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Image Processing For Cinema
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Book Synopsis Image Processing for Cinema by : Marcelo Bertalmio
Download or read book Image Processing for Cinema written by Marcelo Bertalmio and published by CRC Press. This book was released on 2014-02-04 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Image Processing for Cinema presents a detailed overview of image processing techniques that are used in practice in digital cinema. The book shows how image processing has become ubiquitous in movie-making, from shooting to exhibition. It covers all the ways in which image processing algorithms are used to enhance, restore, adapt, and convert movi
Book Synopsis Image Processing for Cinema by : Marcelo Bertalmío
Download or read book Image Processing for Cinema written by Marcelo Bertalmío and published by CRC Press. This book was released on 2014-02-04 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Image Processing for Cinema presents a detailed overview of image processing techniques that are used in practice in digital cinema. The book shows how image processing has become ubiquitous in movie-making, from shooting to exhibition. It covers all the ways in which image processing algorithms are used to enhance, restore, adapt, and convert moving images. These techniques and algorithms make the images look as good as possible while exploiting the capabilities of cameras, projectors, and displays. The author focuses on the ideas behind the methods, rather than proofs and derivations. The first part of the text presents fundamentals on optics and color. The second part explains how cameras work and details all the image processing algorithms that are applied in-camera. With an emphasis on state-of-the-art methods that are actually used in practice, the last part describes image processing algorithms that are applied offline to solve a variety of problems. The book is designed for advanced undergraduate and graduate students in applied mathematics, image processing, computer science, and related fields. It is also suitable for academic researchers and professionals in the movie industry.
Book Synopsis Digital Image Processing with Application to Digital Cinema by : K. Thyagarajan
Download or read book Digital Image Processing with Application to Digital Cinema written by K. Thyagarajan and published by Taylor & Francis. This book was released on 2006 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Image and Geometry Processing for 3-D Cinematography by : Rémi Ronfard
Download or read book Image and Geometry Processing for 3-D Cinematography written by Rémi Ronfard and published by Springer Science & Business Media. This book was released on 2010-06-29 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: papers, illustrated with examples. They include wavelet bases, implicit functions de ned on a space grid, etc. It appears that a common pattern is the recovery of a controllable model of the scene, such that the resulting images can be edited (interaction). Changing the viewpoint is only one (important) aspect, but changing the lighting and action is equally important [2]. Recording and representing three-dimensional scenes is an emerging technology made possible by the convergence of optics, geometry and computer science, with many applications in the movie industry, and more generally in entertainment. Note that the invention of cinema (camera and projector) was also primarily a scienti c invention that evolved into an art form. We suspect the same thing will probably happen with 3-D movies. 3 Book Contents The book is composed of 12 chapters, which elaborate on the content of talks given at the BANFF workshop. The chapters are organized into three sections. The rst section presents an overview of the inter-relations between the art of cinemat- raphy and the science of image and geometry processing; the second section is devoted to recent developments in geometry; and the third section is devoted to recent developmentsin image processing. 3.1 3-D Cinematography and Applications The rst section of the book presents an overview of the inter-relations between the art of cinematography and the science of image and geometry processing.
Book Synopsis Digital Imaging in Popular Cinema by : Lisa Purse
Download or read book Digital Imaging in Popular Cinema written by Lisa Purse and published by Edinburgh University Press. This book was released on 2013-01-07 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analy
Book Synopsis Introduction to Image Processing and Analysis by : John C. Russ
Download or read book Introduction to Image Processing and Analysis written by John C. Russ and published by CRC Press. This book was released on 2017-12-19 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: Image processing comprises a broad variety of methods that operate on images to produce another image. A unique textbook, Introduction to Image Processing and Analysis establishes the programming involved in image processing and analysis by utilizing skills in C compiler and both Windows and MacOS programming environments. The provided mathematical background illustrates the workings of algorithms and emphasizes the practical reasons for using certain methods, their effects on images, and their appropriate applications. The text concentrates on image processing and measurement and details the implementation of many of the most widely used and most important image processing and analysis algorithms. Homework problems are included in every chapter with solutions available for download from the CRC Press website The chapters work together to combine image processing with image analysis. The book begins with an explanation of familiar pixel array and goes on to describe the use of frequency space. Chapters 1 and 2 deal with the algorithms used in processing steps that are usually accomplished by a combination of measurement and processing operations, as described in chapters 3 and 4. The authors present each concept using a mixture of three mutually supportive tools: a description of the procedure with example images, the relevant mathematical equations behind each concept, and the simple source code (in C), which illustrates basic operations. In particularly, the source code provides a starting point to develop further modifications. Written by John Russ, author of esteemed Image Processing Handbook now in its fifth edition, this book demonstrates functions to improve an image's of features and detail visibility, improve images for printing or transmission, and facilitate subsequent analysis.
