The Body as Object and Instrument of Knowledge

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Author :
Publisher : Springer Science & Business Media
ISBN 13 : 9048136865
Total Pages : 350 pages
Book Rating : 4.0/5 (481 download)

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Book Synopsis The Body as Object and Instrument of Knowledge by : Charles T. Wolfe

Download or read book The Body as Object and Instrument of Knowledge written by Charles T. Wolfe and published by Springer Science & Business Media. This book was released on 2010-04-07 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: It was in 1660s England, according to the received view, in the Royal Society of London, that science acquired the form of empirical enquiry we recognize as our own: an open, collaborative experimental practice, mediated by specially-designed instruments, supported by civil discourse, stressing accuracy and replicability. Guided by the philosophy of Francis Bacon, by Protestant ideas of this worldly benevolence, by gentlemanly codes of decorum and by a dominant interest in mechanics and the mechanical structure of the universe, the members of the Royal Society created a novel experimental practice that superseded former modes of empirical inquiry, from Aristotelian observations to alchemical experimentation. This volume focuses on the development of empiricism as an interest in the body – as both the object of research and the subject of experience. Re-embodying empiricism shifts the focus of interest to the ‘life sciences’; medicine, physiology, natural history. In fact, many of the active members of the Royal Society were physicians, and a significant number of those, disciples of William Harvey and through him, inheritors of the empirical anatomy practices developed in Padua during the 16th century. Indeed, the primary research interests of the early Royal Society were concentrated on the body, human and animal, and its functions much more than on mechanics. Similarly, the Académie des Sciences directly contradicted its self-imposed mandate to investigate Nature in mechanistic fashion, devoting a significant portion of its Mémoires to questions concerning life, reproduction and monsters, consulting empirical botanists, apothecaries and chemists, and keeping closer to experience than to the Cartesian standards of well-founded knowledge. These highlighted empirical studies of the body, were central in a workshop in the beginning of 2009 organized by the unit for History and Philosophy of Science in Sydney. The papers that were presented by some of the leading figures in this area are presented in this volume.

Imagination and Fantasy in the Middle Ages and Early Modern Time

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110693666
Total Pages : 820 pages
Book Rating : 4.1/5 (16 download)

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Book Synopsis Imagination and Fantasy in the Middle Ages and Early Modern Time by : Albrecht Classen

Download or read book Imagination and Fantasy in the Middle Ages and Early Modern Time written by Albrecht Classen and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-08-24 with total page 820 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.

The Senses and the English Reformation

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Publisher : Routledge
ISBN 13 : 131701636X
Total Pages : 430 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis The Senses and the English Reformation by : Matthew Milner

Download or read book The Senses and the English Reformation written by Matthew Milner and published by Routledge. This book was released on 2016-03-03 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is a commonly held belief that medieval Catholics were focussed on the 'bells and whistles' of religious practices, the smoke, images, sights and sounds that dazzled pre-modern churchgoers. Protestantism, in contrast, has been cast as Catholicism's austere, intellective and less sensual rival sibling. With iis white-washed walls, lack of incense (and often music) Protestantism worship emphasised preaching and scripture, making the new religion a drab and disengaged sensual experience. In order to challenge such entrenched assumptions, this book examines Tudor views on the senses to create a new lens through which to explore the English Reformation. Divided into two sections, the book begins with an examination of pre-Reformation beliefs and practices, establishing intellectual views on the senses in fifteenth-century England, and situating them within their contemporary philosophical and cultural tensions. Having established the parameters for the role of sense before the Reformation, the second half of the book mirrors these concerns in the post-1520 world, looking at how, and to what degree, the relationship between religious practices and sensation changed as a result of the Reformation. By taking this long-term, binary approach, the study is able to tackle fundamental questions regarding the role of the senses in late-medieval and early modern English Christianity. By looking at what English men and women thought about sight, hearing, smell, taste and touch, the stereotype that Protestantism was not sensual, and that Catholicism was overly sensualised is wholly undermined. Through this examination of how worship was transformed in its textual and liturgical forms, the book illustrates how English religion sought to reflect changing ideas surrounding the senses and their place in religious life. Worship had to be 'sensible', and following how reformers and their opponents built liturgy around experience of the sacred through the physical allows us to tease out the tensions and pressures which shaped religious reform.

Vision and the Visionary in Raphael

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Publisher : Penn State Press
ISBN 13 : 9780271037042
Total Pages : 226 pages
Book Rating : 4.0/5 (37 download)

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Book Synopsis Vision and the Visionary in Raphael by : Christian K. Kleinbub

Download or read book Vision and the Visionary in Raphael written by Christian K. Kleinbub and published by Penn State Press. This book was released on 2011 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Studies Raphael's images of supernatural phenomena, including apparitions and prophetic visions, within their contemporary artistic and religious contexts. Asks how a fundamentally naturalistic style of painting like that of the Italian Renaissance can accommodate representations of the supernatural without self-contradiction"--Provided by publisher.

