Hou Hsiao Hsien

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Hou Hsiao-hsien

Author : Richard I. Suchenski
Publisher : Synema
ISBN 13 : 9783901644580
Total Pages : 0 pages
Book Rating : 4.6/5 (445 download)

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Book Synopsis Hou Hsiao-hsien by : Richard I. Suchenski

Download or read book Hou Hsiao-hsien written by Richard I. Suchenski and published by Synema. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: For younger critics and audiences, Taiwanese cinema enjoys a special status, comparable with that of Italian Neorealism and the French New Wave for earlier generations, a cinema that was and is in the midst of introducing an innovative sensibility and a fresh perspective. Hou Hsiao-hsien is the most important Taiwanese filmmaker working today, and his sensuous, richly nuanced films reflect everything that is vigorous and genuine in contemporary film culture. By combining multiple forms of tradition with a uniquely cinematic approach to space and time, Hou has created a body of work that, through its stylistic originality and historical gravity, opens up new possibilities for the medium. This new volume includes contributions by Olivier Assayas, Peggy Chiao, Chung Mong-hong, Jean-Michel Frodon, Hasumi Shigehiko, Ichiyama Shozo, Jia Zhang-ke, Kent Jones, Koreeda Hirokazu, Jean Ma, Ni Zhen, Abé Mark Nornes, James Quandt, Richard I. Suchenski, James Udden, and Wen Tien-hsiang, as well as conversations with Hou Hsiao-hsien and some of his most important collaborators over the decades.

No Man an Island

Author : James Udden
Publisher : Hong Kong University Press
ISBN 13 : 9888139223
Total Pages : 263 pages
Book Rating : 4.8/5 (881 download)

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Book Synopsis No Man an Island by : James Udden

Download or read book No Man an Island written by James Udden and published by Hong Kong University Press. This book was released on 2017-11-21 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taiwan is a peculiar place resulting in a peculiar cinema, with Hou Hsiao-hsien being its most remarkable product. Hou’s signature long and static shots almost invite critics to give auteurist readings of his films, often privileging the analysis of cinematic techniques at the expense of the context from which Hou emerges. In this pioneering study, James Udden argues instead that the Taiwanese experience is the key to understanding Hou’s art. The convoluted history of Taiwan in the last century has often rendered fixed social and political categories irrelevant. Changing circumstances have forced the people in Taiwan to be hyperaware of how imaginary identity—above all national identity—is. Hou translates this larger state of affairs in such masterpieces as City of Sadness, The Puppetmaster, and Flowers of Shanghai, which capture and perhaps even embody the elusive, slippery contours of the collective experience of the islanders. Making extensive uses of Chinese sources from Taiwan, the author shows how important the local matters for this globally recognized director. In this new edition of No Man an Island, James Udden charts a new chapter in the evolving art of Hou Hsiao-hsien, whose latest film, The Assassin, earned him the Best Director Award at the Cannes Film Festival in 2015. Hou breaks new ground in turning the classic wuxia genre into a vehicle to express his unique insight into the working of history. The unconventional approach to conventions is quintessential Hou Hsiao-hsien. “An excellent and groundbreaking volume. This book’s very precise analyses of the films as well as their context make it the primary source for any scholar working on Hou in English.” —Chris Berry, King’s College London “In this first book-length study on Hou Hsiao-hsien James Udden illuminates the most intriguing yet mystifying filmmaker in world cinema. No Man an Island is without doubt a major contribution to the fields of Chinese-language cinema and film studies.” —Emilie Yueh-yu Yeh, Lingnan University, Hong Kong

The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion

Author : Christopher Lupke
Publisher : Cambria Press
ISBN 13 : 1621967069
Total Pages : 398 pages
Book Rating : 4.6/5 (219 download)

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Book Synopsis The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion by : Christopher Lupke

