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Films And British National Identity
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Book Synopsis Films and British National Identity by : Jeffrey Richards
Download or read book Films and British National Identity written by Jeffrey Richards and published by Manchester University Press. This book was released on 1997-09-15 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).
Book Synopsis How Identity is Reflected in British Working Class Films by : Maxi Kirchner
Download or read book How Identity is Reflected in British Working Class Films written by Maxi Kirchner and published by GRIN Verlag. This book was released on 2007-11 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), 9 entries in the bibliography, language: English, abstract: This thesis compares several working class films such as "Brassed Off" and "Billy Elliot" with reference to the theoretical concept of national identity, ie. the British national identity. The analysis of such a diverse cultural term like "identity" and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called "Brassed Off" and, secondly, an independent film produced by Amber Films called "Like Father". Both films are set in the 1990′s and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity.
Book Synopsis Rule, Britannia! by : Homer B. Pettey
Download or read book Rule, Britannia! written by Homer B. Pettey and published by SUNY Press. This book was released on 2018-10-01 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Assesses how cinematic biographies of key figures reflect and shape what it means to be British. Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genres only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered. This exceptional collection offers new ways of looking at these films as films, as well as a fresh approach to British history as a cultural whole. Wheeler Winston Dixon
Book Synopsis British National Cinema by : Sarah Street
Download or read book British National Cinema written by Sarah Street and published by Taylor & Francis. This book was released on 2009 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: With films as diverse as Bhaji on the Beach, The Dam Busters, Trainspotting, The Draughtsman's Contract, Prick Up Your Ears, Ratcatcher, This Is England and Atonement, British cinema has produced wide-ranging notions of British culture, identity and nationhood. British National Cinema is a comprehensive introduction to the British film industry within an economic, political and social context. British National Cinema analyzes the politics of film and establishes the difficult context within which British producers and directors have worked. Sarah Street questions why British film-making, production and distribution have always been subject to government apathy and financial stringency. In a comparison of Britain and Hollywood, the author asks to what extent was there a 'star system' in Britain and what was its real historical and social function. An examination of genres associated with British film, such as Ealing comedies, Hammer horror, 'heritage' films and hybrid forms, confirms the eclectic nature of British cinema. In a final evaluation of British film, she examines the existence of 'other cinemas': film-making which challenges the traditional concept of cinema and operates outside mainstream structures in order to deconstruct and replace classical styles and conventions. Illustrated with over thirty stills from classic British films, British National Cinema provides an accessible and comprehensive exploration of the fascinating development of British cinema.
Book Synopsis Distorted Images by : Kenton Bamford
Download or read book Distorted Images written by Kenton Bamford and published by . This book was released on 1999 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Making of English National Identity by : Krishan Kumar
Download or read book The Making of English National Identity written by Krishan Kumar and published by Cambridge University Press. This book was released on 2003-03-13 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Why is English national identity so enigmatic and so elusive? Why, unlike the Scots, Welsh, Irish and most of continental Europe, do the English find it so difficult to say who they are? The Making of English National Identity, first published in 2003, is a fascinating exploration of Englishness and what it means to be English. Drawing on historical, sociological and literary theory, Krishan Kumar examines the rise of English nationalism and issues of race and ethnicity from earliest times to the present day. He argues that the long history of the English as an imperial people has, as with other imperial people like the Russians and the Austrians, developed a sense of missionary nationalism which in the interests of unity and empire has necessitated the repression of ordinary expressions of nationalism. Professor Kumar's lively and provocative approach challenges readers to reconsider their pre-conceptions about national identity and who the English really are.
Download or read book Cinema and Nation written by Mette Hjort and published by Psychology Press. This book was released on 2000 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema and Nation considers the ways in which film production and reception are shaped by ideas of national belonging and examines the implications of globalisation for the concept of national cinema.
Book Synopsis The Making of English National Identity by : Krishan Kumar
Download or read book The Making of English National Identity written by Krishan Kumar and published by Cambridge University Press. This book was released on 2003-03-13 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why is English national identity so enigmatic and so elusive? Why, unlike the Scots, Welsh, Irish and most of continental Europe, do the English find it so difficult to say who they are? The Making of English National Identity, first published in 2003, is a fascinating exploration of Englishness and what it means to be English. Drawing on historical, sociological and literary theory, Krishan Kumar examines the rise of English nationalism and issues of race and ethnicity from earliest times to the present day. He argues that the long history of the English as an imperial people has, as with other imperial people like the Russians and the Austrians, developed a sense of missionary nationalism which in the interests of unity and empire has necessitated the repression of ordinary expressions of nationalism. Professor Kumar's lively and provocative approach challenges readers to reconsider their pre-conceptions about national identity and who the English really are.
Book Synopsis Ulster Unionism and British National Identity Since 1885 by : James Loughlin
Download or read book Ulster Unionism and British National Identity Since 1885 written by James Loughlin and published by Burns & Oates. This book was released on 1995 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Much has been written on the Irish problem and on the political manifestations of Ulster Unionism, but the history of Unionist ideology has been relatively neglected. James Loughlin aims to correct this and to discuss the relationship of Unionism to the idea of Britishness, demonstrating that the central element of Unionism was its rejection of Irish nationalism and its firm embracing of British national identity, particularly with regard to the monarchy, and membership of the wider British nation. The author pays close attention to primary sources, especially local newspapers, and thus reveals the regional variations in the character of Unionism.
