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How Photography Became Contemporary Art
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Book Synopsis How Photography Became Contemporary Art by : Andy Grundberg
Download or read book How Photography Became Contemporary Art written by Andy Grundberg and published by Yale University Press. This book was released on 2021-02-23 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt: A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.
Book Synopsis How Photography Became Contemporary Art by : Andy Grundberg
Download or read book How Photography Became Contemporary Art written by Andy Grundberg and published by Yale University Press. This book was released on 2021-02-23 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.
Book Synopsis The Photograph as Contemporary Art by : Charlotte Cotton
Download or read book The Photograph as Contemporary Art written by Charlotte Cotton and published by . This book was released on 2009 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An essential guide."--Seattle Post-Intelligencer
Book Synopsis Why Art Photography? by : Lucy Soutter
Download or read book Why Art Photography? written by Lucy Soutter and published by Routledge. This book was released on 2018-01-17 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second edition of Why Art Photography? is an updated, expanded introduction to the ideas behind today’s striking photographic images. Lively, accessible discussions of key issues such as ambiguity, objectivity, fiction, authenticity, and photography’s expanding field are supplemented with new material around timely topics such as globalization, selfie culture, and photographers’ use of advanced digital technologies, including CGI and virtual reality. The new edition includes: an expanded introduction extended chapters featuring emerging trends a larger selection of images, including new color images an improved and expanded bibliography This new edition is essential for students looking to enrich their understanding of photography as a complex and multi-faceted art form.
Book Synopsis A Gust of Photo-Philia by : Alexandra Moschovi
Download or read book A Gust of Photo-Philia written by Alexandra Moschovi and published by Leuven University Press. This book was released on 2020-12-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
Book Synopsis The Art of Looking by : Lance Esplund
Download or read book The Art of Looking written by Lance Esplund and published by Basic Books. This book was released on 2018-11-27 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: A veteran art critic helps us make sense of modern and contemporary art The landscape of contemporary art has changed dramatically during the last hundred years: from Malevich's 1915 painting of a single black square and Duchamp's 1917 signed porcelain urinal to Jackson Pollock's midcentury "drip" paintings; Chris Burden's "Shoot" (1971), in which the artist was voluntarily shot in the arm with a rifle; Urs Fischer's "You" (2007), a giant hole dug in the floor of a New York gallery; and the conceptual and performance art of today's Ai Weiwei and Marina Abramovic. The shifts have left the art-viewing public (understandably) perplexed. In The Art of Looking, renowned art critic Lance Esplund demonstrates that works of modern and contemporary art are not as indecipherable as they might seem. With patience, insight, and wit, Esplund guides us through the last century of art and empowers us to approach and appreciate it with new eyes. Eager to democratize genres that can feel inaccessible, Esplund encourages viewers to trust their own taste, guts, and common sense. The Art of Looking will open the eyes of viewers who think that recent art is obtuse, nonsensical, and irrelevant, as well as the eyes of those who believe that the art of the past has nothing to say to our present.
Book Synopsis The Photograph as Contemporary Art (Fourth) (World of Art) by : Charlotte Cotton
Download or read book The Photograph as Contemporary Art (Fourth) (World of Art) written by Charlotte Cotton and published by Thames & Hudson. This book was released on 2020-09-08 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new edition of the definitive title in the field of contemporary art photography by one of the world’s leading experts on the subject, Charlotte Cotton. In the twenty-first century, photography has come of age as a contemporary art form. Almost two centuries after photographic technology was first invented, the art world has fully embraced it as a legitimate medium, equal in status to painting and sculpture. The Photograph as Contemporary Art introduces the extraordinary range of contemporary art photography, from portraits of intimate life to highly staged directorial spectacles. Arranged thematically, the book reproduces work from a vast span of photographers, including Andreas Gursky, Barbara Kasten, Catherine Opie, Cindy Sherman, Deana Lawson, Diana Markosian, Elle Pérez, Gregory Halpern, Lieko Shiga, Nan Goldin, Paul Mpagi Sepuya, Pixy Liao, Susan Meiselas, and Zanele Muholi. This fully revised and updated new edition revitalizes previous discussion of works from the 2000s through dialogue with more recent practice. Alongside previously featured work, Charlotte Cotton celebrates a new generation of artists who are shaping photography as a culturally significant medium for our current sociopolitical climate. A superb resource, The Photograph as Contemporary Art is a uniquely broad and diverse reflection of the field.