Download or read book The Sinophone Cinema of Hou Hsiao-hsien: Culture, Style, Voice, and Motion written by Christopher Lupke and published by Cambria Press. This book was released on 2016-03-25 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Featuring rare interviews and sophisticated analysis, this book sheds light on Hou's narrative innovations and aesthetic triumphs while, along the way, unlocking some of the mysteries lurking behind one of the greatest bodies of cinematic work ever produced." -MICHAEL BERRY, University of California Santa Barbara "Lupke's book provides comprehensive coverage, detailed contextualization, and insightful analysis from Hou's earliest works to his most recent accomplishment. The narrative is particularly compelling because it weaves cultural and social contexts and filmic texts together, and it brings various formal elements (image, editing, language, music) to bear upon one another. The book also includes careful comparison with another East Asian auteur Ozu Yasujirô. The Sinophone Cinema of Hou Hsiao-hsien is a significant addition." -GUO-JUIN, HONG, Duke University "Lupke's comprehensive and original study excavates the literary inspirations of Hou's filmmaking, showing how Wu Nianzhen, Shen Congwen, and especially Zhu Tianwen shape his philosophy and aesthetic. In Lupke's convincing account, the anti-filial behaviors of their characters, which have attracted little critical attention, are the key to understanding their shared concern for the visible dissolution of the family in the modern world. In addition to its lucid analysis, this book contextualizes the filmmaking history of Hou in ways that illustrate the cultural and political significance of studying Taiwan Cinema in a global context." -HSIU-CHUANG DEPPMAN, Oberlin College "Serving both as an excellent comprehensive introduction to the filmmaker and as a series of in-depth readings, this informative, engaging, and insightful book covers the full range of Hou's work. Writing clearly and elegantly, Lupke perceptively relates Hou's films to both literary and cinematic antecedents. Aside from Hou's well-known connection to Taiwan's 'native soil' literature, Lupke highlights as well the filmmaker's debt to earlier mainland Chinese authors such as Shen Congwen, Zhang Ailing, and Hu Lancheng. Hou's singular contribution to film aesthetics, summarized as 'stasis within motion,' comes through vividly and convincingly." -JASON MCGRATH, University of Minnesota *This book includes images.

The Assassin

Author : Peng Hsiao-yen
Publisher : Hong Kong University Press
ISBN 13 : 9888455699
Total Pages : 253 pages
Book Rating : 4.8/5 (884 download)

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Book Synopsis The Assassin by : Peng Hsiao-yen

Download or read book The Assassin written by Peng Hsiao-yen and published by Hong Kong University Press. This book was released on 2019-10-23 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Assassin tells the story of a swordswoman who refrains from killing. Hou Hsiao-hsien astonishes his audience once again by upsetting almost every convention of the wuxia (martial arts) genre in the film. This collection offers eleven readings, each as original and thought-provoking as the film itself, beginning with one given by the director himself. Contributors analyze the elliptical way of storytelling, Hou’s adaptation of the source text (a tale from the Tang dynasty, also included in this volume), the film’s appropriation of traditional Chinese visual aesthetics, as well as the concept of xia (knight-errant) that is embedded in Confucian, Daoist, and Buddhist worldviews. There are also discussions of the much-celebrated sonic design of The Assassin: the nearly exclusive use of a diegetic film score is a statement on the director’s belief in cinematic reality. Underlying all the chapters is a focus on how Hou reinvents Tang-dynasty China in contemporary culture. The meticulously recreated everyday reality of the Tang world in the film highlights the ethnic and cultural diversity of the dynasty. It was a time when Sogdian traders acted as important intermediaries between Central Asia and the Tang court, and as a result Sogdian culture permeated the society. Taking note of the vibrant hybridity of Tang culture in the film, this volume shows that the historical openness to non-Chinese elements is in fact an essential part of the Chineseness expressed in Hou’s work. The Assassin is a gateway to the remote Tang-dynasty world, but in Hou’s hands the concerns of that premodern world turn out to be highly relevant to the world of the audience. “This book promises to be a useful companion to the film The Assassin. Contributors to this collection have convincingly and compellingly elucidated some of the film’s most difficult features. The result is a rich and wide-ranging analysis of one of the most beautiful films of our time.” —Sung-Sheng Yvonne Chang, The University of Texas at Austin “This collection of essays unfolds the many layers of The Assassin by speaking to its aesthetic achievements, reinvention of genre conventions, deep historical engagement, and philosophical substance. It exceeds the sum of its individual parts by building a vibrant cross-disciplinary conversation among a diverse group of accomplished scholars, who contribute original and compelling insights on the film.” —Jean Ma, Stanford University

