Cinematic Philosophy

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Cinematic Philosophy

Author : Tal S. Shamir
Publisher : Springer
ISBN 13 : 3319334735
Total Pages : 226 pages
Book Rating : 4.3/5 (193 download)

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Book Synopsis Cinematic Philosophy by : Tal S. Shamir

Download or read book Cinematic Philosophy written by Tal S. Shamir and published by Springer. This book was released on 2016-09-07 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Tal S. Shamir sets out to identify cinema as a novel medium for philosophy and an important way of manifesting and developing philosophical thought. The volume presents a comprehensive analysis of the nature of philosophy’s potential—or, more strongly put, its need—to be manifested cinematically. Drawing on the fields of cinema, philosophy, and media studies, Cinematic Philosophy adds film to the traditional list of ways through which philosophy can be created, concentrating on the unique potential of the cinematic medium to effectively put forward and create philosophy. In the process, the book opens up innovative horizons for new types of knowledge and wisdom grounded in contemporary contexts and philosophical thought. Philosophy, best characterized as the love of wisdom, is not dependent on a specific medium nor solely situated within written text or oral lectures. Shamir asserts that philosophy can, should, and must be manifested and identified in a range of different platforms.

Cinema/Politics/Philosophy

Author : Nico Baumbach
Publisher : Columbia University Press
ISBN 13 : 0231545371
Total Pages : 239 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Cinema/Politics/Philosophy by : Nico Baumbach

Download or read book Cinema/Politics/Philosophy written by Nico Baumbach and published by Columbia University Press. This book was released on 2018-10-30 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Almost fifty years ago, Jean-Louis Comolli and Jean Narboni published the manifesto “Cinema/Ideology/Criticism,” helping to set the agenda for a generation of film theory that used cinema as a means of critiquing capitalist ideology. In recent decades, film studies has moved away from politicized theory, abandoning the productive ways in which theory understands the relationship between cinema, politics, and art. In Cinema/Politics/Philosophy, Nico Baumbach revisits the much-maligned tradition of seventies film theory to reconsider: What does it mean to call cinema political? In this concise and provocative book, Baumbach argues that we need a new philosophical approach that sees cinema as both a mode of thought and a form of politics. Through close readings of the writings on cinema by the contemporary continental philosophers Jacques Rancière, Alain Badiou, and Giorgio Agamben, he asks us to rethink both the legacy of ideology critique and Deleuzian film-philosophy. He explores how cinema can condition philosophy through its own means, challenging received ideas about what is seeable, sayable, and doable. Cinema/Politics/Philosophy offers fundamental new ways to think about cinema as thought, art, and politics.

Faith, Film and Philosophy

Author : R. Douglas Geivett
Publisher : InterVarsity Press
ISBN 13 : 0830875182
Total Pages : 320 pages
Book Rating : 4.8/5 (38 download)

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Book Synopsis Faith, Film and Philosophy by : R. Douglas Geivett

Download or read book Faith, Film and Philosophy written by R. Douglas Geivett and published by InterVarsity Press. This book was released on 2009-09-20 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Those who tell stories rule society." Plato So who today are our principal storytellers? Not philosophers, but filmmakers. For those who know both the enormous entertainment potential and the culture-shaping power of film, this book will stir mind and imagination. For great stories freight world-sized ideas, ideas worthy of contemplation and conversation. Great cinema inspires wonder. But another philosopher, Aristotle, reminds us that wonder is the true source of philosophy. So perhaps Plato or Aristotle might have a shot at ruling society, even today--if they took an interest in film. These fourteen essays consider classic and current films together with several major philosophical themes, all within the context of Christian faith: (1) the human condition, (2) the human mind and the nature of knowing, (3) the moral life, and (4) faith and religion. Citizen Kane, Big Fish and Pretty Woman contribute to an in-depth consideration of the human condition. The Truman Show, The Matrix, Being John Malkovich and It's a Wonderful Life, among others, illuminate reflection on the human mind and the nature of knowing. Looking at the moral life, contributors interact with such notable films as Pleasantville, Bowling for Columbine, Mystic River and The Silence of the Lambs. The final section pursues the theme of faith and religion traced through a number of Hong Kong martial arts films, Contact, 2001: A Space Odyssey and U2's music documentary Rattle and Hum. A veritable film festival for all those who want to nurture the wonder of philosophical inquiry and the love of Christian theology through an engagement with the big ideas on the big screen.

A Philosophy of Cinematic Art

Author : Berys Gaut
Publisher : Cambridge University Press
ISBN 13 : 0521822440
Total Pages : 339 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis A Philosophy of Cinematic Art by : Berys Gaut

Download or read book A Philosophy of Cinematic Art written by Berys Gaut and published by Cambridge University Press. This book was released on 2010-01-14 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.

