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Contemporary Sculpture And The Critique Of Display Cultures
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Book Synopsis Contemporary Sculpture and the Critique of Display Cultures by : Dan Adler
Download or read book Contemporary Sculpture and the Critique of Display Cultures written by Dan Adler and published by Routledge. This book was released on 2018-08-14 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials – often things left on the side of the road, according to the logic and progress of the capitalist machine – and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken’s "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer’s midcareer survey (Musée d’art contemporain, Montréal, 2008), Rachel Harrison’s "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor’s "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).
Book Synopsis Contemporary Cultures of Display by : Emma Barker
Download or read book Contemporary Cultures of Display written by Emma Barker and published by Yale University Press. This book was released on 1999-01-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contiene:
Book Synopsis Subject to Display by : Jennifer A. Gonzalez
Download or read book Subject to Display written by Jennifer A. Gonzalez and published by MIT Press. This book was released on 2011-03-04 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the visual culture of “race” through the work of five contemporary artists who came to prominence during the 1990s. Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepón Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer González offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes González, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All five of the American installation artists González considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space and the power of display in settings that mimic the very spaces they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, but also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as “artifacts” and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.
Book Synopsis World-Forming and Contemporary Art by : Jessica Holtaway
Download or read book World-Forming and Contemporary Art written by Jessica Holtaway and published by Routledge. This book was released on 2021-02-15 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how contemporary art can alter the ways in which we visualise and conceptualise the world and the social relations that shape it. Drawing from the writings of philosopher Jean-Luc Nancy, it spotlights the concept of ‘world-forming’ and the political significance of art-making and viewing. The central theme of ‘world-forming’ focuses attention on the processes of globalisation. The book explores how artists can facilitate shared creative spaces within and beyond the apparatuses of global capitalism. The book traces a philosophical progression from ontology to the political through a series of participatory practices. It forwards Jean-Luc Nancy’s idea of ‘world-forming’ in order to show how contemporary art sustains critical and creative engagement with social practices. The overall objective of the book is to show, through participatory practices, how contemporary art can facilitate social change. The book will be of interest to scholars working in art history, contemporary art, philosophy and politics.
Book Synopsis Handbook of Material Culture by : Chris Tilley
Download or read book Handbook of Material Culture written by Chris Tilley and published by SAGE. This book was released on 2006-01-05 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of material culture is concerned with the relationship between persons and things in the past and in the present, in urban and industrialized and in small-scale societies across the globe. The Handbook of Material Culture provides a critical survey of the theories, concepts, intellectual debates, substantive domains and traditions of study characterizing the analysis of things. It is cutting-edge: rather than simply reviewing the field as it currently exists. It also attempts to chart the future: the manner in which material culture studies may be extended and developed. The Handbook of Material Culture is divided into five sections. • Section I maps material culture studies as a theoretical and conceptual field. • Section II examines the relationship between material forms, the human body and the senses. • Section III focuses on subject-object relations. • Section IV considers things in terms of processes and transformations in terms of production, exchange and consumption, performance and the significance of things over the long-term. • Section V considers the contemporary politics and poetics of displaying, representing and conserving material and the manner in which this impacts on notions of heritage, tradition and identity. The Handbook charts an interdisciplinary field of studies that makes an unique and fundamental contribution to an understanding of what it means to be human. It will be of interest to all who work in the social and historical sciences, from anthropologists and archaeologists to human geographers to scholars working in heritage, design and cultural studies.
Book Synopsis The Power and Fluidity of Girlhood in Henry Darger’s Art by : Leisa Rundquist
Download or read book The Power and Fluidity of Girlhood in Henry Darger’s Art written by Leisa Rundquist and published by Routledge. This book was released on 2021-04-06 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to examine Henry Darger’s conceptual and visual representation of “girls” and girlhood. Specifically, Leisa Rundquist charts the artist’s use of little girl imagery—his direct appropriations from mainstream sources as well as girls modified to meet his needs—in contexts that many scholars have read as puerile and psychologically disturbed. Consequently, this inquiry qualifies the intersexed aspects of Darger’s protagonists as well as addresses their inherent cute and little associations that signal multivocal meanings often in conflict with each other. Rundquist engages Darger’s art through thematic analyses of the artist’s writings, mature works, collages, and ephemeral materials. This book will be of particular interest to scholars in art history, art and gender studies, sociology, and contemporary art.
Book Synopsis Contemporary British Ceramics and the Influence of Sculpture by : Laura Gray
Download or read book Contemporary British Ceramics and the Influence of Sculpture written by Laura Gray and published by Taylor & Francis. This book was released on 2018-01-02 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.
Book Synopsis Fashionability, Exhibition Culture and Gender Politics by : Meaghan Clarke
Download or read book Fashionability, Exhibition Culture and Gender Politics written by Meaghan Clarke and published by Routledge. This book was released on 2020-06-11 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.