Staging Memories

Author : Markus Nornes
Publisher : Maize Books
ISBN 13 : 9781607853381
Total Pages : 110 pages
Book Rating : 4.8/5 (533 download)

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Book Synopsis Staging Memories by : Markus Nornes

Download or read book Staging Memories written by Markus Nornes and published by Maize Books. This book was released on 2015 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In Staging Memories, authors Abâe Mark Nornes and Emilie Yeh present an updated study of Hou Hsiao-hsien's landmark contributions to Taiwanese and world cinema, with particular emphasis on A City of Sadness (Beiqing Chengshi), the winner of the Golden Lion award at the 1989 Venice Film Festival. Staging Memories is based on Narrating National Sadness, one of the first hypertext analyses in film studies, and its analysis is couched in a general history of Taiwan, the political massacre that A City of Sadness recreates, and the history of Taiwan New Cinema. This background information is crucial context for viewers, and one of the reasons teachers have long valued the hypertext version of the book. The body of the text analyzes Hou's style, representation of violence, and the complex manner in which he renders history in his oblique long-take style. The book ends with a chapter that examines a single sequence that unifies the various threads of the overall analysis." -- Publisher's description

Island on the Edge

Author : Chris Berry
Publisher : Hong Kong University Press
ISBN 13 : 9622097154
Total Pages : 206 pages
Book Rating : 4.6/5 (22 download)

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Book Synopsis Island on the Edge by : Chris Berry

Download or read book Island on the Edge written by Chris Berry and published by Hong Kong University Press. This book was released on 2005-01-01 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. Gathering a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s, it aims to complement Feii Lu’s Taiwan Cinema: Politics, Economics, Aesthetics, translated by Chris Berry (Duke University Press and Hong Kong University Press, forthcoming). Taiwan and its internationally renowned cinema ar " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the "Little Tiger" economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation; in recent years it has pioneered democratization of authoritarian regimes in East Asia.

Taiwan Film Directors

Author : Emilie Yueh-yu Yeh
Publisher : Columbia University Press
ISBN 13 : 9780231128988
Total Pages : 316 pages
Book Rating : 4.1/5 (289 download)

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Book Synopsis Taiwan Film Directors by : Emilie Yueh-yu Yeh

Download or read book Taiwan Film Directors written by Emilie Yueh-yu Yeh and published by Columbia University Press. This book was released on 2005 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The year 2003 marked the fiftieth anniversary of James Watson's and Francis Crick's discovery of the structure of DNA, which began a revolution in the biological sciences and radically altered the way humans view life and themselves. In this poetic account Erwin Fleissner, an eminent cancer researcher and teacher, offers a personal and professional reflection on the most significant developments in molecular genetics and cell biology over the past fifty years. Vital Harmonies is a sweeping look at these crucial scientific advances and an insider's perspective on what scientists have actually learned from them. Contrasting the humanistic side of scientific research with more deterministic or "mechanical" explanations of life processes, Fleissner discusses everything from natural selection to the tradition of rational inquiry stemming from the Enlightenment. He goes on to describe the structures of macromolecules and their "organizing" principles as well as cancer genes, stem cells, and the Human Genome Project. He also explores neuronal cells and the emergence of consciousness and how biological evolution is the foundation of our personal reality as well as our global responsibility. Fleissner asserts that scientific investigations cannot negate our essential "humanness" nor should the public fear them. Taking an optimistic perspective, he argues that a deeper knowledge of ourselves as biological entities will provide us, ultimately, with greater health, serenity, and self-knowledge. Vital Harmonies gives readers, whatever their background, an engaging analysis of some of the most important questions facing humanity today.

