Fruit Chan's Durian Durian

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Publisher : Hong Kong University Press
ISBN 13 : 9789622097438
Total Pages : 134 pages
Book Rating : 4.0/5 (974 download)

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Book Synopsis Fruit Chan's Durian Durian by : Wendy Gan

Download or read book Fruit Chan's Durian Durian written by Wendy Gan and published by Hong Kong University Press. This book was released on 2005-05-01 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how Fruit Chan's Durian Durian sensitively portrays the unsettling seismic shifts affecting the inhabitants of both China and Hong Kong in a post-1997 context. The study covers different aspects of Durian Durian: its relation to the Hong Kong independent film sector and traditions of Hong Kong social realism; its representations of mainland Chinese women; and its representations of cross-border relations and issues of post-1997 identity for both inhabitants of Hong Kong and China. Gan argues that Durian Durian is an attempt to re-think Hong Kong and China as a single entity, a single imagined community in a post-1997 era. The film is an exploration of "one country, two systems" not just in political but in spatial and affective terms. This is one of the first studies of Fruit Chan's work and presents him as one of Hong Kong's key filmmakers, worthy of serious critical study. Durian Durian is one of Chan's masterpieces and its study is of interest to anyone who is concerned with post-1997 realities in Hong Kong and China as visualized on film.

Fruit Chan's Made in Hong Kong

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Publisher : Hong Kong University Press
ISBN 13 : 9622099777
Total Pages : 195 pages
Book Rating : 4.6/5 (22 download)

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Book Synopsis Fruit Chan's Made in Hong Kong by : Esther M.K. Cheung

Download or read book Fruit Chan's Made in Hong Kong written by Esther M.K. Cheung and published by Hong Kong University Press. This book was released on 2009-07-01 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: This tragic coming-of-age story follows three disillusioned local youths struggling to navigate Hong Kong public housing projects and late adolescence amid violent crime, gang pressure, and broken homes. Shot on a very low budget, the film marked the beginning of Chan's career as an independent film director.

Chinese-German Female-Themed Art Film Culture in the Context of Globalization

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Publisher : Logos Verlag Berlin GmbH
ISBN 13 : 3832554807
Total Pages : 416 pages
Book Rating : 4.8/5 (325 download)

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Book Synopsis Chinese-German Female-Themed Art Film Culture in the Context of Globalization by : Ning Xu

Download or read book Chinese-German Female-Themed Art Film Culture in the Context of Globalization written by Ning Xu and published by Logos Verlag Berlin GmbH. This book was released on 2022-08-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the context of globalization, this book explores female-themed art films from China and Germany, in order to seek and illustrate how the cultural difference between the ways of representing women and narrating women's themes is shown in the films of both countries.

Chinese Films in Focus II

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838714979
Total Pages : 760 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Chinese Films in Focus II by : Chris Berry

Download or read book Chinese Films in Focus II written by Chris Berry and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present. The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris Berry is Professor of Film and Television at Goldsmiths, University of London.

New Hong Kong Cinema

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Publisher : Berghahn Books
ISBN 13 : 1782387048
Total Pages : 288 pages
Book Rating : 4.7/5 (823 download)

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Book Synopsis New Hong Kong Cinema by : Ruby Cheung

Download or read book New Hong Kong Cinema written by Ruby Cheung and published by Berghahn Books. This book was released on 2015-11-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.

East Asian Cinemas

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Publisher : Springer
ISBN 13 : 0230307183
Total Pages : 253 pages
Book Rating : 4.2/5 (33 download)

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Book Synopsis East Asian Cinemas by : V. Lee

Download or read book East Asian Cinemas written by V. Lee and published by Springer. This book was released on 2011-04-12 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea. A timely and important contribution to existing scholarship in the field.

Hong Kong Cinema Since 1997

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Publisher : Springer
ISBN 13 : 0230245439
Total Pages : 254 pages
Book Rating : 4.2/5 (32 download)

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Book Synopsis Hong Kong Cinema Since 1997 by : V. Lee

Download or read book Hong Kong Cinema Since 1997 written by V. Lee and published by Springer. This book was released on 2009-09-29 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics - the 'post-nostalgic imagination' - in Hong Kong cinema in the first decade of Chinese rule.

Speaking in Images

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Publisher : Columbia University Press
ISBN 13 : 9780231133319
Total Pages : 588 pages
Book Rating : 4.1/5 (333 download)

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Book Synopsis Speaking in Images by : Michael Berry

Download or read book Speaking in Images written by Michael Berry and published by Columbia University Press. This book was released on 2005 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.

