Chinese And Japanese Works Of Art

Author : Ernest F. Fenollosa
Publisher : Forgotten Books
ISBN 13 : 9781330134559
Total Pages : 402 pages
Book Rating : 4.1/5 (345 download)

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Download or read book Epochs of Chinese Japanese Art, Vol. 1 written by Ernest F. Fenollosa and published by Forgotten Books. This book was released on 2015-06-17 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Epochs of Chinese Japanese Art, Vol. 1: An Outline History of East Asiatic Design With the publication of this book three years of continuous work upon a most complicated and difficult manuscript comes to an end. I have had assistance from scholars all over the world. Many months have been spent in Japan, where invaluable aid was given by artists and scholars who had been associated, several of them since the year 1880, with the arechæological researches and the study of Chinese and Japanese Art to which, shortly after his arrival in Japan, Ernest Fenollosa determined to devote his life. The original manuscript of this book, left as it was in hasty pencil writing, was little more than a rough draft of the finished work he intended to make of it. Many historical dates, the names of temples, Sanskrit and Chinese names, and even the full names of artists were often left a blank. Especially in the choice of illustrations has the work seemed, at times, beyond the grasp of any intelligence less than his. A full list of these was made out, but often the description consisted of a single word of identification known only to the writer. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.