Editing Early Music

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Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (931 download)

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Book Synopsis Editing Early Music by :

Download or read book Editing Early Music written by and published by . This book was released on 1987 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Early Music History

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Publisher : Cambridge University Press
ISBN 13 : 9780521104357
Total Pages : 328 pages
Book Rating : 4.1/5 (43 download)

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Book Synopsis Early Music History by : Iain Fenlon

Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume ten include: Machaut's motet 15 and the Roman de la Rose: the literary context of Amours qui a le pouoir/Faus Samblant m' a deceii/Vidi Dominum; Giulo de' Medici's music books; Parisian nobles, a Scottish princess and the woman's voice in late medieval song.

A Performer's Guide to Transcribing, Editing, and Arranging Early Music

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Author :
Publisher : Oxford University Press
ISBN 13 : 0197600654
Total Pages : 289 pages
Book Rating : 4.1/5 (976 download)

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Book Synopsis A Performer's Guide to Transcribing, Editing, and Arranging Early Music by : Alon Schab

Download or read book A Performer's Guide to Transcribing, Editing, and Arranging Early Music written by Alon Schab and published by Oxford University Press. This book was released on 2022-06-10 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources - manuscripts, prints, and treatises - in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions - determining what constitutes a 'version' of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.

Early Music Editing

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Publisher :
ISBN 13 : 9782503551517
Total Pages : 0 pages
Book Rating : 4.5/5 (515 download)

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Book Synopsis Early Music Editing by : Theodor Dumitrescu

Download or read book Early Music Editing written by Theodor Dumitrescu and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is editing music a fallacy? It may appear so when consulting the Oxford English Dictionary, which defines editing as to prepare an edition (of a literary work or works by an earlier author), or to prepare, set in order for publication (literary material which is wholly or in part the work of others). Of course, the parentheses readily allow the musicologist to construct a broadened definition of editing, tacitly declaring music to be akin to literature; but doing so causes a number of other discomforts, for music, while certainly not inimical to words, simply cannot be equated with literature tout court. Even so, the OED mercilessly insists on the origins of the term within the realm of literary text production. Furthermore, as if adding insult to injury, a secondary definition of editing offered by the OED-to prepare a film for the cinema or recordings for broadcasting, etc. (by eliminating unwanted material etc.) -brings music into play, but hardly in the sense it is construed in this volume, namely in its written instantiation as notation. Instead, catapulting the reader from the old-fashioned realm of ink and paper into the glittery domain of twentieth- and twenty-first century multi-media art forms and their post-Gutenbergian methods of production, storage and distribution, music editing is now made present as the cleaning-up procedure preceding the release of a new product rather than the painstaking preparation of a work or works by an earlier author for re-publication.

The Critical Editing of Music

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Publisher : Cambridge University Press
ISBN 13 : 9780521558631
Total Pages : 288 pages
Book Rating : 4.5/5 (586 download)

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Book Synopsis The Critical Editing of Music by : James Grier

Download or read book The Critical Editing of Music written by James Grier and published by Cambridge University Press. This book was released on 1996-08-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.

Editing Early Music

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Publisher : Oxford [England] ; Toronto : Clarendon Press
ISBN 13 :
Total Pages : 152 pages
Book Rating : 4.:/5 (41 download)

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Book Synopsis Editing Early Music by : John Caldwell

Download or read book Editing Early Music written by John Caldwell and published by Oxford [England] ; Toronto : Clarendon Press. This book was released on 1985 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its publication in 1985, Editing Early Music has been the guide to editorial procedures suitable for music written from the Middle Ages to about 1830. For this revised edition, Caldwell has made a number of corrections, brought the bibliography up to date, and added a Postscript onstemmatics and textual criticism.