Peter Ho-Sun Chan's He's a Woman, She's a Man

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Publisher : Hong Kong University Press
ISBN 13 : 962209970X
Total Pages : 165 pages
Book Rating : 4.6/5 (22 download)

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Book Synopsis Peter Ho-Sun Chan's He's a Woman, She's a Man by : Lisa Odham Stokes

Download or read book Peter Ho-Sun Chan's He's a Woman, She's a Man written by Lisa Odham Stokes and published by Hong Kong University Press. This book was released on 2009-04-01 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comedy confronts social stereotypes of masculine females, male anxieties about homosexuality and the limits of female femininity. The book also offers background on comedic narrative structure in Cantonese opera and other traditional sources that have influenced Hong Kong cinema.

Hong Kong Screenscapes

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Publisher : Hong Kong University Press
ISBN 13 : 9888028561
Total Pages : 316 pages
Book Rating : 4.8/5 (88 download)

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Book Synopsis Hong Kong Screenscapes by : Esther M. K. Cheung

Download or read book Hong Kong Screenscapes written by Esther M. K. Cheung and published by Hong Kong University Press. This book was released on 2010-11-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Global connections and screen innovations converge in Hong Kong cinema. Energized by transnational images and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood. The circulation of Hong Kong films through art house and film festival circuits, as well as independent DVDs and galleries and internet sites, reveals many differences within global cultural distributions, as well as distinctive tensions between experimental media artists and traditional screen architects. Coving the contributions of Hong Kong New Wave directors such as Wong Karwai, Stanley Kwan, Ann Hui, Patrick Tam, and Tsui Hark, the volume links their spirit of innovation to work by independent, experimental, and documentary filmmakers, including Fruit Chan, Tammy Cheung, Evans Chan, Yau Ching and digital artist Isaac Leung. Within an interdisciplinary frame that highlights issues of political marginalization, censorship, sexual orientation, gender hierarchies, "flexible citizenship" and local/global identities, this book speaks to scholars and students within as well as beyond the field of Hong Kong cinema. Esther M.K. Cheung is chair of the Department of Comparative Literature and director of the Center for the Study of Globalization and Cultures (CSGC) at the University of Hong Kong. Gina Marchetti teaches in the Department of Comparative Literature at the University of Hong Kong. Tan See-Kam presently works and researches at the University of Macau.

Cinema at the City's Edge

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Publisher : Hong Kong University Press
ISBN 13 : 962209984X
Total Pages : 218 pages
Book Rating : 4.6/5 (22 download)

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Book Synopsis Cinema at the City's Edge by : Yomi Braester

Download or read book Cinema at the City's Edge written by Yomi Braester and published by Hong Kong University Press. This book was released on 2010-12-01 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: East Asia is a pivotal region in the advancement of media technologies, globalized consumerism and branding economies. City and urban spaces are now attracting cinematic imaginaries and the academic examination of visual images and urban space in East Asian contexts. Highlighting changing conceptions and blurring boundaries of "where city ends and cinema begins," this collection offers an original contribution to film/media and cultural studies, urban studies, and sociology.-Koichi Iwabucchi, Waseda University The originality of this book on the fragmented cities of Asia lies in the manner in which it pins down the relationship between visual images and urban space. The arguments are eloquent and persuasive, with close readings of critical media texts. Many of the dynamic issues tackled in the book are "on the edge" of film and cultural studies in Asia and should attract a wide readership.-Zhou Xuelin, University of Auckland

Citing China

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Publisher : University of Hawaii Press
ISBN 13 : 0824866576
Total Pages : 250 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis Citing China by : Gina Marchetti

