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Chinese Painting
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Book Synopsis Traditional Chinese Painting Masterpieces of Art by : Sharmaine Kwan
Download or read book Traditional Chinese Painting Masterpieces of Art written by Sharmaine Kwan and published by Flame Tree Illustrated. This book was released on 2019-08-29 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional Chinese painting is one of the purest art forms in existence, continuing as it does the techniques and themes that have been employed over centuries to create the most exquisite works in ink and wash. Whether meticulously realist or vibrantly expressive, often expertly combining skilful calligraphy with stunning draughtsmanship, these works all pay homage to what went before them. Focusing on classical painting, especially the colour-infused work of the Ming (1368–1644) and Qing dynasties (1644–1912), this delightful book reveals the fascinating history of Chinese painting. From Dai Jin to Ma Quan; from dramatic mountainscapes and tranquil rivers, through intricate and vivid depictions of animals and flowers, to peaceful pastoral scenes and busy tableaux of court life, the engaging text and lush reproductions ensure an enchanting read.
Book Synopsis Chinese Painting by : Mario Bussagli
Download or read book Chinese Painting written by Mario Bussagli and published by . This book was released on 1969 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: From earliest times the delicate precision of Chinese painting has captivated Western art lovers. The sophisticated techniques, the evident love of nature and the glimpses of a quiet civilised life all add to the enchantment. This book begins with the quick sketch-like painting from the Lo-Yang tombs, dating from the 3rd century, and continues with the closely observed T'ang paintings of people, not only Emperors and court dignitaries, but also peasants and grooms with the celebrated T'ang horses. Sung painters produced some of the most powerful landscapes in Chinese art, with their strangely shaped mountains looming menacingly up through the mists, and with man, absorbed in fishing or in meditation, dwarfed by the immensity of his environment. Nautre always present in Chinese art, now preoccupied painters almost to the exclusion of all else, and the studies of trees, particularly bamboo and pines, set in mountainous river landscapes are superb. Bussagli takes the account right up to the 19th and 20th centuries, a period seldom covered in books on Chinese painting. -- Book jacket.
Book Synopsis Three Thousand Years of Chinese Painting by : Richard M. Barnhart
Download or read book Three Thousand Years of Chinese Painting written by Richard M. Barnhart and published by Yale University Press. This book was released on 1997-01-01 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Book Synopsis How to Read Chinese Paintings by : Maxwell K. Hearn
Download or read book How to Read Chinese Paintings written by Maxwell K. Hearn and published by Metropolitan Museum of Art. This book was released on 2008 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Book Synopsis Chinese Brush Painting by : Ning Yeh
Download or read book Chinese Brush Painting written by Ning Yeh and published by . This book was released on 2022-08 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: A second addition, also known as Ning Yeh's "Gold Edition" updates his original guide of step-by-step instructions for Chinese Brush Painting.
Book Synopsis Chinese Painting and Its Audiences by : Craig Clunas
Download or read book Chinese Painting and Its Audiences written by Craig Clunas and published by Princeton University Press. This book was released on 2017-02-28 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.
Book Synopsis Chinese Painting Style by : Jerome Silbergeld
Download or read book Chinese Painting Style written by Jerome Silbergeld and published by . This book was released on 1982 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression. Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects. Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.