Cinematic Mythmaking

Author : Irving Singer
Publisher : MIT Press
ISBN 13 : 0262264846
Total Pages : 257 pages
Book Rating : 4.2/5 (622 download)

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Book Synopsis Cinematic Mythmaking by : Irving Singer

Download or read book Cinematic Mythmaking written by Irving Singer and published by MIT Press. This book was released on 2010-09-24 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mythic themes and philosophical probing in film as an art form, as seen in works of Preston Sturges, Jean Cocteau, Stanley Kubrick, and various other filmmakers. Film is the supreme medium for mythmaking. The gods and heroes of mythology are both larger than life and deeply human; they teach us about the world, and they tell us a good story. Similarly, our experience of film is both distant and intimate. Cinematic techniques—panning, tracking, zooming, and the other tools in the filmmaker's toolbox—create a world that is unlike reality and yet realistic at the same time. We are passive spectators, but we also have a personal relationship with the images we are seeing. In Cinematic Mythmaking, Irving Singer explores the hidden and overt use of myth in various films and, in general, the philosophical elements of a film's meaning. Mythological themes, Singer writes, perform a crucial role in cinematic art and even philosophy itself. Singer incisively disentangles the strands of different myths in the films he discusses. He finds in Preston Sturges's The Lady Eve that Barbara Stanwyck's character is not just the biblical Eve but a liberated woman of our times; Eliza Doolittle in the filmed versions of Shaw's Pygmalion is not just a statue brought to life but instead a heroic woman who must survive her own dark night of the soul. The protagonist of William Wyler's The Heiress and Anieszka Holland's Washington Square is both suffering Dido and an awakened Amazon. Singer reads Cocteau's films—including La Belle et la Bête, Orphée, and The Testament of Orpheus—as uniquely mythological cinematic poetry. He compares Kubrickean and Homeric epics and analyzes in depth the self-referential mythmaking of Federico Fellini in many of his movies, including 8½. The aesthetic and probing inventiveness in film, Singer shows us, restores and revives for audiences in the twenty-first century myths of creation, of the questing hero, and of ideals—both secular and religious—that have had enormous significance throughout the human search for love and meaning in life.

Where Film Meets Philosophy

Author : Hunter Vaughan
Publisher : Columbia University Press
ISBN 13 : 0231161328
Total Pages : 262 pages
Book Rating : 4.2/5 (311 download)

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Book Synopsis Where Film Meets Philosophy by : Hunter Vaughan

Download or read book Where Film Meets Philosophy written by Hunter Vaughan and published by Columbia University Press. This book was released on 2013-01-01 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.

Thinking on Screen

Author : Thomas E. Wartenberg
Publisher : Routledge
ISBN 13 : 1135975884
Total Pages : 205 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis Thinking on Screen by : Thomas E. Wartenberg

Download or read book Thinking on Screen written by Thomas E. Wartenberg and published by Routledge. This book was released on 2007-10-31 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films’ ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker, and Empire, Wartenberg shows how these films express meaningful and pertinent philosophical ideas. This book is essential reading for students of philosophy with an interest in film, aesthetics, and film theory. It will also be of interest to film enthusiasts intrigued by the philosophical implications of film.

Film as Philosophy

Author : Bernd Herzogenrath
Publisher : U of Minnesota Press
ISBN 13 : 1452953449
Total Pages : 481 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Film as Philosophy by : Bernd Herzogenrath

Download or read book Film as Philosophy written by Bernd Herzogenrath and published by U of Minnesota Press. This book was released on 2017-03-21 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film and philosophy have much in common, and books have been written on film and philosophy. But can films be, or do, philosophy? Can they “think”? Film as Philosophy is the first book to explore this fascinating question historically, thematically, and methodically. Bringing together leading scholars from universities across the globe, Film as Philosophy presents major new research that leads film studies and philosophy into a productive dialogue. It provides a uniquely sweeping, historical overview of the confluence of film and philosophy for more than a century, considering films from Jean Renoir, Lars von Trier, Jørgen Leth, David Lynch, Michael Haneke, and others; the written works of filmmakers who also theorized on the medium, including Sergei Eisenstein and Jean Epstein; and others who have written on cinema, including Hugo Münsterberg, Béla Balázs, André Bazin, Henri Bergson, Gilles Deleuze, Stanley Cavell, Alain Badiou, Jacques Rancière, and many more. Representing a major step toward establishing a media philosophy that puts the status, role, and function of film into a new perspective, Film as Philosophy removes representational techniques from the center of inquiry, replacing these with the medium’s ability to “think.” Hence it accords film with “agency,” and the dialogue between it and philosophy (and even neuroscience) is negotiated anew. Contributors: Nicole Brenez, U of Paris 3–Sorbonne; Elisabeth Bronfen, U of Zurich; Noël Carroll, CUNY; Tom Conley, Harvard U; Angela Dalle Vacche, Georgia Institute of Technology; Gregory Flaxman, U of North Carolina, Chapel Hill; Alex Ling, Western Sydney U; Adrian Martin, Monash U; John Ó Maoilearca, Kingston U, London; Robert Sinnerbrink, Macquarie U, Sydney; Murray Smith, U of Kent, Canterbury; Julia Vassilieva, Monash U, Melbourne; Christophe Wall-Romana, U of Minnesota; and Thomas E. Wartenberg, Mount Holyoke College.

