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Contemporary Cultures Of Display
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Book Synopsis Contemporary Cultures of Display by : Emma Barker
Download or read book Contemporary Cultures of Display written by Emma Barker and published by Yale University Press. This book was released on 1999-01-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contiene:
Book Synopsis Contemporary Cultures of Display by : Emma Barker
Download or read book Contemporary Cultures of Display written by Emma Barker and published by Yale University Press. This book was released on 1999-01-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contiene:
Book Synopsis Subject to Display by : Jennifer A. Gonzalez
Download or read book Subject to Display written by Jennifer A. Gonzalez and published by MIT Press. This book was released on 2011-03-04 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the visual culture of “race” through the work of five contemporary artists who came to prominence during the 1990s. Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepón Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer González offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes González, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All five of the American installation artists González considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space and the power of display in settings that mimic the very spaces they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, but also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as “artifacts” and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.
Book Synopsis Contemporary Sculpture and the Critique of Display Cultures by : Dan Adler
Download or read book Contemporary Sculpture and the Critique of Display Cultures written by Dan Adler and published by Routledge. This book was released on 2018-08-14 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials – often things left on the side of the road, according to the logic and progress of the capitalist machine – and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken’s "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer’s midcareer survey (Musée d’art contemporain, Montréal, 2008), Rachel Harrison’s "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor’s "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).
Download or read book Exhibiting Cultures written by Ivan Karp and published by Smithsonian Institution. This book was released on 2012-01-11 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Debating the practices of museums, galleries, and festivals, Exhibiting Cultures probes the often politically charged relationships among aesthetics, contexts, and implicit assumptions that govern how art and artifacts are displayed and understood. The contributors—museum directors, curators, and scholars in art history, folklore, history, and anthropology—represent a variety of stances on the role of museums and their function as intermediaries between the makers of art or artifacts and the eventual viewers.
Download or read book Culture on Display written by Bella Dicks and published by McGraw-Hill Education (UK). This book was released on 2004-01-16 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: “a welcome addition to a growing body of scholarly writing… a comprehensive critical survey of the literature on cultural heritage and tourism and associated issues in the fields of cultural and media studies over the previous decade. These concepts and issues are clearly presented and exemplified in the case studies of numerous sites of cultural display…” Southern Review Why is culture so widely on display? What are the major characteristics of contemporary cultural display? What is the relationship between cultural display and key features of contemporary society: the rise of consumerism; tourism; ‘identity-speak’; globalization? What can cultural display tell us about current relations of self and other, here and there, now and then? Culture on Display invites the reader to visit culture. Reflecting on the contemporary proliferation of sites displaying culture in visitable form, it offers fresh ways of thinking about tourism, leisure and heritage. Bella Dicks locates diverse exhibitionary locations within wider social, economic and cultural transformations, including contemporary practices of tourism and travel, strategies of economic development, the staging of identities, globalization, interactivity and relations of consumerism. In particular, she critically examines how culture becomes transformed when it is put on display within these contexts. In each chapter, key theoretical issues of debate, such as authenticity, commodification and representation, are discussed in a lively and accessible manner. This is an important book for undergraduate and postgraduate students of cultural policy, cultural and media studies and sociology, as well as academic researchers in this field. It will also be of considerable value to students of sociology of culture, cultural politics, arts administration and cultural management.
Download or read book Visual Display written by Lynne Cooke and published by Bay Press (WA). This book was released on 1995 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: A "highly recommended" (Library Journal) contribution to interdisciplinary debate about how cultural differences are implicit within visual forms.
Book Synopsis Culture On Display by : Dicks, Bella
Download or read book Culture On Display written by Dicks, Bella and published by McGraw-Hill Education (UK). This book was released on 2004-01-01 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reflecting on the contemporary proliferation of sites displaying culture in visitable form, this text introduces readers to fresh ways of thinking about tourism, leisure and heritage.
Book Synopsis The Politics of Display by : Sharon Macdonald
Download or read book The Politics of Display written by Sharon Macdonald and published by Routledge. This book was released on 2010-10-05 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: The assumption that museum exhibitions, particularly those concerned with science and technology, are somehow neutral and impartial is today being challenged both in the public arena and in the academy. The Politics of Display brings together studies of contemporary and historical exhibitions and contends that exhibitions are never, and never have been, above politics. Rather, technologies of display and ideas about 'science' and 'objectivity' are mobilized to tell stories of progress, citizenship, racial and national difference. The display of the Enola Gay, the aircraft which dropped the atomic bomb on Hiroshima is a well-known case in point. The Politics of Display charts the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive, multimedia and reflexive modes of display. The Politics of Display brings together an array of international scholars in the disciplines of sociology, anthropology and history. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine, and locations include the United States of America, Australia, the United Kingdom, France, the Netherlands and Spain. This book is an excellent contribution to debates about the politics of public culture. It will be of interest to students of sociology, anthropology, cultural studies, museum studies and science studies.