Envisioning Taiwan

Author : June Yip
Publisher : Duke University Press
ISBN 13 : 9780822333678
Total Pages : 376 pages
Book Rating : 4.3/5 (336 download)

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Book Synopsis Envisioning Taiwan by : June Yip

Download or read book Envisioning Taiwan written by June Yip and published by Duke University Press. This book was released on 2004-10-07 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVTraces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination./div

A City of Sadness

Author : Berenice Reynaud
Publisher : Bloomsbury Publishing
ISBN 13 : 1838714146
Total Pages : 132 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis A City of Sadness by : Berenice Reynaud

Download or read book A City of Sadness written by Berenice Reynaud and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Golden Lion in Venice in 1989, A City of Sadness introduced Western audiences to the richness of New Taiwanese Cinema. Its director, Hou Hsiao-hsien is now recognised as one of the most profoundly original auteurs in contemporary cinema. A City of Sadness revisits a painful episode in recent Taiwanese history, creating an elliptical and impressionistic picture of Chiang Kai-shek's takeover of the island after the defeat of his Kuomintang army by Mao Zedong. Taiwan's politics and the suffering of her inhabitants are invoked by Hou in the story of an extended family of four brothers. The first Taiwanese film shot in direct sound, A City of Sadness echoes the forgotten voices of ordinary people facing political repression. Berenice Reynaud deciphers the complex social and historical threads that combine in the film while analysing its aesthetics in the context of Hou's entire career. His journey from being a commercial director to becoming the famed master of long takes and painterly compositions is referred to the history of Taiwanese cinema and the philosophy of forms in Chinese art.

Melancholy Drift

Author : Jean Ma
Publisher : Hong Kong University Press
ISBN 13 : 9888028065
Total Pages : 213 pages
Book Rating : 4.8/5 (88 download)

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Book Synopsis Melancholy Drift by : Jean Ma

Download or read book Melancholy Drift written by Jean Ma and published by Hong Kong University Press. This book was released on 2010-06-01 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien, and Tsai Ming-liang. Focusing on the highly stylized and monlinear configurations of time in each director's films, she argues that these dirctors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, hauntin, absence and ephemeral poetices Hou, Tsai, and Wong all isist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative. Jean Ma is assistant professor in the Department of Art and Art History at Stanford University Melancholy Drift rides the films of three Chinese auteurs right into the heart of its subject, the mismatch between private feeling and collective history. These crucial films, set carefully beside one another, begin to pulse anew under the deft touch of Jean Ma's analyses. Drawing on a deep reservoir of historical and critical knowledge, she helps us hear these films speak of our times, then speak of time itself and of its dislocations---Dudley Andrew, Yale University Theoretically sophisticated and elegantly written, Melancholy Drift elucidates the subject of cinematic time in its various configurations: as a response to historical ruptures and political upheavals as representational politics, and as a reinvention of the art cinema. This book is a timely demonstration of the key roles played by Chinese auteurs in shaping the new face of world cinema today and an important contribution to scholarship both within and beyond the field of transnational Chinese cinemas---Song Hwee Lim, University of Exeter

Close-ups and Long Shots in Modern Chinese Cinemas

Author : Hsiu-Chuang Deppman
Publisher : University of Hawaii Press
ISBN 13 : 0824885678
Total Pages : 193 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis Close-ups and Long Shots in Modern Chinese Cinemas by : Hsiu-Chuang Deppman

