Clowning And Authorship In Early Modern Theatre

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Clowning and Authorship in Early Modern Theatre

Author : Richard Preiss
Publisher : Cambridge University Press
ISBN 13 : 1107782996
Total Pages : 299 pages
Book Rating : 4.1/5 (77 download)

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Book Synopsis Clowning and Authorship in Early Modern Theatre by : Richard Preiss

Download or read book Clowning and Authorship in Early Modern Theatre written by Richard Preiss and published by Cambridge University Press. This book was released on 2014-03-06 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor.

Clowning and Authorship in Early Modern Theatre

Author : Richard Preiss
Publisher : Cambridge University Press
ISBN 13 : 1107036577
Total Pages : 299 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Clowning and Authorship in Early Modern Theatre by : Richard Preiss

Interruptions in Early Modern English Drama

Author : Michael M. Wagoner
Publisher : Bloomsbury Publishing
ISBN 13 : 1350238325
Total Pages : 297 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis Interruptions in Early Modern English Drama by : Michael M. Wagoner

Download or read book Interruptions in Early Modern English Drama written by Michael M. Wagoner and published by Bloomsbury Publishing. This book was released on 2022-09-22 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style – emphasizing a playwright's use and control of a text – and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.

Community-Making in Early Stuart Theatres

Author : Anthony W. Johnson
Publisher : Routledge
ISBN 13 : 131716329X
Total Pages : 447 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Community-Making in Early Stuart Theatres by : Anthony W. Johnson

Download or read book Community-Making in Early Stuart Theatres written by Anthony W. Johnson and published by Routledge. This book was released on 2016-10-14 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women’s drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.

Money and Magic in Early Modern Drama

Author : David Hawkes
Publisher : Bloomsbury Publishing
ISBN 13 : 1350247065
Total Pages : 265 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis Money and Magic in Early Modern Drama by : David Hawkes

Download or read book Money and Magic in Early Modern Drama written by David Hawkes and published by Bloomsbury Publishing. This book was released on 2022-12-01 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.

Entertaining Uncertainty in the Early Modern Theater

Author : Lauren Robertson
Publisher : Cambridge University Press
ISBN 13 : 100922512X
Total Pages : 269 pages
Book Rating : 4.0/5 (92 download)

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Book Synopsis Entertaining Uncertainty in the Early Modern Theater by : Lauren Robertson

Download or read book Entertaining Uncertainty in the Early Modern Theater written by Lauren Robertson and published by Cambridge University Press. This book was released on 2022-12-31 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.

Publicity and the Early Modern Stage

Author : Allison K. Deutermann
Publisher : Springer Nature
ISBN 13 : 3030523322
Total Pages : 299 pages
Book Rating : 4.0/5 (35 download)

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Book Synopsis Publicity and the Early Modern Stage by : Allison K. Deutermann

Download or read book Publicity and the Early Modern Stage written by Allison K. Deutermann and published by Springer Nature. This book was released on 2021-05-07 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebrity’s production. The men and women associated with playing—not just actors and authors, but playgoers, characters, and the extraordinary local figures adjunct to playhouse productions—introduced new ways of thinking about the function and meaning of fame in the period; about the networks of communication through which it spread; and about theatrical publics. Drawing on the insights of Habermasean public sphere theory and on the interdisciplinary field of celebrity studies, Publicity and the Early Modern Stage introduces a new and comprehensive look at early modern theories and experiences of publicity.

Rethinking Theatrical Documents in Shakespeare’s England

Author : Tiffany Stern
Publisher : Bloomsbury Publishing
ISBN 13 : 1350051357
Total Pages : 194 pages
Book Rating : 4.3/5 (5 download)

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Book Synopsis Rethinking Theatrical Documents in Shakespeare’s England by : Tiffany Stern

Download or read book Rethinking Theatrical Documents in Shakespeare’s England written by Tiffany Stern and published by Bloomsbury Publishing. This book was released on 2019-11-14 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Rethinking Theatrical Documents brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) – though 'before', 'during' and 'after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually.

