French Film History 1895 1946

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French Film History, 1895–1946

Author : Richard Neupert
Publisher : University of Wisconsin Pres
ISBN 13 : 0299337707
Total Pages : 405 pages
Book Rating : 4.2/5 (993 download)

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Book Synopsis French Film History, 1895–1946 by : Richard Neupert

Download or read book French Film History, 1895–1946 written by Richard Neupert and published by University of Wisconsin Pres. This book was released on 2022-07-19 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: French Film History, 1895–1946 addresses the creative and often unexpected trajectory of French cinema, which continues to be one of the most provocative and engaging cinemas in the world. Tracing French film and its developments from the earliest days, when France dominated world cinema, up through the Occupation and Liberation, Neupert outlines major players and films that made it so influential. Paris held a privileged position as one of the world’s hubs of scientific, social, and cultural experimentation; it is no wonder that the cinema as we know it was born there in the nineteenth century. This book presents French cinema’s most significant creative filmmakers and movies but also details the intricate relations between technology, economics, and government that helped shape the unique conditions for cinematic experimentation in the country. Neupert explains the contexts behind the rise of cinema in France, including groundbreaking work by the Lumière family, Georges Méliès, and Alice Guy; the powerhouse studios of Pathé and Gaumont; directors such as René Clair, Germaine Dulac, Marcel Pagnol, and Jean Renoir; and an array of stars, including Max Linder, Jean Gabin, Josephine Baker, and Michèle Morgan. The first fifty years of French film practice established cinema’s cultural and artistic potential, setting the stage for the global post–World War II explosion in commercial movies and art cinema alike. French film and its rich history remain at the heart of cinematic storytelling and our moviegoing pleasure.

French Cinema Since 1946: The great tradition

Author : Roy Armes
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (66 download)

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Book Synopsis French Cinema Since 1946: The great tradition by : Roy Armes

Download or read book French Cinema Since 1946: The great tradition written by Roy Armes and published by . This book was released on 1966 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

French Cinema

Author : Roy Armes
Publisher :
ISBN 13 :
Total Pages : 175 pages
Book Rating : 4.:/5 (66 download)

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Book Synopsis French Cinema by : Roy Armes

Download or read book French Cinema written by Roy Armes and published by . This book was released on 1966 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt:

French cinema since 1946

Author : Armes, Roy
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (461 download)

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Book Synopsis French cinema since 1946 by : Armes, Roy

Download or read book French cinema since 1946 written by Armes, Roy and published by . This book was released on 1962 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Continental Films

Author : Christine Leteux
Publisher : University of Wisconsin Pres
ISBN 13 : 0299339807
Total Pages : 275 pages
Book Rating : 4.2/5 (993 download)

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Book Synopsis Continental Films by : Christine Leteux

Download or read book Continental Films written by Christine Leteux and published by University of Wisconsin Pres. This book was released on 2022-11-29 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1940 to 1944, the German-owned Continental Films dominated the French film landscape, producing thirty features throughout the Nazi occupation. Charged with producing entertaining and profitable films rather than propaganda, producer Alfred Greven employed some of the greatest French actors and most prestigious directors of the time, including Maurice Tourneur, Henri Decoin, Henri-Georges Clouzot, and Marcel Carné. Using recently opened archival documents, including reams of testimony from the épuration (purification) hearings conducted shortly after the war, Christine Leteux has produced the most authoritative and complete history of the company and its impact on the French film industry—both during the war and after. She captures the wide range of responses to the firm from those who were eager to work for a company whose ideology matched their own, to others who reluctantly accepted contracts out of necessity, to those who abhorred the company but felt compelled to participate in order to protect family members from Nazi reprisals. She examines not only the formation and management of Continental Films but also the personalities involved, the fraught and often deadly political circumstances of the period, the critical reception of the films, and many of the more notorious and controversial events. As Bertrand Tavernier explains in his foreword, Leteux overturns many of the preconceptions and clichés that have come to be associated with Continental Films. Published to rave reviews in French and translated by the author into English, this work shatters expectations and will reinvigorate study of a lesser-known but significant period of French film history.