Download or read book Citing China written by Gina Marchetti and published by University of Hawaii Press. This book was released on 2018-03-31 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Citing China explores the role film plays in creating a common ground for the exchange of political and aesthetic ideas between China and the rest of the world. It does so by examining the depiction of China in contemporary film, looking at how global filmmakers “cite” China on screen. Author Gina Marchetti’s aim is not to point to how China continues to function as a metaphor or allusion that has little to do with the geopolitical actualities of contemporary China. Rather, she highlights China’s position within global film culture, examining how cinematic quotations link current films to past political movements and unresolved social issues in a continuing multidirectional conversation. Marchetti covers a wide range of cinematic encounters across the China-West divide. She looks closely at specific movements in world film history and at key films that have influenced the way “China” is depicted in global cinema today, from popular entertainment to international art cinema, the DV revolution, video activism, and the emergence of “festival films.” Marchetti first considers contemporary Chinese-language cinema (Edward Yang, Hou Hsiao-Hsien); she then turns to Italian Neorealism and its importance to the Chinese Sixth Generation (Jia Zhangke) and the French New Wave’s ripple effect on filmmakers associated with the Hong Kong New Wave and Taiwan New Cinema (Ann Hui, Evans Chan). As the People’s Republic of China has gained increased global economic clout, filmmakers draw on Euro-American formulae (Bruce Lee, Clara Law) to attract new viewers and define cinematic pleasures for new audiences on the other side of the earth. The book concludes with a consideration of the role film festivals, women filmmakers, and emerging audiences play in the new world of global cinema. Citing China offers a framework for examining cinematic influence as a dynamic and multidirectional process. It is carefully researched, theoretically sophisticated, and animated by detailed and historically nuanced studies of individual films, making clear just how much a part of global film culture today’s China is. The book makes important contributions to debates in transnational film studies, postmodern versus modernist aesthetics and politics, and Asian as well as European art cinema.

Yonfan’s Bugis Street

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Publisher : Hong Kong University Press
ISBN 13 : 9888208764
Total Pages : 189 pages
Book Rating : 4.8/5 (882 download)

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Book Synopsis Yonfan’s Bugis Street by : Kenneth Chan

Download or read book Yonfan’s Bugis Street written by Kenneth Chan and published by Hong Kong University Press. This book was released on 2015-10-01 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bugis Street was famous (or notorious) for being a haunt of transgender prostitution in the early decades of postcolonial Singapore. Since then the site has been a source of touristic obsession and local cultural anxiety. In his 1995 film Bugis Street, director Yonfan brings the short lane back to vivid cinematic life. By focusing on the film's representations of queer sexualities and transgender experience, this book contends that the under-appreciated Bugis Street is a significant instance of queer transnational cinema. The film's playful yet nuanced articulations of queer embodiment, spatiality, and temporality provide an unexpected intervention in the public discourses on LGBT politics, activism, and cultures in Singapore today. This book's arrival at a much more complicated and contradictory picture of the discursive Bugis Street, through the examination of Yonfan's film and a range of other cultural and literary texts, adds a new critical dimension to the ongoing historical, geographical, sociological, ethnographic, and artistic analyses of this controversial space.

Subjects in Process

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Publisher : Routledge
ISBN 13 : 1317251199
Total Pages : 239 pages
Book Rating : 4.3/5 (172 download)

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Book Synopsis Subjects in Process by : Michael A. Peters

Download or read book Subjects in Process written by Michael A. Peters and published by Routledge. This book was released on 2015-10-23 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Subjects in Process investigates the human subject in the first decade of the twenty-first century in relation to changing social circumstances and belongings. The concept of 'subjectivity' in the Western tradition has focused on the figure of the autonomous, self-conscious, and rooted individual. This book develops a conception of the subject that is nomadic and fluid rather than grounded and complete. Written from a perspective that takes account of globalisation - and the pressures that it places upon individuals and communities - this book draws upon Nietzsche and the post-modern thinkers that followed him. Arguing that a modern conception of the subject must be one based on cultural exchanges and transformations, this book is sure to provide new insights for anyone concerned with or interested in the identity of the individual now and in the future.

Metro Movies

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Publisher : SIU Press
ISBN 13 : 0809386178
Total Pages : 286 pages
Book Rating : 4.8/5 (93 download)

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Book Synopsis Metro Movies by : Harry H. Kuoshu

