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Cinema And Soviet Society From The Revolution To The Death Of Stalin
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Book Synopsis Cinema and Soviet Society by : Peter Kenez
Download or read book Cinema and Soviet Society written by Peter Kenez and published by I.B. Tauris. This book was released on 2000-12-15 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of Soviet film over the period covered by Peter Kenez is central to the history of World Cinema. In this revised, updated paperback edition of his classic text, Peter Kenez explores the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes in content, style, technical means and production capacities generated by the Revolution of 1917; the constraints on form and subject imposed from the 1930s in the name of Socialist Realism; the relative freedom of expression accorded to film-makers during World War Two; and the extraordinary repression during the final years of Stalin era. Based on original research both in the former Soviet Union and elsewhere in the primary sources of Eastern Europe, this is the essential student text on the period which produced the major films of such 'greats' as Eisenstein, Vertov, Kuleshov, Pudovkin and many more.
Book Synopsis Cinema and Soviet Society from the Revolution to the Death of Stalin by : Peter Kenez
Download or read book Cinema and Soviet Society from the Revolution to the Death of Stalin written by Peter Kenez and published by . This book was released on with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.
Book Synopsis Stalinism and Soviet Cinema by : Derek Spring
Download or read book Stalinism and Soviet Cinema written by Derek Spring and published by Routledge. This book was released on 2013-11-05 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.
Book Synopsis Cinema and Soviet Society, 1917-1953 by : Peter Kenez
Download or read book Cinema and Soviet Society, 1917-1953 written by Peter Kenez and published by CUP Archive. This book was released on 1992-06-26 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
Book Synopsis The Cinema of Russia and the Former Soviet Union by : Birgit Beumers
Download or read book The Cinema of Russia and the Former Soviet Union written by Birgit Beumers and published by . This book was released on 2007 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include Strike (1925), Earth (1930), Ivan's Childhood (1962), Mother and Son (1997) and Brother (1997).
Book Synopsis Stalinist Cinema and the Production of History by : Evgeny Dobrenko
Download or read book Stalinist Cinema and the Production of History written by Evgeny Dobrenko and published by Edinburgh University Press. This book was released on 2008-03-05 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how Soviet film worked with time, the past, and memory. It looks at Stalinist cinema and its role in the production of history. Cinema's role in the legitimization of Stalinism and the production of a new Soviet identity was enormous. Both Lenin and Stalin saw in this 'most important of arts' the most effective form of propaganda and 'organisation of the masses'. By examining the works of the greatest Soviet filmmakers of the Stalin era--Sergei Eisenstein, Vsevolod Pudovkin, Grigorii Kozintsev, Leonid Trauberg, Fridrikh Ermler--the author explores the role of the cinema in the formation of the Soviet political imagination.
Book Synopsis Visions of a New Land by : Emma Widdis
Download or read book Visions of a New Land written by Emma Widdis and published by Yale University Press. This book was released on 2003-01-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1917 the Bolsheviks proclaimed a world remade. This book shows how Soviet cinema encouraged popular support of state initiatives in the years up to the Second World War, helping to create a new Russian identity & territory, an 'imaginary geography' of Sovietness.
Book Synopsis A History of Russian Cinema by : Birgit Beumers
Download or read book A History of Russian Cinema written by Birgit Beumers and published by Berg Publishers. This book was released on 2009 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. This text is a complete history from the beginning of film onwards and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.