Download or read book Close-ups and Long Shots in Modern Chinese Cinemas written by Hsiu-Chuang Deppman and published by University of Hawaii Press. This book was released on 2020-10-31 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two of the most stylized shots in cinema—the close-up and the long shot—embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life and reinforces our faith in reality. Each configures the relation between image and distance that expands the viewer’s power to see, feel, and conceive. To understand why a director prefers one type of shot over the other then is to explore more than aesthetics: It uncovers significant assumptions about film as an art of intervention or organic representation. Close-ups and Long Shots in Modern Chinese Cinemas is the first book to compare these two shots within the cultural, historical, and cinematic traditions that produced them. In particular, the global revival of Confucian studies and the transnational appeal of feminism in the 1980s marked a new turn in the composite cultural education of Chinese directors whose shot selections can be seen as not only stylistic expressions, but ethical choices responding to established norms about self-restraint, ritualism, propriety, and female agency. Each of the films discussed—Zhang Yimou’s Red Sorghum, Ang Lee’s Lust, Caution, Hou Hsiao-hsien’s The Assassin, Jia Zhangke’s I Wish I Knew, and Wei Desheng’s Cape No. 7— represents a watershed in Chinese cinemas that redefines the evolving relations among film, politics, and ethics. Together these works provide a comprehensive picture of how directors contextualize close-ups and long shots in ways that make them interpretable across many films as bellwethers of social change.

Contemporary Sino-French Cinemas

Author : Michelle E. Bloom
Publisher : University of Hawaii Press
ISBN 13 : 0824875117
Total Pages : 289 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis Contemporary Sino-French Cinemas by : Michelle E. Bloom

Download or read book Contemporary Sino-French Cinemas written by Michelle E. Bloom and published by University of Hawaii Press. This book was released on 2017-11-30 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world. Sinophone directors most often reach out to French cinema by referencing and adapting it. They set their films in Paris and metropolitan France, cast French actors, and sometimes use French dialogue, even when the directors themselves don't understand it. They tend to view France as mysterious, sexy, and sophisticated, just as the French see China and Taiwan as exotic. As Michelle E. Bloom makes clear, many films move past a simplistic opposition between East and West and beyond Orientalist and Occidentalist cross-cultural interplay. Bloom focuses on films that have appeared since 2000 such as Tsai Ming-liang's What Time Is It There? , Hou Hsiao-hsien's Flight of the Red Balloon, and Dai Sijie's Balzac and the Little Chinese Seamstress. She views the work of these well-known directors through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on their work. She also calls attention to important, lesser studied films: Taiwanese director Cheng Yu-chieh's Yang Yang, which depicts the up-and-coming Taiwanese star Sandrine Pinna as a mixed race beauty; and Emily Tang Xiaobai's debut film Conjugation, which contrasts Paris and post-Tiananmen Square Beijing, the one an incarnation of liberty, the other a place of entrapment. Bloom's insightful analysis also probes what such films reveal about their Taiwanese and Chinese creators. Scholars have long studied Sino-French literature, but this inaugural full-length work on Sino-French cinema maps uncharted territory, offering a paradigm for understanding other cross-cultural interminglings and tools to study transnational cinema and world cinema. The Sino-French, rich and multifaceted, linguistically, culturally, and ethnically, constitutes an important part of film studies, Francophone studies, Sinophone studies and myriad other fields. This is a must-read for students, scholars, and lovers of film.

Speaking in Images

Author : Michael Berry
Publisher : Columbia University Press
ISBN 13 : 9780231133302
Total Pages : 592 pages
Book Rating : 4.1/5 (333 download)

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Book Synopsis Speaking in Images by : Michael Berry

Download or read book Speaking in Images written by Michael Berry and published by Columbia University Press. This book was released on 2005 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.