Sight and Spirituality in Early Netherlandish Painting

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521832786
Total Pages : 280 pages
Book Rating : 4.8/5 (327 download)

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Book Synopsis Sight and Spirituality in Early Netherlandish Painting by : Bret L. Rothstein

Download or read book Sight and Spirituality in Early Netherlandish Painting written by Bret L. Rothstein and published by Cambridge University Press. This book was released on 2005-06-08 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Pieter Bruegel the Elder and Religion

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Publisher : BRILL
ISBN 13 : 9004367578
Total Pages : 298 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Pieter Bruegel the Elder and Religion by :

Download or read book Pieter Bruegel the Elder and Religion written by and published by BRILL. This book was released on 2018-07-17 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: New insight into the religious dimension of Bruegel’s art. With a number of highly original case studies, the volume illuminates Bruegel’s multifaceted engagement with the contemporary religious concepts and practices of his era.

Depositions

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Publisher : MIT Press
ISBN 13 : 1935408208
Total Pages : 385 pages
Book Rating : 4.9/5 (354 download)

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Book Synopsis Depositions by : Amy Knight Powell

Download or read book Depositions written by Amy Knight Powell and published by MIT Press. This book was released on 2012-10-04 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: From late medieval reenactments of the Deposition from the Cross to Sol Lewitt’s “Buried Cube,” Depositions is about taking down images and about images that anticipate being taken down. Foretelling their own depositions, as well as their re-elevations in contexts far from those in which they were made, the images studied in this book reveal themselves to be untimely — no truer to their first appearance than to their later reappearances. In Depositions, Amy Knight Powell makes the case that late medieval paintings and ritual reenactments of the Deposition from the Cross not only picture the deposition of Christ (the imago Dei) but also allegorize the deposition of the image as such and, in so doing, prefigure the lowering of “dead images” during the Protestant Reformation. Late medieval pre-figurations of Reformation iconoclasm anticipate, in turn, the repeated “deaths” of art since the advent of photography: that is the premise of the vignettes devoted to twentieth-century works of art that conclude each chapter of this book. In these vignettes, images that once stood in late medieval churches now find themselves among works of art from the more recent past with which they share certain formal characteristics. These surreal encounters compel us to reckon with affinities between images from different times and places. Turning on its head the pejorative (art-historical) use of the term pseudomorphosis — formal resemblance where there is no similarity of artistic intent — Powell explores what happens to our understanding of historically and conceptually distant works of art when they look alike.

The Visible and the Invisible

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110423049
Total Pages : 340 pages
Book Rating : 4.1/5 (14 download)

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Book Synopsis The Visible and the Invisible by : Daniela Hammer-Tugendhat

Download or read book The Visible and the Invisible written by Daniela Hammer-Tugendhat and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-03-10 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.

Objects and Imagination

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Author :
Publisher : Berghahn Books
ISBN 13 : 1782385673
Total Pages : 270 pages
Book Rating : 4.7/5 (823 download)

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Book Synopsis Objects and Imagination by : Øivind Fuglerud

Download or read book Objects and Imagination written by Øivind Fuglerud and published by Berghahn Books. This book was released on 2015-02-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the “material turn” in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What results is a better understanding of how the material embodies and influences our idea of the social world.

Vanities of the Eye

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Publisher : OUP Oxford
ISBN 13 : 0191562092
Total Pages : 448 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Vanities of the Eye by : Stuart Clark

Download or read book Vanities of the Eye written by Stuart Clark and published by OUP Oxford. This book was released on 2009-01-15 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vanities of the Eye investigates the cultural history of the senses in early modern Europe, a time in which the nature and reliability of human vision was the focus of much debate. In medicine, art theory, science, religion, and philosophy, sight came to be characterised as uncertain or paradoxical - mental images no longer resembled the external world. Was seeing really believing? Stuart Clark explores the controversial debates of the time - from the fantasies and hallucinations of melancholia, to the illusions of magic, art, demonic deceptions, and witchcraft. The truth and function of religious images and the authenticity of miracles and visions were also questioned with new vigour, affecting such contemporary works as Macbeth - a play deeply concerned with the dangers of visual illusion. Clark also contends that there was a close connection between these debates and the ways in which philosophers such as Descartes and Hobbes developed new theories on the relationship between the real and virtual. Original, highly accessible, and a major contribution to our understanding of European culture, Vanities of the Eye will be of great interest to a wide range of historians and anyone interested in the true nature of seeing.

Landscape and the Visual Hermeneutics of Place, 1500–1700

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Publisher : BRILL
ISBN 13 : 9004440402
Total Pages : 613 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis Landscape and the Visual Hermeneutics of Place, 1500–1700 by : Karl A.E. Enenkel

Download or read book Landscape and the Visual Hermeneutics of Place, 1500–1700 written by Karl A.E. Enenkel and published by BRILL. This book was released on 2020-12-29 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.

