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Gender And Medieval Drama
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Book Synopsis Gender and Medieval Drama by : Katie Normington
Download or read book Gender and Medieval Drama written by Katie Normington and published by DS Brewer. This book was released on 2004 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Evidence from Records of Early English Drama, social, literary and cultural sources are drawn together in order to investigate how performances within the late Middle Ages were both shaped by, and shaped, the public image of women."--BOOK JACKET.
Book Synopsis Performing women by : Susannah Crowder
Download or read book Performing women written by Susannah Crowder and published by Manchester University Press. This book was released on 2018-08-31 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book takes on a key problem in the history of drama: the ‘exceptional’ staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory.
Download or read book Play time written by Daisy Black and published by Manchester University Press. This book was released on 2020-11-17 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents an important re-theorisation of gender and anti-Semitism in medieval biblical drama. It charts conflicts staged between dramatic personae in plays that represent theological transitions, including the Incarnation, Flood, Nativity and Bethlehem slaughter. Interrogating the Christian preoccupation with what it asserted was a superseded Jewish past, it asks how models of supersession and typology are subverted when placed in dramatic dialogue with characters who experience time differently. The book employs theories of gender, performance, anti-Semitism, queer theory and periodisation to complicate readings of early theatre’s biblical matriarchs and patriarchs. Dealing with frequently taught plays as well as less familiar material, the book is essential reading for specialist, undergraduate and postgraduate researchers working on medieval performance, gender and queer studies, Jewish-Christian studies and time.
Book Synopsis Female Mourning and Tragedy in Medieval and Renaissance English Drama by : Katharine Goodland
Download or read book Female Mourning and Tragedy in Medieval and Renaissance English Drama written by Katharine Goodland and published by Routledge. This book was released on 2017-03-02 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grieving women in early modern English drama, this study argues, recall not only those of Classical tragedy, but also, and more significantly, the lamenting women of medieval English drama, especially the Virgin Mary. Looking at the plays of Shakespeare, Kyd, and Webster, this book presents a new perspective on early modern drama grounded upon three original interrelated points. First, it explores how the motif of the mourning woman on the early modern stage embodies the cultural trauma of the Reformation in England. Second, the author here brings to light the extent to which the figures of early modern drama recall those of the recent medieval past. Finally, Goodland addresses how these representations embody actual mourning practices that were viewed as increasingly disturbing after the Reformation. Female Mourning and Tragedy in Medieval and Renaissance English Drama synthesizes and is relevant to several areas of recent scholarly interest, including the performance of gender, the history of emotion, studies of death and mourning, and the cultural trauma of the Reformation.
Book Synopsis The Drama of Masculinity and Medieval English Guild Culture by : C. Fitzgerald
Download or read book The Drama of Masculinity and Medieval English Guild Culture written by C. Fitzgerald and published by Springer. This book was released on 2007-06-25 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study argues that late medieval English 'mystery plays' were about masculinity as much as Christian theology, modes of devotion, or civic self-consciousness. Performed repeatedly by generations of merchants and craftsmen, these Biblical plays produced fantasies and anxieties of middle class, urban masculinity, many of which are familiar today.
Book Synopsis Women and Power in the Middle Ages by : Mary Erler
Download or read book Women and Power in the Middle Ages written by Mary Erler and published by University of Georgia Press. This book was released on 1988 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Power in medieval society has traditionally been ascribed to figures of public authority--violent knights and conflicting sovereigns who altered the surface of civic life through the exercise of law and force. The wives and consorts of these powerful men have generally been viewed as decorative attendants, while common women were presumed to have had no power or consequence. Reassessing the conventional definition of power that has shaped such portrayals, Women and Power in the Middle Ages reveals the varied manifestations of female power in the medieval household and community--from the cultural power wielded by the wives of Venetian patriarchs to the economic power of English peasant women and the religious power of female saints. Among the specific topics addresses are Griselda's manipulation of silence as power in Chaucer's "The Clerk's Tale"; the extensive networks of influence devised by Lady Honor Lisle; and the role of medieval women book owners as arbiters of lay piety and ambassadors of culture. In every case, the essays seek to transcend simple polarities of public and private, male and female, in order to provide a more realistic analysis of the workings of power in feudal society.
