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Images Of The Feminine In Rembrandts Work
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Book Synopsis Images of the Feminine in Rembrandt's Work by : Anat Gilboa
Download or read book Images of the Feminine in Rembrandt's Work written by Anat Gilboa and published by Eburon B V. This book was released on 2003 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study focuses on certain ideas and positions that define the woman in Rembrandt's work. In six chapters several aspects of the woman or feminine image are discussed: the development of female themes throughout Rembrandt's work, spirituality as embodied by Mary - the mother of Christ, portaiture - showing the women in her social context, the nude and the erotic, Rembrandt's intimate companions - Saskia van Uylenburgh, Geertge Dircx and Hendrickje Stoffels, and goddesses and heroines.
Book Synopsis Power and Image in Early Modern Europe by : Jessica Goethals
Download or read book Power and Image in Early Modern Europe written by Jessica Goethals and published by Cambridge Scholars Publishing. This book was released on 2009-05-27 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are images and spectacles fundamental mediators of power relationships in the West? This book draws upon the language of cultural studies to investigate a contemporary hypothesis in the shifting ideological landscape of early modern Europe. Apparently aesthetic choices by artists may also have been the means to consolidate and subvert institutionalized or non-institutionalized bodies of power. Meanwhile, communities in Europe reacted to the intrinsic power of the image in literature and letters, commenting upon both its use and abuse. Both diachronic and geographic connections are made among disparate but important moments of image making in the twelfth through seventeenth centuries. The influence of Descartes is traced from La Rochefoucauld and the communal spectacles of the Ancien Régime salon, to the Netherlands and Rembrandt’s sketch, Death of the Virgin. Shakespeare bears similar anxieties about Joan of Arc’s transgression of gender boundaries in Henry VI, as does Castiglione’s Courtier when serving the Renaissance Prince. Spenser’s dilemma about the (non)difference between fiction and history resolves itself in the same way as does the Byzantine rejection of iconoclasm. Other articles in the collection examine anomie in Vatican frescoes by Giorgio Vasari, corporeal decay and the supernatural as spectacle on the early modern English stage, and affective self-perception and subjectivity in the scoring of Italian opera. ""[..] not as "just" a conference volume, but [as] an organic group of essays on early modernity. The essays span an impressive number of cultures – from "Byzantium" to England, Italy and Spain to the Netherlands – and theorize the image from a number of disciplinary vantage points. Not surprisingly, art history and theatre are well-represented, but so are music history and literary studies. Most of the essays are short, but sufficiently developed to allow for thoughtful arguments on the status of the visual in early modern culture: on the stage, on the page, and as artistic and musical representation. […] "they [do] deliver fine close readings and leave me sufficiently intrigued to want to return to, or familiarize myself with, the original "texts." I come away from this collection encouraged about the state of graduate studies in Europe and North America." —Jane Tylus, Professor of Italian and Comparative Literature and Vice Provost for Academic Affairs, New York University "The essays are interdisciplinary and touch upon many themes that lie outside my own field of specialization. I was therefore surprised and pleased to find them not only original and instructive, but also inviting and accessible to the non-specialist. Although they range far with respect to chronology and theoretical suppositions, they are coherently united in their concern for the functioning of the image in the conservation, revision or critique of socio-political power in their respective cultural contexts. I will mention three essays, representing three different fields, as striking examples of disparate images used to consolidate, reconstruct or overthrow the dominant powers of their times. Kathryn Falzareno's essay, "Mother's Milk and Deborah's Sword," is a close reading of Shakespeare's portrayal of Joan of Arc in Henry VI. It is a close analysis of the paradoxical status of Joan, Saint of the French, strumpet for the English, Christian warrior maiden, contrasting with Deborah in the Ancient Testament. The dominant and totally unexpected image which brings together the contradictions embodied by Joan are the breasts, the source of nurture in the figure of Mary, but an encumbrance for the mythological amazons who removed one breast to facilitate their use of the bow. Ljubica Ilic's "Echo and Narcissus: Labyrinths of the Self," is an elegant reading of "echo music," the apparently impossible "translation" of the Ovidian story into music and opera. Ovid's story represents the nymph Echo as the auditory equivalent of Narcissus' reflection -- echoing sound as reflecting light. Ovid's echo myth undoubtedly influenced opera by Jacopo Peri (during the time of the Medici) and then, Monteverdi in the musical setting of "Orfeo." Finally, Elissa Auerbach's "Taking Mary's Pulse: Cartesianism and Modernity in Rembrandt's 'Death of the Virgin' " is a brilliant commentary on the Dutch painter's rendering of an ancient theme, the "dormition" of the Virgin, but at the center of the painting is the figure of a physician taking the pulse of her limp hand. The intrusion of this "scientific" element in the ancient iconography of the event of Mary's death is the unmistakeable sign of the wave of modernity that swept over the Netherlands with the popularity of Cartesian philosophy and science." —John Freccero, Professor of Italian and Comp. Lit., NYU
Book Synopsis Rembrandt's Women by : Julia Lloyd Williams
Download or read book Rembrandt's Women written by Julia Lloyd Williams and published by Prestel Publishing. This book was released on 2001 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the women in Rembrandt's life, this volume details his unique approach to depicting the female form in paintings, drawings and prints.
Book Synopsis The Visible and the Invisible by : Daniela Hammer-Tugendhat
Download or read book The Visible and the Invisible written by Daniela Hammer-Tugendhat and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-03-10 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.