Book Synopsis Crisis of the Real by : Andy Grundberg
Download or read book Crisis of the Real written by Andy Grundberg and published by . This book was released on 1990 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: ... His interpretations and critical views have helped shpae a broad understanding of photography's complex roles in art and in the media. This volume is the first compilation of his work.
Book Synopsis A World History of Photography by : Naomi Rosenblum
Download or read book A World History of Photography written by Naomi Rosenblum and published by . This book was released on 1984 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Contemporary Art, Photography, and the Politics of Citizenship by : Vered Maimon
Download or read book Contemporary Art, Photography, and the Politics of Citizenship written by Vered Maimon and published by Routledge. This book was released on 2020-07-26 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyzes recent artistic and activist projects in order to conceptualize the new roles and goals of a critical theory and practice of art and photography. Vered Maimon argues that current artistic and activist practices are no longer concerned with the “politics of representation” and the critique of the spectacle, but with a “politics of rights” and the performative formation of shared yet highly contested public domains. The book thus offers a critical framework in which to rethink the artistic, the activist, and the political under globalization. The primary focus is on the ways contemporary artists and activists examine political citizenship as a paradox where subjects are struggling to acquire rights whose formulation rests on attributes they allegedly don't have; while the universal political validity of these rights presupposes precisely the abstraction of every form of difference, rights for all. The book will be of interest to scholars working in art history, contemporary art, photography theory, visual culture, cultural studies, critical theory, political theory, human rights, and activism.
Download or read book Photography written by David Bate and published by Routledge. This book was released on 2020-09-25 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a thorough and comprehensive introduction to the study of photography, this second edition of Photography: The Key Concepts has been expanded and updated to cover more fully contemporary changes to photography. Photography is a part of everyday life; from news and advertisements, to data collection and surveillance, to the shaping of personal and social identity, we are constantly surrounded by the photographic image. Outlining an overview of photographic genres, David Bate explores how these varied practices can be coded and interpreted using key theoretical models. Building upon the genres included in the first edition – documentary, portraiture, landscape, still life, art and global photography – this second edition includes two new chapters on snapshots and the act of looking. The revised and expanded chapters are supported by over three times as many photographs as in the first edition, examining contemporary practices in more detail and equipping students with the analytical skills they need, both in their academic studies and in their own practical work.An indispensable guide to the field, Photography: The Key Concepts is core reading for all courses that consider the place of photography in society, within photographic practice, visual culture, art, media and cultural studies.
Download or read book Photography written by Mary Warner Marien and published by Laurence King Publishing. This book was released on 2006 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each of the eight chapters takes a period of up to forty years and examines the medium through the lenses of art, science, social science, travel, war, fashion, the mass media and individual practitioners.-Back Cover.
Download or read book Mike & Doug Starn written by Mike Starn and published by . This book was released on 1991 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Slideshow written by M. Darsie Alexander and published by Penn State Press. This book was released on 2005 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1960s, an international group of artists has embraced slide projection as a dynamic alternative to the tradition of painting, blending aspects of photography, film, and installation art. Slide Show is the first in-depth examination of how slides evolved into one of the most exciting art forms of our time. Essays by leading scholars and 200 color illustrations provide visual, historical, and critical insight into this unique medium.
Book Synopsis Artificial Darkness by : Noam M. Elcott
Download or read book Artificial Darkness written by Noam M. Elcott and published by University of Chicago Press. This book was released on 2016-05-30 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.
Book Synopsis The History of Photography, from 1839 to the Present Day by : Beaumont Newhall
Download or read book The History of Photography, from 1839 to the Present Day written by Beaumont Newhall and published by . This book was released on 2006 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A History of Women Photographers by : Naomi Rosenblum
Download or read book A History of Women Photographers written by Naomi Rosenblum and published by Abbeville Press. This book was released on 2014-12 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this landmark volume, Rosenblum (A World History of Photography) examines sympathetically the achievements of women in photography since its invention in 1839, and highlights society's failure to give them appropriate recognition. One research obstacle the author encountered was the 19th-century practice of men taking credit for work done by women. Here is work from 250 female camera artists, from Julia Margaret Cameron (b. 1815) to Annie Leibovitz (b. 1949), who, despite strong cultural resistance, mastered everything from early wet-plate views and portraits to 35 millimeter photojournalism, often initiating aesthetic and commercial improvements. Her chronicle of women's part in each era's artistic movements and media transitions, plus capsule biographies with an in-depth bibliography and index, make this a seminal reference work. The author's choice of 263 photographs seems to favor the esoteric, bringing to light a largely unknown world in vivid originality and broad archival conception.