New Takes in Film-Philosophy

Author : H. Carel
Publisher : Springer
ISBN 13 : 0230294855
Total Pages : 268 pages
Book Rating : 4.2/5 (32 download)

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Book Synopsis New Takes in Film-Philosophy by : H. Carel

Download or read book New Takes in Film-Philosophy written by H. Carel and published by Springer. This book was released on 2011-02-02 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection displays a range of approaches and contemporary developments in the expanding field of film-philosophy. The essays explore central issues surrounding the conjunction of film and philosophy, presenting a varied yet coherent reflection on the nature of this conjunction.

Philosophy of Film and Motion Pictures

Author : Noël Carroll
Publisher : John Wiley & Sons
ISBN 13 : 140515201X
Total Pages : 432 pages
Book Rating : 4.4/5 (51 download)

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Book Synopsis Philosophy of Film and Motion Pictures by : Noël Carroll

Download or read book Philosophy of Film and Motion Pictures written by Noël Carroll and published by John Wiley & Sons. This book was released on 2009-02-09 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout

Cinema, Philosophy, Bergman

Author : Paisley Livingston
Publisher : OUP Oxford
ISBN 13 : 019161002X
Total Pages : 226 pages
Book Rating : 4.1/5 (916 download)

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Book Synopsis Cinema, Philosophy, Bergman by : Paisley Livingston

Download or read book Cinema, Philosophy, Bergman written by Paisley Livingston and published by OUP Oxford. This book was released on 2009-07-02 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The increasingly popular idea that cinematic fictions can 'do' philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the philosophical commentator who reads general arguments or theories into the stories conveyed by a film? Could it be the film-maker, or a group of collaborating film-makers, who raise and try to answer philosophical questions with a film? Is there something about the experience of films that is especially suited to the stimulation of worthwhile philosophical reflections? In the first part of this book, Paisley Livingston surveys positions and arguments surrounding the cinema's philosophical value. He raises criticisms of bold theses in this area and defends a moderate view of film's possible contributions to philosophy. In the second part of the book he defends an intentionalist approach that focuses on the film-makers' philosophical background assumptions, sources, and aims. Livingston outlines intentionalist interpretative principles as well as an account of authorship in cinema. The third part of the book exemplifies this intentionalist approach with reference to the work of Ingmar Bergman. Livingston explores the connection between Bergman's work and the Swedish director's primary philosophical source-a treatise in philosophical psychology authored by the Finnish philosopher, Eino Kaila. Bergman proclaimed that reading this book was a tremendous philosophical experience for him and that he 'built on this ground'. With reference to materials in the newly created Ingmar Bergman archive, Livingston shows how Bergman took up Kaila's topics in his cinematic explorations of motivated irrationality, inauthenticity, and the problem of self-knowledge.

Philosophy and Film

Author : Cynthia A. Freeland
Publisher : Routledge
ISBN 13 : 1134714149
Total Pages : 271 pages
Book Rating : 4.1/5 (347 download)

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Book Synopsis Philosophy and Film by : Cynthia A. Freeland

Download or read book Philosophy and Film written by Cynthia A. Freeland and published by Routledge. This book was released on 2016-01-08 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philosophy and Film moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.

Philosophy and Film

Author : Christina Rawls
Publisher : Routledge
ISBN 13 : 0429787138
Total Pages : 390 pages
Book Rating : 4.4/5 (297 download)

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Book Synopsis Philosophy and Film by : Christina Rawls

Download or read book Philosophy and Film written by Christina Rawls and published by Routledge. This book was released on 2019-04-25 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg. While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema’s biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film. This book will appeal to a broad range of scholars working in film studies, theory, and philosophy.