Book Synopsis Material culture : critical concepts in the social sciences. Vol. 3 : Pt. 1 by : Victor Buchli
Download or read book Material culture : critical concepts in the social sciences. Vol. 3 : Pt. 1 written by Victor Buchli and published by Taylor & Francis. This book was released on 2004 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Book Synopsis Spirituality, Feminism, and Pre-Raphaelitism in Modern British Art and Culture by : Alice Eden
Download or read book Spirituality, Feminism, and Pre-Raphaelitism in Modern British Art and Culture written by Alice Eden and published by Taylor & Francis. This book was released on 2024-04-17 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book proposes new understandings of modern life in Britain by bringing constructs of female spirituality centre stage and examining three ‘forgotten’ artists identified with the Pre-Raphaelites and Victorianism. Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson are resituated squarely within the tumultuous social and cultural changes of the period. Becoming visible again, in more inclusive histories, allows such artists not only to re-inhabit but to reshape narratives of modernism, reanimating the scholarly discourse and creating a dynamic cultural history of modern Britain expressed through their striking visions of womanhood. This book will be of interest to scholars in art history, gender studies and British studies.
Book Synopsis Contemporary Clay and Museum Culture by : Christie Brown
Download or read book Contemporary Clay and Museum Culture written by Christie Brown and published by Routledge. This book was released on 2016-06-17 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book examines how ceramic artists have, over the last decade, begun to animate museum collections in new ways, and reflects on the impact that these new initiatives have had in the broad context of visual culture. Ceramics in the Expanded Field is the culmination of a three-year AHRC funded project, and reflects its major findings. It brings together leading international voices in the field of ceramics, research undertaken throughout the project and papers delivered at the concluding conference. By examining the benefits and constraints of interventions and the dialogue between ceramics and museological practice, this book will bring focus to an area of museology that has not yet been theorized, and will contribute to policy debates and art practice.
Download or read book Res written by Francesco Pellizzi and published by Harvard University Press. This book was released on 2008-02-15 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
Book Synopsis The Future of Indigenous Museums by : Nick Stanley
Download or read book The Future of Indigenous Museums written by Nick Stanley and published by Berghahn Books. This book was released on 2008 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indigenous museums and cultural centres have sprung up across the developing world, and particularly in the Southwest Pacific. This book looks to the future of museum practice through examining how these museums have evolved to incorporate the present and the future in the display of culture.
Author :Chi, Jennifer Y., and Pedro Azara, eds. Publisher :Princeton University Press ISBN 13 :0691166463 Total Pages :121 pages Book Rating :4.6/5 (911 download)
Book Synopsis From Ancient to Modern by : Chi, Jennifer Y., and Pedro Azara, eds.
Download or read book From Ancient to Modern written by Chi, Jennifer Y., and Pedro Azara, eds. and published by Princeton University Press. This book was released on 2015-03-22 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the Institute for the Study of the Ancient World at New York University, New York, February 12-June 7, 2015.
Book Synopsis Museums, International Exhibitions and China's Cultural Diplomacy by : Da Kong
Download or read book Museums, International Exhibitions and China's Cultural Diplomacy written by Da Kong and published by Routledge. This book was released on 2021-03-31 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Museums, International Exhibitions and China’s Cultural Diplomacy examines the role museums and, more specifically, international exhibitions, have played in shaping China’s international image to date. Drawing on theories and methods from museum studies and international relations, the book evaluates the contribution international exhibitions make to China’s cultural diplomacy strategy. Considering their impact on the country’s international image, Kong also probes the mechanisms and processes involved, examining in detail the policy of, and international activities promoted by, the Chinese government. The book also analyses the motives of the Chinese and overseas museums that host these exhibitions. Taking some major exhibitions that were on show in the UK during the 21st century as a representative case study, the book reveals the mechanisms by which these exhibitions were developed and shared overseas. Questioning who really shapes the image of China, Kong challenges Western assumptions and looks ahead to consider whether, moving forward, the Chinese government and museums could work together in a mutually beneficial way. Museums, International Exhibitions and China’s Cultural Diplomacy contributes to the growing literature on museums and diplomacy. As such, it will be of interest to academics and students engaged in the study of museums and heritage, international relations, culture, politics, China and wider Asia.
Book Synopsis The Culture of Curating and the Curating of Culture(s) by : Paul O'Neill
Download or read book The Culture of Curating and the Curating of Culture(s) written by Paul O'Neill and published by MIT Press. This book was released on 2016-09-02 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions—large-scale, temporary projects with artworks cast as illustrative fragments—came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated—and authorized—the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Book Synopsis How Folklore Shaped Modern Art by : Wes Hill
Download or read book How Folklore Shaped Modern Art written by Wes Hill and published by Routledge. This book was released on 2015-11-19 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art’s "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art’s inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture. In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity.