Book Synopsis Sex and Slaughter in the Tent of Jael by : Colleen M. Conway
Download or read book Sex and Slaughter in the Tent of Jael written by Colleen M. Conway and published by Oxford University Press. This book was released on 2017 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book traces the retelling of the biblical story from Judges 4-5 in ancient retellings of the Bible, visual art, poems, plays, and novels. The books shows how these cultural productions of an old biblical story intersect with broader conversations about the often conflicted, and sometimes violent, relationship between women and men"--
Book Synopsis Dutch Paintings in the Metropolitan Museum of Art by : Walter A. Liedtke
Download or read book Dutch Paintings in the Metropolitan Museum of Art written by Walter A. Liedtke and published by Metropolitan Museum of Art. This book was released on 2007 with total page 1109 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Book Synopsis The Ashgate Research Companion to Dutch Art of the Seventeenth Century by : Wayne Franits
Download or read book The Ashgate Research Companion to Dutch Art of the Seventeenth Century written by Wayne Franits and published by Routledge. This book was released on 2017-07-05 with total page 499 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Book Synopsis Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque by :
Download or read book Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque written by and published by BRILL. This book was released on 2012-11-21 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene’s character in art and, in essence, the reinvention of her iconography from one generation to the next.
Book Synopsis Women and Portraits in Early Modern Europe by : Andrea Pearson
Download or read book Women and Portraits in Early Modern Europe written by Andrea Pearson and published by Routledge. This book was released on 2016-12-05 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture. Among the book's broad contributions: it dispels false assumptions about agency's possibilities and limits, showing how agency can be located outside of conventional understanding, and, conversely, how it can be stretched too far. It demonstrates that agency is compatible with relational gender analysis, especially when alternative agencies such as spectatorship are taken into account. It also makes evident the importance of aesthetics for the study of identity and agency. The individual essays reveal, among other things, how portraits broadened the traditional parameters of portraiture, explored transvestism and same-sex eroticism, appropriated aspects of male portraiture to claim those values for their sitters, and, as sites for gender negotiation, resistance, and debate, invoked considerable relational anxiety. Richly layered in method, the book offers an array of provocative insights into its subject.
Book Synopsis Historical Dictionary of the Netherlands by : Joop W. Koopmans
Download or read book Historical Dictionary of the Netherlands written by Joop W. Koopmans and published by Scarecrow Press. This book was released on 2007-05-22 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Netherlands, frequently but erroneously called Holland, is one of the most densely populated countries in the world. In the past few decades, it has been undergoing many transformations made possible by its dynamic and fast-moving political landscape. It has shifted from fierce nationalism toward a self-image of tolerance and permissiveness: the national identity and self-consciousness has slowly eroded through decolonization and immigration. Unfortunately, several murders of prominent, controversial politicians have started yet another shift away from tolerance, and economic stagnation has bred pessimism. Nonetheless, despite many trials and tribulations, there has been real progress, and the Dutch have perhaps done a better job of coming to terms with their limitations than many others in the world. The second edition of the Historical Dictionary of the Netherlands contains more than 700 cross-referenced dictionary entries on individual topics spanning the Netherlands' political, economic, and social system along with short biographies on important figures who have shaped the Netherlands' history. Supplementing the entries are a list of acronyms and abbreviations, a chronology, an introduction, appendixes, and a bibliography, making this a superb quick reference on the Netherlands.
Book Synopsis Subject as Aporia in Early Modern Art by : Alexander Nagel
Download or read book Subject as Aporia in Early Modern Art written by Alexander Nagel and published by Routledge. This book was released on 2017-07-05 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The studies in this volume focus on works of art that generate bafflement, and that make that difficulty of reading part of their rhetorical structure. These are works whose subjects are not easily identifiable or can be readily associated with more than one subject at the same time; works that take a subject into a new genre or format (pagan into Christian, for example, or vice versa), and thus destabilize the subject itself; works that concentrate on the marginal rather than the central episode; and works that introduce elements of the preparatory phase-the indeterminacy that are native to the sketch or drawing, for example-into the realm of finished works. Unable to settle on a single reading, the effort of interpretation doubles back on its own procedures. This aporia, according to Aristotle, serves as the initial impulse to philosophical inquiry. Although the works studied here are in many ways exceptional, the aporias they raise register larger structural problems belonging to the artistic culture as a whole. Between 1400 and 1700, we see the emergence of new formats, new genres, new subjects, and new techniques, as well as new venues for the display of art. It is an implicit thesis of this book that the systemic shifts occurring in the early modern period made the emergence of aporetic works of art, and of aporia as a problem for art, a structural inevitability.
Book Synopsis Rembrandt and the Female Nude by : Eric Jan Sluijter
Download or read book Rembrandt and the Female Nude written by Eric Jan Sluijter and published by Amsterdam University Press. This book was released on 2006 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Book Synopsis The Adulteress Before Christ, a Picture by Rembrandt by : Charles Sedelmeyer
Download or read book The Adulteress Before Christ, a Picture by Rembrandt written by Charles Sedelmeyer and published by . This book was released on 1912 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Masters in art written by and published by . This book was released on 1900 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Corpus of Rembrandt Paintings by : J. Bruyn
Download or read book A Corpus of Rembrandt Paintings written by J. Bruyn and published by Springer Science & Business Media. This book was released on 2013-05-14 with total page 890 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume II) contains 900 pages, starting of with five introductory chapters and discussing 101 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging.
Download or read book Masters in Art: Dutch school written by and published by . This book was released on 1905 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reading Rembrandt written by Mieke Bal and published by Leiden University Press. This book was released on 2006 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a series of close analyses of works by Rembrandt, Mieke Bal questions the traditional boundaries between literary and visual analysis