Childhood, Education and the Stage in Early Modern England

Author : Richard Preiss
Publisher : Cambridge University Press
ISBN 13 : 1108161650
Total Pages : 309 pages
Book Rating : 4.1/5 (81 download)

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Book Synopsis Childhood, Education and the Stage in Early Modern England by : Richard Preiss

Download or read book Childhood, Education and the Stage in Early Modern England written by Richard Preiss and published by Cambridge University Press. This book was released on 2017-05-02 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: What did childhood mean in early modern England? To answer this question, this book examines two key contemporary institutions: the school and the stage. The rise of grammar schools and universities, and of the professional stage featuring boy actors, reflect the culture's massive investment in children. In this collection, an international group of well-respected scholars examines how the representation of children by major playwrights and poets reflected the period's educational and cultural values. This book contains chapters that range from Shakespeare and Ben Jonson to the contemporary plays of Tom Stoppard, and that explore childhood in relation to classical humanism, medicine, art, and psychology, revealing how early modern performance and educational practices produced attitudes to childhood that still resonate to this day.

Blotted Lines

Author : Adhaar Noor Desai
Publisher : Cornell University Press
ISBN 13 : 1501769863
Total Pages : 282 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Blotted Lines by : Adhaar Noor Desai

Download or read book Blotted Lines written by Adhaar Noor Desai and published by Cornell University Press. This book was released on 2023-06-15 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Blotted Lines rebuffs centuries of mythologization about the creative process—the idea that William Shakespeare "never blotted out line"—to argue that by studying how early modern writers faced the challenges of writing poetry, instructors today can empower their students' approaches to critical writing. Adhaar Noor Desai offers deeply researched accounts of how poetic labor intersected with early modern rhetorical theory, material culture, and social networks. Tracing the productive struggles of such writers as George Gascoigne, Philip Sidney, John Davies of Hereford, Lady Anne Southwell, and Shakespeare across their manuscripts, Desai identifies in their work instances of discomposition: frustration, hesitation, self-doubt, and insecurity. Inspired to unmake their poems so that they might remake them, these poets welcomed discomposition because it catalyzed ongoing thinking and learning. Blotted Lines brings literary scholarship into conversation with modern composition studies, challenging early modern literary studies to treat writing as both noun and verb and foregrounding the ways poetry and criticism alike can model for students the cultivation of patience, collaboration, and risk in their writing.

Playwriting Playgoers in Shakespeare's Theater

Author : Matteo A. Pangallo
Publisher : University of Pennsylvania Press
ISBN 13 : 0812249410
Total Pages : 256 pages
Book Rating : 4.8/5 (122 download)

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Book Synopsis Playwriting Playgoers in Shakespeare's Theater by : Matteo A. Pangallo

Download or read book Playwriting Playgoers in Shakespeare's Theater written by Matteo A. Pangallo and published by University of Pennsylvania Press. This book was released on 2017-08-02 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking. -- Book jacket.

Paper Monsters

Author : Samuel Fallon
Publisher : University of Pennsylvania Press
ISBN 13 : 0812251296
Total Pages : 240 pages
Book Rating : 4.8/5 (122 download)

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Book Synopsis Paper Monsters by : Samuel Fallon

Download or read book Paper Monsters written by Samuel Fallon and published by University of Pennsylvania Press. This book was released on 2019-06-07 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception. In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."

Stages of Loss

Author : George Oppitz-Trotman
Publisher : Oxford University Press, USA
ISBN 13 : 0198858809
Total Pages : 337 pages
Book Rating : 4.1/5 (988 download)

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Book Synopsis Stages of Loss by : George Oppitz-Trotman

Download or read book Stages of Loss written by George Oppitz-Trotman and published by Oxford University Press, USA. This book was released on 2020-06-29 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-eminence of national theatre histories and the difficulty of researching an inherently evanescent phenomenon across large distances. These contributions are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers.

What is a Playhouse?

Author : Callan Davies
Publisher : Taylor & Francis
ISBN 13 : 1000629775
Total Pages : 242 pages
Book Rating : 4.0/5 (6 download)

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Book Synopsis What is a Playhouse? by : Callan Davies

Download or read book What is a Playhouse? written by Callan Davies and published by Taylor & Francis. This book was released on 2022-08-05 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an accessible introduction to England’s sixteenth- and early seventeenth-century playing industry and a fresh account of the architecture, multiple uses, communities, crowds, and proprietors of playhouses. It builds on recent scholarship and new documentary and archaeological discoveries to answer the questions: what did playhouses do, what did they look like, and how did they function? The book will accordingly introduce readers to a rich and exciting spectrum of "play" and playhouses, not only in London but also around England. The detailed but wide-ranging case studies examined here go beyond staged drama to explore early modern sport, gambling, music, drinking, and animal baiting; they recover the crucial influence of female playhouse owners and managers; and they recognise rich provincial performance cultures as well as the burgeoning of London’s theatre industry. This book will have wide appeal with readers across Shakespeare, early modern performance studies, theatre history, and social history.