Book Synopsis The Contemporary Art Gallery by : David Carrier
Download or read book The Contemporary Art Gallery written by David Carrier and published by Cambridge Scholars Publishing. This book was released on 2016-09-23 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everyone who looks at contemporary art is familiar with galleries. But visual features of these mysterious temples tend to be taken for granted. The basic purpose of this book is to enliven the reader’s latent knowledge of galleries, including architectural motifs, the intended impression that is conveyed to the visitor, and human interactions within them. The contemporary art world system includes artists’ studios, art galleries, homes of collec-tors and public art museums. To comprehend art, one needs to understand these settings and how it travels through them. The contemporary art gallery is a store where luxury goods are sold. What distinguishes it from stores selling other luxuries – upscale clothing, jewelry, and posh cars – is the nature of the merchandise. While much has been written about the art, this book uncovers the secretive culture of the galleries themselves. The gallery is the public site where art is first seen – anyone can come and look for free. This store, a commercial site, is where aesthetic judgments are made. Art’s value is determined in this marketplace by the consensus formed by public opinion, professional re-viewers and sales. The gallery, then, is the nexus of the enigmatic, billion dollar art world, and it is that space that is dissected here. The first chapter briefly describes the beginnings of the present contemporary art gallery. The second presents the experience of gallery going, presenting summary accounts of vis-its to some contemporary galleries. The third expands and extends that analysis, with de-tailed close up descriptions and comparative evaluations of many diverse contemporary galleries, in order to identify the challenges provided by these marvelous places. Then the fourth chapter indicates why, in the near future, due to the proliferation of myriad art fairs and online platforms extant today, such galleries might disappear altogether.
Book Synopsis Transformations by : Grant David McCracken
Download or read book Transformations written by Grant David McCracken and published by Indiana University Press. This book was released on 2008-05-12 with total page 930 pages. Available in PDF, EPUB and Kindle. Book excerpt: The reinvention of identity in today's world.
Book Synopsis Figures of Thinking by : Vicky A. Clark
Download or read book Figures of Thinking written by Vicky A. Clark and published by University of Washington Press. This book was released on 2005 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt: Figures of Thinking presents a case for a new way of making art in a century that, even in its early years, has already brought great change and turmoil, from 9/11 to bombings and natural disasters. These events have caused a dramatic shift in how people perceive their lives and their world. A candid and engaging conversation between curators Vicky A. Clark and Sandhini Poddar focuses on the intuitive, on art and artists that suggest and evoke responses rather than seek to analyze. Featured artists include Rina Banerjee, Lesley Dill, Ellen Gallagher, Mona Hatoum, Adrienne Heinrich, Nina Katchadourian, Simone Leigh, Wangechi Mutu, Yuki Onodera, Kathy Prendergast, Barbara Weissberger, Heesung Yang, Cheryl Yun, and Zarina.
Book Synopsis Out There, Marginalization and Contemporary Cultures by : Russell Ferguson
Download or read book Out There, Marginalization and Contemporary Cultures written by Russell Ferguson and published by . This book was released on 1999 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Contemporary Art: A Very Short Introduction by : Julian Stallabrass
Download or read book Contemporary Art: A Very Short Introduction written by Julian Stallabrass and published by Oxford University Press. This book was released on 2006-03-23 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Bloodied toy soldiers, gilded shopping carts, and Lego concentration camps. Contemporary art is supposed to be a realm of freedom where artists shock, break taboos, and switch between confronting viewers with works of great profundity and jaw-dropping triviality. But away from shock tactics in the gallery, there are many unanswered questions. What is contemporary about contemporary art? What effect do politics and big business have on art? And who really runs the art world?" "Previously published as Art Incorporated, this controversial and witty Very Short Introduction is an exploration of the global art scene that will change the way you see contemporary art."--BOOK JACKET.
Book Synopsis African Cultures, Visual Arts, and the Museum by : Tobias Döring
Download or read book African Cultures, Visual Arts, and the Museum written by Tobias Döring and published by Rodopi. This book was released on 2002 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the contents: Christine MATZKE: Comrades in arts and arms: stories of wars and watercolours from Eritrea. - Sabine MARSCHALL: Positioning the other': reception and interpretation of contemporary black South African artists. - Kristine ROOME: The art of liberating voices: contemporary South African art exhibited in New York. - Jonathan ZILBERG: Shona sculpture and documenta 2002: reflections on exclusions.
Download or read book Museum Frictions written by Ivan Karp and published by Duke University Press. This book was released on 2006-12-07 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt: This third volume in a bestselling series on culture, society, and museums examines the effects of globalization on contemporary museum, heritage, and exhibition practices.
Book Synopsis Theatre, Exhibition, and Curation by : Georgina Guy
Download or read book Theatre, Exhibition, and Curation written by Georgina Guy and published by Routledge. This book was released on 2016-04-20 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts practice distinct from but related to increasing curatorial provision for ‘live’ performance. Drawing on a recent proliferation of object-centric events of display that interconnect with theatre, the book approaches artworks in terms of their curation together and re-theorizes the exhibition as a dynamic context in which established traditions of display and performance interact. By examining the current traffic of ideas and aesthetics moving between theatricality and curatorial practice, the study reveals how the reception of a specific form is often mediated via the ontological expectations of another. It asks how contemporary visual arts and exhibition practices display performance and what it means to generalize the ‘theatrical’ as the optic or directive of a curatorial concept. Proposing a symbiotic relation between theatricality and display, Guy presents cases from international arts institutions which are both displayed and performed, including the Tate Modern and the Guggenheim, and assesses their significance to the enduring relation between theatre and the visual arts. The book progresses from the conventional alignment of theatricality and ephemerality within performance research and teases out a new temporality for performance with which contemporary exhibitions implicitly experiment, thereby identifying supplementary modes of performance which other discourses exclude. This important study joins the fields of Theatre and Performance Studies with exciting new directions in curation, aesthetics, sociology of the arts, visual arts, the creative industries, the digital humanities, cultural heritage, and reception and audience theories.