Download or read book Cinematic Cold War written by Tony Shaw and published by University Press of Kansas. This book was released on 2014-08-15 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cold War was as much a battle of ideas as a series of military and diplomatic confrontations, and movies were a prime battleground for this cultural combat. As Tony Shaw and Denise Youngblood show, Hollywood sought to export American ideals in movies like Rambo, and the Soviet film industry fought back by showcasing Communist ideals in a positive light, primarily for their own citizens. The two camps traded cinematic blows for more than four decades. The first book-length comparative survey of cinema's vital role in disseminating Cold War ideologies, Shaw and Youngblood's study focuses on ten films—five American and five Soviet—that in both obvious and subtle ways provided a crucial outlet for the global "debate" between democratic and communist ideologies. For each nation, the authors outline industry leaders, structure, audiences, politics, and international reach and explore the varied relationships linking each film industry to its respective government. They then present five comparative case studies, each pairing an American with a Soviet film: Man on a Tightrope with The Meeting on the Elbe; Roman Holiday with Spring on Zarechnaya Street; Fail-Safe with Nine Days in One Year; Bananas with Officers; Rambo: First Blood Part II with Incident at Map Grid 36-80. Shaw breathes new life into familiar American films by Elia Kazan and Woody Allen, while Youngblood helps readers comprehend Soviet films most have never seen. Collectively, their commentaries track the Cold War in its entirety—from its formative phase through periods of thaw and self-doubt to the resurgence of mutual animosity during the Reagan years-and enable readers to identify competing core propaganda themes such as decadence versus morality, technology versus humanity, and freedom versus authority. As the authors show, such themes blurred notions regarding "propaganda" and "entertainment," terms that were often interchangeable and mutually reinforcing during the Cold War. Featuring engaging commentary and evocative images from the films discussed, Cinematic Cold War offers a shrewd analysis of how the silver screen functioned on both sides of the Iron Curtain. As such it should have great appeal for anyone interested in the Cold War or the cinematic arts.
Book Synopsis Soviet Cinematography, 1918-1991 by : Michael R. Greenberg
Download or read book Soviet Cinematography, 1918-1991 written by Michael R. Greenberg and published by Routledge. This book was released on 2021-12-24 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.
Download or read book The Thaw written by Denis Kozlov and published by University of Toronto Press. This book was released on 2013-09-20 with total page 529 pages. Available in PDF, EPUB and Kindle. Book excerpt: The period from Stalin’s death in 1953 to the end of the 1960s marked a crucial epoch in Soviet history. Though not overtly revolutionary, this era produced significant shifts in policies, ideas, language, artistic practices, daily behaviours, and material life. It was also during this time that social, cultural, and intellectual processes in the USSR began to parallel those in the West (and particularly in Europe) as never before. This volume examines in fascinating detail the various facets of Soviet life during the 1950s and 1960s, a period termed the ‘Thaw.’ Featuring innovative research by historical, literary, and film scholars from across the world, this book helps to answer fundamental questions about the nature and ultimate fortune of the Soviet order – both in its internal dynamics and in its long-term and global perspectives.
Book Synopsis The Most Important Art by : Mira Liehm
Download or read book The Most Important Art written by Mira Liehm and published by Univ of California Press. This book was released on 1980-01-01 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Forward Soviet! written by Graham Roberts and published by Bloomsbury Publishing. This book was released on 1999-12-31 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Forward Soviet! is the first comprehensive account of Soviet documentary output during the years between the "Great October Socialist Revolution" and the "Great Patriotic War." Drawing on previously closed State archives, Graeme Roberts re-views the great examples of Soviet and world non-fiction cinema and uncovers many fine and intriguing little-known films. He discusses the careers of men and women who made them, including Vertov, Shub, Medvedkin and Karmen and investigates the problems of analysis and context, while offering valuable insights into that context. Forward Soviet! is a powerful demonstration of how the history of Soviet non-fiction film can give insight into the agencies that shaped Soviet history and culture.
Download or read book New Soviet Man written by John Haynes and published by Manchester University Press. This book was released on 2003 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema has long been recognised as the privileged bridge between Soviet ideologues & their mass public. Recent feminist-oriented work has drawn out the symbolic role of women in Soviet culture, but men too were expected to play their part. This is a study of masculinity in Stalinist Soviet cinema.
Book Synopsis Early Soviet Cinema by : David Gillespie
Download or read book Early Soviet Cinema written by David Gillespie and published by Wallflower Press. This book was released on 2000 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Book Synopsis Russian War Films by : Denise Jeanne Youngblood
Download or read book Russian War Films written by Denise Jeanne Youngblood and published by . This book was released on 2007 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A panoramic survey of nearly a century of Russian films on wars and wartime from World War I to more recent conflicts in Afghanistan and Chechnya, with heavy emphasis on films pertaining to World War II.
Download or read book Being Soviet written by Timothy Johnston and published by Oxford University Press. This book was released on 2011-08-18 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Being Soviet adopts a refreshing and innovative approach to the crucial years between 1939 and 1953 in the USSR. It examines how the language of Soviet identity evolved in this period, and how ordinary citizens responded to that shift.