Cinema Approaching Reality

Author : Victor Fan
Publisher : U of Minnesota Press
ISBN 13 : 1452944067
Total Pages : 325 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Cinema Approaching Reality by : Victor Fan

Download or read book Cinema Approaching Reality written by Victor Fan and published by U of Minnesota Press. This book was released on 2015-03-20 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through 1940s. His point of departure is a term popularly employed by Chinese film critics during this period, bizhen, often translated as “lifelike” but best understood as “approaching reality.” What these Chinese theorists mean, in Fan’s reading, is that the cinematographic image is not a form of total reality, but it can allow spectators to apprehend an effect as though they had been there at the time when an event actually happened. Fan suggests that the phrase “approaching reality” can help to renegotiate an aporia (blind spot) that influential French film critic André Bazin wrestled with: the cinematographic image is a trace of reality, yet reality is absent in the cinematographic image, and the cinema makes present this absence as it reactivates the passage of time. Fan enriches Bazinian cinematic ontology with discussions on cinematic reality in Republican China and colonial Hong Kong, putting Western theorists—from Bazin and Kracauer to Baudrillard, Agamben, and Deleuze—into dialogue with their Chinese counterparts. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn.

We, The Survivors

Author : Tash Aw
Publisher : HarperCollins UK
ISBN 13 : 0008318565
Total Pages : 336 pages
Book Rating : 4.0/5 (83 download)

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Book Synopsis We, The Survivors by : Tash Aw

Download or read book We, The Survivors written by Tash Aw and published by HarperCollins UK. This book was released on 2019-04-04 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: A murderer’s confession – devastating, unblinking, poignant, unforgettable – which reveals a story of class, education and the inescapable workings of destiny.

The Poetics of Chinese Cinema

Author : Gary Bettinson
Publisher : Springer
ISBN 13 : 113755309X
Total Pages : 227 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis The Poetics of Chinese Cinema by : Gary Bettinson

Download or read book The Poetics of Chinese Cinema written by Gary Bettinson and published by Springer. This book was released on 2016-10-05 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the aesthetic qualities of particular Chinese-language films and the rich artistic traditions from which they spring. It brings together leading experts in the field, and encompasses detailed and wide-ranging case studies of films such as Hero, House of Flying Daggers, Spring in a Small Town, 24 City, and The Grandmaster, and filmmakers including Hou Hsiao-hsien, Jia Zhangke, Chen Kaige, Fei Mu, Zhang Yimou, Johnnie To, and Wong Kar-wai. By illuminating the form and style of Chinese films from across cinema history, The Poetics of Chinese Cinema testifies to the artistic value and uniqueness of Chinese-language filmmaking.

Taiwan Cinema as Soft Power

Author : Song Hwee Lim
Publisher : Oxford University Press
ISBN 13 : 0197503373
Total Pages : 249 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis Taiwan Cinema as Soft Power by : Song Hwee Lim

Download or read book Taiwan Cinema as Soft Power written by Song Hwee Lim and published by Oxford University Press. This book was released on 2021-12-17 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why has Taiwanese film been so appealing to film directors, critics, and audiences across the world? This book argues that because Taiwan is a nation without hard political and economic power, cinema becomes a form of soft power tool that Taiwan uses to attract global attention, to gain support, and to build allies. Author Song Hwee Lim shows how this goal has been achieved by Taiwanese directors whose films win the hearts and minds of foreign audiences to make Taiwan a major force in world cinema. The book maps Taiwan's cinematic output in the twenty-first century through the three keywords in the book's subtitle-authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that begun in the early 1980s that has had a lasting impact upon filmmakers and cinephiles worldwide for nearly forty years. By examining case studies that include Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang, this book suggests that authorship is central to Taiwan cinema's ability to transcend borders to the extent that the historiographical writing of Taiwan cinema has to be reimagined. It also looks at the scaling down of soft power from the global to the regional via a cultural imaginary called little freshness, which describes films and cultural products from Taiwan that have become hugely popular in China and Hong Kong. In presenting Taiwan cinema's significance as a case of a small nation with enormous soft power, this book hopes to recast the terms and stakes of both cinema studies and soft power studies in academia.