Book Synopsis Women and Gender in Medieval Europe by : Margaret Schaus
Download or read book Women and Gender in Medieval Europe written by Margaret Schaus and published by Taylor & Francis. This book was released on 2006 with total page 986 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Book Synopsis Mary Magdalene and the Drama of Saints by : Theresa Coletti
Download or read book Mary Magdalene and the Drama of Saints written by Theresa Coletti and published by University of Pennsylvania Press. This book was released on 2013-11-15 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sinner-saint who embraced then renounced sexual and worldly pleasures; a woman who, through her attachment to Jesus, embodied both erotic and sacred power; a symbol of penance and an exemplar of contemplative and passionate devotion: perhaps no figure stood closer to the center of late medieval debates about the sources of spiritual authority and women's contribution to salvation history than did Mary Magdalene, and perhaps nowhere in later medieval England was cultural preoccupation with the Magdalene stronger than in fifteenth-century East Anglia. Looking to East Anglian texts including the N-Town Plays, The Book of Margery Kempe, The Revelations of Julian of Norwich, and Bokenham's Legend of Holy Women, Theresa Coletti explores how the gendered symbol of Mary Magdalene mediates tensions between masculine and feminine spiritual power, institutional and individual modes of religious expression, and authorized and unauthorized forms of revelation and sacred speech. Using the Digby play Mary Magdalene as her touchstone, Coletti engages a wide variety of textual and visual resources to make evident the discursive and material ties of East Anglian dramatic texts and feminine religion to broader traditions of cultural commentary and representation. In bringing the disciplinary perspectives of literary history and criticism, gender studies, and social and religious history to bear on specific local instances of dramatic practice, Mary Magdalene and the Drama of Saints highlights the relevance of Middle English dramatic discourse to the dynamic religious climate of late medieval England. In doing so, the book decisively challenges the marginalization of drama within medieval English studies, elucidates vernacular theater's kinship with influential late medieval religious texts and institutions, and articulates the changing possibilities for sacred representation in the decades before the Reformation.
Book Synopsis Medieval English Drama by : Katie Normington
Download or read book Medieval English Drama written by Katie Normington and published by John Wiley & Sons. This book was released on 2013-04-30 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval English Drama provides a fresh introduction to the dramatic and festive practices of England in the late Middle Ages. The book places particular emphasis on the importance of the performance contexts of these events, bringing to life a period before permanent theatre buildings when performances took place in a wide variety of locations and had to fight to attract and maintain the attention of an audience. Showing the interplay between dramatic and everyday life, the book covers performances in convents, churches, parishes, street processions and parades, and in particular distinguishes between modes of outdoor and indoor performance. Katie Normington aids the reader to a fuller understanding of these early English dramatic practices by explaining the significance of the place of performance, the particularities of spectatorship for each event and how the conventions of the form of drama were manipulated to address its reception. Audiences considered range from cloistered members, congregations and parish members to urban citizens, nobles and royalty. Undergraduate students of literature of this period will find this an approachable and illuminating guide.
Book Synopsis Gender and Jewish Difference from Paul to Shakespeare by : Lisa Lampert
Download or read book Gender and Jewish Difference from Paul to Shakespeare written by Lisa Lampert and published by University of Pennsylvania Press. This book was released on 2004-03-05 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although representations of medieval Christians and Christianity are rarely subject to the same scholarly scrutiny as those of Jews and Judaism, "the Christian" is as constructed a term, category, and identity as "the Jew." Medieval Christian authors created complex notions of Christian identity through strategic use of representations of Others: idealized Jewish patriarchs or demonized contemporary Jews; Woman represented as either virgin or whore. In Western thought, the Christian was figured as spiritual and masculine, defined in opposition to the carnal, feminine, and Jewish. Women and Jews are not simply the Other for the Christian exegetical tradition, however; they also represent sources of origin, as one cannot conceive of men without women or of Christianity without Judaism. The bifurcated representations of Woman and Jew found in the literature of the Middle Ages and beyond reflect the uneasy figurations of women and Jews as both insiders and outsiders to Christian society. Gender and Jewish Difference from Paul to Shakespeare provides the first extended examination of the linkages of gender and Jewish difference in late medieval and early modern English literature. Focusing on representations of Jews and women in Chaucer's Canterbury Tales, selections from medieval drama, and Shakespeare's Merchant of Venice, Lampert explores the ways in which medieval and early modern authors used strategies of opposition to—and identification with—figures of Jews and women to create individual and collective Christian identities. This book shows not only how these questions are interrelated in the texts of medieval and early modern England but how they reveal the distinct yet similarly paradoxical places held by Woman and Jew within a longer tradition of Western thought that extends to the present day.
