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History Of Italian Painting 1250 1800
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Book Synopsis The Art and Architecture of Islam 1250-1800 by : Sheila S. Blair
Download or read book The Art and Architecture of Islam 1250-1800 written by Sheila S. Blair and published by Yale University Press. This book was released on 1996-09-25 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles.
Book Synopsis Italian Architecture Up to 1750 by : Frederick M. Godfrey
Download or read book Italian Architecture Up to 1750 written by Frederick M. Godfrey and published by . This book was released on 1971 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis History of Italian Painting by : Frederick M. Godfrey
Download or read book History of Italian Painting written by Frederick M. Godfrey and published by . This book was released on 1965 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Woman at the Well by : Janeth Norfleete Day
Download or read book The Woman at the Well written by Janeth Norfleete Day and published by BRILL. This book was released on 2021-10-11 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The theme of the book is that by integrating traditional historical methods of interpretation with more recent literary and sociological methods, it is possible to propose an alternative understanding of the character and role of the Samaritan woman in John 4. The contents include a survey of the interpretive tradition concerning the Samaritan woman in the church’s exegesis, in artistic renderings, and in literary compositions from the Patristic Period until the Modern Era. The book concludes with the author’s alternative interpretation, which proposes a pious Samaritan woman vs. the traditional immoral one. This book is useful as a model for a synthetic approach to biblical interpretation that utilizes both historical and more contemporary methods. Additionally, it demonstrates one possible avenue by which biblical and theological scholars can participate in interdisciplinary studies.
Book Synopsis Bibliography of Art and Architecture in the Islamic World (2 vols.) by : Susan Sinclair
Download or read book Bibliography of Art and Architecture in the Islamic World (2 vols.) written by Susan Sinclair and published by BRILL. This book was released on 2012-04-03 with total page 1508 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Book Synopsis Images-within-Images in Italian Painting (1250-1350) by : P?r Bokody
Download or read book Images-within-Images in Italian Painting (1250-1350) written by P?r Bokody and published by Routledge. This book was released on 2017-07-05 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language, which dominated Western art until 1900, and it dominates global visual culture even today. Paralleling the development of mimesis, self-reflexive pictorial tendencies emerged as well. Images-within-images, visual commentaries of representations by representations, were essential to this trend. They facilitated the development of a critical pictorial attitude towards representation. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. By combining visual hermeneutics and iconography, it traces reflexivity in Italian mural and panel painting at the dawn of the Renaissance, and presents novel interpretations of several key works of Giotto di Bondone and the Lorenzetti brothers. The potential influence of the contemporary religious and social context on the program design is also examined situating the visual innovations within a broader historical horizon. The analysis of pictorial illusionism and reality effect together with the liturgical, narrative and typological role of images-within-images makes this work a pioneering contribution to visual studies and premodern Italian culture.
Book Synopsis Art Books, 1950-1979 by : R.R. Bowker Company
Download or read book Art Books, 1950-1979 written by R.R. Bowker Company and published by New York : Bowker. This book was released on 1979 with total page 1572 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Later Byzantine Painting by : Robert S. Nelson
Download or read book Later Byzantine Painting written by Robert S. Nelson and published by Taylor & Francis. This book was released on 2024-10-28 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. Responding to different issues and perspectives that have animated art history and Byzantine studies in recent decades, the essays have wide theoretical range from art historical formalism, iconography, archaeology and its manuscript equivalent codicology, to statistics, patronage, narratology, and the histories of science and collecting. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.