Book Synopsis The Film Cultures Reader by : Graeme Turner
Download or read book The Film Cultures Reader written by Graeme Turner and published by Psychology Press. This book was released on 2002 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon.
Book Synopsis Routledge Revivals: Patriotism: The Making and Unmaking of British National Identity (1989) by : Raphael Samuel
Download or read book Routledge Revivals: Patriotism: The Making and Unmaking of British National Identity (1989) written by Raphael Samuel and published by Routledge. This book was released on 2016-10-04 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1989, this is the third of three volumes exploring the changing notions of patriotism in British life from the thirteenth century to the late twentieth century and constitutes an attempt to come to terms with the power of the national idea through a historically informed critique. This volume studies some of the leading figures of national myth, such as Britannia and John Bull. One group of essays looks at the idea of distinctively national landscape and the ways in which it corresponds to notions of social order. A chapter on the poetry of Edmund Spenser explores metaphorical representations of Britain as a walled garden, and the idea of an enchanted national space is taken up in a series of essays on literature, theatre and cinema. An introductory piece charts some of the startling changes in the image of national character, from the seventeenth-century notion of the English as the most melancholy people in Europe, to the more uncertain and conflicting images of today.
Download or read book Past and Present written by James Chapman and published by Bloomsbury Publishing. This book was released on 2005-09-23 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
Book Synopsis British Cinema, Past and Present by : Justine Ashby
Download or read book British Cinema, Past and Present written by Justine Ashby and published by Routledge. This book was released on 2013-05-13 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day. The contributors address: * British Cinema Studies and the concept of national cinema * the distribution and reception of British films in the US and Europe * key genres, movements and cycles of British cinema in the 1940s, 50s and 60s * questions of authorship and agency, with case studies of individual studios, stars, producers and directors * trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties * the representation of marginalised communities in films such as Trainspotting and The Full Monty * the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth * changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant * contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
Book Synopsis National Identity and the Anglo-Irish Representation in Ken Loach's "The Wind that Shakes the Barley" by : Jana Schäfer
Download or read book National Identity and the Anglo-Irish Representation in Ken Loach's "The Wind that Shakes the Barley" written by Jana Schäfer and published by GRIN Verlag. This book was released on 2016-02-24 with total page 21 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2015 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Leipzig (Anglistik), course: British Media, Culture, language: English, abstract: The concept of national identity is one of the most interesting in the field of media study as it is both shaping and shaped by it. However, the question of why and how film and national identity are related is the focus of this case study concerning "The Wind That Shakes The Barley" (TWTSB). With the help of the film this paper aims to depict the complexity of national identity in the contemporary globalised media. Especially the contrast between the textual and the contextual side will be taken into account to establish a critical representation of the British. There will be different questions addressed; starting with the development of national identity with its relation to media on a more theoretical basis. Secondly, the case study will be analysed with regards to the Anglo-Irish relationship. Although the film appears to be in favour of the Irish revolution in the War of Independence it is the contextual side which highlights the complexity and actuality of the British representation. Therefore, the last chapter will show how director Ken Loach and screenwriter Paul Laverty use the Irish perspective to criticise their own national history. Here, Irish national identity is constructed via an outsider’s perspective. Hence, national identity is re-constructed to depict rather global issues of oppressing working classes by the ruling class.
Book Synopsis Histories on Screen by : Sam Edwards
Download or read book Histories on Screen written by Sam Edwards and published by Bloomsbury Publishing. This book was released on 2018-02-08 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.
Book Synopsis The BBC and national identity in Britain, 1922–53 by : Thomas Hajkowski
Download or read book The BBC and national identity in Britain, 1922–53 written by Thomas Hajkowski and published by Manchester University Press. This book was released on 2013-07-19 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the ways in which the BBC constructed and disseminated British national identity during the second quarter of the twentieth century, this book is the first study that focuses in a comprehensive way on how the BBC, through its radio programs, tried to represent what it meant to be British. The BBC and national identity in Britain offers a revision of histories of regional broadcasting in Britain that interpret it as a form of cultural imperialism. The regional organization of the BBC, and the news and creative programming designed specifically for regional listeners, reinforced the cultural and historical distinctiveness of Scotland, Wales, and Northern Ireland. The BBC anticipated, and perhaps encouraged, the development of the hybrid “dual identities” characteristic of contemporary Britain. This book will be of interest to scholars and students of nationalism and national identity, British imperialism, mass media and media history, and the “four nations” approach to British history.
Book Synopsis The Right to Belong by : Richard Weight
Download or read book The Right to Belong written by Richard Weight and published by I.B. Tauris. This book was released on 2017-12-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The period 1940-1960 was a time of considerable change in British society. It saw the emergence of mass democracy, a world war and then unprecedented affluence. Change brought uncertainty among Britain s elites, which in turn encouraged them to reflect more acutely on the direction the nation was taking. Questions were posed: what was the social role of ordinary men and women in 20th-century Britain? What were their needs, their rights, their responsibilities? How did they stand in relation not only to the State but to their regions and communities? And how were those objects of loyalty or disloyalty defined? Who, in other words, were the British, and by what processes did they come to be so considered?; The contributors explore the development of these ideas by a variety of individuals and organizations, and the relationship between these opinion-makers and political parties. They also examine the extent to which their conclusions were translated into social policy in an attempt to shape the evolution of modern Britain."