Editing Early Music

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Publisher : [Oxford] Novello [1963]
ISBN 13 :
Total Pages : 24 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Editing Early Music by : Thurston Dart

Download or read book Editing Early Music written by Thurston Dart and published by [Oxford] Novello [1963]. This book was released on 1963 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Tonal Structures in Early Music

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Publisher : Routledge
ISBN 13 : 1135704694
Total Pages : 420 pages
Book Rating : 4.1/5 (357 download)

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Book Synopsis Tonal Structures in Early Music by : Cristle Collins Judd

Download or read book Tonal Structures in Early Music written by Cristle Collins Judd and published by Routledge. This book was released on 2014-04-23 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussion of tonal structure has been one of the most problematic and controversial aspects of modern study of Medieval and Renaissance polyphony. These new essays written specifically for this volume consider the issue from historical, analytical, theoretical, perceptual and cultural perspectives.

Sourcebook for Research in Music, Third Edition

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Publisher : Indiana University Press
ISBN 13 : 0253014565
Total Pages : 518 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Sourcebook for Research in Music, Third Edition by : Allen Scott

Download or read book Sourcebook for Research in Music, Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

The Early Music Revival

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Publisher : Courier Corporation
ISBN 13 : 9780486291628
Total Pages : 242 pages
Book Rating : 4.2/5 (916 download)

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Book Synopsis The Early Music Revival by : Harry Haskell

Download or read book The Early Music Revival written by Harry Haskell and published by Courier Corporation. This book was released on 1996-01-01 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.

Editing Music in Early Modern Germany

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Publisher : Routledge
ISBN 13 : 1351568841
Total Pages : 286 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Editing Music in Early Modern Germany by : SusanLewis Hammond

Download or read book Editing Music in Early Modern Germany written by SusanLewis Hammond and published by Routledge. This book was released on 2017-07-05 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.

Sourcebook for Research in Music

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Publisher : Indiana University Press
ISBN 13 : 9780253213235
Total Pages : 258 pages
Book Rating : 4.2/5 (132 download)

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Book Synopsis Sourcebook for Research in Music by : Phillip Crabtree

Download or read book Sourcebook for Research in Music written by Phillip Crabtree and published by Indiana University Press. This book was released on 1993 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.

Interpreting the Musical Past : Early Music in Nineteenth-Century France

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Publisher : Oxford University Press, USA
ISBN 13 : 0199710856
Total Pages : 322 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis Interpreting the Musical Past : Early Music in Nineteenth-Century France by : University of London Katharine Ellis Reader in Music Royal Holloway

Download or read book Interpreting the Musical Past : Early Music in Nineteenth-Century France written by University of London Katharine Ellis Reader in Music Royal Holloway and published by Oxford University Press, USA. This book was released on 2005-08-24 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.

Companion to Medieval and Renaissance Music

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Publisher : Univ of California Press
ISBN 13 : 9780520210813
Total Pages : 452 pages
Book Rating : 4.2/5 (18 download)

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Book Synopsis Companion to Medieval and Renaissance Music by : Tess Knighton

Download or read book Companion to Medieval and Renaissance Music written by Tess Knighton and published by Univ of California Press. This book was released on 1997 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.

Where Sight Meets Sound

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Publisher : Oxford University Press
ISBN 13 : 0197551912
Total Pages : 345 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis Where Sight Meets Sound by : Emily Zazulia

Download or read book Where Sight Meets Sound written by Emily Zazulia and published by Oxford University Press. This book was released on 2021 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. Composers sometimes asked singers to read the music in unusual ways-backwards, upside-down, or at a reduced speed-to produce sounds whose relationship to the written notes is anything but obvious. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informed-sometimes erroneously-ideas about the premodern era. By viewing notation as a complex technology that did more than record sound, the book revolutionizes the way we think about music's literate traditions"--

Aspects of Early English Keyboard Music before c.1630

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Publisher : Routledge
ISBN 13 : 1351613871
Total Pages : 246 pages
Book Rating : 4.3/5 (516 download)

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Book Synopsis Aspects of Early English Keyboard Music before c.1630 by : David J. Smith

Download or read book Aspects of Early English Keyboard Music before c.1630 written by David J. Smith and published by Routledge. This book was released on 2019-04-24 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.

Baroque Music

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Publisher : Routledge
ISBN 13 : 1351574728
Total Pages : 588 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Baroque Music by : Peter Walls

Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.