Book Synopsis University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967: Authors & titles by : University of California (System). Institute of Library Research
Download or read book University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967: Authors & titles written by University of California (System). Institute of Library Research and published by . This book was released on 1972 with total page 880 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Oxford History of Western Art by : Martin Kemp
Download or read book The Oxford History of Western Art written by Martin Kemp and published by . This book was released on 2000 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Western Art is an innovative and challenging reappraisal of how the history of art can be presented and understood. Through a carefully devised modular structure, readers are given insights not only into how and why works of art were created, but also how works in different media relate to each other across time. Here--uniquely--is not the simple, linear "story" of art, but a rich series of stories, told from varying viewpoints. Carefully selected groupings of pictures give readers a sense of the visual "texture" of the various periods and episodes covered. The 167 illustration groups, supported by explanatory text and picture captions, create a sequence of "visual tours"--not merely a procession of individually "great" works viewed in isolation, but juxtapositions of significant images that powerfully convey a sense of the visual environments in which works of art need to be viewed in order to be understood and appreciated. The aim throughout is to make the shape and nature of these visual presentations a stimulating and rewarding experience, allowing readers to become active participants in the process of interpretation and synthesis. Another key feature of the narrative is the re-definition of traditional period boundaries. Rather than relying on conventional labels such as Medieval, Renaissance, and Baroque, the book establishes five major phases of significant historical change that unlock longer and more meaningful continuities. This new framework shows how the major religious and secular functions of art have been forged, sustained, transformed, revived, and revolutionized over the ages; how the institutions of Church and State have consistently aspired to make art in their own image; and how the rise of art history itself has come to provide the dominant conceptual framework within which artists create, patrons patronize, collectors collect, galleries exhibit, dealers deal, and art historians write. Though the coverage of topics focuses on European notions of art and their transplantation and transformation in North America, space is also given to cross-fertilizations with other traditions---including the art of Latin America, the Soviet Union, India, Africa (and Afro-Caribbean), Australia, and Canada. Written by a team of 50 specialist authors working under the direction of renowned art historian Martin Kemp, The Oxford History of Western Art is a vibrant, vigorous, and revolutionary account of Western art serving both as an inspirational introduction for the general reader and an authoritative source of reference and guidance for students.
Book Synopsis Emotions, Art, and Christianity in the Transatlantic World, 1450–1800 by : Heather Graham
Download or read book Emotions, Art, and Christianity in the Transatlantic World, 1450–1800 written by Heather Graham and published by BRILL. This book was released on 2021-08-24 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study into the role of visual and material culture in shaping early modern emotional experiences, c. 1450–1800
Book Synopsis The Manchester Art Treasures Exhibition of 1857 by : ElizabethA. Pergam
Download or read book The Manchester Art Treasures Exhibition of 1857 written by ElizabethA. Pergam and published by Routledge. This book was released on 2017-07-05 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.
Download or read book Paperbound Books in Print written by and published by . This book was released on 1971-07 with total page 2020 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Publishers' Trade List Annual by :
Download or read book The Publishers' Trade List Annual written by and published by . This book was released on 1974 with total page 2006 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Publishers Weekly written by and published by . This book was released on 1965 with total page 1078 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Atlas of World Art written by John Onians and published by Laurence King Publishing. This book was released on 2004 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combines a survey of world art with maps showing the associations and dissemination of culture across the globe.
Book Synopsis Isfahan and its Palaces by : Sussan Babaie
Download or read book Isfahan and its Palaces written by Sussan Babaie and published by Edinburgh University Press. This book was released on 2008-07-14 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Houshang Pourshariati Iranian Studies Book Award 2009This beautifully illustrated history of Safavid Isfahan (1501-1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early-modern and Perso-Shi'i practice of kingship.An immense building campaign, initiated in 1590-91 at the millennial threshold of the Islamic calendar (1000 A.H.), transformed Isfahan from a provincial, medieval, and largely Sunni city into an urban-centered representation of the first Imami Shi'i empire in the history of Islam. The historical process of Shi'ification of Safavid Iran and the deployment of the arts in situating the shifts in the politico-religious agenda of the imperial household informs Sussan Babaie's study of palatial architecture and urban environments of Isfahan and the earlier capitals of Tabriz and Qazvin.Babaie argues that since the Safavid claim presumed the inheritance both of the charisma of the Shi'i Imams and of the aura of royal splendor integral to ancient Persian notions of kingship, a ceremonial regime was gradually devised in which access and proximity to the shah assumed the contours of an institutionalized form of feasting. Talar-palaces, a new typology in Islamic palatial designs, and the urban-spatial articulation of access and proximity are the architectural anchors of this argument. Cast in the comparative light of urban spaces and palace complexes elsewhere and earlier-in the Timurid, Ottoman, and Mughal realms as well as in the early modern European capitals-Safavid Isfahan emerges as the epitome of a new architectural-urban paradigm in the early modern age.
