Conceptual Art

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Author :
Publisher : Tate
ISBN 13 :
Total Pages : 88 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis Conceptual Art by : Paul Wood

Download or read book Conceptual Art written by Paul Wood and published by Tate. This book was released on 2002 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conceptual Art has set out to undermine two concepts associated with art - the production of objects to look at, and the act of contemplative looking itself. This introduction explores the reasons why the new avant-garde chose to produce such work.

Conceptual Art and the Politics of Publicity

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Author :
Publisher : MIT Press
ISBN 13 : 9780262511841
Total Pages : 258 pages
Book Rating : 4.5/5 (118 download)

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Book Synopsis Conceptual Art and the Politics of Publicity by : Alexander Alberro

Download or read book Conceptual Art and the Politics of Publicity written by Alexander Alberro and published by MIT Press. This book was released on 2003 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the origins and legacy of the conceptual art movement.

Who's Afraid of Conceptual Art?

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Author :
Publisher : Routledge
ISBN 13 : 1135234868
Total Pages : 178 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Who's Afraid of Conceptual Art? by : Peter Goldie

Download or read book Who's Afraid of Conceptual Art? written by Peter Goldie and published by Routledge. This book was released on 2009-10-16 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation. Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.

Materializing Six Years

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Author :
Publisher : MIT Press
ISBN 13 :
Total Pages : 312 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis Materializing Six Years by : Catherine Morris

Download or read book Materializing Six Years written by Catherine Morris and published by MIT Press. This book was released on 2012-08-24 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. “Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'” —Lucy R. Lippard, Six Years In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book. The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices. With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle.

Conceptual Art

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Author :
Publisher : Taschen America Llc
ISBN 13 : 9783822829622
Total Pages : 95 pages
Book Rating : 4.8/5 (296 download)

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Book Synopsis Conceptual Art by : Daniel Marzona

Download or read book Conceptual Art written by Daniel Marzona and published by Taschen America Llc. This book was released on 2005 with total page 95 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ideas, systems and processes - Includes discussion of pieces of work by various exponents of the movement.

Conceptual Art

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Author :
Publisher : Plume Books
ISBN 13 :
Total Pages : 258 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Conceptual Art by : Ursula Meyer

Download or read book Conceptual Art written by Ursula Meyer and published by Plume Books. This book was released on 1972 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: The function of the critic and the function of the artist have been traditionally divided; the artist's concern was the production of the work and the critic's was its evaluation and interpretation. During the past several years a group of young artists evolved the idiom of Conceptual Art, which eliminated this division. Conceptual artists take over the role of the critic in terms of framing their own propositions, ideas, and concepts. "An essential aspect of Conceptual Art is its self-reference; often the artists define the intentions of their work as part of their art. Thus, many Conceptual artists advance propositions or investigations. It is in keeping, then, with Conceptual Art that it is best explained through itself, i.e., through the examination of Conceptual Art, rather than through any assumptions outside of itself. In this sense, this book is not a 'critical anthology' by a documentation of Conceptual Art and Statements."

Philosophy and Conceptual Art

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Author :
Publisher : Clarendon Press
ISBN 13 : 0191536547
Total Pages : 312 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Philosophy and Conceptual Art by : Peter Goldie

Download or read book Philosophy and Conceptual Art written by Peter Goldie and published by Clarendon Press. This book was released on 2007-03-22 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fourteen prominent analytic philosophers writing here engage with the cluster of philosophical questions raised by conceptual art. They address four broad questions: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art? Conceptual art, broadly understood by the contributors as beginning with Marcel Duchamp's ready-mades and as continuing beyond the 1970s to include some of today's contemporary art, is grounded in the notion that the artist's 'idea' is central to art, and, contrary to tradition, that the material work is by no means essential to the art as such. To use the words of the conceptual artist Sol LeWitt, 'In conceptual art the idea of the concept is the most important aspect of the work . . . and the execution is a perfunctory affair'. Given this so-called 'dematerialization' of the art object, the emphasis on cognitive value, and the frequent appeal to philosophy by many conceptual artists, there are many questions that are raised by conceptual art that should be of interest to analytic philosophers. Why, then, has so little work been done in this area? This volume is most probably the first collection of papers by analytic Anglo-American philosophers tackling these concerns head-on. Contributors Margaret Boden, Diarmuid Costello, Gregory Currie, David Davies, Peter Goldie, Robert Hopkins, Matthew Kieran, Peter Lamarque, Dominic McIver Lopes, Derek Matravers, Elisabeth Schellekens, Kathleen Stock, Carolyn Wilde, and the 'Art & Language' group.

Systems We Have Loved

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Author :
Publisher : University of Chicago Press
ISBN 13 : 022600791X
Total Pages : 250 pages
Book Rating : 4.2/5 (26 download)

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Book Synopsis Systems We Have Loved by : Eve Meltzer

Download or read book Systems We Have Loved written by Eve Meltzer and published by University of Chicago Press. This book was released on 2013-07-02 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the early 1960s, theorists like Lévi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, Systems We Have Loved shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century’s most transformative movements—one artistic, one expansively theoretical—and she reveals their shared dream—or nightmare—of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art’s embrace of the world as an information system, Systems We Have Loved breathes new life into the study of conceptual art.