Download or read book Metro Movies written by Harry H. Kuoshu and published by SIU Press. This book was released on 2010-12-23 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Metro Movies: Cinematic Urbanism in Post-Mao China takes readers on a comprehensive tour of the urbanization of Chinese cinema. Focusing primarily on movies from the end of the twentieth century, it is the first single-authored work to explore the relationship between the changes in Chinese society—caused in part by the advent of postsocialism, the growth of cities, and globalization—and the transformation of Chinese cinema. Author Harry H. Kuoshu examines such themes as displacement, cinematic representation, youth subculture, the private emotional lives of emerging urbanites, raw urban realism, and the allegorical contrast of the city and the countryside to illustrate the artistic richness and cultural diversity of this cinematic genre. Kuoshu discusses the work of director Huang Jianxin, whose films follow and critique China’s changing urban political culture. He dedicates a chapter to filmmakers who followed Huang and attempted to redefine the concept of art films to regain the local audience. These directors address Chinese moviegoers’ disappointment with the international adoption of Chinese art films, their lack of interest in conventional Chinese films, and their fascination with emerging audio-video media. A considerable amount of attention is given to films of the 1990s, which focus on the social changes surfacing in China, from the trend of hooliganism and the Beijing rock scene to the arrival of an urban pop culture lifestyle driven by expansionist commerce and materialism. Kuoshu also explores recent films that confront the seedier aspects of city life, as well as films that demonstrate how urbanization has touched every fiber of Chinese living. Metro Movies illustrates how cinematic urbanism is no longer a genre indicator but is instead an era indicator, revealing the dominance of metropolitan living on modern Chinese culture. It gives new insight into contemporary Chinese politics and culture and provides readers with a better understanding of China’s urban cinema. This book will be an excellent addition to college film courses and will fascinate any reader with an interest in film studies or Chinese culture.

Tsui Hark's Peking Opera Blues

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Publisher : Hong Kong University Press
ISBN 13 : 9888208861
Total Pages : 256 pages
Book Rating : 4.8/5 (882 download)

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Book Synopsis Tsui Hark's Peking Opera Blues by : Tan See Kam

Download or read book Tsui Hark's Peking Opera Blues written by Tan See Kam and published by Hong Kong University Press. This book was released on 2016-05-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part historical drama, part thriller, and part comedy, Tsui Hark's Peking Opera Blues (1986) invites--if not demands--examinations from multiple perspectives. Tan See Kam rises to the challenge in this study by first situating Tsui in a Sinophone context. The diasporic director explores different dimensions of "Chineseness" in the film by depicting competing versions of Chinese nationalism and presenting characters speaking two Chinese languages, Cantonese and Mandarin. In the process he compels viewers to recognize the multiplicities of the Chinese identity and rethink what constitutes cultural Chineseness. The challenge to a single definition of "Chinese" is also embodied by the playful pastiches of diverse materials. In a series of intertextual readings, Tan reveals the full complexity of Peking Opera Blues by placing it at the center of a web of texts consisting of Tsui's earlier film Shanghai Blues (1984), Hong Kong's Mandarin Canto-pop songs, the "three-women" films in Chinese-language cinemas, and of course, traditional Peking opera, whose role-types, makeup, and dress code enrich the meaning of the film. In Tan's portrayal, Tsui Hark is a filmmaker who makes masterly use of postmodernist techniques to address postcolonial concerns. More than a quarter of a century after its release, Tan shows, Peking Opera Blues still reverberates in the present time.

Ann Hui's Song of the Exile

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Publisher : Hong Kong University Press
ISBN 13 : 9888028758
Total Pages : 158 pages
Book Rating : 4.8/5 (88 download)

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Book Synopsis Ann Hui's Song of the Exile by : Audrey Yue

Download or read book Ann Hui's Song of the Exile written by Audrey Yue and published by Hong Kong University Press. This book was released on 2010-03-01 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: "With due emphases on diasporic intimacies, cine-feminism, and transcultural literacy, Audrey Yue has written a sensitive and lucid study, doing justice to a remarkable film by a remarkable director."---Rey Chow, Duke University "This book pushes the boundaries of existing studies on Hong Kong cinema studies. Yue provides us with innovative ways of reading intimacy in the diaspora: as nostalgia for the familiar or idealised; as cultural memories that make up diasporic archives; as modes of transformation of kinship Structures; as affects produced through new media technologies. The book concludes with a self-reflexive exploration of teaching Song in Australia. By situating the film under the rubric of critical multiculturalism, Yue demonstrates how the teaching of postcolonial cinema can be sustained as a political pedagogy that resists the pluralist demands of a neoliberal curriculum. This is a carefully researched, rigorously analytical and intellectually profound study that will make its mark in the fields of diaspora, transcultural communication and cinema studies."---Jacqueline Lo, Australian National University The resolutely independent filmmaker Ann On-wah Hui continues to inspire critical acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a pioneering career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonate strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favourite among returning Hong Kong emigrants and international cinema students. This book examines how Hui challenges the myth of the original home as singular, familial and romantic, and constructs the second home as a new space for Hong Kong modernity. Yue also discusses the teaching of the film in the diaspora, demonstrating its potential as an affective and performative text of transcultural literacy and diasporic negotiations in the cross-cultural classroom.