Book Synopsis How To Read a Film: Technology: Image & Sound by : James Monaco
Download or read book How To Read a Film: Technology: Image & Sound written by James Monaco and published by UNET 2 Corporation. This book was released on 2013-01-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This is section 2 of How To Read a Film, enhanced and expanded. Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Monaco looks at film from many vantage points, as both art and craft, sensibility and science, tradition, and technology. Monaco stresses the still-evolving digital context of film throughout and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.
Book Synopsis Discorrelated Images by : Shane Denson
Download or read book Discorrelated Images written by Shane Denson and published by Duke University Press. This book was released on 2020-09-18 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Discorrelated Images Shane Denson examines how computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema. Denson analyzes works ranging from the Transformers series and Blade Runner 2049 to videogames and multimedia installations to show how what he calls discorrelated images—images that do not correlate with the abilities and limits of human perception—produce new subjectivities, affects, and potentials for perception and action. Denson's theorization suggests that new media theory and its focus on technological development must now be inseparable from film and cinema theory. There's more at stake in understanding discorrelated images, Denson contends, than just a reshaping of cinema, the development of new technical imaging processes, and the evolution of film and media studies: discorrelated images herald a transformation of subjectivity itself and are essential to our ability to comprehend nonhuman agency.
Book Synopsis Digital Imaging in Popular Cinema by : Lisa Purse
Download or read book Digital Imaging in Popular Cinema written by Lisa Purse and published by Edinburgh University Press. This book was released on 2013-01-07 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: To what extent has cinema been transformed by the advent of digital imaging? Have digital solutions to production challenges begun to change our experience of films, and their characters, action and narratives? And what impact does the inclusion of digital imaging in the film frame have on our interpretation and analysis of film texts?Digital Imaging in Popular Cinema explores these issues through analysis of specific film moments and extended case studies of films including Minority Report, King Kong, 300 and Hugo. It discusses how digital imaging can mimic, transform, shape and generate both fantastical and mundane objects and phenomena from scratch, and what the implications are for how we 'read' films, and explores how cultural ideas about digital imaging can influence meaning within a film, a scene or even a single shot.The increasingly widespread use of digital imaging in cinema means that we can no longer afford to ignore it when critically analysing and interpreting film texts. This innovative and engaging book provides a blueprint for approaching digital imaging in contemporary film, and is therefore essential reading for all those working in the field of Film Studies.
Book Synopsis Digital Visual Effects in Cinema by : Stephen Prince
Download or read book Digital Visual Effects in Cinema written by Stephen Prince and published by Rutgers University Press. This book was released on 2011-12-07 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects–driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.
Book Synopsis Encyclopedia of Image Processing by : Phillip A. Laplante
Download or read book Encyclopedia of Image Processing written by Phillip A. Laplante and published by CRC Press. This book was released on 2018-11-08 with total page 1852 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopedia of Image Processing presents a vast collection of well-written articles covering image processing fundamentals (e.g. color theory, fuzzy sets, cryptography) and applications (e.g. geographic information systems, traffic analysis, forgery detection). Image processing advances have enabled many applications in healthcare, avionics, robotics, natural resource discovery, and defense, which makes this text a key asset for both academic and industrial libraries and applied scientists and engineers working in any field that utilizes image processing. Written by experts from both academia and industry, it is structured using the ACM Computing Classification System (CCS) first published in 1988, but most recently updated in 2012.
