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Arts Of Being Yoruba
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Book Synopsis Arts of Being Yoruba by : Adélékè Adéèkó
Download or read book Arts of Being Yoruba written by Adélékè Adéèkó and published by Indiana University Press. This book was released on 2017-07-17 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is a culturally significant way of being Yorùbá that is expressed through dress, greetings, and celebrations—no matter where in the world they take place. Adélékè Adék documents Yorùbá patterns of behavior and articulates a philosophy of how to be Yorùbá in this innovative study. As he focuses on historical writings, Ifá divination practices, the use of proverbs in contemporary speech, photography, gendered ideas of dressing well, and the formalities of ceremony and speech at celebratory occasions, Adéékó contends that being Yorùbá is indeed an art and Yorùbá-ness is a dynamic phenomenon that responds to cultural shifts as Yorùbá people inhabit an increasingly globalized world.
Book Synopsis Arts of Being Yorùbá by : Adéléke Adéè̳kó̳
Download or read book Arts of Being Yorùbá written by Adéléke Adéè̳kó̳ and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Yoruba Art and Language by : Rowland Abiodun
Download or read book Yoruba Art and Language written by Rowland Abiodun and published by Cambridge University Press. This book was released on 2014-11-13 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The Yoruba was one of the most important civilizations of sub-Saharan Africa. While the high quality and range of its artistic and material production have long been recognized, the art of the Yoruba has been judged primarily according to the standards and principles of Western aesthetics. In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abiodun offers new insights into Yoruba art and material culture by examining them within the context of the civilization's cultural norms and values and, above all, the Yoruba language. Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts. The book includes a companion website with audio clips of the Yoruba language, helping the reader better grasp the integral connection between art and language in Yoruba culture.
Book Synopsis Art and Risk in Ancient Yoruba by : Suzanne Preston Blier
Download or read book Art and Risk in Ancient Yoruba written by Suzanne Preston Blier and published by Cambridge University Press. This book was released on 2015-04-06 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.
Download or read book Gẹlẹdẹ written by Henry John Drewal and published by Indiana University Press. This book was released on 1983 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: ..". an exceptionally rich source for all those interested in symbolic, religious or social studies." -- Tribus ..". an excellent book... fascinating to read." -- Research in African Literatures ..". a volume that establishes the standards by which future works on the masked festivals of the Yoruba and other Sub-Saharan African peoples will be judged." -- African Arts ..". the most sophisticated art historical analysis of a single African aesthetic tradition." -- Tribal Arts Review
Download or read book The Yoruba written by Akinwumi Ogundiran and published by Indiana University Press. This book was released on 2020-11-03 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Yoruba: A New History is the first transdisciplinary study of the two-thousand-year journey of the Yoruba people, from their origins in a small corner of the Niger-Benue Confluence in present-day Nigeria to becoming one of the most populous cultural groups on the African continent. Weaving together archaeology with linguistics, environmental science with oral traditions, and material culture with mythology, Ogundiran examines the local, regional, and even global dimensions of Yoruba history. The Yoruba: A New History offers an intriguing cultural, political, economic, intellectual, and social history from ca. 300 BC to 1840. It accounts for the events, peoples, and practices, as well as the theories of knowledge, ways of being, and social valuations that shaped the Yoruba experience at different junctures of time. The result is a new framework for understanding the Yoruba past and present.
Download or read book The Shattered Gourd written by Okediji and published by University of Washington Press. This book was released on 2012-05 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria. In Yoruba legend, the sacred Calabash of Being contained the Water of Life; when the gourd was shattered, its fragments were scattered over the ground, death invaded the world, and imperfection crept into human affairs. In more modern times, the shattered gourd has symbolized the warfare and enslavement that culminated in the black diasporas. The "re-membering" of the gourd is represented by the survival of people of African origin all over the Americas, and, in this volume, by their rediscovery of African art forms on the diaspora soil of the United States. Twentieth-century African American artists employing Yoruba images in their work have gone from protest art to the exploration and celebration of the self and the community. But because the social, economic, and political context of African art forms differs markedly from that of American culture, critical contradictions between form and meaning often appear in African American works that use African forms. In this book -- the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition -- Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as "the immense possibilities of the future, as the twenty-first century embraces the twentieth in a primal dance of the diasporas," a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism.
Book Synopsis The Yoruba from Prehistory to the Present by : Aribidesi Usman
Download or read book The Yoruba from Prehistory to the Present written by Aribidesi Usman and published by Cambridge University Press. This book was released on 2019-07-04 with total page 519 pages. Available in PDF, EPUB and Kindle. Book excerpt: A rich and accessible account of Yoruba history, society and culture from the pre-colonial period to the present.