Historical Dictionary of French Cinema

Author : Dayna Oscherwitz
Publisher : Historical Dictionaries of Literature and the Arts
ISBN 13 :
Total Pages : 514 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Historical Dictionary of French Cinema by : Dayna Oscherwitz

Download or read book Historical Dictionary of French Cinema written by Dayna Oscherwitz and published by Historical Dictionaries of Literature and the Arts. This book was released on 2007 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: It can be argued that cinema was created in France by Louis Lumière in 1895 with the invention of the cinématographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinématographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumière's La Sortie de l'usine, a minute-long film of workers leaving the Lumière factory, captured the imagination of the nation and quickly inspired the likes of Georges Méliès, Alice Guy, and Charles Pathé. Through the years, French cinema has been responsible for producing some of the world's best directors-Jean Renoir, Jean-Luc Godard, François Truffaut, and Louis Malle-and actors-Charles Boyer, Catherine Deneuve, Gérard Depardieu, and Audrey Tautou. The Historical Dictionary of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.

Colonial Tactics and Everyday Life

Author : Yuxin Ma
Publisher : University of Wisconsin Pres
ISBN 13 : 0299340201
Total Pages : 357 pages
Book Rating : 4.2/5 (993 download)

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Book Synopsis Colonial Tactics and Everyday Life by : Yuxin Ma

Download or read book Colonial Tactics and Everyday Life written by Yuxin Ma and published by University of Wisconsin Pres. This book was released on 2023-01-17 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the Japanese invasion of northeast China in 1931, the occupying authorities established the Manchuria Film Association to promote film production efficiency and serve Japan’s propaganda needs. Manchuria Film Association had two tasks: to make “national policy films” as part of a cultural mission of educating Chinese in Manchukuo (the puppet state created in 1932) on the special relationship between Japan and the region, and to block the exhibition of Chinese films from Shanghai that contained anti-Japanese messages. The corporation relied on Japanese capital, technology, and film expertise, but it also employed many Chinese filmmakers. After the withdrawal of Japanese forces in 1945, many of these individuals were portrayed as either exploited victims or traitorous collaborators. Yuxin Ma seeks to move the conversation beyond such simplistic and inaccurate depictions. By focusing on the daily challenges and experiences of the Chinese workers at the corporation, Ma examines how life was actually lived by people navigating between practical and ideological concerns. She illustrates how the inhabitants of Manchukuo navigated social opportunities, economic depression, educational reforms, fascist rule, commercial interests, practical daily needs, and more—and reveals ways in which these conflicting preoccupations sometimes manifested as tension and ambiguity on screen. In the battle between repression and expression, these Chinese actors, directors, writers, and technicians adopted defensive and opportunistic tactics. They did so in colonial spaces, often rejecting modernist representations of Manchukuo in favor of venerating traditional Chinese culture and values. The expertise, skills, and professional networks they developed extended well beyond the occupation into the postwar period, and may individuals reestablished themselves as cinema professionals in the socialist era.

A History of the French New Wave Cinema

Author : Richard Neupert
Publisher : Univ of Wisconsin Press
ISBN 13 : 0299217035
Total Pages : 442 pages
Book Rating : 4.2/5 (992 download)

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Download or read book A History of the French New Wave Cinema written by Richard Neupert and published by Univ of Wisconsin Press. This book was released on 2007-04-20 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

Somerset Maugham and the Cinema

Author : Robert Calder
Publisher : University of Wisconsin Pres
ISBN 13 : 029934620X
Total Pages : 307 pages
Book Rating : 4.2/5 (993 download)

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Book Synopsis Somerset Maugham and the Cinema by : Robert Calder

Download or read book Somerset Maugham and the Cinema written by Robert Calder and published by University of Wisconsin Pres. This book was released on 2024 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Somerset Maugham (1874-1965) was one of the most prominent and productive authors of the twentieth century--and his works have been among the most cinematically transformed in history. For more than five decades, adaptations of his plays, stories, and novels dominated movie theaters and, later, television screens. More than ninety individual works were filmed, and for many filmgoers his name was a greater draw than that of the director. Works such as Of Human Bondage, "The Letter," The Painted Veil, "Rain," The Razor's Edge, and others were produced multiple times, with starring roles sought by actors like Bette Davis, Gloria Swanson, Greta Garbo, Lionel Barrymore, Charles Laughton, and Bill Murray. This study of the famous author explores the relationship between literature and film, what is involved in adaptation, and how best to judge films based on celebrated books. Robert Calder, the world's leading scholar of Maugham's work, offers fascinating production histories, insight into both fortunate and misguided casting decisions, shrewd analyses of performances and film techniques, and summaries of public and critical responses. Maugham's characters were often conflicted, iconoclastic, and morally out of step with their times, which may have accounted for the popularity of his fiction. Most of Maugham's works could be adapted to satisfy the tastes of moviegoers and the demands of the Hays Office censors, if not the expectations of their author.