Book Synopsis Official Gazette of the United States Patent and Trademark Office by :
Download or read book Official Gazette of the United States Patent and Trademark Office written by and published by . This book was released on 2005 with total page 1404 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Film Theory written by Philip Simpson and published by Taylor & Francis. This book was released on 2004 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Illumination, Color and Imaging by : P. Bodrogi
Download or read book Illumination, Color and Imaging written by P. Bodrogi and published by John Wiley & Sons. This book was released on 2012-07-23 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: This much needed, comprehensive and modern reference on display technology, illumination sources and color imaging focuses on visual effects and how reproduced images are best matched to human visual features. As such, it teaches readers how to exploit the knowledge of human color information processing to design usable, ergonomic, and pleasing displays or visual environments. The contents describe design principles and methods to optimize self-luminous visual technologies for the human user, including modern still and motion image displays, and indoor light sources. Design principles and methods are derived from the knowledge of the human visual system, with a special emphasis on color vision, color cognition, color harmony, color preference and visually evoked emotions. The expert authors include the most important and latest applications of the design principles and methods, forming a comprehensive view of human color information processing from the receptors through the retina via high-level visual perception right up to the level of cognition, preference, harmony, as well as visually evoked emotions. This book is included in the Wiley SID Series.
Book Synopsis Mathematical Problems in Image Processing by : Gilles Aubert
Download or read book Mathematical Problems in Image Processing written by Gilles Aubert and published by Springer Science & Business Media. This book was released on 2008-04-06 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Partial differential equations and variational methods were introduced into image processing about 15 years ago, and intensive research has been carried out since then. The main goal of this work is to present the variety of image analysis applications and the precise mathematics involved. It is intended for two audiences. The first is the mathematical community, to show the contribution of mathematics to this domain and to highlight some unresolved theoretical questions. The second is the computer vision community, to present a clear, self-contained, and global overview of the mathematics involved in image processing problems. The book is divided into five main parts. Chapter 1 is a detailed overview. Chapter 2 describes and illustrates most of the mathematical notions found throughout the work. Chapters 3 and 4 examine how PDEs and variational methods can be successfully applied in image restoration and segmentation processes. Chapter 5, which is more applied, describes some challenging computer vision problems, such as sequence analysis or classification. This book will be useful to researchers and graduate students in mathematics and computer vision.
Book Synopsis The Visual Culture Reader by : Nicholas Mirzoeff
Download or read book The Visual Culture Reader written by Nicholas Mirzoeff and published by Psychology Press. This book was released on 2002 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised and updated second edition of The Visual Culture Readerbrings together key writings as well as specially commissioned articles covering a wealth of visual forms including photography, painting, sculpture, fashion, advertising, television, cinema and digital culture. The Readerfeatures an introductory section tracing the development of visual culture studies in response to globalization and digital culture, and articles grouped into thematic sections, each prefaced by an introduction by the editor and conclude with suggestions for further reading.
Book Synopsis Towards a Philosophy of Cinematography by : Alexander Nevill
Download or read book Towards a Philosophy of Cinematography written by Alexander Nevill and published by Springer Nature. This book was released on 2021-06-01 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents three interrelated essays about cinematography which offer a theoretical understanding of the ways that film practitioners orchestrate light in today’s post-digital context. Cinematography is a practice at the heart of film production which traditionally involves the control of light and camera technologies to creatively capture moving imagery. During recent years, the widespread adoption of digital processes in cinematography has received a good deal of critical attention from practitioners and scholars alike, however little specific consideration about evolving lighting practices can be found amongst this discourse. Drawing on new-materialist ideas, actor-network theory and the concept of co-creativity, these essays examine the impact of changing production processes for the role and responsibilities of a cinematographer with a specific focus on lighting. Each essay advances a new perspective on the discipline, moving from the notion of light as vision to light as material, from technology as a tool to technology as a network, and from cinematography as an industry to cinematography as a collaborative art.