Shakespeare's Lost Playhouse

Author : Laurie Johnson
Publisher : Routledge
ISBN 13 : 1351578820
Total Pages : 214 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Shakespeare's Lost Playhouse by : Laurie Johnson

Download or read book Shakespeare's Lost Playhouse written by Laurie Johnson and published by Routledge. This book was released on 2017-09-14 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: The playhouse at Newington Butts has long remained on the fringes of histories of Shakespeare’s career and of the golden age of the theatre with which his name is associated. A mile outside London, and relatively disused by the time Shakespeare began his career in the theatre, this playhouse has been easy to forget. Yet for eleven days in June, 1594, it was home to the two companies that would come to dominate the London theatres. Thanks to the ledgers of theatre entrepreneur, Philip Henslowe, we have a record of this short venture. Shakespeare's Lost Playhouse is an exploration of a brief moment in time when the focus of the theatrical world in England was on this small playhouse. To write this history, Laurie Johnson draws on archival studies, archaeology, environmental studies, geography, social, political, and cultural studies as well as methods developed within literary and theatre history to expand the scope of our understanding of the theatres, the rise of the playing business, and the formations of the playing companies.

The Routledge Anthology of Early Modern Drama

Author : Jeremy Lopez
Publisher : Routledge
ISBN 13 : 1317357353
Total Pages : 1138 pages
Book Rating : 4.3/5 (173 download)

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Book Synopsis The Routledge Anthology of Early Modern Drama by : Jeremy Lopez

Download or read book The Routledge Anthology of Early Modern Drama written by Jeremy Lopez and published by Routledge. This book was released on 2020-03-10 with total page 1138 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Anthology of Early Modern Drama is the first new collection of the drama of Shakespeare’s contemporaries in over a century. This volume comprises seventeen accessible, thoroughly glossed, modernized play-texts, intermingling a wide range of unfamiliar works—including the anonymous Look About You, Massinger’s The Picture, Heminge’s The Fatal Contract, Heywood’s The Four Prentices of London, and Greene’s James IV—with more familiar works such as Marlowe’s Doctor Faustus, Webster’s The Duchess of Malfi, and Middleton’s Women Beware Women. Each play is edited by a different leading scholar in the field of early modern studies, bringing specific expertise and context to the chosen play-text. With an unprecedented variety of plays, and critical introductions that focus on the diversity and strangeness of different early modern approaches to the artistic and commercial enterprise of play-making, The Routledge Anthology of Early Modern Drama will offer vital new perspectives on early modern drama for scholars, students, and performers alike.

Literature and Intellectual Disability in Early Modern England

Author : Alice Equestri
Publisher : Routledge
ISBN 13 : 1000424995
Total Pages : 228 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Literature and Intellectual Disability in Early Modern England by : Alice Equestri

Download or read book Literature and Intellectual Disability in Early Modern England written by Alice Equestri and published by Routledge. This book was released on 2021-08-30 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fools and clowns were widely popular characters employed in early modern drama, prose texts and poems mainly as laughter makers, or also as ludicrous metaphorical embodiments of human failures. Literature and Intellectual Disability in Early Modern England: Folly, Law and Medicine, 1500–1640 pays full attention to the intellectual difference of fools, rather than just their performativity: what does their total, partial, or even pretended ‘irrationality’ entail in terms of non-standard psychology or behaviour, and others’ perception of them? Is it possible to offer a close contextualised examination of the meaning of folly in literature as a disability? And how did real people having intellectual disabilities in the Renaissance period influence the representation and subjectivity of literary fools? Alice Equestri answers these and other questions by investigating the wide range of significant connections between the characters and Renaissance legal and medical knowledge as presented in legal records, dictionaries, handbooks, and texts of medicine, natural philosophy, and physiognomy. Furthermore, by bringing early modern folly in closer dialogue with the burgeoning fields of disability studies and disability theory, this study considers multiple sides of the argument in the historical disability experience: intellectual disability as a variation in the person and as a difference which both society and the individual construct or respond to. Early modern literary fools’ characterisation then emerges as stemming from either a realistic or also from a symbolical or rhetorical representation of intellectual disability.