Philosophy through Film

Author : Amy Karofsky
Publisher : Routledge
ISBN 13 : 1135038597
Total Pages : 402 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis Philosophy through Film by : Amy Karofsky

Download or read book Philosophy through Film written by Amy Karofsky and published by Routledge. This book was released on 2014-07-11 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many of the classic questions of philosophy have been raised, illuminated, and addressed in celluloid. In this Third Edition of Philosophy through Film, Mary M. Litch teams up with a new co-author, Amy Karofsky, to show readers how to watch films with a sharp eye for their philosophical content. Together, the authors help students become familiar with key topics in all of the major areas in Western philosophy and master the techniques of philosophical argumentation. The perfect size and scope for a first course in philosophy, the book assumes no prior knowledge of philosophy. It is an excellent teaching resource and learning tool, introducing students to key topics and figures in philosophy through thematic chapters, each of which is linked to one or more "focus films" that illustrate a philosophical problem or topic. Revised and expanded, the Third Edition features: A completely revised chapter on "Relativism," now re-titled "Truth" with coverage of the correspondence theory, the pragmatist theory, and the coherence theory. The addition of four new focus films: Inception, Moon, Gone Baby Gone, God on Trial. Revisions to the General Introduction that include a discussion of critical reasoning. Revisions to the primary readings to better meet the needs of instructors and students, including the addition of three new primary readings: excerpts from Bertrand Russell’s The Problems of Philosophy, from William James’ Pragmatism: A New Way for Some Old Ways of Thinking, and from J. L. Mackie’s "Evil and Omnipotence". Updates and expansion to the companion website, including a much expanded list of films relevant to the various subfields of philosophy. Films examined in depth include: Hilary and Jackie The Matrix Inception Memento Moon I, Robot Minority Report Crimes and Misdemeanors Gone Baby Gone Antz Equilibrium The Seventh Seal God on Trial Leaving Las Vegas

Ingmar Bergman, Cinematic Philosopher

Author : Irving Singer
Publisher : MIT Press
ISBN 13 : 0262264811
Total Pages : 253 pages
Book Rating : 4.2/5 (622 download)

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Book Synopsis Ingmar Bergman, Cinematic Philosopher by : Irving Singer

Download or read book Ingmar Bergman, Cinematic Philosopher written by Irving Singer and published by MIT Press. This book was released on 2009-09-18 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies. Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.

Philosophy goes to the Movies

Author : Christopher Falzon
Publisher : Routledge
ISBN 13 : 1134559194
Total Pages : 242 pages
Book Rating : 4.1/5 (345 download)

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Book Synopsis Philosophy goes to the Movies by : Christopher Falzon

Download or read book Philosophy goes to the Movies written by Christopher Falzon and published by Routledge. This book was released on 2002-09-09 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philosophy goes to the Movies is a new kind of introduction to philosophy that makes use of movies including The Matrix, Antz, Total Recall and Cinema Paradiso, to explore philosophical ideas. Topics covered include: *the theory of knowledge *the self and personal Identity *moral philosophy *social and political philosophy *philosophy of science and technology *critical thinking. Ideal for the beginner, this book guides the student through philosophy using lively and illuminating cinematic examples. It will also appeal to anyone interested in the philosophical dimensions of cinema.

Shadow Philosophy: Plato's Cave and Cinema

Author : Nathan Andersen
Publisher : Routledge
ISBN 13 : 1317805887
Total Pages : 240 pages
Book Rating : 4.3/5 (178 download)

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Book Synopsis Shadow Philosophy: Plato's Cave and Cinema by : Nathan Andersen

Download or read book Shadow Philosophy: Plato's Cave and Cinema written by Nathan Andersen and published by Routledge. This book was released on 2014-04-16 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shadow Philosophy: Plato’s Cave and Cinema is an accessible and exciting new contribution to film-philosophy, which shows that to take film seriously is also to engage with the fundamental questions of philosophy. Nathan Andersen brings Stanley Kubrick’s film A Clockwork Orange into philosophical conversation with Plato’s Republic, comparing their contributions to themes such as the nature of experience and meaning, the character of justice, the contrast between appearance and reality, the importance of art, and the impact of images. At the heart of the book is a novel account of the analogy between Plato’s allegory of the cave and cinema, developed in conjunction with a provocative interpretation of the most powerful image from A Clockwork Orange, in which the lead character is strapped to a chair and forced to watch violent films. Key features of the book include: a comprehensive bibliography of suggested readings on Plato, on film, on philosophy, and on the philosophy of film a list of suggested films that can be explored following the approach in this book, including brief descriptions of each film, and suggestions regarding its philosophical implications a summary of Plato’s Republic, book by book, highlighting both dramatic context and subject matter. Offering a close reading of the controversial classic film A Clockwork Orange, and an introductory account of the central themes of the philosophical classic The Republic, this book will be of interest to both scholars and students of philosophy and film, as well as to readers of Plato and fans of Stanley Kubrick.