Dictionary of Philosophy and Psychology

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Publisher :
ISBN 13 :
Total Pages : 666 pages
Book Rating : 4.A/5 ( download)

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Book Synopsis Dictionary of Philosophy and Psychology by : James Mark Baldwin

Download or read book Dictionary of Philosophy and Psychology written by James Mark Baldwin and published by . This book was released on 1903 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Bibliography of Philosophy, Psychology, and Cognate Subjects

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Publisher :
ISBN 13 :
Total Pages : 672 pages
Book Rating : 4.3/5 (243 download)

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Book Synopsis Bibliography of Philosophy, Psychology, and Cognate Subjects by :

Download or read book Bibliography of Philosophy, Psychology, and Cognate Subjects written by and published by . This book was released on 1905 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Art and the Religious Image in El Greco’s Italy

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Publisher : Penn State Press
ISBN 13 : 0271063068
Total Pages : 237 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Art and the Religious Image in El Greco’s Italy by : Andrew R. Casper

Download or read book Art and the Religious Image in El Greco’s Italy written by Andrew R. Casper and published by Penn State Press. This book was released on 2015-06-13 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art and the Religious Image in El Greco’s Italy is the first book-length examination of the early career of one of the early modern period’s most notoriously misunderstood figures. Born around 1541, Domenikos Theotokopoulos began his career as an icon painter on the island of Crete. He is best known, under the name “El Greco,” for the works he created while in Spain, paintings that have provoked both rapt admiration and scornful disapproval since his death in 1614. But the nearly ten years he spent in Venice and Rome, from 1567 to 1576, have remained underexplored until now. Andrew Casper’s examination of this period allows us to gain a proper understanding of El Greco’s entire career and reveals much about the tumultuous environment for religious painting after the Council of Trent. Art and the Religious Image in El Greco’s Italy is a new book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book will be available in popular e-book formats.

The Visible World

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Publisher : Amsterdam University Press
ISBN 13 : 9089640274
Total Pages : 477 pages
Book Rating : 4.0/5 (896 download)

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Book Synopsis The Visible World by : Thijs Weststeijn

Download or read book The Visible World written by Thijs Weststeijn and published by Amsterdam University Press. This book was released on 2008 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.

Signal - Christian Boltanski

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Publisher : Wallstein Verlag
ISBN 13 : 9783892446538
Total Pages : 152 pages
Book Rating : 4.4/5 (465 download)

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Book Synopsis Signal - Christian Boltanski by : Bernhard Jussen

Download or read book Signal - Christian Boltanski written by Bernhard Jussen and published by Wallstein Verlag. This book was released on 2004 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: *Weitere Angaben Inhalt: Boltanskis Werk und sein Umgang mit dem Holocaust stellt eine Herausforderung auch an Disziplinen jenseits der Kunstwissenschaft dar. Christian Boltanski gehört zu den international renommiertesten Gegenwartskünstlern. Sein künstlerischer Umgang insbesondere mit der Erinnerung an den Holocaust hat diesen Ruf weit über die Kunstwelt hinaus begründet. In einer geisteswissenschaftlichen Forschungssituation, in der Erinnerungskulturen und Phänomene des kulturellen Gedächtnisses im Zentrum des Interesses stehen, sind seine Beiträge eine Herausforderung auch für Disziplinen jenseits der Kunstwissenschaft. Das Max-Planck-Institut für Geschichte in Göttingen hat Christian Boltanski eingeladen, um an seinem Werk Leistungen und Grenzen künstlerischer Arbeit am kulturellen Gedächtnis auszuloten - im Vergleich zur wissenschaftlichen Arbeit an diesem Gedächtnis. Christian Boltanski hat eine Arbeit beigetragen, die hier erstmals publiziert wird. Sie bedient sich einzelner Blätter aus der Zeitschrift Signal, die von 1940 bis 1945 von der deutschen Wehrmacht produziert und nur im Ausland verkauft wurde. Das seinerzeit unter (bild-)journalistischen Gesichtspunkten bahnbrechende Produkt wurde allein in den ersten drei Jahren in mehr als hundert Millionen Exemplaren und bis zu zwanzig Sprachen im Ausland verkauft. Boltanski hat aus zwanzig Heften des Signal jeweils einen farbigen Doppelaufschlag herausgenommen. Das Zusammentreffen der auf der linken und der rechten Seite des Blattes gedruckten Bilder ist zwar rein drucktechnisch bedingt, aber doch zugleich die Botschaft der Zeitung: Stets stehen >überlegene Wehrtechnik und überlegene

Images and Identity in Fifteenth-century Florence

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Author :
Publisher : Yale University Press
ISBN 13 : 9780300123425
Total Pages : 456 pages
Book Rating : 4.1/5 (234 download)

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Book Synopsis Images and Identity in Fifteenth-century Florence by : Patricia Lee Rubin

Download or read book Images and Identity in Fifteenth-century Florence written by Patricia Lee Rubin and published by Yale University Press. This book was released on 2007-01-01 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.