French National Cinema

Author : Susan Hayward
Publisher : Psychology Press
ISBN 13 : 9780415307833
Total Pages : 422 pages
Book Rating : 4.3/5 (78 download)

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Book Synopsis French National Cinema by : Susan Hayward

Download or read book French National Cinema written by Susan Hayward and published by Psychology Press. This book was released on 2005 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.

French Cinema—A Critical Filmography

Author : Colin Crisp
Publisher : Indiana University Press
ISBN 13 : 0253017033
Total Pages : 342 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis French Cinema—A Critical Filmography by : Colin Crisp

Download or read book French Cinema—A Critical Filmography written by Colin Crisp and published by Indiana University Press. This book was released on 2015-06-29 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: This invaluable resource by one of the world’s leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929–1939 and Volume 2: 1940–1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958–1974, is forthcoming.

French Cinema in the 1980s

Author : Phil Powrie
Publisher : Oxford University Press
ISBN 13 : 9780198711193
Total Pages : 236 pages
Book Rating : 4.7/5 (111 download)

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Book Synopsis French Cinema in the 1980s by : Phil Powrie

Download or read book French Cinema in the 1980s written by Phil Powrie and published by Oxford University Press. This book was released on 1997 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: French film in the 1980s might have lacked the invention of the New Wave but gritty police thrillers and nostalgic costume-dramas such as Jean de Florette and Manon des Sources brought French cinema to a wider audience than ever before. This landmark study is not merely a history of French film in the 1980s, but offers a set of critical essays on the crisis of masculinity in contemporary French culture, and its interrelationship with nostalgia. After a brief overview both of the crisis in the French film industry during the 1980s, and of the socio-political crisis of masculinity in the wake of 1970s feminism, the book is divided into three sections: the retro-nostalgic film, the Polar, or police thriller, and the comic film. Films studied in detail include Diva, Subway, Coup de foudre, Vivement dimanche , La Vie est un long fleuve tranquille, and Tenue de soir e, while the volume covers actors from G rard Depardieu, Daniel Auteuil, and Yves Montand to Isabelle Adjani, Isabelle Huppert, and Emmanuelle B art.

La Vie Est À Nous!

Author : Ginette Vincendeau
Publisher :
ISBN 13 :
Total Pages : 128 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis La Vie Est À Nous! by : Ginette Vincendeau

Download or read book La Vie Est À Nous! written by Ginette Vincendeau and published by . This book was released on 1986 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:

French Film in Britain

Author : Lucy Mazdon
Publisher : Berghahn Books
ISBN 13 : 0857453793
Total Pages : 248 pages
Book Rating : 4.8/5 (574 download)

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Book Synopsis French Film in Britain by : Lucy Mazdon

Download or read book French Film in Britain written by Lucy Mazdon and published by Berghahn Books. This book was released on 2013-03-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simultaneously shedding new light on British film history. From the early days of the Film Society, via the advent of the X certificate to the new possibilities of video and DVD, this book reveals the complex and detailed history of the distribution, exhibition, marketing and reception of French cinema in Britain.

Archiving the Everyday

Author : Paula Tatla Amad
Publisher :
ISBN 13 : 9780493757056
Total Pages : 483 pages
Book Rating : 4.7/5 (57 download)

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Book Synopsis Archiving the Everyday by : Paula Tatla Amad

Download or read book Archiving the Everyday written by Paula Tatla Amad and published by . This book was released on 2002 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Global Neorealism

Author : Saverio Giovacchini
Publisher : Univ. Press of Mississippi
ISBN 13 : 1617031232
Total Pages : 272 pages
Book Rating : 4.6/5 (17 download)

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Book Synopsis Global Neorealism by : Saverio Giovacchini

Download or read book Global Neorealism written by Saverio Giovacchini and published by Univ. Press of Mississippi. This book was released on 2011-10-11 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intellectual, cultural, and film historians have long considered neorealism the founding block of post–World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini’s Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica’s Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred “realism.” Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.

Contemporary French cinema

Author : Guy Austin
Publisher : Manchester University Press
ISBN 13 : 1526162911
Total Pages : 392 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Contemporary French cinema by : Guy Austin

Download or read book Contemporary French cinema written by Guy Austin and published by Manchester University Press. This book was released on 2021-06-15 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.