Book Synopsis Medieval Women on Film by : Kevin J. Harty
Download or read book Medieval Women on Film written by Kevin J. Harty and published by McFarland. This book was released on 2020-04-02 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first ever book-length treatment, 11 scholars with a variety of backgrounds in medieval studies, film studies, and medievalism discuss how historical and fictional medieval women have been portrayed on film and their connections to the feminist movements of the 20th and 21st centuries. From detailed studies of the portrayal of female desire and sexuality, to explorations of how and when these women gain agency, these essays look at the different ways these women reinforce, defy, and complicate traditional gender roles. Individual essays discuss the complex and sometimes conflicting cinematic treatments of Guinevere, Morgan Le Fay, Isolde, Maid Marian, Lady Godiva, Heloise, Eleanor of Aquitaine, and Joan of Arc. Additional essays discuss the women in Fritz Lang's The Nibelungen, Liv Ullmann's Kristin Lavransdatter, and Bertrand Tavernier's La Passion Beatrice.
Book Synopsis Gender, Poetry, and the Form of Thought in Later Medieval Literature by : Jennifer Jahner
Download or read book Gender, Poetry, and the Form of Thought in Later Medieval Literature written by Jennifer Jahner and published by Rowman & Littlefield. This book was released on 2022-02-09 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dedicated to the scholarship of Elizabeth Robertson, Gender, Poetry, and the Form of Thought in Later Medieval Literature is a collection of essays that explore how gender in medieval English literature intersects with philosophy, poetry, history, and religion.
Book Synopsis The Palgrave Handbook of the History of Women on Stage by : Jan Sewell
Download or read book The Palgrave Handbook of the History of Women on Stage written by Jan Sewell and published by Springer Nature. This book was released on 2020-04-29 with total page 850 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.
Book Synopsis Gender and Sexuality in the Middle Ages by : Martha A. Brozyna
Download or read book Gender and Sexuality in the Middle Ages written by Martha A. Brozyna and published by McFarland. This book was released on 2005-04-04 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perceptions about gender and sexuality have shaped the lives of men and women in every known culture and in every period of history. To study these perceptions one must delve into the underlying religious, social, philosophical and scientific influences. Understanding gender and sexuality during the Middle Ages requires an examination of the ideas, laws and institutions of the time--for example, the regulations of the Christian church, the anatomical studies of the medieval medical community, the chronicles of the time and the social criticism found in medieval literature. This reader brings such documents from throughout the medieval world into one collection. Representing a diverse range of ethnic, geographic and religious backgrounds, documents of the late Roman, Germanic, Anglo-Norman, Mediterranean, Byzantine, Slavic, Jewish and Islamic identities are all included. The book's chapters are organized according to nine areas--the Bible; Christian thought; chronicles; law; biology, medicine and science; literature; witchcraft and heresy; Judaism; and Islam--allowing for comparative examination of different societies and periods of the Middle Ages.
Book Synopsis Routledge Revivals: Women and Gender in Medieval Europe (2006) by : Margaret Schaus
Download or read book Routledge Revivals: Women and Gender in Medieval Europe (2006) written by Margaret Schaus and published by Routledge. This book was released on 2017-07-12 with total page 2033 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2006, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE. This reference work provides a comprehensive understanding of many aspects of medieval women and gender, such as art, economics, law, literature, sexuality, politics, philosophy and religion, as well as the daily lives of ordinary women. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Additional up-to-date bibliographies have been included for the 2016 reprint. Written by renowned international scholars and easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be a valuable resource on women in Medieval Europe.
Download or read book Acts and Texts written by and published by BRILL. This book was released on 2007-01-01 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the “performed” life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances.
Book Synopsis Contemporary Feminist Theatres by : Lizbeth Goodman
Download or read book Contemporary Feminist Theatres written by Lizbeth Goodman and published by Routledge. This book was released on 2003-09-02 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Feminist Theatres is a major evaluation of the forms feminism has taken in the theatre since 1968. Lizbeth Goodman provides a provocative and interdisciplinary study of the development of feminist theatres in Britain. She examines the treatment of key issues such as gender, race, sexuality, language and power in performance. Based on original research and fresh data, Contemporary Feminst Theatres is a fully comprehensive and admirably clear analysis of a flourishing field of practice and inquiry.
