were called to help forge the emotions and affects that befitted the New Soviet Person - ranging from happiness and victorious laughter, to hatred for enemies. Feeling Revolution shows how the Soviet film industry's efforts to find an emotionally resonant language that could speak to a mass audience came to centre on the development of a distinctively 'Soviet' cinema. Its case studies of specific film genres, including production films, comedies, thrillers, and melodramas, explore how the genre rules established by Western and prerevolutionary Russian cinema were reoriented to new emotional settings. 'Sovietising' audience emotions did not prove to be an easy feat. The tensions, frustrations, and missteps of this process are outlined in Feeling Revolution, with reference to a wide variety of primary sources, including the artistic council discussions of the Mosfil'm and Lenfil'm studios and the Ministry of Cinematography. Bringing the limitations of the Stalinist ideological project to light, Anna Toropova reveals cinema's capacity to contest the very emotional norms that it was entrusted with crafting.

Soviet and Post-Soviet Identities

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1107011175
Total Pages : 385 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Soviet and Post-Soviet Identities by : Mark Bassin

Download or read book Soviet and Post-Soviet Identities written by Mark Bassin and published by Cambridge University Press. This book was released on 2012-04-26 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh look at post-Soviet Russia and Eurasia and at the Soviet historical background that shaped the present.

Blockbuster History in the New Russia

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Author :
Publisher : Indiana University Press
ISBN 13 : 0253006791
Total Pages : 407 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Blockbuster History in the New Russia by : Stephen M. Norris

Download or read book Blockbuster History in the New Russia written by Stephen M. Norris and published by Indiana University Press. This book was released on 2012-10-19 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.

Performing Femininity

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Publisher : Bloomsbury Publishing
ISBN 13 : 1786730588
Total Pages : 304 pages
Book Rating : 4.7/5 (867 download)

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Book Synopsis Performing Femininity by : Rachel Morley

Download or read book Performing Femininity written by Rachel Morley and published by Bloomsbury Publishing. This book was released on 2016-12-15 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."