Book Synopsis Flash of the Spirit by : Robert Farris Thompson
Download or read book Flash of the Spirit written by Robert Farris Thompson and published by Vintage. This book was released on 2010-05-26 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: This landmark book shows how five African civilizations—Yoruba, Kongo, Ejagham, Mande and Cross River—have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World.
Book Synopsis Yoruba Art and Language by : Rowland Abiodun
Download or read book Yoruba Art and Language written by Rowland Abiodun and published by . This book was released on 2014-07-31 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rowland Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts.
Download or read book Yoruba written by Babatunde Lawal and published by 5Continents. This book was released on 2012-06-01 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art features prominently in the culture of the Yoruba, a people numbering more than 25 million and subdivided into different kingdoms in Nigeria and adjacent regions. It both enriches life and is used to venerate and influence deities. This new book explores the archaeological and historical evidence that suggests that by the beginning of the second millennium, many Yoruba kingdoms had become major urban centers with highly developed economic, cultural, political, and religious institutions. Drawing on field observations, contextual analyses, oral sources, and published materials, this book offers insight into the poetics and dynamics of Yoruba art and the belief that the “beautiful” or “well-made” generates a special power that commands attention.
Download or read book African Renaissance written by M Okediji and published by . This book was released on 2002-09-15 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: African Renaissance: New Forms, Old Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Moyo Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria’s independence and the new nation’s subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland.
Author :Mikelle Smith Omari-Tunkara Publisher :Wayne State University Press ISBN 13 :9780814328521 Total Pages :228 pages Book Rating :4.3/5 (285 download)
Book Synopsis Manipulating the Sacred by : Mikelle Smith Omari-Tunkara
Download or read book Manipulating the Sacred written by Mikelle Smith Omari-Tunkara and published by Wayne State University Press. This book was released on 2005 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first art historical study of Yoruba-descended African Brazilian religious art based on an author's long-term participation in and observation of private and public rituals.
Book Synopsis Divining the Self by : Velma E. Love
Download or read book Divining the Self written by Velma E. Love and published by Penn State Press. This book was released on 2015-06-29 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love’s work explores the ways in which an ancient worldview survives in modern times. Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.
Download or read book Art and Oracle written by Alisa LaGamma and published by Metropolitan Museum of Art. This book was released on 2000 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
Book Synopsis Black Gods and Kings by : Robert Farris Thompson
Download or read book Black Gods and Kings written by Robert Farris Thompson and published by . This book was released on 1971 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis African Art at the Harn Museum by : Robin Poynor
Download or read book African Art at the Harn Museum written by Robin Poynor and published by University Press of Florida. This book was released on 1995-01-01 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Insightful and profound."--Arthur P. Bourgeois, Governors State University, University Park, Illinois "More than just another exhibition catalogue. . . . The conceptual framework and orientation of the essay are original. [Poynor suggests] the complexity of African religious beliefs and the diversity of roles art plays in their manifestation."--Barbara Frank, SUNY-Stony Brook With dramatic color and black-and-white photographs of ninety-three pieces of art, African Art at the Harn Museum introduces the notable collection of West African art from the Samuel P. Harn Museum of Art. In the traditional view of many Africans, the spiritual and temporal worlds depend upon each other for companionship and material well-being. As the inhabitants of either realm cross and recross their world boundaries, art objects function as intimate links between the two domains, allowing both spirit and human to see and to manipulate each other. This work specifically addresses the role of the art object--a bowl from Cameroon, a mask from Burkina Faso or Sierra Leone, an ancestral altar from Nigeria, a fertility figure from Ghana--as a medium through which each world gains entrance into the other. Poynor's essay presents each work in its geographic and cultural context. Line drawings and abundant field photographs enhance the text and support the idea that the objects assist communication between two worlds. Robin Poynor, associate professor of art at the University of Florida, is guest curator of the "Spirit Eyes, Human Hands" exhibition of the university's Samuel P. Harn Museum of Art. He is the former curator of the Tweed Museum at the University of Minnesota, Duluth. He has written principally on the art of the Yoruba Kingdom of Owo, Nigeria, where he did field research, and he has curated a number of exhibitions of African art, writing essays, catalogues, and display texts for the Metropolitan Museum of Art, Birmingham Museum of Art, and Indiana University Art Museum. He has published extensively in African Arts.