Rewriting Conceptual Art

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Author :
Publisher : Reaktion Books
ISBN 13 : 9781861890528
Total Pages : 266 pages
Book Rating : 4.8/5 (95 download)

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Book Synopsis Rewriting Conceptual Art by : Michael Newman

Download or read book Rewriting Conceptual Art written by Michael Newman and published by Reaktion Books. This book was released on 1999-12 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An international movement that developed along separate but parallel lines in Europe and America during the 1970s, Conceptual Art grew out of the legacy of Marcel Duchamp. Aiming to completely redefine the relationships between the production, definition and ownership of artworks and their various audiences, Conceptual artists rejected traditional formats, media and definitions. Instead they chose to address some of the key issues underlying modern life and art. Thse included the gulf between initial idea and finished work, the value assigned works of art in modern economies, the role of women and of feminine creativity in general, the politics of exhibition organization - in short, the ways art and the art world have been defined for centuries. Among the notable figures whose work is discussed in essays ranging from the evaluative to the theoretical are Judy Chicago, Robert Morris, Sol LeWitt, Marcel Broodthaers and Mary Kelly. The influence of Conceptual Art continues to be felt today in the work of such controversial young artists as Rachel Whiteread and Damien Hirst." - back cover.

Photography After Conceptual Art

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Author :
Publisher : Wiley-Blackwell
ISBN 13 : 9781444333602
Total Pages : 208 pages
Book Rating : 4.3/5 (336 download)

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Book Synopsis Photography After Conceptual Art by : Diarmuid Costello

Download or read book Photography After Conceptual Art written by Diarmuid Costello and published by Wiley-Blackwell. This book was released on 2010-11-08 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium Selected by Choice as an Outstanding Academic Title for 2011 Appeals to people interested in artist's use of photography and in contemporary art Tracks the efflorescence of photography as one of the most important mediums for contemporary art Explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case Includes a number of the essays with previously unpublished photographs Artists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall

Conceptual Art

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Author :
Publisher : MIT Press
ISBN 13 : 9780262511179
Total Pages : 628 pages
Book Rating : 4.5/5 (111 download)

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Book Synopsis Conceptual Art by : Alexander Alberro

Download or read book Conceptual Art written by Alexander Alberro and published by MIT Press. This book was released on 2000-08-25 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson

Conceptual Art

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Author :
Publisher :
ISBN 13 : 9780521823883
Total Pages : 365 pages
Book Rating : 4.8/5 (238 download)

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Book Synopsis Conceptual Art by : Michael Corris

Download or read book Conceptual Art written by Michael Corris and published by . This book was released on 2004 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: A consideration of the relationship between Conceptual art and the context of the 1960s and 1970s.

Light Years

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Publisher :
ISBN 13 :
Total Pages : 270 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis Light Years by : Mark Benjamin Godfrey

Download or read book Light Years written by Mark Benjamin Godfrey and published by . This book was released on 2011 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.

Postscript

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Publisher : University of Toronto Press
ISBN 13 : 1442649844
Total Pages : 429 pages
Book Rating : 4.4/5 (426 download)

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Book Synopsis Postscript by : Andrea Andersson

Download or read book Postscript written by Andrea Andersson and published by University of Toronto Press. This book was released on 2018-01-01 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves

Conceptual Art

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Author :
Publisher : Phaidon Press
ISBN 13 : 9780714861128
Total Pages : 304 pages
Book Rating : 4.8/5 (611 download)

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Book Synopsis Conceptual Art by : Peter Osborne

Download or read book Conceptual Art written by Peter Osborne and published by Phaidon Press. This book was released on 2011-03-23 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conceptual art marks a major turning point in late twentieth-century art. An art of ideas - which can be written, published, performed, fabricated, or which can simply remain inside your head - it is also an art of questions. Since its emergence in the mid 1960s, it has challenged our precepts about not only art but society, politics and the media. An international movement, Conceptual art encompasses not only North America and Western Europe but also South America, Eastern Europe, Russia, China and Japan. Its legacy is global, ranging from small local participatory projects to large-scale installations at major museums and biennales. This comprehensive volume combines in one book an authoritative Survey essay by philosopher and art historian Peter Osborne, tracing Conceptual art's origins in Europe, Japan and the USA, its development throughout the 1960s and 1970s and its legacy in contemporary art; a Works section documenting the key works, divided usefully into six distinctive types of Conceptual art; and a Documents section including texts by philosophers and writers who crucially influenced the movement, alongside key original texts by artists, critics and art historians.

Every Building on the Sunset Strip

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Author :
Publisher :
ISBN 13 :
Total Pages : 58 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Every Building on the Sunset Strip by : Edward Ruscha

Download or read book Every Building on the Sunset Strip written by Edward Ruscha and published by . This book was released on 1966 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt: A complete panoramic pictorial compilation of every building on Sunset Strip in Los Angeles, California.

Art After Conceptual Art

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Author :
Publisher : MIT Press
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis Art After Conceptual Art by : Alexander Alberro

Download or read book Art After Conceptual Art written by Alexander Alberro and published by MIT Press. This book was released on 2006-10-27 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s. Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art. Distributed for the Generali Foundation, Vienna.