Book Synopsis Issues of Authenticity in Chinese Painting by : Judith G. Smith
Download or read book Issues of Authenticity in Chinese Painting written by Judith G. Smith and published by Metropolitan Museum of Art. This book was released on 1999 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with a December 1999 symposium held at the Metropolitan Museum of Art, New York, and an exhibition, "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection." Twelve contributions give dissenting opinions regarding a book recently published by The Museum titled Along the Riverbank, which seeks to attribute the painting called "Riverbank" to the 10th-century landscape master Dong Yuan--an attribution that would call for the rewriting of early Chinese painting history. This volume contains 239 bandw illustrations to support the contributors' efforts to explain their opinions. Annotation copyrighted by Book News, Inc., Portland, OR
Book Synopsis Chinese Ways of Seeing and Open-Air Painting by : Yi Gu
Download or read book Chinese Ways of Seeing and Open-Air Painting written by Yi Gu and published by BRILL. This book was released on 2021-02-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
Book Synopsis Masterpieces of Chinese Painting 700-1900 by : Hongxing Zhang
Download or read book Masterpieces of Chinese Painting 700-1900 written by Hongxing Zhang and published by Victoria & Albert Museum. This book was released on 2013-11-19 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published on the occasion of the exhibition held at the Victoria and Albert museum, 26th October to 19th January, 2014.
Book Synopsis The Art Book of Chinese Paintings by : Ming Deng
Download or read book The Art Book of Chinese Paintings written by Ming Deng and published by . This book was released on 2006 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introduction to a millennium's worth of Chinese paintings features 400 classical works by more than 240 artists that represent their different historical periods, in a volume that offers insight into how Chinese art uniquely reflects cultural perspectives and the natural world.
Download or read book Empty and Full written by François Cheng and published by Shambhala Publications. This book was released on 1994 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese painting might be called "philosophy in action", for it is one of the highest expressions of Chinese spirituality. Both a medium for contemplation leading to self-transcendence and a microcosm embodying universal principles and primal forces, it is a means for making manifest the Chinese worldview. At the heart of this worldview is the notion of emptiness, the dynamic principle of transformation. Only through emptiness can things attain their full measure and human beings approach the universe at the level of totality. Focusing on the principle of emptiness, Francois Cheng uses semiotic analysis and textual explication to reveal the key themes and structures of Chinese aesthetics in the practice of pictorial art. Among the many Chinese writers, poets, and artists whose writings are quoted, he gives special emphasis to a great Ch'ing dynasty theoretician and painter, Shih-t'ao. Twenty-seven reproductions of the words of Shih-t'ao and other masters illustrate the interpretive commentary.
Download or read book The Art of Chinese Painting written by 林茨 and published by 五洲传播出版社. This book was released on 2006 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: 本书主要对中国传统的与现代的绘画艺术做了一个简要的精致的描述.
Download or read book Chinese Painting written by Osvald Sirén and published by . This book was released on 1974 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book 中国绘画珍藏 written by 林武汉 and published by 中信出版社. This book was released on 2007 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional Chinese painting represents the best traditions of oriental painting, and occupies an important place in the art gallery of the world. Included in this album are precious Chinese paintings drawn from the Jin (265-420) to the Qing Dynasty (1644-1911), which are in the collection of the Palace Museum of Beijing and Taipei separately, as well as numerous art museums at home and abroad.
Book Synopsis Chinese Painting and Its Audiences by : Craig Clunas
Download or read book Chinese Painting and Its Audiences written by Craig Clunas and published by Princeton University Press. This book was released on 2023-10-17 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the reception of Chinese painting from the sixteenth century to the present What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Book Synopsis Transforming Traditions in Modern Chinese Painting by : Jason C. Kuo
Download or read book Transforming Traditions in Modern Chinese Painting written by Jason C. Kuo and published by Peter Lang. This book was released on 2004 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Chinese painting embodies the constant renewal and reinvigorations of Chinese civilization amidst rebellions, reforms, and revolutions, even if the process may appear confusing and bewildering. It also demonstrates the persistence of tradition and limits of continuities and changes in modern Chinese cluture. Most significantly, it compels us to ask several important questions in the study of modern Chinese culture: How extensively can cultural tradition be re-interpreted before it is subverted? At what point is creative re-invention an act of betrayal of tradition? How has selective borrowing from Chinese tradition and foreign cultrue enabled modern Chinese artists to sustain themselves in the modern world? By focusing on the art of Huang Pin-hung (1865-1955), particularly his late work, this book attempts to provide some answers to these questions.
